Beeker’s Barn | Gunsmoke (12-20-59)

Summary

Old Time Radio Westerns Podcast – "Beeker’s Barn | Gunsmoke (12-20-59)"

Summary by Andrew Rhines

Release Date: March 8, 2025

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Introduction

In this compelling episode of the Old Time Radio Westerns podcast, host Andrew Rines presents a digitally restored version of the classic Gunsmoke episode titled "Beeker’s Barn," originally aired on December 20, 1959. This episode delves deep into the turbulent relationships and moral dilemmas faced by the characters in Dodge City, showcasing the timeless themes of justice, redemption, and familial bonds that define the Wild West.

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Setting the Scene

The story begins with Marshal Matt Dillon (voiced by William Conrad) introducing himself and the harsh realities of maintaining law and order in Dodge City.

Matt Dillon [01:15]: "Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal."

As a storm brews, Will Ross and Harmony seek shelter, inadvertently setting the stage for conflict with Jethro Beaker, a local landowner with a bitter past.

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Rising Tensions

[02:19 - 07:02]

Will Ross and Harmony navigate through a severe storm, only to find their stove out and their supplies burned. With no other option, they decide to seek refuge at Jethro Beaker’s ranch.

Will Ross [02:38]: "You think we can beat the storm to the line, shack?"

Harmony expresses concern about their predicament, highlighting the dire weather conditions.

Harmony [03:09]: "We gotta find shelter."

Upon arrival, tensions escalate as Jethro Beaker confronts them about occupying his barn without permission.

Jethro Beaker [07:05]: "You know me for a man of my word, Marshall, And I'm telling you this, if you don't ride back out there with me right now and get them two off my property, I'm going to burn that barn down with them inside it."

Matt Dillon attempts to mediate the situation, emphasizing the importance of maintaining peace.

Matt Dillon [07:57]: "If I'm gonna handle this, I'll handle it my own way."

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Climax: Confrontation and Revelation

[08:04 - 22:56]

As the night unfolds, Harmony reveals the strained relationship between Will Ross and Jethro Beaker, who had previously ousted them from the ranch following Harmony's marriage to Will.

Harmony [16:42]: "A baby's first look at the world. Ought to be all love and joy. Not like this. Not with Pa hating us like he does."

The tension peaks when Harmony discloses she has a grandson, prompting a significant shift in Jethro Beaker’s demeanor.

Harmony [22:17]: "Will you come in here, say howdy to your grandson?"

This revelation forces Jethro to confront his grudges and reconsider his stance towards Will and Harmony.

Jethro Beaker [22:43]: "Good, good. Well, come on, Will, let's look him over. By golly. Grandson."

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Resolution and Reconciliation

[22:58 - 23:52]

The newfound familial bond paves the way for reconciliation. Matt Dillon facilitates a peaceful resolution, ensuring that past grievances do not overshadow the present harmony.

Matt Dillon [23:21]: "Might as well. They'll probably have some ups and downs yet. But I guess the four of them will be able to work it out now."

The episode concludes with a sense of hope and restoration, highlighting the enduring spirit of the characters and their capacity for forgiveness.

Matt Dillon [23:43]: "Hey, Doc, why don't you come by the office when we get in town? Kitty's gonna be there. We thought we'd have a little something to drink and sit around and talk a while."

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Notable Quotes

• Matt Dillon [10:12]: "A man takes shelter where he can."
• Jethro Beaker [07:05]: "For the last time, I got no daughter."
• Will Ross [10:08]: "We just didn't have no choice."
• Harmony [16:42]: "A baby's first look at the world. Ought to be all love and joy. Not like this..."
• Jethro Beaker [22:22]: "Grandson."

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Key Themes and Insights

1. Justice and Mediation: Marshal Matt Dillon embodies the role of a fair mediator, striving to balance justice with compassion. His interactions demonstrate the complexities of enforcing the law in a frontier town rife with personal vendettas.

2. Redemption and Forgiveness: The episode underscores the possibility of redemption through family bonds. Jethro Beaker’s acceptance of his grandson symbolizes the healing power of familial connections.

3. Resilience in Adversity: The characters’ struggles against harsh weather and personal conflicts highlight their resilience, a hallmark of Western narratives.

4. Community and Solidarity: The resolution emphasizes the importance of community support and solidarity in overcoming challenges, reinforcing the interconnectedness of the town’s inhabitants.

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Conclusion

"Beeker’s Barn" is a quintessential Gunsmoke episode that masterfully intertwines personal drama with broader themes of justice and redemption. Through meticulous digital restoration, the Old Time Radio Westerns podcast breathes new life into this timeless tale, allowing modern audiences to experience the rich storytelling and vivid performances that once captivated listeners nationwide. This episode not only entertains but also offers profound insights into the human condition, making it a standout addition to the Gunsmoke series.

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Transcript

[Matt Dillon]

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[Will Ross]

Auto Parts.

[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now, let's get into this episode.

[Matt Dillon]

Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smell of gun smoke. Gun smoke. Starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it. I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lonely.

[Will Ross]

This ain't the smoothest wagon trail I ever seen, but it'll save us a couple of hours going cross country this way.

[Harmony]

Don't worry about me, Will. I'll be all right.

[Will Ross]

It's just I don't like the looks of that storm. Not this time of year. There's a lot of snow in them clouds.

[Harmony]

You think we can beat the storm to the line, shack?

[Matt Dillon]

Ought to.

[Harmony]

You sure?

[Will Ross]

Of course I'm sure.

[Chester]

Come on, you.

[Will Ross]

Soon as we get to the top of this rise, you'll see it.

[Harmony]

Oh, no.

[Will Ross]

Burned. Every last stick of it. Burned.

[Harmony]

Will, what are we gonna do?

[Will Ross]

Some hunter, some drifter may be left to fire without sand in it. Now it's gone.

[Harmony]

I guess the only thing is to head for Dodge.

[Will Ross]

Then we'd be driving all night.

[Harmony]

We can't stay out here, Will. We gotta find shelter.

[Will Ross]

I know.

[Harmony]

Must be a ranch house somewh.

[Will Ross]

There's just one that I know of.

[Harmony]

Well, then let's. No, no, we ain't going there.

[Will Ross]

We don't have much choice, Harmony.

[Harmony]

Well, I couldn't. I just couldn't.

[Will Ross]

Harmony, that's the only ranch within 15 miles. Drive four hours more in this wind and cold might just be too much. Like I say, Harmony, we just don't have no choice. We're heading for the ran.

[Chester]

It's a good thing I toted in all that stove wood, mister. Gentlemen, we're gonna need plenty of it before morning.

[Matt Dillon]

Yeah, it'll be a real cold night.

[Chester]

Sure looks like snow keeps on there. So it's gonna be two foot deep on the level.

[Matt Dillon]

You know, if you don't take your boots off that stove, you're gonna have two feet on the bare ground.

[Chester]

What are you talking about, Chester?

[Matt Dillon]

The soles are starting to smoke. Now take them off the stove.

[Chester]

I declare, Mr. Dillon, I thought I smelled something burning in here.

[Matt Dillon]

The stove's red hot.

[Chester]

Well, at least my feet's warm for the first time in two days. Say, I think maybe I'll rub them with tallow leather. Ought to soak it up real good, being hot that way.

[Kitty]

Even Rat Getty.

[Matt Dillon]

Come on in.

[Kitty]

Cold out tonight.

[Matt Dillon]

Stand there by the stove and burn with Chester.

[Kitty]

I can't stain that. I gotta get back to Long Branch.

[Matt Dillon]

Oh, big crowd tonight.

[Kitty]

Yeah, but quiet one. Men get sentimental at Christmas time.

[Chester]

Oh, I'm that way myself, Miss Kitty.

[Kitty]

Yes, so am I, Chester. I was thinking earlier this evening what it was like when I was a little girl. We used to always. It was a long time ago.

[Matt Dillon]

Why don't you stay a while, Kitty, and let Sam run the place tonight, huh?

[Kitty]

Well, the boys sort of need me, Matt. Talk to him and laugh with him, even though they're thinking of somebody else at the time.

[Matt Dillon]

Well, yeah, I know, but I don't mind.

[Kitty]

It's kind of nice to be needed by somebody. What I was thinking, though, Matt, later, around midnight, maybe the three of us could get together, make some hot rum.

[Matt Dillon]

Maybe That's a good idea, Kelly.

[Chester]

My thing it is. And maybe I could even get Mr. Jonas to wrestle up some chess then.

[Kitty]

I'll be counting on it. I'll come here if it's all right.

[Matt Dillon]

Fine.

[Kitty]

Kind of like to get away from the Long Branch later tonight.

[Matt Dillon]

Okay.

[Kitty]

How are you, Mr. Beaker?

[Jethro Beaker]

Oh, good evening.

[Kitty]

I'll see you later, Matt.

[Matt Dillon]

All right, Kitty. Come on in, Jethro. You look like you can stand some warming up.

[Jethro Beaker]

Marshal Dylan, I got some trouble out at my place.

[Matt Dillon]

Oh, what kind of trouble?

[Jethro Beaker]

I've been invaded, attacked on my own property, shot at. Look at that there hat.

[Matt Dillon]

Well, bullet come much closer, you'd have been shot. Not shot at. Who was it, Jethro?

[Jethro Beaker]

Couple coming through in the wagon. They took over my barn. Won't let me put a foot inside.

[Matt Dillon]

What do you mean, a couple? Mean a man and wife.

[Jethro Beaker]

How do I know if they're man and wife?

[Matt Dillon]

Maybe they just want shelter from the storm.

[Jethro Beaker]

Marshall, I don't care what they want. They took possession of my barn without so much as a by your leave. Now, I want them throw it out of it tonight.

[Matt Dillon]

Well, can't we leave it till morning, Jethro?

[Jethro Beaker]

Will Ross ain't spending the night on my property.

[Matt Dillon]

Will Ross? Well, is your daughter with him, Harmony?

[Jethro Beaker]

Marshall, I got no daughter.

[Matt Dillon]

Well, you did up until two years ago when she married Ross and you threw them both off the place.

[Jethro Beaker]

For the last time, I got no daughter.

[Matt Dillon]

You had one for 19 years, Beaker.

[Jethro Beaker]

You know me for a man of my word, Marshall, And I'm telling you this, if you don't ride back out there with me right now and get them two off my property, I'm going to burn that barn down with them inside it.

[Matt Dillon]

Chester. Hey, sir, you better saddle up a couple of horses. I don't see any wagon, Jethro.

[Jethro Beaker]

They hauled it inside the barn. Blast them. They're burning the coal oil stove in the tack room. I got a fire going in the blacksmith forge.

[Matt Dillon]

Well, it's a cold night.

[Jethro Beaker]

Well, charcoal and oil cost money.

[Chester]

Come on out of there, Ross.

[Jethro Beaker]

I got the law with me now, Jethro.

[Matt Dillon]

If I'm gonna handle this, I'll handle it my own way. You stay right here. Come on, Chester.

[Jethro Beaker]

Chester, don't you go easy on them. I want them two treated like any other criminals.

[Chester]

We make mighty good targets again. This snow, Mr. Doane.

[Matt Dillon]

Yeah, I guess we do with that. I think the wind's dying down. May not turn into a blizzard after all, Ms. Dillon.

[Chester]

I just don't like the idea of walking right into a gun.

[Matt Dillon]

Will Ross.

[Chester]

Who is it?

[Will Ross]

Who's out there?

[Matt Dillon]

It's Matt Dillon. Hold your fire. Will you stay back?

[Will Ross]

I'm warning you, Marshall.

[Matt Dillon]

I just want to talk to you, Will. Now, come on, open up the door. It's cold out here.

[Will Ross]

Is old Jethro with you?

[Matt Dillon]

No, just me and Chester.

[Will Ross]

You can come in alone. Matt, you leave your gun out there with Chester.

[Matt Dillon]

All right. Open up here, Chester. Hang on to this.

[Chester]

I just don't like this one bit, Mr. Dillon.

[Matt Dillon]

We've got no choice.

[Will Ross]

Hurry up, man.

[Matt Dillon]

Welcome home, Will.

[Will Ross]

You took a big chance walking up here like that.

[Matt Dillon]

I doubt it. He wouldn't have shot anybody in cold blood before. I don't think a man changes that much in two years.

[Will Ross]

Not unless he's pushed hard enough.

[Matt Dillon]

Maybe I take that gun. I will.

[Will Ross]

You said you just wanted to talk.

[Matt Dillon]

I do, but not over a gun set. I hand it over.

[Jethro Beaker]

No.

[Will Ross]

Now stay back, Matt. No.

[Matt Dillon]

Like I said, Will, a man doesn't change that much.

[Will Ross]

No. No, I guess not. I wouldn't even have shot old Jethro.

[Matt Dillon]

I figured that.

[Will Ross]

We didn't aim to stop here, Marshall. We was trying to make dodge and the storm come down on us.

[Matt Dillon]

A man takes shelter where he can.

[Will Ross]

I wouldn't even ask him for a drink of water. Not after the way he treated us when we got married. We just didn't have no choice.

[Matt Dillon]

Where's Harmony, Will?

[Will Ross]

She's in the tack room. It's warmer there. I. I made up a bed for her with some straw and blankets.

[Matt Dillon]

A bed?

[Will Ross]

You better go talk to her, Marshall. She'll be right glad to see you after all this time.

[Matt Dillon]

All right, Chester.

[Chester]

Yes, sir.

[Matt Dillon]

You stay here with Ross. I'll be right back.

[Chester]

All right, Mr. Dillon. How you been making out?

[Jethro Beaker]

Well.

[Matt Dillon]

Harmony.

[Harmony]

Who is it? Mad Dylan. Oh, Matt.

[Matt Dillon]

Well, what's going on here, young lady?

[Harmony]

Oh, everything. Matt, we're in trouble. Real trouble.

[Matt Dillon]

Oh, I see.

[Harmony]

It'll be any time now, I think.

[Matt Dillon]

Don't you worry, Harmony. I. I'm gonna get some help out here right now. And don't you worry. Everything's gonna be all right.

[Jethro Beaker]

You get out of my barn and off my property, Rob. And take that woman of yours with you.

[Matt Dillon]

Jethro, I told you to stay outside.

[Jethro Beaker]

I'll remind you these is my own premises, Marshall.

[Matt Dillon]

We'll worry about that later, Chester.

[Will Ross]

Hey, sir.

[Matt Dillon]

Go get Doc out here fast.

[Chester]

What do I tell him? Is Ms. Harmony took down Sig?

[Matt Dillon]

Not exactly.

[Chester]

What?

[Matt Dillon]

Just get riding.

[Chester]

Yes, sir. I'll get him. I'll get him right away.

[Harmony]

Oh, there we are. The kettle's boiling again, Doctor.

[Chester]

It certainly is.

[Harmony]

It'll only be a min now. Oh, there's nothing like a nice hot toddy on Christmas Eve. Or anytime or any time. Right you are, doctor.

[Chester]

Adam.

[Harmony]

You know, since Mr. Prudlin passed on, this time of year has seemed very lonely to me.

[Chester]

Oh, yes. Well, I always admired your husband, Mrs. Prudlin.

[Harmony]

He was a fine man. Generous to a fault and kind and so thoughtful. Now, there you are.

[Chester]

Oh, thank you.

[Harmony]

Just taste it. See if I've laced it enough with brandy.

[Chester]

With brandy? Yes. Oh, my, that's good. That's very good. So you know, Mrs. Fredlin, I nearly forgot the reason for my call this evening.

[Harmony]

Oh, I'd hoped it was just social.

[Chester]

Well, in a sense, it's business, but in a greater sense, it's the spirit of Christmas. Your bill.

[Harmony]

Oh.

[Chester]

As a very small gesture of my affection and esteem, I. I tear it up.

[Harmony]

Why, Dr. Adams, how sweet.

[Chester]

I hope you Won't think me familiar or forward. It was only meant as a small indication of my regard.

[Harmony]

Dr. Adams, would you care to join me here on the settee? It might be warmer here, closer to the fire.

[Chester]

Well. Oh, yes, when I come to think about it, there is a chill in the air tonight.

[Harmony]

Sit still. I'll answer it. Good evening.

[Chester]

Good evening, Mr. President. Excuse me, but it's Doc here. Oh, my gracious.

[Harmony]

Oh, yes, he is. Won't you come in?

[Chester]

Thank you, Doc. I. I've been looking all over town for you. Well, why did you have to find me? Hmm? Oh, never mind. Never mind. What is it you wanted? Well, it ain't me that want you. Mr. Dylan. Mr. Dylan? What's the matter with him? There ain't nothing the matter with him. He just wants you out at the Beaker place right away. He told me to bring you back. But this is Christmas Eve. Well, my gracious alive, I know. Well, I. Yeah, all right, Mrs. Prudlin. Thank you for a wonderful time. And I hope you won't think ill of me for rushing off.

[Harmony]

Duty calls, Doctor. I understand. Some men can afford to be selfless. And you are one of those men, Mrs. Prudlet.

[Chester]

I want you to know that I. Thank you. Doc. Mr. Dillon is waiting.

[Jethro Beaker]

I'm coming.

[Chester]

Good heavens, Chester. Man's got to be polite, doesn't he? Good night, Mrs. Prudlin.

[Harmony]

Good night, doctor.

[Chester]

Come on, Chester.

[Harmony]

Matt. Oh, Matt, I'm scared.

[Matt Dillon]

Easy, Norm. Will and Chester will be back any minute and they'll have Doc with him.

[Harmony]

Why don't they hurry?

[Matt Dillon]

It won't be much longer now.

[Harmony]

They got to hurry. They've just got to.

[Matt Dillon]

Harmony is going to be all right.

[Harmony]

Why. Why couldn't Chest have gone alone? Why did you send well with him?

[Matt Dillon]

If he stayed here, your father and him would have been at each other's throats.

[Harmony]

Where is pa?

[Matt Dillon]

Out there keeping the forge burning. Heating up water and looking sicker but a minute.

[Harmony]

Why did it have to happen here?

[Matt Dillon]

Man, take it easy.

[Harmony]

If only I had something to hold onto. Maybe if you give me your hands.

[Matt Dillon]

Sure. There you go. There.

[Harmony]

A baby's first look at the world. Ought to be all love and joy. Not like this. Not with Pa hating us like he does. Ah, Harmony, he does. He. He hates us. Will and me both.

[Matt Dillon]

Maybe not as much as he puts on.

[Harmony]

Matt, you're right, I think.

[Matt Dillon]

What do you mean?

[Harmony]

It's not going to be much longer.

[Matt Dillon]

Take it easy now.

[Harmony]

If Doc doesn't get here, you. You'll stay with me. You'll help me, won't you, Matt?

[Matt Dillon]

What? Yeah, sure. Sure I will. I'll do what I can, but. Well, he'll get there, though. Doc always makes it.

[Harmony]

I hope so. I hope so, Matt, but I'm afraid he's gonna.

[Chester]

All right, all right. Now, what's all this fuss about? Oh, Doc, it's a fine time of night to drag a man out in the snow. Can't see why you didn't plan this thing at a decent hour, young lady.

[Harmony]

Doc, I'm scared.

[Chester]

Oh, Phil.

[Harmony]

Sticks in.

[Chester]

Not a thing to worry about. Women were having young UN's long before you and I were even born.

[Harmony]

Hurry, please.

[Chester]

No, no, wait a minute. Settle back. Then you quit worrying. I'll tell you when it's time to worry.

[Matt Dillon]

Doc. You mind it, my man.

[Chester]

Well, look at you. You're as wide as a sheep.

[Matt Dillon]

Well.

[Chester]

Oh, you thought you were gonna have to take over by yourself, didn't you? All right, you go on out there and tell that old buzzard to heat up some more water. He hasn't got half enough.

[Matt Dillon]

All right, Doc.

[Chester]

And then you stay out from underfoot, will you, Matt? Cause me and Harmony's got work to do. All right now, little fella. Howdy, young fella. Welcome to the world. Still cold, Mr. Dillon? Stop snowing though. Clear as a bell. There you are, Mr. Beaker. Better put some more wood on that forge. I guess the fire is down pretty low.

[Jethro Beaker]

So's my wood pile. It's a fool waste trying to heat a barn in mid winter.

[Will Ross]

I'll cut enough to make it up before we leave. One thing sure, Jethro. We ain't going out beholden to you.

[Jethro Beaker]

You always was a fine one for talk.

[Will Ross]

And mostly I can back it up.

[Jethro Beaker]

Well, you didn't with Harmony. We don't need your old man's farm, you said. We'll have us one twice as big, you said.

[Will Ross]

Now we ran into bad luck.

[Jethro Beaker]

Oh, sure you did. You come crawling back with your tail between your legs.

[Will Ross]

Not to you, we didn't. We got caught here tonight by acc. Bad luck.

[Jethro Beaker]

Accidents. That's all you was born for. Just what I told Harmony when she defied me and up and married you.

[Chester]

Is that so?

[Will Ross]

Now you listen to me, Jeff.

[Matt Dillon]

All right, that's enough. Now settle down, both of you. Well, I didn't give you back your gun just to have you start another argument.

[Will Ross]

I'm sorry, Marshall. I'm just kind of on edge, I reckon.

[Jethro Beaker]

Well, you know, Marshall, I'll remind you that all of your trespassers on my property?

[Matt Dillon]

I thought we settled that, Beaker. I'm here because you asked the law in, remember?

[Jethro Beaker]

Well, you sure ain't done nothing.

[Matt Dillon]

Force the circumstances. They'll leave as soon as your daughter's able to.

[Will Ross]

Now, you can count on that.

[Jethro Beaker]

I got no daughter, Marshall.

[Matt Dillon]

Well, anyway, while they're here, you're gonna keep the peace.

[Jethro Beaker]

Well, there ain't no law again talking.

[Matt Dillon]

There is if the talk leads to violence. And just remember that Harmony and Will don't like putting up with you any better than you like putting up with them.

[Jethro Beaker]

Real high and mighty, ain't they? Without a roof over their heads.

[Matt Dillon]

A lot of folks might figure that makes you look worse than them.

[Jethro Beaker]

Hey, what kind of talk is that, Marshal?

[Matt Dillon]

A ranch this size, a big house on it, and a man your age trying to work it all by himself while his own kin roamed the countryside. Some folks might figure a man like that's got a lot of meanness in him.

[Jethro Beaker]

I told her what to expect if she married this fella.

[Matt Dillon]

You know, a man might tell somebody most anything when he's mad, Jethro, but it's plain stubbornness that makes him stick to it afterwards.

[Jethro Beaker]

Why, they come sneaking into my barn like bandits. Marshal didn't even knock on my door. Now you're saying I ought to go crawling to him.

[Matt Dillon]

I didn't tell you what you ought to do.

[Jethro Beaker]

It comes to that, though, I ain't doing it.

[Will Ross]

Don't you worry, Jethro. We don't want no part of your rant.

[Jethro Beaker]

And it ain't being offered to you. I worked mighty hard to make this place what it is.

[Chester]

A little peace and quiet out here wouldn't do the patient any harm, you know.

[Will Ross]

How is she, Doc?

[Jethro Beaker]

Is she. Is she gonna be all right?

[Chester]

She's fine, and so's the Onion. She'll live to have a dozen more. And he'll grow up and probably come to a bad end. Like being a marshal or country doctor. Young lady, I'll be back in the morning, so you get yourself some sleep.

[Harmony]

All right, Doc. What would you tell my father?

[Chester]

No. If you've got any telling to do, you tell it yourself.

[Harmony]

Pa.

[Chester]

Pa. Well, answer, you old coot. She's talking to you.

[Jethro Beaker]

Yes, what is it, Pa?

[Harmony]

Will you come in here, say howdy to your grandson?

[Jethro Beaker]

Grandson? My grandson?

[Chester]

Of course he's your grandson.

[Jethro Beaker]

By golly, I hadn't thought of that. He's my grandson.

[Matt Dillon]

I don't know now, Jethro. You just got through claiming you didn't even have a daughter.

[Jethro Beaker]

Oh, confounded, Marshall, you're trying to put words in my mouth. Of course, I got a daughter and a grandson.

[Chester]

And as fine a boy as you could ask for.

[Jethro Beaker]

Say, Will.

[Will Ross]

Yeah?

[Jethro Beaker]

I'd be much obliged if you'd shake hands and kind of forget things, huh?

[Will Ross]

I can't see no reason not to, Jethro.

[Jethro Beaker]

Good, good. Well, come on, Will, let's look him over. By golly. Grandson.

[Chester]

Crazy old fool. Young un's born every day. It's nothing to get all worked up about. Who you foolin, Doc?

[Matt Dillon]

Nobody.

[Chester]

Well, what are we gonna do? Head back to town?

[Matt Dillon]

Might as well. They'll probably have some ups and downs yet. But I guess the four of them will be able to work it out now.

[Chester]

Yeah, they'll spoil that kid rotten.

[Matt Dillon]

Ah, turned out to be a fine night after the snow quit, didn't it?

[Chester]

Look at those doggone stars.

[Matt Dillon]

Hey, Doc, why don't you come by the office when we get in town? Kitty's gonna be there. We thought we'd have a little something to drink and sit around and talk a while.

[Chester]

Oh, sounds fine. Nobody's putting her. 4:00 in the morning, Mr. Dillon?

[Matt Dillon]

That's right, Chester.

[Chester]

Well, Miss Kitty won't still be waiting up.

[Matt Dillon]

You want to bet? Gun Smoke has come to you through the worldwide facilities of the United States Armed Forces Radio and Television Service.

[Harmony]

Foreign.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com Become one of our ranch hands and unlock some exclusive content. We want to thank the following ranch hand, Steve, who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail. 707-986-8739. This episode is copyright under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.