
Original Air Date: October 18, 1939Host: Andrew RhynesShow: The Lone RangerPhone: (707) 98 OTRDW (6-8739) Stars:• Earle Graser (Lone Ranger)• John Todd (Tonto) Writer:• Fran Striker Producer:• George W. Trendle Music:• Ben Bonnell Exit music from: Roun...
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Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.
Narrator
A fiery horse with the speed of light, a cloud of dust and the hearty hi O Silver the Lone Ranger.
Talkspace Marketing Team
This podcast is sponsored by Talkspace. You know when you're really stressed or not feeling so great about your life or about yourself? Talking. Talking to someone who understands can really help. But who is that person? How do you find them? Where do you even start Talkspace? Talkspace makes it easy to get the support you need. With Talkspace, you can go online, answer a few questions about your preferences and be matched with a therapist. And because you'll meet your therapist online, you don't have to take time off work or arrange childcare. You'll meet on your schedule wherever you feel most at ease. If you're depressed, stressed, struggling with a relationship or or if you want some counseling for you and your partner or just need a little extra one on one support, Talkspace is here for you. Plus Talkspace works with most major insurers and most insured members. Have a $0 copay. No insurance, no problem. Now get $80 off of your first month with promo code space80 when you go to talkspace.com match with a licensed therapist today at talkspace.com save $80 with code space8zerokspace.
Narrator
In the early days of the western United States. Criminals and confidence men, cattle rustlers and road agents made the new territory their headquarters. The local sheriffs were powerless against them. And it was not until the masked rider of the plains started his fight for law and order that peace and security were brought to the frontier. Nowhere in the pages of history could one find a greater champion of justice. Nowhere a man to match his courage or daring. Return with us now to those thrilling days when the west was young. From out of the pass come the thundering hoof beats of the great horse Silver. The Lone Ranger rides again.
Asa Botts
Come on, Silver. We're heading for Clearwater Canyon. Hey. O Silver.
Tonto
Hawaii.
Narrator
Peacefully grazing cattle in Clearwater Canyon were suddenly started out of their calm. A horseman rode among them. And while his mount reared and pranced, he shouted at the top of his voice and his six gun echoed from the canyon wall. The alarmed animals began first to press together, then nervously to circle. And finally, when the contagion of panic had swept through their ranks, to lunge in a body for the canyon's mouth. The horsemen had brought about a mad stampede. But a second horseman was between them and the open plain beyond. When the first faint thunder the approaching herd reached his ears, he rained his mount to a halt.
Asa Botts
A stampede. And coming like they prom meant to get here. Boy, you and me better roll up our bridges and get for home.
Narrator
Get up.
Asa Botts
Get along there. Get up. Get up there.
Narrator
But as swiftly as a man rode to the open plain in safety, the stampede gained more swiftly still.
Asa Botts
Get up there.
Narrator
And his goal was yet some distance ahead when he met disaster. His mount, urged to its greatest speed, was unable to avoid a gopher hole. I'm get up.
Asa Botts
My is like it's broke. They're coming fast. You all right, boy? You all right? Let's get going. Clear out. You hear me? Ain't no users both getting trapped. Go on, boy. Go on.
Sheriff
Go on.
Asa Botts
Clear out. A mask, man. Get up. Get off the ground. Cat legs busted. Better turn back. You'll never make it. You can't swing you up now.
Narrator
Get with you.
Asa Botts
Grab the saddle.
Narrator
Hold on. Come on, Silver.
Asa Botts
Come on out of the canyon, old boy. My heart.
Tonto
He'll make it alone.
Asa Botts
Hurry, Silver.
Narrator
Hurry.
Asa Botts
Hurry.
Narrator
The Lone Ranger's great white stallion raced ahead of the stampeding herd, drew slowly away and then, reaching the plain, broke into the clear. Last man did not draw rein until he joined the wedding figure of Tonto, his faithful Indian companion. Oh. Oh, Silver.
Sheriff
Oh, boy.
Tonto
Oh, there. Give me a hand with this fellow. Tallow.
Narrator
I think his Leg's broken. Me get him Easy.
Tonto
That tallow lifts you down. Friend gone.
Asa Botts
Leg aches like blazing.
Narrator
He got him now.
Asa Botts
Thanks. You exigen.
Narrator
You lay there, Tonto. Thick splint.
Asa Botts
Josh. I don't know what to say. You stranger. If you hadn't got me out from underfoot just when you did.
Tonto
Forget it. Tanto. See what you can find. That'll serve as a splint for now.
Narrator
Me?
Tonto
When we get you home, you can get fixed up all right.
Asa Botts
Sure. When I think of how you risk your life.
Tonto
I said forget it. Right now. There's something that interests me more. You like talking?
Asa Botts
It'd take more than a busted leg to stop me.
Tonto
Very well. And tell me, who might want to see you killed?
Narrator
Huh?
Asa Botts
Killed?
Tonto
That stampede wasn't an accident. It was started for a purpose.
Asa Botts
You're loco.
Tonto
You probably didn't hear the shots that set it off. Toto and I did. Those shots that attracted our attention in the first place.
Asa Botts
Oh, you. You mean someone in the canyon there tried to get me trampled?
Tonto
You almost were.
Asa Botts
I'll be switched.
Tonto
You can think of no one who wanted you out of the way.
Asa Botts
Didn't say that, did I? Strange. I'll tell you something. If them critters was roused to purpose, if somebody wanted me killed, I don't have to wonder who done it. I can give you his name.
Tonto
Which is exactly what I want to know.
Asa Botts
Luke Smead.
Narrator
Yes.
Asa Botts
He said he'd get me like a fool. I never thought he'd have the nerve to try.
Tonto
Who is Smead?
Asa Botts
My partner. Worse luck. See, all this range hereabouts belongs to us. Them critters had come close to doing me in. My own cows.
Tonto
I see. You can think of no one but Smead who would dislike you enough to be responsible for what just happened.
Asa Botts
Oh, I ain't on bad terms with any other fella in the county.
Tonto
But would Smeed benefit by your death? Why would your own partner dislike you?
Asa Botts
Sure, he'd benefit. We got a partnership agreement. Anything happens to either one of us, the other gets his share of the ranch. Mr. Luke hating me? Well, I caught a no good brother of his rustling. I'd give him fair warning, but he just kept it up. So I turned him over to the sheriff, but the vigilantes grabbed him from the law and hung him. There'd been too many rustlers going loose in the county. Luke never forgive me.
Tonto
That's easy to understand. The other hand, you had only done your duty.
Asa Botts
That's the way I'd figured it. Oh, that blasted leg.
Tonto
You haven't told me your name.
Asa Botts
Asa stranger. Aser Botts.
Tonto
Well, Azer, tata's coming now. We'll do what we can for you. See that you get home.
Asa Botts
Thank you, friend.
Tonto
And if Luke calls that stampede, perhaps we'll prove it.
Narrator
The Lone Ranger in Tonto bound Aza's broken leg to a splint, then carried him home, where they turned him over to his men. When Aze had been placed in bed, his foreman, Curly Macklin, stood beside him, awaiting orders.
Curly Macklin
I'm mighty Sorry about this, Mr. Botts.
Asa Botts
Likely you are. There's another army in this place that's sorry too. Only he's sorry I weren't killed. But who could? That's my business.
Curly Macklin
Where is Luke, Mr. Smead? Just a second. Yeah, there he is. Just turning his horse into the corral.
Asa Botts
Oh, he is, is he? Been away from the place, huh?
Curly Macklin
Reckon so, Mr. Butts. He said something this morning about having to look through the brush for scrubs. He thought come round up here.
Asa Botts
When'd he leave?
Curly Macklin
Right after you, as I recollect.
Asa Botts
Right after me, huh? Thought so. Quit asking questions. Attend your own affairs. You sent men up for that west line cabin yet? Bet you ain't no, and see to it. Dog gone it. Go on. Pick two fellers and get them on their way. Another thing. On your way out, tell Luke to come here. Tell him to get here Prono.
Curly Macklin
Go on, Mr. Bob.
Asa Botts
It'll be necessary.
Narrator
I'm here, all right. Curly cleared me about your leggies.
Asa Botts
Don't you pretend to be sorry.
Narrator
Me? Don't worry. I'd rather bend your neck.
Asa Botts
Glad to hear it. Yeah, it just makes it easier to come down to cases. Curly says you rode out just after me. That so? You my nursemaid, Ray Dancer?
Narrator
Sure, I rode out. Reckon it most likely was close after you left. What of it?
Asa Botts
I ain't told the boys yet, but that stampede was started a purpose. Started a purpose with me in front of it. With the chances 9 and 10 I wouldn't get away. And if it hadn't been for a masked crook, I wouldn't have added a purpose, eh?
Narrator
Too bad.
Asa Botts
Why should you ask?
Narrator
I get it. It was me started the stampede, eh? Why, you old fool. I said one day I'd even a score between me and you and a will. But when I do, it'll be in a way where you won't be doubting who done it. Jim hung on account of you.
Asa Botts
When I get in my licks, you'll.
Narrator
Know where they come from.
Asa Botts
I know Now.
Narrator
But you're alive. I won't miss.
Asa Botts
Luke, I'll make you a proposition.
Narrator
Yeah?
Asa Botts
I'll buy out your half of this outfit. Give you a fair price. On condition you start up again someplace outside this county.
Tonto
Give me cold feet?
Asa Botts
No such thing. It's this. As things can't go on this way. Who ever heard of two fellas hating each other and still being partners?
Narrator
I like it here. I ain't leaving. But I'll make you a proposition. I'll buy you one.
Asa Botts
I won't sell. We'll do it my way or not at all.
Narrator
It is not at all.
Asa Botts
I'm gonna change the agreement we drew up. I'm gonna see through it. You never get my half if something happens to me.
Narrator
Go right ahead. That suits me down to the ground.
Asa Botts
Then we know how we stand.
Narrator
Yes, sir.
Asa Botts
Good. And for your information, I got a gun here under the covers. Fly anything before my leg mends and you'll find a busted leg. Ain't interfering any with my aim.
Narrator
Which never was. Nothing to brag of.
Asa Botts
Come in. Come in. Oh, howdy, sheriff. Who told you about what happened? Never knew it till I got here.
Narrator
Then what are you doing here?
Sheriff
I got bad news for both of you.
Narrator
Huh?
Sheriff
Your boy, he said, bud.
Asa Botts
Something happened to Buddha.
Sheriff
I just come from his place.
Asa Botts
Why ain't he come here? Said he was going to drop in on me this week. Hey, sir.
Sheriff
He's dead.
Asa Botts
Is that you?
Sheriff
Say, hey, sir.
Narrator
Murdered, sheriff. Who done it?
Sheriff
You did, Luke. Hold out your hand.
Narrator
Luke was handcuffed and forced to leave the ranch house by a side door. The sheriff kept him covered as he walked toward his horse.
Sheriff
Steady, fella. Don't make no funny moves.
Asa Botts
Luke.
Narrator
No gun. At least I got a right to know why you're blaming this killing on me.
Sheriff
Luke. You're as good as hung.
Narrator
But I tell you, in the first.
Sheriff
Place, everybody knows how you've been promising to get even with Asa.
Narrator
I never had nothing again. Asa's boy.
Sheriff
You blamed Asa for the hanging of that worthless brother of yours. If he'd just snatch her for you to strike back through.
Narrator
Bud, if that's all you got on me, you can't hold me in jail an hour.
Sheriff
It ain't.
Narrator
What else is there?
Sheriff
You dropped your bandana when you made your getaway. Too excited to notice, I reckon. And like all you wear, it's got your initials and it was stolen.
Narrator
Planted there. I've been wearing the same one for the past two days.
Sheriff
You'd have a hard time proving it. But that's just the least of it.
Narrator
You can.
Sheriff
You didn't finish Bud off as clean as you must have figured. He lived on a spell. Lived on long enough to grab a pencil and paper and write who shot him.
Narrator
And he named me your soul.
Sheriff
Think it over. You murdered. And the man you murdered testifies agin you.
Tonto
Yeah.
Sheriff
Can't beat a thing like that.
Narrator
No.
Sheriff
We palaver long enough, I'm aboard. We'll ride double.
Narrator
Nope. I don't reckon we will.
Sheriff
You think I'm going to get a horse for you from the corrals and let everybody know?
Narrator
Hey, Curly.
Asa Botts
What?
Sheriff
What? There ain't nobody there. You busted my wrist.
Asa Botts
I said I wasn't riding double.
Narrator
I'm riding alone. Get up there.
Asa Botts
Hey.
Sheriff
Hold on. Come back here.
Asa Botts
Help.
Sheriff
Stop that fella.
Asa Botts
I go after him. What's the matter? Is that Luke riding off?
Sheriff
Get horses and bring him back. He's my prisoner. He knocked the gun from my hands.
Curly Macklin
Threw him a horse.
Sheriff
Don't just stand there. You hear me?
Asa Botts
Saddle up.
Narrator
It was an hour later. The Lone Ranger and Tonto had returned to Clearwater Canyon and were examining the ground.
Tonto
I'm afraid there's nothing here. The ground's too badly torn up by the stampede. Any trail made through here beforehand would be completely destroyed.
Narrator
Matt. Right. What we do now?
Tonto
We'll make camp somewhere and then see Asa again. Now I want to look at Luke smead.
Narrator
We. What's that sound like?
Tonto
Horse through the brush there.
Curly Macklin
Ah.
Tonto
Break into the clear in just a moment.
Narrator
There, there, Feller. Hi.
Asa Botts
Back, Back. Hold on. I'm scared.
Tonto
The moment he saw us, he changed direction. He wanted to get away. You notice his hands? Taylor?
Narrator
What matter?
Tonto
That fella wore handcuffs. We're going after him. Come on.
Narrator
Get him up.
Asa Botts
Scarlet, Silver, away.
Narrator
The curtain falls on the first act of our Lone Ranger drama. Before the next exciting scenes, please permit us to pause for just a few moments.
Talkspace Marketing Team
This podcast is sponsored by Talkspace. You know when you're really stressed or not feeling so great about your life or about yourself? Talking to someone who understands can really help. But who is that person? How do you find them? Where do you even start? Talkspace. Talkspace makes it easy to get the support you need. With Talkspace, you can go online, answer a few questions about your preferences, and be matched with a therapist. And because you'll meet your therapist online, you don't have to take time off work or arrange childcare. You'll meet on your schedule, wherever you feel most at ease. If you're depressed, stressed, struggling with a relationship or if you want some counseling for you and your partner or just need a little extra one on one support, Talkspace is here for you. Plus, Talkspace works with most major insurers and most insured members have a $0 copay. No insurance, no problem. Now get $80 off of your first month with promo code space80 when you go to talkspace.com, match with a licensed therapist. Today at talkspace.com save $80 with code.
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Narrator
Now to continue our story. Luke Smead, handcuffed and riding a tired horse, had no hope of escaping from the masked man in Tonto. Get up, boy. Get up.
Asa Botts
Stay back. Stay back, blast you. I'll let you have it.
Narrator
I'm warning you. Come on, Silver him. Take it.
Asa Botts
You're not hurt, you dirt. Hold up. Hold up.
Narrator
Let me go.
Asa Botts
This ain't none of your Give me a chance.
Tonto
What's the many of those handcuffs? What are you running from?
Narrator
What dares it make to you?
Asa Botts
Just let me go. That's all I'm asking.
Tonto
They're running from the law. You've got funny to explain. I will before we're through. Right on that side of him, Tando. He's coming with us.
Narrator
Come on. The sheriff, giving up the pursuit of his escaped prisoner, returned to town, sending two of his deputies out to hunt for Luke's trail. That evening he sat in his office with a third deputy, Cal Munson.
Sheriff
I never had so much evidence agin a feller. And all the time I've been in office, short of catching him in the act. And then he gets away from me. I ought to turn in my badge. I must be getting too old for the job.
Curly Macklin
A man wearing handcuffs can't stay on the dodge for long. He'll be back.
Sheriff
And in the meantime, I'm the laughing stock of everybody in the county.
Curly Macklin
If it's lucky for you, you ain't worse.
Sheriff
Huh? What do you mean by that?
Curly Macklin
I was just thinking of what folks might have said if there hadn't been such a side of evidence against Luke. They might even suspicion that. Well, I reckon. You savvy?
Tonto
All right.
Sheriff
And I killed Bud.
Curly Macklin
Don't get me wrong. I'm not saying anything. I'm only pointing out what others might have said. Yeah, well, how much use did you ever have for Aces, boy? None at all, and you know it. And others know it. And others might have recollected the fight you and Bud have had.
Sheriff
You ain't even making sense.
Curly Macklin
No, well, don't matter. I reckon Luke's guilty right enough, circumstances being what they are. Nobody's accusing you. I just mentioned it to show you how being laughed at for losing a prisoner ain't half so bad as being pointed to as maybe a killer.
Sheriff
Then forget that fool talk. You a masked man.
Narrator
Don't move.
Asa Botts
What the.
Tonto
Sheriff, this isn't a hold up. There's something here I wish to see.
Curly Macklin
What's here that a crooked want?
Narrator
I'm the law and you do as I say.
Tonto
Keep your hand from that gun, Sheriff.
Sheriff
Why, bless you.
Tonto
Good gosh, that's better. Next time don't try to outdraw me.
Sheriff
I never seen a draw like that in all my born days.
Tonto
Now maybe we can get down to business. Asaphat's son owned a small outfit not far from here. This morning, Sheriff, you stopped by his place and found him murdered.
Sheriff
Hey, where'd you find out all this?
Tonto
You know as well as I do, the news is all over the district by now. However, I got my information from another source.
Narrator
What do you mean?
Tonto
Never mind. That it'll do you no good to ask who told me. The point is this, Sheriff, you found a note in Bud's cabin naming who killed him.
Narrator
Though I've heard.
Tonto
I want to see that note when I've seen it for myself. You may have it back.
Sheriff
Well, you can read it, but. Mister, you do anything with it you shouldn't, and I'll make this county so hot for you, you wish you'd left well enough alone. Cal opened that drawer by your right hand. There. That's where the note is.
Narrator
That night, the shock following the news of his son's death, combined with the pain of his fractured leg, made sleep impossible for Asa Botts. He refused to be left alone and ordered his foreman, Curly Macklin, to keep him company.
Curly Macklin
Don't you think he could sleep a little if I was to turn down your lamp and leave you alone for a spell, Mr. Botts? Gosh, you gotta have some rest.
Asa Botts
He'll stay right there.
Curly Macklin
It ain't me I'm thinking of. It's you.
Asa Botts
It ain't me I'm thinking. My boy and Luke. That dirty sidewinder.
Curly Macklin
I never figured things would come to this.
Asa Botts
I should have known. Should have been on guard.
Curly Macklin
Now, don't go to blame on yourself, Curry.
Asa Botts
Yeah, I'm just laying here hoping for one thing. I'm just hoping Luke ain't caught. For now. I'm hoping he stays free till this here leg gets well.
Narrator
What first?
Asa Botts
So's I can go after myself? So it can be me that deals with him. You think I want him to go to trial with a chance of going free or breaking jail first?
Curly Macklin
Shucks, boss, there ain't a chance of it. He'll be caught, and he'll stay caught. When the judge passes sentence, he'll hang.
Asa Botts
With a sheriff hanging him, I want to pay him back myself. You savvy that? He killed my boy. I want to pay him back personal.
Narrator
Here.
Curly Macklin
Now, you get so head up you forget your leg. Now, try to take it easy.
Asa Botts
Me here with a busted leg and everything. Trouble. More trouble. Get outside. See who's doing that.
Curly Macklin
Right.
Asa Botts
And if it's one of the boys home from town and raising net. Give him his time. Send him packing. I'll handle it. Wait a minute. Close that door. Told you before, it's drafty in here. If it ain't one thing, it's another. When I see Luke hung, I'm gonna quit ranching. Tain't worth what?
Tonto
Quiet, Asa.
Asa Botts
It's you. It's the masked man.
Tonto
I want to talk with you in.
Asa Botts
Privacy, in trouble, the law get after you.
Tonto
Not that, Asa. I'm hoping to help you in your trouble.
Narrator
But why?
Tonto
First turn down that lamp. I don't want it possible for anyone to see me through the window.
Asa Botts
I don't savvy. When a gent saves my life like you done, I don't argue neither.
Tonto
Curly comes back, send him away. Don't let him enter. Tell him he wish to sleep.
Sheriff
Sure.
Asa Botts
He left to find out what crazy fool got the exercise and his shooting irons careless outside. You must have heard the shots.
Tonto
I did. I fired them.
Narrator
Huh? You fired them to get Curly away.
Asa Botts
Well, I'll be dork on, Asa.
Tonto
I want you to do something for me.
Asa Botts
Just name it.
Tonto
In reality, it's something for yourself.
Asa Botts
Yeah.
Tonto
Tomorrow night, I want three men besides yourself here in this room.
Asa Botts
What three men?
Tonto
Your foreman, the sheriff and Cal Munson.
Asa Botts
What for?
Tonto
Tell the sheriff to bring with him all the evidence he's holding against Luke Smead, including the note written by your son.
Narrator
Still ain't told me what fur do that.
Tonto
And before they leave, you'll know the identity not only of the man who started that stampede, but of the man who killed your son.
Asa Botts
That snowed already. Luke Smead done it.
Tonto
Perhaps.
Asa Botts
No perhaps about it. My boy's killer will never be in this house till Luke is. That's as plain as a mask you're wearing.
Tonto
Luke will be here. Asa.
Narrator
Huh?
Tonto
Will you do as I've asked?
Asa Botts
Sure, I'll do it. But that you just said about Luke. What do you mean? You know where he is? Has he been caught?
Tonto
I know where he is, Asa. I know because I caught him.
Narrator
Refusing to explain further, the masked man departed as he had come. And when daylight arrived, Asa carried out his promise, sending a man in town with a message to the sheriff and his deputy. Curly, too, was told to be present. And that evening, when the sheriff and Cal arrived, he joined them in front of the house.
Sheriff
Got any idea what Asa wanted us for, Curly? Is there anything to you?
Curly Macklin
Nothing, except when to be there. Likely just wants to talk over how to catch Luke. Come on inside here. He'll be waiting for us.
Sheriff
He ought to know we're doing the best we can.
Curly Macklin
Step in.
Tonto
Sure.
Curly Macklin
I reckon he knows it, but maybe he's got some ideas of his own. Here's his room. Over here. The sheriff's here with Cal, ready to see us.
Sheriff
Good morning.
Curly Macklin
Goin here, fellas.
Sheriff
Evening, Asa.
Curly Macklin
Feeling better?
Asa Botts
You're wondering why had you come here, huh?
Tonto
Shucks.
Sheriff
If you got any ideas, it'll help us, Asa. I'd be glad to hear Em.
Asa Botts
You've been looking for Luke, figuring he killed Bud. I've been laying here hating Luke for that same reason. And all the time that both of us have been wrong.
Curly Macklin
But all the evidence. The note Bud wrote before he died. Yeah, and all that.
Asa Botts
Just hold on a second, gents. Let me tell it to you my own way. Now, first of all, the evidence part of it was that Luke had it in for me, weren't it? Sure, but that alone wouldn't be hanging evidence, would it? I mean, if there weren't nothing else to back it up.
Curly Macklin
Of course not. But with the other things to back.
Asa Botts
It up, I was coming to him. That bandana. That's the one with Luke's initials. Nobody could prove that hadn't been stolen from him, could they?
Curly Macklin
Oh, now look here, Mr. Bob.
Asa Botts
I don't want an argument. Want an answer. Could it be proved? Could it? Sheriff, you ought to be able to tell me that you represent the law.
Sheriff
Well, if you come right down to it, maybe not.
Asa Botts
Curly could have stolen. He's around the place all the time.
Curly Macklin
I never hadn't get fussed.
Asa Botts
I guess supposing. Well, that holds for the sheriff and Cal too. Sheriff stops in on business every once in a while. Cal's got friends among the hands. And he rides out this way every so often.
Sheriff
You're talking nonsense. Them things don't matter so much. It's the note Bud wrote while he was dying that proves the killing.
Asa Botts
Old Luke, huh? That note. Now I'm gonna tell you just what happened yesterday. You see, gents, I know who really killed Bud.
Curly Macklin
Oh, you king.
Sheriff
Who was it?
Asa Botts
I said I'd tell it my own way. Curly there says I can't know who done it. Well, a fella to blame is here in this room right now.
Curly Macklin
Well, now we're carrying a fool joke too far.
Sheriff
If you're just trying to be funny.
Asa Botts
Funny? Funny about the murder of my son, I'll show you how funny it is. I said I'd tell you just what happened yesterday. Well, I will. And I reckon the one of you that killed Bud'll know I savvy what I'm saying.
Sheriff
All right, we're listening.
Asa Botts
Well, first of all, yesterday I got this here busted leg when my horse threw me when I was trying to get out from under his stampede. I figured at the time that that stampede was started to get me. I accused Luke of it, but that weren't so at all. The feller started it, done it to wipe out his trail. If that note he'd wrecked didn't work, if anybody set out to follow him, then the stampede would stop him. There wouldn't be no more trail to follow.
Curly Macklin
How come you're so doggone sure Bud was killed?
Asa Botts
That bandana was dropped where to be found. Then the killer wrote out that note making it look like Bud was accusing Luke.
Sheriff
Go on.
Asa Botts
The killer was seen. Seen by a fellow that couldn't afford to testify in court. But he wrote out the whole thing and put it in that there envelope with proof to back it up.
Tonto
What envelope?
Asa Botts
That one right there behind you on the table. See, I. Oh, doggone. The lamp.
Narrator
Quick.
Asa Botts
Catch it. Ah, shucks.
Sheriff
It's busted.
Curly Macklin
I can't see nothing.
Asa Botts
That was my own fool fault. Shouldn't have brushed it with my arm.
Sheriff
Where's another light?
Asa Botts
Reach under my bed. I had an extra one put there.
Narrator
Find it.
Sheriff
Here it is.
Asa Botts
Light it up.
Sheriff
Just a second. Now we can see again. And the first thing I aim to look at is that there envelope.
Asa Botts
It's gone. What happened to it? If it's gone, then the fellow that's guilty took it. He's. By golly, it's the fellow I was telling you about. It's the fellow. Give me that envelope now. It don't matter if at what store he can tell which one of you done it.
Tonto
There's the man he's pointing at Curly.
Sheriff
Stand back.
Asa Botts
I'll shoot the first pull of Fowler.
Curly Macklin
I'm going through the window.
Asa Botts
You stay here.
Sheriff
A redskin is at the window.
Asa Botts
Blast you, stranger.
Curly Macklin
You knocked the gun right from his hand.
Tonto
Arrest him, Sheriff.
Sheriff
I got him.
Asa Botts
Blast you.
Narrator
If you hadn't seen me guilty.
Tonto
Curly, there's nothing you can do to save yourself. So you might just as well tell us why you killed Asa's son.
Curly Macklin
Cuz he knew I'd help Luke's brother.
Asa Botts
Russell cows from Asa and was going to tell.
Curly Macklin
I had to kill him to shut his mouth.
Narrator
Then my brother was guilty of rustling.
Sheriff
He was the only one stubborn enough to figure he wasn't Luke NASA.
Narrator
I was blaming you when you was in the right.
Asa Botts
Shucks, forget it.
Sheriff
What I'm more interested in right now is how the Mask fella happened by Bud's place just when the killing happened. There to tell us.
Tonto
Mister, I wasn't there. I didn't see the killing. I never claimed that I did.
Asa Botts
What?
Tonto
But I did see the note Bud was supposed to have written. Sheriff. It was written altogether too carefully and too clearly for a dying man. Bud couldn't have written it and as it accused Luke, and it was clear Luke hadn't written it either.
Curly Macklin
You must have seen me.
Narrator
Asa told us what I'd done.
Tonto
I told you what obviously must have been done when we knew the note was a forgery. As for the stampede, when I found the place it started, I saw that Asa would have had to been out of sight. The man who started the stampede couldn't have known Asa was in the canyon. Therefore he must have had another reason no cattle were stolen. It must have been to destroy a trail.
Curly Macklin
But you stood right there and pointed.
Asa Botts
Out Curly, the masked man and me had that fixed up between us, Cal. I claimed there was evidence in that envelope and I knocked over the lamp, giving the guilty fellow a chance to hide it in the dark. But he didn't know there was chalk on the envelope. When the masked man stepped in, he just pointed at the fellow that had.
Narrator
Chalk on his hand.
Sheriff
Well, I'll be doing chalk.
Curly Macklin
I never noticed.
Asa Botts
So you'll hang. And Luke, I reckon you and me can forget our feuding, huh, Asa?
Narrator
It's clean for God already.
Indeed Representative
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Asa Botts
It.
Narrator
The story you have just heard is a copyrighted feature of the Lone Ranger Incorporated.
Andrew Rines
This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com YouTube become one of our ranch hands and unlock some exclusive content. We want to thank the following ranch hand, Steve who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com sl copyright. Have a great day and thanks for listening.
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Title: A Question of Evidence | The Lone Ranger (10-18-39)
Host: Andrew Rines
Release Date: February 8, 2025
In this captivating episode of the Old Time Radio Westerns, host Andrew Rines presents a digitally restored rendition of The Lone Ranger episode titled "A Question of Evidence." This episode transports listeners to the rugged terrains of the Wild West, weaving a tale of betrayal, justice, and redemption with enhanced audio quality that breathes new life into this classic radio drama.
The story unfolds with Asa Botts and his loyal horse, Silver, navigating through Clearwater Canyon. As they peacefully graze cattle, Asa becomes the target of a meticulously planned ambush. The sudden stampede, marked by gunfire and chaos, forces Asa to retreat hastily, only to fall into a gopher hole, fracturing his leg.
Rescued by the Lone Ranger and his companion, Tonto, Asa reveals his suspicions that Luke Smead, his former partner, orchestrated the stampede out of vengeance. Asa explains their strained partnership, stemming from Asa's decision to report Luke's rustling activities, leading to the vigilante execution of Luke's brother.
As the plot thickens, Asa confronts his foreman, Curly Macklin, demanding the capture of Luke Smead. Tensions escalate when the sheriff accuses Asa of murdering his son, Bud, based on circumstantial evidence and a planted note. Asa vehemently denies the allegations, hinting at deeper corruption within the sheriff's ranks.
Determined to clear his name, Asa collaborates with Tonto to uncover the truth behind Bud's death and the orchestrated stampede. Their investigation leads them to expose Curly Macklin as the true antagonist, who manipulated evidence to frame Asa for the murder, motivated by personal vendettas and greed.
In a dramatic showdown, Asa and Tonto confront Curly and the corrupt sheriff. Through clever deduction and unwavering resolve, they unmask the deceit, ensuring that justice prevails. Curly's treachery is exposed, and Asa's innocence is vindicated, restoring peace to Clearwater Canyon.
Asa Botts: A principled rancher wrongfully accused of murder, whose quest for justice drives the narrative. His resilience and determination are central to unraveling the truth.
Tonto: The Lone Ranger’s steadfast companion, whose wisdom and bravery aid Asa in overcoming adversity and confronting corruption.
Curly Macklin: The cunning foreman whose jealousy and greed lead him to sabotage Asa, embodying the theme of betrayal.
Sheriff: Initially portrayed as an upholder of the law, his complicity in Curly's schemes reveals the depths of corruption within the established order.
Luke Smead: Asa’s former partner and the antagonist, whose vendetta against Asa sets the events of the episode into motion.
Justice vs. Corruption: The episode delves into the struggle between honest lawmen and corrupt individuals seeking personal gain, highlighting the challenges of upholding justice in the Wild West.
Betrayal and Loyalty: Asa's betrayal by Curly and the sheriff contrasts with the unwavering loyalty of Tonto, emphasizing the importance of true allies.
Redemption and Vindication: Asa's journey from wrongful accusation to vindication underscores the transformative power of truth and perseverance.
Asa Botts on Trust and Betrayal:
[08:23]
Asa Botts: "If you hadn't got me out from underfoot just when you did."
Tonto on Justice:
[10:21]
Tonto: "That's easy to understand. The other hand, you had only done your duty."
Curly Macklin's Silence:
[22:14]
Curly Macklin: "And I killed Bud."
Asa Botts' Determination:
[28:39]
Asa Botts: "I said I'd tell you just what happened yesterday."
Tonto's Wisdom:
[32:24]
Tonto: "But I did see the note Bud was supposed to have written. Sheriff. It was written altogether too carefully and too clearly for a dying man."
The Lone Ranger’s episode "A Question of Evidence" masterfully blends suspense, intricate plotting, and rich character dynamics to deliver a timeless Western tale. Through its exploration of justice, betrayal, and redemption, the episode reinforces the enduring legacy of these classic radio dramas. The Old Time Radio Westerns podcast’s commitment to digital restoration ensures that such stories continue to resonate with modern audiences, preserving the golden age of radio for generations to come.