
Original Air Date: May 13, 1956Host: Andrew RhynesShow: GunsmokePhone: (707) 98 OTRDW (6-8739) Stars:• William Conrad (Matt Dillion)• Parley Baer (Chester)• Georgia Ellis (Kitty)• Howard McNear (Doc) Special Guests:• Vic Perrin• John Dehner• Jeanette N...
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Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and before we get into this episode, I wanted to do a little PSA and remind you that I put out multiple shows a week of Old Time Radio Westerns. You can check them out by going to otrwesterns.com or or looking up OTR Westerns on your podcast application of choice. We're releasing over 10 episodes a week so far, about a hundred a month, so definitely want you to check that out again otrwesterns.com and check it out. I also wanted to invite you to check out my sister podcast site otnetcast and that's N e T C A S t so O T E N E T C A s t netcast otnetcast.com we're currently releasing mystery genre shows and this is shows like the Shadow Escape, Suspense and the Whistler. And we have plans on bringing other shows to the network for you guys to listen to. So it's my non western old time radio channel that I can kind of do other genres that not only I like, but hopefully you would like too. You can check us out by going to otnetcast.com or searching t n E T C A S T on your podcast app of choice. Now let's get into this episode. This episode is going to be Gunsmoke. Original air date is May 13, 1956 and the title is Cows and Cribs.
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Chester
Gun.
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Matt Dillon
I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lonely.
Chester
Marshall Dillon.
Matt Dillon
Hello, Bowers. How's the cattle business?
Chester
I shipped a thousand head out in the Santa Fe this morning. Guess I can afford to buy you a drink.
Matt Dillon
Oh, thanks, Bowers, but I hear Doc Adams has been looking all over for me. I better go find him.
Chester
He's in here a while ago talking to Kitty. Here she comes. Maybe she knows where he went.
Kitty
Matt.
Matt Dillon
Okay.
Kitty
Hello, Mr. Bowers.
Chester
Hello, Kitty.
Kitty
Doc had to leave, Matt. They called him out at the Smith place on an emergency, but he asked me to give you a message. Oh, you know Ed Thorpe and his wife?
Matt Dillon
Well, sure I know.
Chester
Yeah, they got a little piece of land right on the south edge of my ranch. They're not doing very good, though.
Kitty
Well, they sure aren't, according to Doc. He was out there last night and he'd planned to go back for him today.
Matt Dillon
To go back for him?
Kitty
They have to be brought into town, Matt. They've got spotted fever. Both of them.
Chester
Hey, they got a little baby out there, too.
Kitty
Well, that's why Doc says somebody's got to fetch all three of them in the Dodge where they can be taken care of.
Matt Dillon
How about find a wagon and go after him tomorrow? We couldn't get them back tonight anyway.
Chester
You want some help, Marshall? I got a pack of cowboys who ain't earning their feed.
Matt Dillon
Why, thanks, Bars. But Chester and I can manage.
Chester
You might need some help. Oh, what do you mean? Ed Thorp. Sick as he may be, he'll get A gun and fight before he lets you carry him off. That place I know of.
Matt Dillon
Ah, then he can stay there. But I'm going to bring his wife and child in.
Chester
All right, but you keep an eye on him. He can be a bad. Here's ain't ed Thorpe's place, Mr. Young.
Matt Dillon
I know, Chester, but I want to meet these people. They must be new. Come on.
Chester
How do you know they're new? You ain't been out this way in over a year.
Matt Dillon
All the more reason to meet them now. Let's walk around back. I thought I saw somebody here.
Chester
Nothing but a sod hut and blow dirt. Must be living on nothing now.
Matt Dillon
It doesn't look like it, Chester.
Chester
Why, he's butchering a calf now. Where'd he get that?
Matt Dillon
He sure didn't raise it on those weeds this woman's trying to hoe.
Chester
Hello. What are you men doing here?
Matt Dillon
I'm Marshall Dullen from Dodge. There's Chester Proudfoot.
Chester
I do something wrong, Marshall?
Matt Dillon
No. Except your hat's gonna get all bloody where you laid it on this calf.
Chester
Leave it be.
Matt Dillon
Here. You got sunstroke without a hat.
Chester
So I was trying to cover up Emmett Bauer's brain. We're starving out here, Marshall. I had to kill that cat.
Kitty
You ain't gonna arrest my husband, are you, Marshall?
Matt Dillon
No, ma'.
Chester
Am.
Matt Dillon
Not unless Emmett Bowers complains.
Kitty
Well, Joe had to do it, Marshall. We just can't go on without something to eat. Look where I've been hoeing over there. I couldn't plant enough for hardly anything to come up. We can't afford no more seed. Our credits run out and dodge.
Matt Dillon
That ground doesn't even look like it's been plowed.
Kitty
I done the best I could. It ain't easy.
Matt Dillon
No, ma'.
Chester
Am.
Matt Dillon
Not for a woman. We're on our way over to Ed Thorpe's. I guess you know that. They got spotted fever.
Chester
I was there this morning.
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Ed Thorpe's dead.
Chester
Died in the night.
Kitty
Did you? You didn't tell me that, Joe.
Matt Dillon
You mean you left Ms. Thorpe and the baby alone over there?
Chester
I ain't gonna chance catching no fever.
Kitty
But sure, the baby.
Chester
My woman's always worrying about babies. It's only cause she can't have none. I guess she's like one of them there dry gourds.
Kitty
Don't, Joe. You're putting shame on me.
Matt Dillon
Chester.
Chester
No, sir.
Matt Dillon
Let's get out of here. Oh, Ms. Nader.
Kitty
Yes, Marshall?
Matt Dillon
Next time you're in Dodge, come see me, huh? I'll get you some Seed to plant.
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Kitty
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Kitty
Chesterfield packs more pleasure Because Chesterfield's more.
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Chester
My goodness, Mr. Dylan. I thought we wouldn't never make dogs tonight.
Matt Dillon
How's the baby, Trusty?
Chester
Well, it's asleep anyway. Guess I've been holding it right, huh?
Matt Dillon
Just like a mother.
Chester
Oh, I am not.
Matt Dillon
Oh, there's the doc waiting for us. All right. You just sit tight a minute, Chester. We'll help you with the baby.
Chester
I hope he don't wake up or anything. Matt, where are Ed Thorpe and his wife?
Matt Dillon
Well, Ed died before we got there, Doc. Miz Thorpe's lying down in the wagon back there. We covered her up good. She's been asleep most of the way.
Chester
Mrs. Thorp, she's still asleep. Give me a hand up, Matt.
Matt Dillon
Yeah.
Chester
Oh, Mrs. Thorpe.
Matt Dillon
Oh. Oh, my. What's the matter, Doc?
Chester
She's not asleep, Matt. She's dead.
Matt Dillon
No.
Chester
Died on the way in, I guess. Now we got a baby to take care of.
Matt Dillon
You know, Doc, I. I think she knew she was gonna die. Why, just before we left her place, she told me that if anything happened to her, the baby was to be put in Ma Smale's career. And Ma Smolly was to have complete charge over him. Well, what she says goes.
Chester
Ma's a widow. She's had kids herself.
Matt Dillon
That was a good choice.
Chester
Yeah, but she's too old to raise them herself, man.
Matt Dillon
Well, we'll worry about that later, Doc. Let's get busy. Hello, Ma.
Kitty
Howdy.
Matt Dillon
How have you been, Ms. Niggler?
Kitty
Pretty good, Marshall. Marshall, Mrs. Nadler wants to adopt the Thorpe baby.
Matt Dillon
Ah. Well, Ms. Thorpe left the baby in your charge, Ma. It's all up to you.
Kitty
Well, I've had him over a week, Marshall, and I'm going to keep him a while longer so he'll be near dark just in case. But Mrs. Nadler here seems like a mighty fine woman to me. And I'd let her take that Baby. Only I'm worried about one thing I told her, Marshall, and the truth. And she's afraid maybe Joe and I can't make a go of it out there. You remember what you said when you was leaving that day?
Matt Dillon
I said to come to see me. I'd help you get some stuff, seed to plant.
Kitty
Well, now, that's all I need. I get a little corn up there, I might even raise a few hogs. I work awful hard, Marshall. I promise I will. She gets started, she can have the baby. Marshall.
Matt Dillon
Ms. Nadler, why don't you come by my office before you leave town? I'm going to the store here and have a talk with Mr. Jonas now.
Kitty
Oh, Marshall, I do thank you. Come on back to the house, Mrs. New Year. All right, you can look.
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Oh, hello, Marshall.
Matt Dillon
Hello, Jonas.
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What can I sell you today?
Matt Dillon
I came by to see about Ms. Nadler.
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You know her, don't you? Yeah, of course I do. Joe Nadler's out back in the stock room right now.
Matt Dillon
Oh, he is?
Chester
Yeah.
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Nadler, come in here a minute. He's buying himself a new pair of boots.
Matt Dillon
Marshall, I thought their credit had run out.
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Well, Nadler's doing better now. He started bringing meat into Delmonico's and a couple other eating places. And paid up part of his bill already, ain't you, Nadler?
Chester
I don't know as I like you talking about my private affairs, Jonas.
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Oh, no harm. It's only Marshall Dillon.
Matt Dillon
Come on, Nadler. Those are good looking boots.
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They ought to be. Them's the best I stock. Them's twenty dollar boots.
Matt Dillon
Twenty dollars? I'd buy a whole wagon load of seed.
Chester
Nature you telling me how to spend my money.
Matt Dillon
Does your wife know you've been doing better lately?
Chester
Family matters ain't no concern of the law.
Matt Dillon
Yours are. And if it wasn't for your wife, I wouldn't bother just warning you. But because of her, I'm telling you to take off those boots and buy some seed and whatever else you need to grow corn with.
Chester
Now, you look here.
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Shut up.
Matt Dillon
I'm giving you a chance, mate. In three days from now, I'm riding out to see what you've done with it. It's up to you whether or not you'll be riding back with me.
Chester
Today's Thursday, Mr. Dillon. Here we riding out the nadir.
Matt Dillon
We can wait another day, Chester.
Chester
You know what? I don't think you want to go at all.
Matt Dillon
Yeah, you're right. I don't.
Chester
Hello. Marshall Bowers. Yes, sir, Mr. Barnes. I was just up at Delmonico, Marshall. Having myself a feed.
Matt Dillon
How good? How was it?
Chester
It was fine till I went out back and got a talking with the cook. Oh, Marshall, I reckon any man's got a right to complain when he goes to a restaurant and finds himself eatin his own beef.
Matt Dillon
I know about that, Boris.
Chester
You do? Then why ain't you done nothing about it?
Matt Dillon
All because of Meznadler, I guess.
Chester
Look, Marshall, I'm a rich man. I don't mind a nester slaughtering one of my calves when he's starving. And nobody's gonna start selling my beef. I'll kill him he keeps that up.
Matt Dillon
All right, I'll handle it, Bowers.
Chester
I admire that woman too, Marshall. But letting him get by with rustling ain't gonna help her. By the way, Ma Smalley brought some pies down to the kitchen while I was there. She's waiting outside here. She wants to talk to you. Get you right out, Ma.
Kitty
Thanks, Timmy.
Matt Dillon
Hello, Mar.
Kitty
You riding out to Naver's, Marshall?
Matt Dillon
I am.
Kitty
Then you tell her I'm sorry. Tell her I think she's a good woman. But I can't let that baby go into the home of a cow thief now.
Matt Dillon
It'll break her heart, Ma.
Kitty
Son, I got a trust put in me.
Matt Dillon
All right, I'll tell her.
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Kitty
Chesterfield packs more pleasure because Chesterfield's more.
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Matt Dillon
Hello, Ms. Nadler.
Kitty
Marshall. Hello, Chester.
Chester
Hi, ma'. Am.
Kitty
What brings you out here, Marshall?
Matt Dillon
Is your husband home?
Kitty
No, he's been gone since morning.
Matt Dillon
Ms. Nadler, do you know that he's been slaughtering Emmett bowers beef?
Kitty
Oh, Mr. Bowery's complained about it. About that calf?
Matt Dillon
Well, it's more than that one calf, Ms. Nidler. He's been selling meat around Dodge lately.
Kitty
So that's what he had in the wagon.
Matt Dillon
I know you had Nothing to do with it, Ms. Nadler.
Chester
But.
Matt Dillon
I hate to tell you this, but Ma Smolly isn't going to let you have the baby.
Kitty
Well, she's. She's right, Marshall. It wouldn't be fitting.
Chester
Mr. Dillon, look.
Matt Dillon
Huh?
Chester
Oh, yeah.
Matt Dillon
Bars. I'll be back, Ms. Naglor. I'm gonna go talk to him.
Chester
Them other two must be riders of his, huh?
Matt Dillon
Yeah.
Chester
I thought I might find you here, Marshall.
Matt Dillon
There's something wrong, Bowers.
Chester
One of my men's been murdered. We found him out yonder about five miles. He'd been left for dead, but he talked a little.
Matt Dillon
What happened?
Chester
He's gone now, Marshall, so you'll have to take our word for what he told us.
Matt Dillon
All right.
Chester
You run across Joe Nadler slaughtering another steer.
Matt Dillon
Nadler shot him?
Chester
That's right.
Matt Dillon
Anything else?
Chester
Only that Nadler got on his horse and headed for Dodge. I guess he figures he'll get caught and he might as well get drunk one more time.
Matt Dillon
He'll get caught. I promise you that. Boys.
Chester
Finally found him, Mr. Dylan. He's in there getting drunk at the bar.
Matt Dillon
Well, it's taken us long enough. Everybody in town must know I'm after him by now.
Chester
There.
Matt Dillon
See him? Yeah, I see him.
Chester
Stop there, Marshal. Don't you come no closer.
Matt Dillon
Put that gun away, Naylor.
Chester
I saw Chester. I knew you'd be in here next. Why, Natler, you don't fool me. You know all about it.
Matt Dillon
You admit killing that rider.
Chester
I knew when I shot him, I couldn't get by with it. My horse's tracks was all over the place.
Matt Dillon
Well, don't make it any worse than it is.
Chester
I told you not to come no closer.
Matt Dillon
Put your gun on the bar, Nadler.
Chester
You watch what I'm gonna do with it.
Matt Dillon
No, Nadler, don't.
Chester
Why not? Hit you, didn't I? Now I'm gonna kill you. You hurt bad, Mr. Dillon?
Matt Dillon
He hit me in the arm, Chester, but I'll be all right.
Chester
You killed him. Yeah.
Matt Dillon
Do something with him, will you? I'm going over to Doc's.
Chester
Yes, sir, I will.
Matt Dillon
Alvin.
Kitty
Archer Dillon.
Matt Dillon
Oh, Ma. Smolly.
Kitty
Why, you've been hurt.
Matt Dillon
It's not bad, Ma.
Kitty
What about Joe Nadler?
Matt Dillon
He's dead.
Kitty
I figured he would be. I heard you was looking for him. That's why I followed you down.
Matt Dillon
Look, my arm's bleeding some, Ma. I better get over to Doc's.
Kitty
Well, you hear me out first, Marshall.
Matt Dillon
Yeah, of course, Ma. Go ahead.
Kitty
You'll be the one to tell Mrs. Nader about him, won't you?
Matt Dillon
I guess so.
Kitty
Take a wagon with you, Marshall.
Matt Dillon
What?
Kitty
A woman can't live out there alone. Now, I got an extra room at my house if she'll help with the work.
Matt Dillon
What about the baby?
Kitty
It'll be her baby, Marshall. And tell her I won't interfere none neither.
Matt Dillon
Yeah, I sure will, Ma. I'll tell her all that. I'll go out first thing in the morning.
Kitty
Well, you won't go nowhere. You just stand here gabbing all night. That arm's bleeding, Marshall. You ought to go get it fixed, you hear?
Matt Dillon
Yeah, you're right, Ma. But then you pretty off on a hard.
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In a moment, our star, William Conrad.
Kitty
Chesterfield packs more pleasure because Chesterfield's more perfectly packed.
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Matt Dillon
You know, the buffalo hunters killed off the entire high plains herd in a few short years, leaving the Indians to starve. And next week, this hunger sets off an Indian massacre. And that was the West. Good night.
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Gunsmoke Produced and directed by Norman Macdonald. Stars William Conrad as Matt Dillon, U.S. marshal. Our story was specially written for Gunsmoke by John Meston with music composed and conducted by Rex Course, sound patterns by Tom Hanley and Bill James. Featured in the cast were Vic Perrin, John Dainer, Jeanette Nolan, Virginia, Christine and Frank. Katie Marley Bear is Chester, Howard McNair is Doc and Georgia Ellis is Kitty. Help today and hope tomorrow is the Slogan of the 7th Annual United Cerebral Palsy Drive. Support United Cerebral Palsy. Live Modern Smoke L and M. Change to L M Only with L M can you enjoy the full exciting flavor of today's finest tobaccos through the modern miracle of the pure white miracle. Tip so light up, free up, let your taste come alive. Live Modern Smoke L M Join us again next week for another specially transcribed story on gun smoke.
Andrew Rines
This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com youm can call and leave us a voicemail. 707-986-8739 this episode is copyright under the Attribution non Commercial Share Like Copyright for more information go to otrwesterns.com/copyright have a great day and thanks for listening.
Title: Cows and Cribs | Gunsmoke (05-13-56)
Podcast: Old Time Radio Westerns
Host: Andrew Rhynes
Release Date: August 7, 2025
In this episode of Gunsmoke, titled "Cows and Cribs," United States Marshal Matt Dillon confronts the intertwined struggles of a small frontier community facing economic hardship and a deadly epidemic. Set against the backdrop of Dodge City in the mid-1950s, the story delves into themes of desperation, morality, and community responsibility.
At the outset ([05:09]), Matt Dillon engages with Chester, a local rancher, who reveals the dire state of his cattle business:
Chester ([05:12]): "I shipped a thousand head out in the Santa Fe this morning. Guess I can afford to buy you a drink."
Chester’s success masks the broader economic struggles of the community. Matt informs him about Doc Adams' urgent search for him due to a medical emergency involving the Thorp family, who are battling spotted fever ([05:17]).
Kitty introduces the plight of Ed Thorp and his family, emphasizing the need to bring them into town for medical care:
Kitty ([05:29]): "Doc had to leave, Matt. They called him out at the Smith place on an emergency… They have to be brought into town, Matt. They've got spotted fever. Both of them." ([05:52])
Despite Chester’s offer to help ([06:07]), Matt insists they manage the situation themselves, foreseeing potential resistance from Ed Thorp ([06:14]).
Upon arriving at Ed Thorp’s location ([07:13]), Matt observes suspicious activities, such as Ed butchering a calf:
Matt Dillon ([07:13]): "Why, he's butchering a calf now. Where'd he get that?"
Chester explains the family's desperation:
Chester ([07:46]): "Joe had to do it, Marshall. We just can't go on without something to eat."
The situation escalates as Matt reveals that Ed Thorp has died while trying to get help, leaving behind his wife and baby ([08:22]-[08:34]). The responsibility for the child falls to Ma Smalley, but concerns arise about their capacity to care for the baby ([12:23]).
Matt meets with Ms. Nadler, who expresses a desire to adopt the Thorp baby ([13:03]). However, suspicions about Joe Nadler’s integrity prompt Matt to investigate further. He discovers that Nadler has been illegally selling Chester’s cattle, leading to a heated confrontation where Nadler shoots Matt ([22:35]):
Chester ([22:35]): "I knew when I shot him, I couldn't get by with it."
Despite being wounded, Matt apprehends Nadler, ensuring justice is served. The episode concludes with Matt arranging for the baby’s care, highlighting the balance between law enforcement and compassion ([24:16]).
Matt Dillon: Embodies the role of a just and compassionate lawman, navigating complex moral dilemmas with integrity.
Matt Dillon ([05:09]): "I'm that man. Matt Dillon, United States Marshal."
Chester: Represents the struggling rancher whose actions are driven by desperation, highlighting the economic strains of frontier life.
Chester ([07:46]): "Joe had to do it, Marshall. We just can't go on without something to eat."
Kitty: Acts as a mediator and support for Matt, facilitating crucial communications about the Thorp family's situation.
Kitty ([13:27]): "Well, I've had him over a week, Marshall, and I'm going to keep him a while longer so he'll be near dark just in case."
Ms. Nadler: Initially appears altruistic but is revealed to be involved in illegal cattle sales, showcasing how desperation can lead to moral compromises.
Ms. Nadler ([19:34]): "Marshall. Hello, Chester."
Desperation and Morality: The episode explores how extreme hardship can push individuals toward unethical decisions, such as Chester’s cattle theft and Nadler’s illegal sales.
Community Responsibility: Matt Dillon’s actions emphasize the importance of community support and the role of leadership in times of crisis.
The Harshness of Frontier Life: Depicts the relentless challenges faced by individuals in the Wild West, including economic instability and health crises.
"Cows and Cribs" wraps up with Matt Dillon restoring order by addressing the illegal activities harming the community and ensuring the welfare of the Thorp baby. His balanced approach underscores the necessity of enforcing the law while also understanding and addressing the underlying causes of desperation within the community.
This comprehensive summary captures the essence of the Gunsmoke episode "Cows and Cribs," highlighting the main plot points, character developments, and underlying themes. It provides a clear and engaging overview for listeners who may not have experienced the episode.