Beeker’s Barn | Gunsmoke (12-23-56)

Summary

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Old Time Radio Westerns

Host: Andrew Rhynes
Episode: Beeker’s Barn | Gunsmoke (12-23-56)
Date Presented: December 23, 2025 (original air date: December 23, 1956)

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Episode Overview

This episode of Old Time Radio Westerns features a restored broadcast of the classic "Gunsmoke" radio drama titled "Beeker’s Barn." Set on a frigid winter night in Dodge City, the story revolves around family estrangement, pride, and reconciliation against the backdrop of an unforgiving storm. Marshal Matt Dillon becomes mediator in a family dispute when a young couple, Harmony and Will Ross, seek shelter on Jethro Beeker’s property. As a new life is born in a barn divided by old grudges, the episode explores whether blizzards—or the warmth of kin—can break a hardened heart.

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Key Discussion Points and Insights

1. Setting the Scene: A Cold Night in Dodge City

• Chester and Matt are preparing for the cold, discussing the depth of the snow and the need for firewood.
• Kitty arrives, commenting on the melancholy feeling around Christmas for those on the frontier.
  • Notable Quote: "Men get sentimental around Christmas time." — Kitty (06:06)

2. Jethro Beeker’s Complaint

• Jethro Beeker storms in, demanding the marshal’s help because strangers have 'invaded' his barn—revealed to be his estranged daughter Harmony and her husband Will Ross.
• Jethro is adamant they leave immediately, threatening drastic action if they don’t.
  • Notable Quote: "You don't ride back out there with me right now and get them two off my property, I'm going to burn that barn down with them inside it." — Jethro (08:11)

3. The Confrontation at the Barn

• Dillon and Chester travel through the storm to Beeker's barn.
• Inside, Will and Harmony have taken shelter because of the blizzard. Will is defensive at first but not violent, showing vulnerability.
• The real crisis: Harmony is in labor.
  • "I reckon you might call it that. It'll be any time now, I think." — Harmony (13:21)
• Dillon sends Chester to fetch Doc, noting the urgency and fragility of the moment.

4. Tension, Family Dynamics, and Reconciliation

• As Harmony goes into labor, old wounds between Beeker and the young couple resurface. Both Will and Jethro snipe at each other, but with Dillon’s calming presence, violence is avoided.
  • "With a ranch this size, a big house on it, and a man your age trying to work it all by himself while his own kin roamed the countryside. Some folks might figure a man like that's got a lot of meanness in him." — Matt Dillon (21:04)
• Doc arrives just in time, reassures Harmony, and takes charge.

5. Birth, Softening Hearts, and a New Start

• The baby is safely born; Doc announces all is well.
• Jethro continues to resist showing emotion but is clearly affected by the arrival of his grandson.
• Kitty encourages Jethro to acknowledge his family, inviting him in to see his "grandson."
  • "Grandson? Did she say my grandson? Of course he's your grandson. Well, I hadn't thought of that." — Jethro (22:28)
• In a touching moment, Jethro offers Will a handshake, signaling peace:
  • "Well, I'd... I'd be much obliged to you if we could shake hands and kind of forget about things." — Jethro (23:00)
  • "Well, I can't see no reason not to, Jethro." — Will (23:09)

6. Aftermath and Reflections

• As the snow clears, the group prepares to return to town. Dillon ponders on the night’s events and the hope for the family's future.
  • Summary of feeling: "They'll probably have some ups and downs yet. But I guess the four of them will be able to work it out." — Matt Dillon (23:36)

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Notable Quotes & Memorable Moments

• "It's a chancy job and it makes a man watchful and a little lonely."
  — Matt Dillon (04:34)
• "He does. He does."
  — Harmony, grieving her father’s apparent hatred during labor (17:20)
• "You know, baby's first look at the world ought to be all love and joy. Not like this, with Pa hating us like he does."
  — Harmony (17:06)
• "You always want to find one to talk. Mostly I can back it up. You didn't with Harmony."
  — Jethro to Will, showing lingering pain and pride (19:40)
• "A lot of folks might figure that makes you look worse than them."
  — Matt Dillon challenging Jethro to reflect on his actions (20:59)
• "Grandson? Did she say my grandson?...Well, I hadn't thought of that."
  — Jethro, his stoicism breaking at the news (22:28)

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Timestamps of Important Segments

• [04:34] — Matt Dillon sets the iconic tone of the episode.
• [06:06] — Kitty reflects on Christmas and sentimentality.
• [08:11] — Jethro issues his ultimatum about the barn.
• [13:21] — The crisis reveals itself: Harmony is in labor.
• [18:02] — Doc arrives, brings reassurance and levity.
• [22:28] — Jethro’s emotional transformation upon realizing he has a grandson.
• [23:00] — The offer of reconciliation and handshake between Jethro and Will.
• [23:36] — Dillon’s closing reflection on hope for the family's future.

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Overall Tone and Style

The episode remains true to the classic, grounded, and bittersweet style of Gunsmoke—mixing dry humor, grit, and deep empathy for the human condition. The characters’ voices are authentic, with dialogue that balances tension and heart.

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Conclusion

"Beeker’s Barn" is a quintessential episode of Gunsmoke, exploring the enduring themes of pride, estrangement, and family reunion. What starts as a mere property dispute transforms, through crisis and community, into an opportunity for forgiveness and the start of a new generation. The rich sound restoration and classic performances invite listeners to lose themselves once more in the drama and warmth of the old frontier.

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Transcript

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[Jethro Baker]

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[Kitty]

Foreign.

[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and let's get into this episode. This episode is going to be Gunsmoke. Original air date is December 23, 1956 and the title is Speaker's Barn.

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[Commercial Narrator]

Gun Smoke Brought to you by L and M. The modern cigarette that lets you get full exciting flavor through the modern miracle of the pure white miracle. Tip. Live Modern Smoke. L and M. Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smell of gun smoke. Gun Smoke Starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it.

[Matt Dillon]

I'm that man, Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lonely.

[Jethro Baker]

It's a good thing we packed in all that stove wood, Mr. Dillon. Gonna need plenty of it for morning.

[Matt Dillon]

Yeah, it'd be a real cold night.

[Jethro Baker]

It looks like that snow keeps on there. So it's going to be two foot deep on the level and four in the draws.

[Matt Dillon]

If you don't take your boots off that stove, you're going to have two feet on the bare ground.

[Jethro Baker]

Chester, what are you talking about?

[Matt Dillon]

Well, your souls are starting to smoke.

[Jethro Baker]

Now.

[Commercial Narrator]

Take them off.

[Jethro Baker]

My golly, I thought I smelt something burning in here.

[Matt Dillon]

Stove's red hot.

[Jethro Baker]

Well, at least my feet's warm for the first time in two days. Yeah, Maybe I'll rub my boots with towel. The leather ought to soak it up real good, being too hot that way.

[Kitty]

Evening, Matt.

[Jethro Baker]

Oh, hello, Kitty. Come on out, Kitty.

[Kitty]

Cold out tonight.

[Matt Dillon]

Well, come over here and stand by the stove and burn with a chest.

[Kitty]

I can't stay, Matt. I gotta get back to the Long Brown.

[Matt Dillon]

Ah, big crowd tonight.

[Kitty]

Yeah, but quiet one. Men get sentimental around Christmas time.

[Jethro Baker]

Oh, I'm that way myself, Miss Kitty.

[Kitty]

So am I, Jessie. I was thinking earlier this evening what it was like when I was a little girl. They used to always.

[Jethro Baker]

Well, that Was a long time ago.

[Matt Dillon]

Well, why don't you stay a while, Kitty? Let Sam run the place tonight, huh?

[Kitty]

Well, boys sort of need me, Matt.

[Jethro Baker]

Talk with them and laugh with them, even though they're thinking of somebody else at the time.

[Matt Dillon]

Well, yeah, I know, but.

[Kitty]

Well, I don't mind, really. Kind of nice to be needed by somebody. What I was thinking, though, Matt, later, around midnight, maybe the three of us could get together, make some hot rum.

[Matt Dillon]

Maybe it's a good idea, Kitty.

[Jethro Baker]

Yeah, Doggone. Maybe I can get old Mr. Jonas to rustle up some chestnut.

[Kitty]

And I'll be counting on it. All right, I'll come here if that's all right. I kind of like to get away from the long branch.

[Commercial Narrator]

Okay.

[Kitty]

Well, how are you, Mr. Beaker?

[Jethro Baker]

Good evening.

[Kitty]

I better get on back. I'll see you later.

[Jethro Baker]

All right, Kitty.

[Matt Dillon]

Come on in, Jethro. You look like you could stand some warming up.

[Jethro Baker]

Marshall Dillon. Got some trouble out in my place.

[Matt Dillon]

Oh, what kind of trouble?

[Jethro Baker]

I've been invaded, attacked it on my own property. Shot at. Look here, is that there hat?

[Matt Dillon]

That bullet come much closer, you'd have been shot, not shot at. Who was it, Jethro?

[Jethro Baker]

A couple coming through in the wagon. They took over my barn and won't let me put a foot inside.

[Matt Dillon]

Now, what do you mean a couple? A man and wife.

[Jethro Baker]

How do I know whether a man or wife or not?

[Matt Dillon]

Well, maybe they just wanted shelter from the storm.

[Jethro Baker]

Marshall, I don't care what they want. They took possession of Mount Barn without so much as to buy your leave. I want him through it out tonight.

[Matt Dillon]

Now, can't we leave it till morning, Jethro?

[Jethro Baker]

No, sir. Will Ross ain't spending the night on my property.

[Commercial Narrator]

Will Ross?

[Jethro Baker]

Yeah.

[Matt Dillon]

Is your daughter with him? Harmony?

[Jethro Baker]

Marshall, I ain't got no daughter.

[Matt Dillon]

Well, you did have until two years ago when she married Ross and you threw them both off the place.

[Jethro Baker]

For the last time, I ain't got no daughter.

[Matt Dillon]

You had one for 19 years, Baker.

[Jethro Baker]

You know me for a man of my word, Marshall. Now I'm telling you this. You don't ride back out there with me right now and get them two off my property. I'm going to burn that barn down with them inside it.

[Kitty]

Chester, Esther, you better saddle a couple of horses.

[Commercial Narrator]

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[Jethro Baker]

Why don't you live modern day? Live modern day. Live, live, live modern Free up, freshen up your taste Smoke an element.

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[Jethro Baker]

Through L&M's pure white miracle Tip L.

[Matt Dillon]

And M draws easier, tastes richer, smokes cleaner.

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[Jethro Baker]

Live, modern, change to L and M.

[Matt Dillon]

Make today your big red letter day.

[Jethro Baker]

And start to live the modern way. Live, live, live.

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[Matt Dillon]

I don't see any wagons, Jethro.

[Jethro Baker]

They hauled it inside the barn. Blast them. They're burning the coal oil stove in the tack room. And they got a fire going in the blacksmith forge.

[Matt Dillon]

Well, it's a cold night.

[Jethro Baker]

Yes, and charcoal and oil cost money. Come on out there, Ross. Got the law with me now, Jethro.

[Matt Dillon]

If I'm going to handle this, I'll handle it in my own way. Now, you stay right here. Come on, Chester.

[Jethro Baker]

Yes, sir. Now, don't you go easy on them. I want them to treat it like any other criminal. We make mighty good targets again this snow, Mr. John.

[Matt Dillon]

Yeah, I guess we do at that. The wind dies down, may not turn into a blizzard after all.

[Jethro Baker]

But I just don't like the idea of walking light into a gun. Who is it? Who's out there?

[Matt Dillon]

It's Matt Dillon.

[Jethro Baker]

Hold your fire. Will.

[Kitty]

Stay back.

[Matt Dillon]

Good morning.

[Jethro Baker]

You, Marshall.

[Matt Dillon]

Just want to talk to you, Will. Now come out.

[Jethro Baker]

Open the door.

[Matt Dillon]

It's cold out here.

[Jethro Baker]

Is old Jethro with you?

[Matt Dillon]

No, just me and Chester.

[Jethro Baker]

You can come in alone. Matt, leave your gun out there with Chester. All right, open it up.

[Matt Dillon]

Here, Chester, hang on to this.

[Jethro Baker]

John, I just don't like this.

[Matt Dillon]

We got no choice.

[Jethro Baker]

All right, hurry up, mate.

[Matt Dillon]

Well, welcome home, Will.

[Jethro Baker]

You took a big chance walking up here like that.

[Matt Dillon]

I doubt that. You wouldn't have shot anybody in cold blood before. I don't think a man changes that much in two years.

[Jethro Baker]

Not unless he's pushed hard enough.

[Matt Dillon]

Maybe. Now take that gun, Will.

[Jethro Baker]

You said you just wanted to talk.

[Matt Dillon]

I do, but not over a gun sight. Now hand it over.

[Jethro Baker]

No. Now stay back, Matt.

[Commercial Narrator]

No.

[Matt Dillon]

Like I said, Will, a man doesn't change that much. No, I guess not.

[Jethro Baker]

I wouldn't even have shot old Jethro.

[Matt Dillon]

I figured that.

[Jethro Baker]

We didn't aim to stop here, Marshall. We was trying to make Dodge and the storm come down on us.

[Matt Dillon]

A man takes shelter where he can.

[Jethro Baker]

I wouldn't even ask him for a drink of water. Not after the way he treated us when we got married. But we didn't have no choice.

[Matt Dillon]

Where's Harmony, Will?

[Jethro Baker]

She's in the tack room. It's warmer There. I made up a bed for her with some straw and some blankets.

[Matt Dillon]

A bed?

[Jethro Baker]

You better go talk to her, Marshall. She'll be right glad to see you after all this time.

[Matt Dillon]

All right, Chester.

[Jethro Baker]

Yes, sir.

[Matt Dillon]

Come on in. I'll be right back.

[Jethro Baker]

All right, sir. How you been making out? Well, not too bad.

[Matt Dillon]

Harmony.

[Kitty]

Who is it?

[Matt Dillon]

Matt Dillon.

[Kitty]

Oh, Matt.

[Matt Dillon]

Well, what's going on here, young lady?

[Kitty]

Oh, everything. Matt, we're in trouble, real trouble.

[Matt Dillon]

What's wrong here? You sick?

[Kitty]

I reckon you might call it that. It'll be any time now, I think.

[Matt Dillon]

Look, don't you worry, Harmony. I'm gonna get some help out here right away. Everything's gonna be all right now.

[Commercial Narrator]

I'll be right back.

[Jethro Baker]

Get out of my barn, off my property, Ross. And take that woman of yours with you.

[Matt Dillon]

Jethro, I told you to stay outside.

[Jethro Baker]

I remind you, these are my own premises, Marshall, we'll worry about that later.

[Matt Dillon]

Chester, go get Doc out here fast.

[Jethro Baker]

Well, what did I tell him? Is Ms. Harmony took down, sir?

[Matt Dillon]

Not exactly, no.

[Jethro Baker]

What?

[Matt Dillon]

Just get riding, Chester.

[Jethro Baker]

My. Yes, sir.

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[Matt Dillon]

Give L M holiday carton.

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[Matt Dillon]

A gift that says both you and.

[Commercial Narrator]

Your friends know how to live modern.

[Jethro Baker]

Live modern. Live, live, live modern.

[Commercial Narrator]

Free up, Freshen up your taste. Smoking.

[Kitty]

L.

[Commercial Narrator]

Remember, when you smoke L M you always get full, exciting flavor through the L M miracle tip. L M draws easier, tastes richer, smokes cleaner.

[Matt Dillon]

That's why today, more people are changing.

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To L M than to any other cigarette. So smoke L M and remember, your friends appreciate your gift of L M holiday cartons.

[Kitty]

Live, live, live modern.

[Jethro Baker]

Smoking.

[Kitty]

Oh, Matt. Oh, Matt, I'm scared.

[Matt Dillon]

Now, you just take it easy, Harmony. Now, Will and Chester are going to be back any minute now. They'll have Doc with them. Don't worry, it won't be much longer.

[Kitty]

Oh, they've just got to. Oh.

[Matt Dillon]

It'S gonna be all right, Harmony.

[Kitty]

Couldn't Jester have gone alone? Why did you have to send Will with him?

[Matt Dillon]

Well, if he'd stayed here, Harmony, your father and him would have been at each other's throats. He's out there keeping the forge burning, heating up some water. He's looking sicker by the minute.

[Kitty]

Why didn't it have to happen Here, Matt? Oh.

[Matt Dillon]

Oh, Harmony, take it easy.

[Kitty]

If I only had something to hold onto. Maybe if. If you'd give me his hand.

[Matt Dillon]

Here, here, take my hand.

[Jethro Baker]

Oh, here you go.

[Matt Dillon]

There you Go. There you go.

[Kitty]

You know, Baby's first look at the world ought to be all love and joy. Not. Not like this, with Pa hating us like he does.

[Jethro Baker]

He does. He does.

[Kitty]

He hates us. Will and me both.

[Matt Dillon]

Maybe not as much as he puts on.

[Kitty]

Oh, Matt. Oh, you're right, I think.

[Matt Dillon]

What do you mean?

[Kitty]

Oh, it's not going to be much longer. It's.

[Matt Dillon]

Oh, just take it easy.

[Kitty]

If Doc doesn't get here, you'll. You'll stay with me? You'll help me, won't you, Matt?

[Matt Dillon]

Well, sure I will. Harm me, I'll do what I can. But you'll get here, though. Doc always makes it.

[Kitty]

I hope so. I hope so, man, but I'm afraid. Oh, say, Lord.

[Jethro Baker]

Now, what's all this fuss about?

[Matt Dillon]

Oh, Doc, thank goodness.

[Jethro Baker]

It's a fine time of night to drag a man out in the snow. Yeah, put in my bag, rat. I can't see why you didn't plan this thing at a decent hour, young lady.

[Kitty]

Doc. Doc, I'm scared.

[Jethro Baker]

Oh, scared, fiddlesticks. Not a thing to worry about. Women were having young UN's long before you and me was even born.

[Kitty]

Laurie, please.

[Jethro Baker]

Oh, well, now then, you just settle back here and you quit work. I'll tell you when it's time to hurry.

[Matt Dillon]

Doc, do you mind if.

[Jethro Baker]

Well, now, Matt. Why, you're as wide as a shade.

[Matt Dillon]

Oh, well, Doc.

[Jethro Baker]

Oh, you thought you was gonna have to take over by yourself, huh? You go on out there and you tell that old buzzard out there to heat up some more water. He hasn't got half enough.

[Matt Dillon]

All right, Doc.

[Jethro Baker]

And then stay out from underfoot. Me and Harmony's got some work to do. Go on now, get. Howdy, young fella. Welcome to the. My gracious, it is cold, Mr. Dillon. Top snowing, though. Clear as a bell. There you are, Mr. Beaker. Better put some more wood on that board, you. Guess it's burning down pretty low. And so is my wood pile. It's a poor waste trying to heat a barn in mid winter. I'll cut enough to make it up before we leave. Yeah, one thing sure, Jethro. We ain't going out.

[Matt Dillon]

Beholden to you.

[Jethro Baker]

You always want to find one to talk. Mostly I can back it up. You didn't with Harmony. We don't need your old man's farm, you said. We'll have us one twice as big, you said. We run into bad luck. Sure you did. You come crawling back with your tail between your legs. Not to you, we didn't. We got Caught here tonight by accident. Bad luck. Accident. That's all you was born for. Guess what I told Harmony when she defied me and up married you? That so? Now, you listen to me, Jeffrey.

[Matt Dillon]

All right, that's enough. Settle down, both of you. Well, I didn't give you back your gun just to have you start another argument.

[Jethro Baker]

I'm sorry, Marshall. I'm just kind of on edge. You reckon? Well, ain't no wonder when a man's got a new little boy less than an hour old. And the rich get richer and the poor have young UN's.

[Matt Dillon]

Jethro.

[Jethro Baker]

Shut up, Marshall. I'll remind you that all of you are trespassers on my property.

[Matt Dillon]

I thought we'd settle that. I'm here because you called the law in, remember?

[Jethro Baker]

Man, you sure ain't done nothing for some circumstances, General.

[Matt Dillon]

They'll leave as soon as your daughter's able to.

[Jethro Baker]

You can count on that. I ain't got no daughter, Marshall.

[Matt Dillon]

Well, anyway, while they're here, you're going to keep the peace.

[Jethro Baker]

And ain't no law against talking.

[Matt Dillon]

There is if a talk leads to violence. Just remember that Harmony and Will don't like putting up with you any better than you like putting up with them.

[Jethro Baker]

Real high and mighty, ain't they? And without a rough over their heads.

[Matt Dillon]

A lot of folks might figure that makes you look worse than them.

[Jethro Baker]

Now, what kind of talk is that, Marshall?

[Matt Dillon]

With a ranch this size, a big house on it, and a man your age trying to work it all by himself while his own kin roamed the countryside. Some folks might figure a man like that's got a lot of meanness in him.

[Jethro Baker]

I told her what to expect if she married this feller.

[Matt Dillon]

Man might tell somebody most anything when he's mad, Jethro, but it's plain stubbornness that makes him stick to it afterward.

[Jethro Baker]

And they come sneaking into my barn like bandits. Marshall. Didn't even knock on my door. Now you're saying I ought to go crawling to them.

[Matt Dillon]

I didn't tell you what you ought to do.

[Jethro Baker]

Well, it comes to that, though, and I ain't doing it. Don't worry, Jethro. We don't want no part of your ranch. And it ain't being offered to you. I worked mighty hard to make this place look like what it is. A little peace and quiet out here wouldn't do the patient any harm, you know. How is she, Doc? Is she going to be all right? She's fine. And so's the younger me. She'll live to have a Dozen more and he'll grow up and probably come to a bad end. Like being a marshal or a country doctor. Oh, now, young lady, I'll be back in the morning. You get yourself some sleep.

[Kitty]

All right, Doc, but would you tell.

[Jethro Baker]

My PA that if you got any telling to do, you do it yourself?

[Kitty]

Paul.

[Jethro Baker]

Well, answer, you old coot. She's talking to you. Yes, what is it?

[Kitty]

Huh? Would you come in here and say howdy to your grandson?

[Jethro Baker]

Grandson? Did she say my grandson? Of course he's your grandson. Well, I hadn't thought of that. My grandson?

[Matt Dillon]

Now, wait a minute. I don't know, Jeff. Oh, you just got through claiming you didn't even have a daughter.

[Jethro Baker]

Confounded Marshall, you're trying to put words in my mouth. Of course, you got a daughter and a grandson. And there's fine a boy as you could ask for.

[Matt Dillon]

Yeah.

[Jethro Baker]

Will.

[Matt Dillon]

What?

[Jethro Baker]

Well, I'd. I'd be much obliged to you if we could shake hands and kind of forget about things. Well, I can't see no reason not to, Jethro.

[Matt Dillon]

Good. Good.

[Jethro Baker]

Now, come on, Will. Let's look him over. Golly, a grandson. Oh, look at him. Crazy old fool. Young un's born every day. It's nothing to get all worked up about. Who you fooling, Doc? Huh?

[Matt Dillon]

Nobody.

[Jethro Baker]

Well, what are we going to do? Head back to town?

[Matt Dillon]

Might as well, Doc. You know, they'll probably have some ups and downs yet. But I guess the four of them will be able to work it out.

[Jethro Baker]

They'll spoil that kid rotten.

[Matt Dillon]

Well, turned out to be a fine night after the snow quit, didn't it?

[Jethro Baker]

Yeah. Look at those doggone stars.

[Matt Dillon]

Say, Doc, why don't you come by the office when we get in town? Kitty will be there and we thought we'd have a little something to drink and sit around a while and talk.

[Jethro Baker]

Oh, that sounds fine. Yeah, hold on. It's pretty near 4:00 clock in the morning, Mr. Jones.

[Matt Dillon]

That's right, Chester.

[Jethro Baker]

Well, Miss Kitty won't still be waiting up.

[Matt Dillon]

You want to bet?

[Commercial Narrator]

In a moment. Our star, William Conrad. Just one person can make the mistake that causes an accident. Pedestrian, passenger or driver. Any one of us can go into the kind of solo mistake that spells trouble on the road. It can happen, even though we know better. Most drivers know how their cars operate and what the traffic rules are. We know that speed kills and that alcohol and gas make a bad mixture. Yet an impulse sometimes takes over. We show off, act defiant, or let off steam. We take the gamble. That figures in the majority of accidents today. Don't be sorry later. Be sure now. Drive with courtesy and care. Use posted signs and signals. They were placed there for you to know the road ahead. Keep in mind that just one person can cause an accident. When a dangerous impulse takes over behind the wheel. It's what psychiatrists call emotional immaturity. Whatever your age on the road, grow up and live. Remember, careless driving is kid stuff. And now, William Conrad.

[Matt Dillon]

You know the frontier. Callahan was pretty proud and he'd fight anyone who had bad to say of his horse, his hat or his settle. And next week, it's because of an old spotted hound dog that two men nearly died. And that was the West.

[Commercial Narrator]

Gun Smoke, produced and directed by Norman McDonnell, stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gunsmoke by Les Crutchfield with editorial supervision by John Meston. The music was composed and conducted by Rex Corey, sound patterns by Tom Hanley and Bill James. Featured in the cast were Ralph Moody, Vic Perrin and Virginia Greg. Harley Bear As Chester, Howard McNear is Doc and Georgia Ellis is Kitty. Join us again next week for another story of the western frontier when Matt Dillon, Chester Proudfoot, Doc and Kitty, together with all the other hard living citizens of Dodge, will be with you once more. It's America growing west in the 1870s. It's gun smoke.

[Kitty]

Sam.

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[Jethro Baker]

Carvana.

[Shopify/Carvana Announcer]

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[Commercial Narrator]

Foreign.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright for more information go to otrwesterns.com copyright have a great day and thanks for listening.

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[Grainger Announcer]

If you're a maintenance supervisor for a commercial property, you've had to deal with everything from leaky faucets to flickering light bulbs. But nothing's worse than that ancient boiler that's lived in the building since the day it was built 50 years ago. It's enough to make anyone lose their cool. That's where Grainger comes in. With industrial grade products and dependable, fast delivery, Grainger can help with any challenge from worn out components to everyday necessities. Call clickgrainger.com or just stop by Granger for the ones who get it done.

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