Helen of Abajinian | Have Gun Will Travel (01-04-59)

Summary

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Podcast Summary: Old Time Radio Westerns

Host: Andrew Rhynes
Episode Title: Helen of Abajinian | Have Gun Will Travel (Originally aired 01-04-59)
Release Date: January 12, 2026

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Episode Overview

This episode of Old Time Radio Westerns features a digitally restored radio play: "Helen of Abajinian," from the classic series Have Gun Will Travel. The story, set in the late 19th century, revolves around the legendary gun-for-hire Paladin, who is tasked by Samuel Abajinian to retrieve his runaway daughter Helen, who has eloped with a young Irish cowboy named Jimmy O’Reilly. The narrative delves into the cultural customs, clashing personalities, and the comedic awkwardness that ensues from the proposed marriage. The episode is rich with cultural references, negotiation banter, and ultimately, the transformative power of love and tradition in the Wild West.

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Key Discussion Points & Story Breakdown

1. The Mission: Paladin Hired to Retrieve Helen (01:45 – 09:28)

• Paladin is hired by Samuel Abajinian to bring back his daughter Helen, who has eloped with O’Reilly, missing the annual wine festival and shaming her Armenian family.
• Samuel’s Desperation and Negotiation:
  • Samuel dramatically bargains Paladin’s fee, long-windedly pleading poverty while posturing vast sacrifice.
  • Notable Quote:
    • Samuel: “Oh, I am a poor man, Paladin. A few acres of worthless vines. But I am generous…” (08:16)
    • Paladin (deadpan): “The price we discussed was $1,000.” (08:31)
  • The scene is filled with cultural flavor, humor, and the escalation to the agreed-upon bounty for Helen’s safe return.

2. On the Trail: Paladin Encounters Helen and O’Reilly (10:27 – 13:39)

• Paladin discovers Helen and Jimmy, with Jimmy thoroughly worn out and firm in his denial of any romantic intent.
• Helen’s Heartbreak and Self-Doubt:
  • Helen laments, “There is something wrong with me. I kiss badly.” (11:35)
  • Jimmy, frustrated, insists: “You just ain’t my type at all. That’s what it is. I don’t like to be chaste. It makes a man nervous.” (11:39)
• Paladin Intervenes:
  • Explains to Jimmy he will need to return for a wedding due to custom, which Jimmy begrudgingly accepts.
  • Notable Quote:
    • Paladin (to Jimmy): “Maybe it’s just as well. A really good girl wouldn’t have ridden trail alone with you.” (12:58)
    • Jimmy (offended): “You take that back. She’s as good as they come.” (13:03)

3. Back at the Vineyard: Preparations and Culture Clash (16:36 – 21:13)

• The return triggers a flurry of activity as the wedding is prepared in the Abajinian household, punctuated by more comic clashes of tradition.
• Jimmy’s Reluctance and Humiliation:
  • Forced into a ritual bath; bristles against customs, resulting in banter and slapstick discomfort.
  • Jimmy: “These people ain’t got no right to pull off my clothes and dunk me in here!” (17:32)
• Abajinian’s Patriarchal Wisdom:
  • Samuel: “When a man has been seven days and nights with a beautiful woman, says that he did not touch her, then you are listening to a liar or a fool.” (17:03)
• Helen Prepares to Dance:
  • Paladin explains the meaning and universality of Armenian dances.
  • Notable Quote:
    • Paladin: “Such dances, O’Reilly, are a language. The most understandable, universal, compelling language of mankind.” (21:13)

4. The Turning Point: Love Realized (21:13 – 22:16)

• Helen performs a traditional dance for Jimmy, transforming his attitude from reluctance to adoration.
• Key Moment:
  • Jimmy, finally enraptured: “Mr. Paladin? That’s my wife.” (22:05)
  • The narrative here uses musicality and spectacle to bridge the cultural gap, creating a turning point of acceptance and affection.

5. The Dowry Negotiation (24:54 – 26:51)

• Paladin and Samuel banter fiercely over the dowry – sheep, goats, vines, and house – in an exaggerated, humorous haggling session.
• Notable Quotes:
  • Paladin: “No dowry, no son-in-law. Your own custom, Abajinian.” (25:30)
  • Samuel (dramatic): “I spit on custom. You think I would pay so much as a single goat to mix his blood with mine?” (25:36)
• The negotiation escalates figures and concludes with a suitable agreement.

6. Comedic and Heartfelt Closure (27:12 – 28:24)

• Samuel and Paladin toast to luck and a possible grandson.
• Playful callback to the ballet and Helen’s future – blending cultures and suggesting lasting happiness.

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Memorable Moments & Quotes

• Samuel’s Culture and Bluster:
  • “Do I produce daughters for every passing stranger? Do I beget children to populate foreign villages?” (06:28)
• Paladin’s Deadpan Rationality:
  • “You know something, O’Reilly? You make quite a picture.” (18:36)
• Jimmy’s Folksy Charm:
  • “Doggone it, women don’t chase men.” (20:37)
  • “A man wants to feel kind of calm, comfortable with women.” (20:58)

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Timestamps for Key Segments

• Paladin hired by Samuel Abajinian: 01:45 – 09:28
• On the trail – meeting Helen and Jimmy: 10:27 – 13:39
• Return to the Abajinian household/wedding preparations: 16:36 – 21:13
• Helen’s wedding dance and Jimmy’s change of heart: 21:13 – 22:16
• Dowry negotiations/departure: 24:54 – 26:51
• Final toast and comic closure: 27:12 – 28:24

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Tone, Language, and Style

The episode maintains a tongue-in-cheek tone, blending dry humor (primarily through Paladin and Samuel), melodramatic family exchanges, and folksy awkwardness from Jimmy. The dialogue is rich with cultural references, gentle parodies of tradition, and warm, understated lessons about love and compromise.

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Useful For Listeners Who…

• Enjoy classic radio drama with a comedic and cultural twist
• Appreciate dialogue-driven storytelling and character dynamics
• Are interested in Westerns that touch on immigrant experiences and cultural fusion
• Like stories where stubborn personalities are changed by the power of tradition and affection

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This summary provides a comprehensive look at “Helen of Abajinian,” preserving the episode’s lively spirit, main plot beats, and best lines for new and returning fans alike.

Transcript

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[Andrew Rines]

Welcome to the old time radio westerns. I'm your host, Andrew Rines, and let's get into this episode. This episode is going to be Half Gun Will Travel Original air date is January 4, 1959 in this episode, an Irish cowboy and an Armenian girl are to be married. Title of this episode, Helen of Abingenia. Hope you enjoy, and again, thanks for listening.

[Paladin]

I've been employed to bring you back, and that's just what I'm going to do. Mr. O'Reilly, like it or not.

[Narrator]

Have gun will travel. Starring Mr. John dana as paladin. San Francisco, 1875. The Carlton Hotel, headquarters of the man called Paladin.

[Paladin]

Dancing girl missing. Soma valley's Armenian colony today sadly canceled its annual wine festival because the principal dancer is reported to have eloped.

[Samuel Aberginian]

Mr. Paladin.

[Narrator]

Quiet.

[Paladin]

Here, boy. To have eloped with a passing cowboy. The girl's father, Samuel aberginian, has offered Mr. Paladin $1,000 for her return. Local authorities point out that she is of age and they have no jurisdiction in the matter.

[Samuel Aberginian]

No. Fire. Fire.

[Paladin]

Oh, a joke.

[Jimmy]

Ha ha.

[Paladin]

You use cigars? I brought them. Oh, wait a minute. Hey, boy, I. I want you to send this wire for me.

[Samuel Aberginian]

Oh, hey, you leave again Already.

[Narrator]

There.

[Paladin]

I haven't had a good shish kebab for years. Rice pilaf, baklava, Armenian cooking.

[Samuel Aberginian]

Oh, yeah.

[Paladin]

Now, after you send that, get me two seats for the ballet. Rus. Two weeks from tonight. Well, you saw Mr. Paladin you'll be back. Oh, I'll be back. Better get that wire off right away.

[Samuel Aberginian]

Yeah. So, Mr. Paladin.

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[Jimmy]

Yes.

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[Paladin]

The sun was warm, the sky was clear, and the grapes were harvested. And all that was left was to press them in the vats and wait for them to become wine. An ancient vocation of an ancient, happy people. And their leader was a great giant of a man named Abajinian.

[Samuel Aberginian]

Stop that frightful music. It soured the grapes before they are crushed.

[Helen Aberginian]

Husband, Must we mourn forever? We have other daughters.

[Samuel Aberginian]

Coming to your ear, woman, is a blow for my fist. Do I produce daughters for every passing stranger? Do I beget children to populate foreign villages? Prepare me an answer.

[Helen Aberginian]

Look, there's another one.

[Samuel Aberginian]

Huh? You, out.

[Paladin]

Good afternoon, Mr. Aberdeen.

[Samuel Aberginian]

Out, I say. Out.

[Helen Aberginian]

Do we disregard hospitality?

[Paladin]

My name is Paladin.

[Samuel Aberginian]

The name is of no importance. You're like the other one. A stranger carrying a weapon. You are Paladin?

[Paladin]

That's right.

[Samuel Aberginian]

Oh, woman, where is our hospitality? I have his certificate. We have exchanged words in the telegraph movement.

[Paladin]

Now, what sort of man Was this O'Reilly?

[Samuel Aberginian]

Oh, a despoiler of women. An infidel with evil in his heart.

[Helen Aberginian]

Only a boy, scarcely in his 20s.

[Samuel Aberginian]

You have no acquaintance with the world, woman. This girl of Oz, Palad, even though she is a dancer to warm men's hearts. She's a lamb, A mouse, an innocent mouse.

[Helen Aberginian]

She was seen to kiss him the night before.

[Paladin]

Ah.

[Samuel Aberginian]

Next comes my fist to your ear. If our helen was sent to kiss him, that was a matter of force. Have you ever seen a snake transfix a mouse with its eye? This, O'Reilly, this is such a reptile. Dangerous. You can overtake them?

[Paladin]

I think so. Good.

[Samuel Aberginian]

Both must come back. There must be a marriage.

[Narrator]

A marriage?

[Samuel Aberginian]

Custom. They have been together four days and four nights.

[Paladin]

Of course. Now, what about the fee, Mr. Abiginian?

[Samuel Aberginian]

Oh, I am a poor man, Paladin. A few acres of worthless vines. But I am generous, Although it ruins me for this simple task. I will pay you $200.

[Paladin]

The price we discussed was $1,000.

[Samuel Aberginian]

Too much. Too much.

[Paladin]

Well, since you say this O'Reilly is dangerous, now I must ask 2,000.

[Samuel Aberginian]

Oh, have no faith in my description, paladin. I'm a poor farmer. On my knees. Each night, I will send you my prayers for your entire life. My gratitude.

[Jimmy]

No.

[Samuel Aberginian]

$500. My last offer.

[Paladin]

You have a thousand acres, vines, sheep, goats. But for friendship, 1500.

[Samuel Aberginian]

Paladin, have no faith in these stories of wealth. I have been living above my station. My prayers. The prayers of the entire colony. The thanks of a ruined man. And 800. And I'll have to sell my home and live in a tent to raise it.

[Paladin]

What can I do? Such generosity. 1200.

[Samuel Aberginian]

900. The diet of grape leaves. The rest of my life.

[Paladin]

1,000.

[Samuel Aberginian]

Done.

[Paladin]

Good.

[Samuel Aberginian]

All right, seal the bargain. Watch ye, my friend. Drink of fire. Most men drink one swallow, perhaps two. But Abadinion. Watch. Now. You drink, huh?

[Paladin]

Of course. Will you pour for me.

[Odoo Advertiser]

Enough.

[Paladin]

No. Enough.

[Samuel Aberginian]

Here is a man. Go, friend. Bring back my daughter.

[Paladin]

Yes, of course. I followed their trail out of the Soma valley and into the high range lanes. Along the way, I talked to a miner, a cowpuncher, a deputy sheriff. All of them remembered Helen Nabogenian quite well. Hardly anyone could tell me anything about her traveling companion, except that he wore chaps and boots and carried a gun. It was noon of the second day when I first caught sight of them. They were resting in the shade of a grove of cottonwood. I dismounted and walked toward them. They were so busy with their problems, they didn't notice.

[Jimmy]

Ma', am, I ain't gonna ride my horse to death for you or no other woman.

[Helen Aberginian]

You don't love me.

[Jimmy]

You're doggone right I don't. I told you that every foot of the last hundred miles. Now, ma'.

[Helen Aberginian]

Am.

[Jimmy]

Ma', Am, look, people just ain't gonna believe you followed me.

[Helen Aberginian]

But I cannot go home now. You have me compromised.

[Jimmy]

Now, that's a lie. I ain't laid a hand on you.

[Helen Aberginian]

At my father's house. You kissed me.

[Jimmy]

Well, I was just. Funny.

[Helen Aberginian]

There is something wrong with me. I kiss badly.

[Jimmy]

Well, that's not.

[Helen Aberginian]

I am ugly.

[Jimmy]

I didn't say that. Now, you just ain't my type at all. That's what it is. I don't like to be chaste. It makes a man nervous.

[Helen Aberginian]

I'm sorry.

[Jimmy]

Yeah, I often. Here, now, let me get you up.

[Samuel Aberginian]

Dog gone it.

[Helen Aberginian]

You see, you see, you kiss me again.

[Jimmy]

No, you kissed me. Now, you ought to be ashamed.

[Helen Aberginian]

Ashamed? Is it so bad that I love you? Well, you let me dance for you and change your mind.

[Jimmy]

No. Now, now, ma'.

[Odoo Advertiser]

Am.

[Jimmy]

Ma', Am, if you so much as move an elbow, I'm going to. Yes?

[Narrator]

How do?

[Paladin]

Mr. Jeanian?

[Helen Aberginian]

Yes?

[Paladin]

My name is Paladin. Your father employed me to bring you back.

[Jimmy]

Oh, man, am I glad to hear that.

[Paladin]

Both of you. Mr. O'Reilly.

[Jimmy]

Well, what's your father want me for?

[Paladin]

For a wedding to her. To her?

[Jimmy]

Look, you don't want to take me back for that.

[Narrator]

Why?

[Jimmy]

A man wants to feel comfortable with his woman.

[Odoo Advertiser]

Now, her.

[Jimmy]

Well, man, just watching her walk makes me feel all edgy. Who wants to spend his life feeling like that?

[Paladin]

How old are you, mister?

[Jimmy]

Mister, you can talk till you're blue in the face, guns or no guns. I still ain't going back with you, and I'm not gonna marry her.

[Paladin]

Maybe it's just as well. A really good girl wouldn't have ridden trail alone with you.

[Jimmy]

You take that back. She's as good as they come.

[Paladin]

You seem pretty certain.

[Jimmy]

I am certain.

[Paladin]

It sounds like you just might be in love with her.

[Samuel Aberginian]

You take that back, Joel.

[Jimmy]

Jimmy.

[Helen Aberginian]

Oh, Jimmy.

[Paladin]

Don't worry about him, miss. He's all right. Anyway, he's going back with us.

[Helen Aberginian]

Oh, Jimmy. Jimmy, open your eyes. Did you hear that, Jimmy? You're going back with us.

[Odoo Advertiser]

Yeah.

[Jimmy]

Okay, okay, okay, okay. I'm going back. But just remember, you can lead a horse to water, but you can't make him drink.

[Helen Aberginian]

Oh, dear me. Doggone it.

[Jimmy]

Anyway.

[Odoo Advertiser]

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[Jimmy]

This.

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[Narrator]

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[Paladin]

The trip back to the Soma Valley was uneventful. The happy bride chatted all the way and the reluctant groom grew more surly and silent as the Aborigine vineyards came into sight. Once there, the father in law to be ordered immediate preparations for the wedding. Aside from half a hundred people scurrying to gather the best foods and wines. Music. These orders also included the business of washing up for all.

[Samuel Aberginian]

When Amen has been seven days a night with a beautiful woman says that he did not touch her then you are listening to a liar or a fool. Oh, that's nice.

[Jimmy]

Oh, so now I'm a fool, huh? It's all the thanks I get for being a gentleman.

[Samuel Aberginian]

Now you getting the top off with a closed scuff.

[Paladin]

What?

[Jimmy]

I ain't gonna take no bath and I ain't taking off my clothes.

[Paladin]

Better do it, Jimmy. What? Well, okay.

[Jimmy]

These people ain't got no right to pull off my clothes and dunk me in here.

[Samuel Aberginian]

Even a barbarian bath's foot is on matters.

[Jimmy]

And I told you, I'm just marrying her to protect your reputation, that's all.

[Samuel Aberginian]

That's all.

[Jimmy]

You can lead a horse to water into the tub. Hey, so don't pour that water on me now. The first time I ever took a.

[Paladin]

Bath in the middle of the week.

[Samuel Aberginian]

There is a woman at the beginning of all great things.

[Narrator]

Woman.

[Samuel Aberginian]

Heaven's best gift. You're most delightful of God's creatures.

[Jimmy]

Can I have a towel?

[Samuel Aberginian]

Are you clean?

[Jimmy]

Cleaner than a new late age.

[Samuel Aberginian]

And here is a towel. Yeah, I'm just getting time for the business of the wedding.

[Paladin]

Here.

[Jimmy]

Don't pour that on me.

[Samuel Aberginian]

Oil for fragrance. Rub this into your skin.

[Helen Aberginian]

Very pleasant.

[Jimmy]

Oh, I won't do no such thing. Oh, it smells sweet. Enough to catch flies.

[Paladin]

It's customary, O'Reilly.

[Jimmy]

Ain't I got a right to have customs too?

[Samuel Aberginian]

Rabbit in. Good.

[Paladin]

You know something, O'Reilly? You make quite a picture.

[Jimmy]

You. Oh, Dog gone it.

[Paladin]

Kebab. It's not often a man sits At a table like this. Rice Pilaf, Kescek, Quebacle. O'Reilly here gotta try something.

[Jimmy]

No, no, no. Time I was moving along, I went through getting married, didn't I?

[Paladin]

Mm, you did. But a smart man doesn't ride off at night hungry.

[Jimmy]

Yeah, well, I tell you, I ain't staying. Now, I done my part.

[Paladin]

No one's keeping you. Goodbye. Yeah, what's the matter.

[Jimmy]

Dog, don't it? I can't run off without saying goodbye to the girl, can I? I mean, after all, just. I just married her.

[Paladin]

Oh, it's just a formality. It's like you said. You can lead a horse to water. Well, goodbye, Riley.

[Jimmy]

Now, how come all of a sudden you want me to leave, huh? Why is that?

[Paladin]

Well, you don't seem to care about the girl. Maybe it's just as well. You don't wait and see her dance.

[Narrator]

Doggone it.

[Jimmy]

She can just dance her fool head off. I'll be too busy eating. I'll just be too busy to notice. What is this foreign stuff here?

[Paladin]

I don't know. Mighty good, though. Here, here, try this.

[Jimmy]

Hey. Clearly got some good cooks around here.

[Paladin]

You know something, O'Reilly? Bride. Bride always supervises the preparation of the wedding foods. Yes, she does. It's customary. Is that fact?

[Jimmy]

Well, now, you know, just because they don't do things like my people. See, I. I got me four brothers. Well, that I don't mean. Ain't real down to earth folks, now, does he?

[Paladin]

You sound like you're beginning to grow up.

[Jimmy]

Well, I'm as growed up as the next man. Just cuz that little abenian gal gets me.

[Samuel Aberginian]

I mean, what?

[Jimmy]

Doggone it, women don't chase men.

[Paladin]

I'm not too sure.

[Jimmy]

What I mean is, a man don't want a wife that chases him. Well, as Helen man, if I live with her. Look, look, Mr. Paladin, just watching her makes me nervous.

[Paladin]

That so? Yes, sir.

[Jimmy]

Yes, sir. I mean, my stomach flops around, my knees shake, doggone it, she makes me feel downright miserable. A man wants to feel kind of calm, comfortable with women.

[Paladin]

I think they're getting ready for her dance now.

[Jimmy]

Yeah, well, I. I guess I ought to be.

[Paladin]

Mosey O'Reilly. You know, ancient Armenia was at the crossroads of the world. The origins of her dances are lost in antiquity. A flavor of ancient Greece, Persia, perhaps even Manoa. As such dances, O'Reilly, are a language. The most understandable, universal, compelling language of mankind.

[Jimmy]

Well, maybe so, Paladin, but I'm just.

[Paladin]

And there's your bride. Dancing for you. Well, she's Cana.

[Jimmy]

What's that she's wearing?

[Paladin]

A veil from Persia. Leaving Mr. Orlando?

[Jimmy]

Mr. Paladin? That's my wife.

[Odoo Advertiser]

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[Narrator]

Do you see speed laws and other regulations as restrictive or do you look upon them as protective? When a police officer writes a summons for traffic violations, do you see him as an enemy or a friend? Your life may depend on your attitudes. Statistics clearly indicate that where laws are obeyed, deaths go down. It's no secret that emotional immaturity is the major factor in our accident rate. How else but childish can you describe the notion that breaking a traffic regulation is a way of getting away with something? Unfortunately, too many drivers on the road subscribe to that kind of emotional outlook. The result is tragic. Almost 85% of all traffic accidents in America are caused by careless, childish driving. We hope you know our traffic laws and the people who enforce them are there to help save your life.

[Paladin]

The happy bride and the no longer reluctant groom disappeared from the festivities. Custom it was also custom for the festivities to continue the singing. The Dancing, the eating. I continued with them. But there came a time when it was time to settle the business of hand.

[Samuel Aberginian]

You say what? Dowling, Dowling, listen to him. Listen to him. My people, now, I am a liberal man. If he wishes to live with my daughter. But you're mad if you think that opportunity.

[Paladin]

No dowry, no son in law. Your own customer, Virginia.

[Samuel Aberginian]

I spit on custom. You think I would pay so much as a single goat to mix his blood with mine?

[Paladin]

You offer to let your daughter carry to marriage her bedding and clothing? Such generosity should be written on the side of Mount Ararat for all to see. All right.

[Samuel Aberginian]

Perhaps I could spare a goat for milk.

[Paladin]

A goat for milk? Oh, he can spare a goat for milk. Beside, Aberginian, the poorest Arab in a mud hut is a caliph who dispenses gifts of amber and silver.

[Andrew Rines]

No.

[Paladin]

Beside, a serpent becomes an animal of great stature and dignity. And a toad becomes an animal of great beauty.

[Samuel Aberginian]

Perhaps I can afford an acre of vines. I'm a poor man.

[Paladin]

An acre of vines. Now, did you. Did you hear that? An acre of vines. Come, let us circulate the news of such generosity. A messenger to the old country. A runner to the next town.

[Samuel Aberginian]

All right, all right. Five acres of wives and two of three.

[Paladin]

No, 10 and five. 10 and five.

[Samuel Aberginian]

With a house.

[Odoo Advertiser]

No.

[Samuel Aberginian]

50 sheep nest.

[Paladin]

10 goats. Six carrying milk.

[Helen Aberginian]

All right, agreed.

[Samuel Aberginian]

Paladin, stop there. You ruin an old man, I hope. That boy's rotten. His blood.

[Paladin]

His parents had five sons.

[Samuel Aberginian]

Five. Well, a busy day, Mr. Paladin. But perhaps not a bad one. Five, you say?

[Paladin]

He told me so himself.

[Samuel Aberginian]

Then perhaps a grandson, huh? A glass of orche for luck?

[Paladin]

I'd be delighted, Mr. Abadian. Hey boy.

[Samuel Aberginian]

Oh, Mr. Paladin.

[Paladin]

How happy to see you. Did you get me the tickets to the ballets russe?

[Samuel Aberginian]

Hey boy did not forget.

[Paladin]

Yeah, that's fine.

[Narrator]

Hey boy.

[Paladin]

I'll just.

[Helen Aberginian]

Oh, I am so sorry. So clumsy of me. I knocked your tickets away.

[Paladin]

Perfectly all right.

[Helen Aberginian]

Those are our ballet tickets.

[Paladin]

Oh, you're with the ballet russe.

[Helen Aberginian]

You will see me dance. Then you enjoy the ballet, Mr. Paladin?

[Paladin]

Madame, as a matter of fact, I do. I saw your company in paris last year.

[Samuel Aberginian]

So?

[Paladin]

And I'm just returning from a visit where I saw the armenian wine dance. Beautifully performed.

[Helen Aberginian]

Ah, yes, I have heard of that dance. I should enjoy attempting it someday. But where is there such a teacher? Why do you look at me so?

[Paladin]

Doggone.

[Samuel Aberginian]

What?

[Paladin]

In my imagination, I pictured you performing that dance. Madame, may I offer you a cognac Delighted.

[Odoo Advertiser]

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[Narrator]

Have Gun Will Travel, created by Herb Meadow and Sam Rolfe, is produced and directed by Norman McDonald and stars as John Dana as Paladin with Ben Wright as Hey Boy. Tonight's story was written by Gene Roddenberry and adapted for radio by John Dawson. Featured in the cast were Lawrence Dobkin, Dick Krena, Lillian Byeth, Virginia Christine and Lynn Allen. Hugh Douglas speaking. Join us again next week for have Gun Will Travel.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook join in the conversation by going to otrwesterns.Com Discord and don't forget to send us an email. Podcasttrwesterns.com this episode's copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and again, thanks for listening.