Don Mateo | Gunsmoke (12-13-59)

Summary

Old Time Radio Westerns Podcast: "Don Mateo | Gunsmoke (12-13-59)"

Host: Andrew Rhynes
Release Date: March 2, 2025
Podcast: Old Time Radio Westerns
Episode Title: Don Mateo | Gunsmoke (12-13-59)

---

Introduction

In this episode of Old Time Radio Westerns, host Andrew Rhynes presents a digitally restored rendition of the classic Gunsmoke episode titled "Don Mateo." This episode delves into the intricate dynamics of friendship, duty, and the unrelenting nature of the Wild West through the characters of Matt Dillon, the steadfast U.S. Marshal of Dodge City, and his old friend, Esteban—once known as Don Mateo.

---

Plot Overview

The story begins with Matt Dillon asserting his authoritative presence in Dodge City, juxtaposed with a brief, surreal advertisement for GEICO motorcycle insurance. As the narrative unfolds, we are introduced to the bustling environment of Dodge City, highlighting Matt Dillon's role in maintaining law and order.

Key Characters:

• Matt Dillon: U.S. Marshal, a man committed to his duty but grappling with loneliness.
• Kitty: Owner of the Long Branch Saloon, a pivotal figure in Dodge City's social scene.
• Esteban (Don Mateo): Matt's old friend from his days in the frontier, returning with unresolved tensions.
• Sam: The saloon's assistant, often acting as the intermediary.
• Grimes: A farmer seeking help after being shot.

---

Reunion with Don Mateo

The crux of the episode revolves around the unexpected return of Esteban, formerly known as Don Mateo. Their reunion is fraught with nostalgia and underlying conflict as Esteban reveals his intent to find a man named Rallo, who has been causing trouble.

Notable Quote:

Esteban: "I've come to get a man. Maybe you know him. Maybe it's been a long time. But they tell me he is in Dodge City and I will find him."
[Timestamp: 05:05]

Matt Dillon is torn between his duty as a marshal and his lingering friendship with Esteban. Esteban's aggressive determination to hunt down Rallo reignites old alliances but also stirs tension between the two men.

---

Conflict and Confrontation

As Matt investigates the recent shooting of Grimes, he uncovers a web of deceit and lingering threats. Esteban's obsession with Rallo becomes a catalyst for the escalating conflict. The tension mounts as Esteban accuses Matt of abandoning their old ways, leading to a showdown that tests both men's principles.

Notable Quote:

Matt Dillon: "I'm saying this. If you go after this man, and if you kill him, I'll have to come after you. You come after me if you kill anybody. That's the way it'll have to be, because that's a law."
[Timestamp: 12:37]

The confrontation culminates in a dramatic shootout where Matt is forced to act against his old friend to uphold the law. Esteban's demise serves as a poignant commentary on the transformation from the lawless past to the structured present.

---

Themes and Insights

This episode masterfully explores themes of friendship versus duty, the personal costs of maintaining law and order, and the inevitable changes that time brings. Matt Dillon embodies the moral compass of Dodge City, while Esteban represents the bygone era of rugged individualism that clashes with established authority.

Notable Quote:

Matt Dillon: "Yeah, today I am. I'm sorry. It was my job."
[Timestamp: 23:56]

Matt's remorse highlights the emotional burden carried by those who enforce the law, often at the expense of personal relationships.

---

Conclusion

The episode concludes with a reflective narration that underscores the enduring legacy of Gunsmoke and its portrayal of the American frontier. Host Andrew Rhynes wraps up by encouraging listeners to engage with the podcast community, ensuring that these classic tales continue to captivate new audiences through meticulous digital restoration.

Notable Quote:

Narrator: "Gun Smoke, produced and directed in Hollywood by Norman McDonald, stars William Conrad as Matt Dillon, U.S. marshal..."
[Timestamp: 25:36]

---

Final Thoughts

"Don Mateo" is a compelling episode that not only entertains but also invites listeners to ponder the complexities of justice and friendship in a rapidly changing world. Through rich storytelling and enhanced audio quality, Old Time Radio Westerns brings the golden age of radio to life, preserving the timeless allure of the Wild West for both longtime fans and newcomers alike.

---

Listen to more episodes of Old Time Radio Westerns to immerse yourself in the legendary stories that shaped American folklore. Don't forget to like, rate, and subscribe to support the preservation of these classic dramas.

Transcript

[Matt Dillon]

Geico's motorcycle expertise gives me the coverage I need.

[Kitty]

Like 24.7claims, I'm on cloud nine.

[Cloud Expert]

Clouds are wholly unable to support the weight of an adult human.

[Matt Dillon]

What's happening?

[Cloud Expert]

Furthermore, clouds are not numbered. Even if you procured a jetpack and searched, you'd find no cloud numbered nine. However, at that altitude, you'd likely befriend a flock of migrating snow geese. Geese who'd encourage you to leave your 24.7geico motorcycle claims insurance behind as they would take you in and even share their dinner of crickets and clovers with you. GEICO assumes no liability for any indigestion that may occur from a clover cricket dinner. GEICO expertise for your motorcycle.

[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now, let's get into this episode.

[Narrator]

Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers. And that's where the U.S. marshal and the Smell of Gun Smoke. Gun Smoke. Starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lonely. Geico's motorcycle expertise gives me the coverage I need. Like 24.

[Kitty]

Seven claims, I'm on cloud nine.

[Cloud Expert]

Clouds are wholly unable to support the weight of an adult human.

[Matt Dillon]

What's happen?

[Cloud Expert]

Furthermore, clouds are not numbered. Even if you procured a jetpack and searched, you'd find no cloud numbered nine. However, at that altitude, you'd likely befriend a flock of migrating snow geese. Geese who'd encourage you to leave your 24.7geico motorcycle claims insurance behind, as they would take you in and even share their dinner of crickets and clovers with you. GEICO assumes no liability for any indigestion that may occur from a clover cricket dinner. Geico expertise for your motorcycle.

[Matt Dillon]

I said get out. Why, you.

[Narrator]

You ain't throwing me out of no open saloon.

[Sam]

You're out and you're staying out.

[Matt Dillon]

You took my money, right enough. Now stand aside there.

[Sam]

Your money ain't good enough to pay for the ruckus you was causing. Now go on, get.

[Narrator]

No, not hardly.

[Matt Dillon]

Hold on there. Put that gun away. Well, who put it away? That's better. Course, ain't no job for the law. Well seen. What's the trouble, Sam?

[Sam]

He was getting too rough, Marshall. Miss Kitty ordered him out.

[Matt Dillon]

No saloon gals can get me through it. If she says you're out, mister, you're out. You better do your drinking someplace else. No saloon gal got any right to do any. Objection. That'll do, mister. Now go along. One of them, Scott. Any better than she ought to be. I said move along, Kitty. Putting on airs having a man throw it out. Well, I aim to get even with her. Now, you listen to me. You get away from the long branch and you stay away. If I hear you coming back, I'll be the one to throw you out. I'll be throwing you out of Dodge at the same time. Now, you go on. All right, Marshall. All right. But it's a funny kind of law. It's not funny to me. Now, you keep moving.

[Kitty]

Can you think of anything else we need, Sam? Might as well spend all our money as long as we're ordering.

[Sam]

Seems to me that ought to do it. Miss Kitty. I don't suppose the stuff will turn out to be any better just because.

[Matt Dillon]

We'Re getting a new batch.

[Kitty]

Well, I don't suppose our customers will turn out to be any better either.

[Matt Dillon]

Yeah. Yes, you're right about that.

[Esteban]

Whiskey. I will have whiskey.

[Matt Dillon]

Coming up. There you are.

[Esteban]

This is the best whiskey.

[Sam]

It's what we got.

[Esteban]

It's not good whiskey.

[Sam]

Like I said, it's what we got.

[Esteban]

It should be better. Senor, before you take the money, listen here. But I'm not here to fight about the whiskey.

[Sam]

I'm glad to hear it.

[Esteban]

Not this time. I've come to find a man. Maybe you know him. Maybe it's been a long time. But they tell me he is in Dodge City and I will find him.

[Sam]

Who is he?

[Esteban]

His name is Dylan.

[Kitty]

Sam what? I'll talk to him.

[Esteban]

Sure, Miss Kitty, you will talk to me.

[Kitty]

Senorita, you looking for Matt Dillon?

[Esteban]

Say, is he here?

[Kitty]

Yeah, he's here. He's the U.S. marshal.

[Esteban]

Then it is true.

[Kitty]

What's true?

[Esteban]

He's with the law. This is the difference.

[Kitty]

You know him?

[Esteban]

Oh, I know him, senorita. But I do not like this talk of the law. I will have another not good whiskey. And then I will find this U.S. marshall.

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[Kitty]

Matt. Matt, wait a minute.

[Matt Dillon]

Huh? Oh, hello, Kitty.

[Kitty]

I'm glad I ran into you. Matt.

[Matt Dillon]

Huh? Something special?

[Kitty]

Well, yeah, there is.

[Matt Dillon]

What's the trouble?

[Kitty]

No trouble yet, but I. I thought you should know.

[Matt Dillon]

Know what?

[Kitty]

Well, Matt, there's a man in the Long Branch asking about you.

[Matt Dillon]

Yeah? You know who he is?

[Kitty]

I've never seen him before. He's Mexican and he's wearing two guns and a knife. And he says he's gonna find you.

[Matt Dillon]

Maybe I better find him first. Thanks, Kitty.

[Kitty]

Matt.

[Matt Dillon]

All right, Kitty. I'll take care of myself. Estaba.

[Esteban]

Oh, it's been a long time, Don Mateo.

[Matt Dillon]

A long time is right. It's good to see you, Esteban.

[Esteban]

Tell them I will find.

[Matt Dillon]

Have you been? I heard you were looking for me with guns. With guns, yes.

[Esteban]

For you, Don Mateo. Oh, no, David. But wait a minute. There is a great chain.

[Matt Dillon]

Oh, what's that? Estabad.

[Esteban]

It is different now.

[Matt Dillon]

What do you mean?

[Esteban]

Well, they call you marshal now. You wear the badge. That's different from the way it was on Mateo.

[Matt Dillon]

Yeah, but things aren't different between you and me. You stay bun. Come on, I'll buy you a drink. Come on.

[Esteban]

So this is the Office of the U.S. marshal of Doge City?

[Matt Dillon]

Yeah, this is it. S.

[Esteban]

There are many guns on the wall. Yeah, there are more guns than we had down near the border, Don Mateo. Do you remember?

[Matt Dillon]

Yeah, I remember, all right.

[Esteban]

Our men just needed one gun and one fast horse.

[Matt Dillon]

That's right. Yeah, things were different then. It was a different time.

[Esteban]

We would go out to get a man, and we would get him. Oh, there were some fine rides, Don Mateo.

[Matt Dillon]

That's right.

[Esteban]

The time we brought in El Coyote. Remember?

[Matt Dillon]

Yes, I remember all right.

[Esteban]

Six men he had with him. Six men. And hidden high in that rock castle.

[Matt Dillon]

Yeah, that was quite a ride.

[Esteban]

You're right. It was quite a ride. You and me, Don Matteo against them all. It was a good time.

[Matt Dillon]

Yes, Esteban, it was a good time.

[Esteban]

I wonder then how it is you come away, you come here to Dowage City and become a U.S. marshal.

[Matt Dillon]

Oh, I don't know, Stephen. I guess maybe a man finds a time when he wants to settle down.

[Esteban]

It cannot be as good as much enjoyment.

[Matt Dillon]

No, it's not as Much enjoyment as stabin. You'll be right there. But sometimes that's good. Not very often, but sometimes.

[Esteban]

I do not understand. But I have come to bring you the enjoyment again.

[Matt Dillon]

Oh? What do you mean?

[Esteban]

I've come to ask you to ride with me again.

[Matt Dillon]

Well, you're gonna have to tell me more than that.

[Esteban]

It is a simple thing. I've come to get a man. I followed him a long way, Don Mateo, and I will find him. If you ride with me, it will be like the days we used to have.

[Matt Dillon]

Who is the man?

[Esteban]

Oh, he's a nothing.

[Matt Dillon]

He doesn't sound like somebody you'd bother to go after.

[Esteban]

You know how it is with the insect, Don Mateo. It's a nothing, but it's a bother. And it causes discomfort. And if it causes discomfort enough, if it hurts, you kill it. Well, that's the way it is with this man.

[Matt Dillon]

Now. What's he done?

[Esteban]

Many things. A nuisance, like an insect. And finally, he causes discomfort. He causes hurt to Maria, My Maria. So I've come to get him.

[Matt Dillon]

What's his name?

[Esteban]

They call him Rallo.

[Matt Dillon]

Problem? Oh, yeah, I can believe it.

[Esteban]

You know him?

[Matt Dillon]

Yeah, yeah, I know him.

[Esteban]

Well, he is here now.

[Matt Dillon]

He was here a couple of days ago, but I think he's moved on.

[Esteban]

We will find him.

[Matt Dillon]

Look, Esteban, I don't blame you for wanting to get this man, but I can't ride with you.

[Esteban]

Why not, Mateo?

[Matt Dillon]

Because he hasn't done anything to me to ride after him for.

[Esteban]

But he's no good. He's nothing. He deserves to be killed like an insect, as I've just told you.

[Matt Dillon]

I know, but that isn't enough, Esteban.

[Esteban]

A man who is bad should not live.

[Matt Dillon]

Maybe so, but I still can't go out with you after this man.

[Esteban]

I do not understand you.

[Matt Dillon]

I'm sorry, Esteban. I'll tell you something else you won't understand.

[Esteban]

See.

[Matt Dillon]

I can't let you go after him either.

[Esteban]

What are you saying to me, Don Mattel?

[Matt Dillon]

I'm saying this. If you go after this man, and if you kill him, I'll have to come after you. You come after me if you kill anybody. That's the way it'll have to be, because that's a law.

[Esteban]

It is too bad.

[Matt Dillon]

Yeah, it's too bad, Esteban. But you'd better remember what I've said.

[Esteban]

I will remember, Don Mateo, with a sadness. It is true. You do not have the enjoyment anymore. I'm sorry we cannot have the good ride.

[Matt Dillon]

Yeah, but just be sure that I Don't have to ride after you.

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[Matt Dillon]

You going to have a steak, Kitty?

[Kitty]

I guess so. At least you have some idea what you're eating. Though I'm not sure it helps much.

[Matt Dillon]

All right, two steaks.

[Narrator]

Okay, Marshall.

[Matt Dillon]

I tell you, Kitty, you always haven't such a fit about the food in here. You ought to open a nice little restaurant of your own.

[Kitty]

Me? Run a restaurant?

[Matt Dillon]

Why, sure. You can cook all the steaks just the way you think they should.

[Kitty]

No. All right, Matt. All right. I'll quit complaining. Anything to keep from cooking. Oh, here comes Chester.

[Matt Dillon]

Been wondering what's kept him away from the food this long, John. Sit down, Chester. We'll order another steak.

[Sam]

Well, that's not what I come for. Least ways not right off.

[Kitty]

You didn't come to eat at dinner time.

[Sam]

Oh, I could eat, all right, but I got this message from Mr. Dillon.

[Matt Dillon]

Oh, what is it, Chester?

[Sam]

Doc wants to see you.

[Matt Dillon]

Where is he?

[Sam]

Up in his office.

[Matt Dillon]

You mean he wants me to go up there before I eat my dinner?

[Sam]

Well, I don't know about that, Mr. Jones, but Doc's got some fella up there that's been shot.

[Matt Dillon]

Oh, you know who he is?

[Sam]

Oh, sir, I don't. Doc just told me. Some dirt farmer from out of town, Summers.

[Matt Dillon]

Did he get shot here in Dodge?

[Sam]

Well, no, sir, I don't think he did.

[Matt Dillon]

How do you know who shot him?

[Sam]

No, sir, they didn't say no names. Some rider, though, wearing a Mexican outfit.

[Matt Dillon]

You go ahead, Chester, and eat my steak when it comes. And I'll see you later.

[Sam]

Oh, hello, Matt.

[Matt Dillon]

Come in. Hello, Doc.

[Sam]

Matt, I thought you ought to know about this.

[Matt Dillon]

Yeah, thanks.

[Sam]

This man, his name is Grimes, is.

[Esteban]

Pretty bewildered about the whole thing.

[Matt Dillon]

Come on.

[Sam]

Come on in the other room here.

[Matt Dillon]

Okay. Is he bad hurt?

[Sam]

He'll be all right. Grimes is Marshall. Oh, Marshall.

[Matt Dillon]

Hello, Grimes. You. You want to tell me how you got shot?

[Sam]

Now, I don't want to get in no trouble, Marshall.

[Matt Dillon]

Seems to me you've already had the trouble.

[Sam]

I don't know why, he come along and shot me, Marshall.

[Matt Dillon]

Well, that's what I want to find out.

[Sam]

I ain't never bothered nobody. I'm a man to mind my own business.

[Matt Dillon]

Well, this is my business now, Grimes, will you tell me what happened?

[Sam]

It just don't make no sense.

[Matt Dillon]

Come on, Grimes.

[Sam]

You sure? I ought to talk, Doc. You sure it ain't too hard on me? No. It's not gonna hurt you a bit. It'll probably make you feel better if anything. You sure? I'm sure. Yes. Come on, speak up, man. All right, then. I was sawing some wood out the back of my place. Where's that but 12 miles west on Branch Creek. Ain't never no water, though. Leastways not when you need it.

[Matt Dillon]

Yeah. Go on.

[Sam]

I was sawing this wood when a fellow rode by, asked could he fill his canteen from the well. I said, why, sure. You go ahead. I ain't wanting to be selfish. Marshall, did you know this man? Never seen him. Marshall. He told me, though, that he was on his way to Colorado. I figured he was one of them drifters and didn't pay too much attention.

[Matt Dillon]

He's not the one who shot you?

[Sam]

Well, it's more like he was the one that was shot at.

[Matt Dillon]

All right, Grime. Just tell me the story, huh?

[Sam]

Well, we was talking there at the well a bit, and all of a sudden, this other fella come riding up. He didn't even slow his horse down none. And he was yelling and hollering, and he started shooting.

[Matt Dillon]

Did he get the drifter, too?

[Sam]

Well, I'm not sure, Marshall. To tell you the truth, I just started running for the barn. I got on my horse and I come into town. I didn't do no looking around.

[Matt Dillon]

All right, Grimes. Thank you.

[Sam]

What? You wouldn't blame a man for looking after himself first, would you, Marshall?

[Matt Dillon]

No, not if you don't. You take good care of him, Doctor.

[Esteban]

Oh, yes, sure.

[Matt Dillon]

I want him as a witness. I'll see you later.

[Sam]

I think Mr. Jones sure would have helped if that Grimes fella just took the time to look around a little bit and seen who was shot and who wasn't.

[Matt Dillon]

He was too busy staying out of trouble, Chester.

[Sam]

He sure did leave a lot of trouble for us, I'll say that for him.

[Matt Dillon]

Now, don't worry about it. We're paid to take care of trouble.

[Sam]

I guess you're right. Look at there. Ain't much of a house, is it? Somebody built a fire out front there.

[Matt Dillon]

Yeah, we'll ride up to it.

[Sam]

Who in the world is that You've.

[Esteban]

Come to join me after all.

[Matt Dillon]

You know I haven't come to join you, Steon.

[Esteban]

My head tells me you will not join me, but my heart still hopes it is so.

[Sam]

What is he talking about, Mr. Dylan?

[Matt Dillon]

Never mind, Chester.

[Esteban]

You are a friend of Don Matteo, the marshal.

[Sam]

Well, I sure am.

[Esteban]

To be frenzied is a good thing, is it not, Mateo?

[Matt Dillon]

Yeah, it's a good thing.

[Esteban]

I welcome you to share my fire. You would like some coffee?

[Matt Dillon]

No, thanks, Esteban. There's a farmer in the doctor's office back in Dodge who's been shot. This is his place. Wow.

[Esteban]

I did not think he would make it all the way. He was riding so fast, he was nearly falling from the horse.

[Matt Dillon]

He says you shot him.

[Esteban]

He was a very frightened man.

[Matt Dillon]

Did you shoot him?

[Esteban]

See, I told him to stand still. He started to run.

[Matt Dillon]

So you shot him?

[Esteban]

He got in the way. Don't, Mateo.

[Matt Dillon]

Yeah, he got in the way.

[Esteban]

It is not good to run.

[Matt Dillon]

What about Rollo?

[Esteban]

You mean the man who is nothing?

[Matt Dillon]

Did you shoot him, too?

[Esteban]

It is possible.

[Matt Dillon]

What do you mean by that?

[Esteban]

I mean that he was running, too, Don Mateo.

[Matt Dillon]

You don't know if he shot him?

[Esteban]

Not yet. But I will shoot him, that much I know.

[Matt Dillon]

Where is he?

[Sam]

He's out there in them rocks.

[Matt Dillon]

See?

[Esteban]

He's in the rocks, hiding in a cave in the rocks.

[Matt Dillon]

You figure to go get him, huh?

[Esteban]

I do not have to go get him. He will be coming to me.

[Matt Dillon]

Oh, how's that?

[Esteban]

There's no food, there's no material, there's no water. Even a man who's in nothing, who's an insect must eat and he must drink. Even a man who runs will come back for that.

[Matt Dillon]

And he might catch you, Esteban.

[Esteban]

Ah, I forgot to tell you. While he was running his gun, he just happened to drop.

[Matt Dillon]

Just happened? Then you didn't shoot it out of his hand?

[Esteban]

It would have to be a very good shot, would it not?

[Matt Dillon]

Yeah, a very good shot. Esteban, we're gonna bring him out of there.

[Esteban]

You're a good friend on, Mateo, but it would not be wise for you to interfere.

[Matt Dillon]

That's my job.

[Esteban]

I do not like this job of yours.

[Matt Dillon]

Right now, I don't like it much either. Chester, you go on up and get Rollo out of the cave. I'll stay here with the stay button, all right?

[Esteban]

I'm surprised that you don't, Mateo.

[Matt Dillon]

Don't let it worry you.

[Esteban]

It should worry you, Senor Marshal. You're forcing me to shoot your friend, Jester.

[Matt Dillon]

You know me better than that. You make one move and I shoot you.

[Esteban]

You'd have to be the first one, Don Mateo. In the old days, you were not always able to beat me at the draw of the gun.

[Matt Dillon]

I'll take a chance now then. It's all right, Chester.

[Sam]

You got him?

[Matt Dillon]

Yeah. Stable.

[Esteban]

Today you are the fastest shot.

[Matt Dillon]

Yeah, today I am. I'm sorry. It was my job.

[Esteban]

It's a sad thing for a job to come between friends.

[Matt Dillon]

Yes, it is.

[Esteban]

It's a sad thing to see a friend take a job without enjoyment.

[Matt Dillon]

He's.

[Sam]

He's dead, Mr. Dillon.

[Matt Dillon]

Yeah. And he was right. This was a job without enjoyment.

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[Narrator]

Gun Smoke, produced and directed in Hollywood by Norman McDonald, stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gunsmoke by Marion Clark with editorial supervision by John Meston. Featured in the cast were Don Diamond, Vic Paron, Barney Phillips and James Nusser. Harley Bear is Chester, Howard McNear is Doc, and Georgia Hawkins is Kitty. This is George Walsh inviting you to join us again next week when CBS Radio presents another story on Gun smoke. Gun Smoke has come to you through the worldwide facilities of the United States Armed Forces Radio and Television Service.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com YouTube become one of our ranch hands and unlock some exclusive content. We want to thank the following ranch hand, Steve, who joined us recently. You too can join by going to otrwesterns.com donate. Send us an email podcasttrwesterns.com and you can call and leave us a voicemail. 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

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Stay warm and save every day.

All in the Fred Meyer app.

Get Select Post cereal or Kroger peanut butter for $1.49 each with a digital coupon and we've lowered prices. Save 15% or more on hun hundreds of items like Thomas Mini Bagels, Campbell's Spaghettios and more.

Shop these deals at your local Oregon Fred Meyer Today or click the screen now to download the Fred Meyer app to save big today. Fred Meyer Fresh for everyone. Prices and product availability subject to change. Restrictions apply. See site for details.