Hound Dog | Gunsmoke (12-30-56)

Summary

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Old Time Radio Westerns: Gunsmoke – "Hound Dog" (12-30-56)

Podcast Host: Andrew Rhynes
Show: Old Time Radio Westerns
Episode Title: Hound Dog
Original Air Date: December 30, 1956

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Episode Overview

This episode of the Old Time Radio Westerns podcast features the classic "Gunsmoke" drama “Hound Dog.” Digitally restored for clarity, the episode transports listeners to Dodge City, following U.S. Marshal Matt Dillon as he untangles a simmering conflict on the prairie. The heart of the story is a dispute between reclusive trapper Carpus Dagg and his neighbor, Pete Raymer—sparked by the shooting of Carpus’s beloved old hound. The episode explores loneliness, neighborly suspicion, and how a simple act can threaten to escalate into violence, only to be resolved through humility, honesty, and empathy.

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Key Discussion Points & Insights

The Opening Atmosphere – Dodge City & Daily Life

• Poker Losses and Prairie Life (05:07)
  • Chester laments his ongoing bad luck at cards, hinting at the small personal dramas that punctuate life around Dodge.
    • “Dog gone, Mr. Dillon, one of these here days, I’m just gonna shake the dust of Dodge City off of my boots for good.” – Chester (05:07)
  • Matt Dillon and Kitty engage in warm, everyday banter, setting the small-town mood.

The Central Conflict – A Tragedy in the Bottomlands

• Introduction of Carpus Dagg (07:03)

  • Doc brings the news of Carpus Dagg coming to him with a “patient” – not a man, but his beloved, eleven-year-old hound, shot and mortally wounded.
  • The community’s tendency to keep its distance from outcasts is noted:
    • “Well, he lives in a shack on the river bottom… Keeps pretty much to himself.” – Doc (07:08)

• Matt’s Instinct for Trouble (08:22)

  • Matt intends to investigate, warning that a dog’s killing often prefaces trouble:
    • “This wouldn’t be the first time that a dog getting killed would finally lead to a man getting killed.” – Matt Dillon (08:27)

Confronting Grief & Isolation

• Visiting Carpus (10:14–13:09)
  • Carpus is wounded and wary, at first raising a gun when Matt and Chester approach.
  • He describes the loss:
    • “I’d have given my right arm rather than lose that hound. I reckon folks’d call her crazy, but that’s how I felt.” – Carpus Dagg (11:33)
  • The dog, Danny Boy, was his single companion.
  • The narrative underlines the pain of rural isolation and the depth of bonds formed with animals.

Threats & Escalation – Neighbors at Odds

• Tensions Explode (16:45–19:06)

  • Pete Raymer appears, firing a shot into Carpus’s house; both men accuse each other of malice.
  • Accusations escalate:
    • “You calling me a liar?...If I catch you around my place one more time, I’m gonna put a bullet in you!” – Pete Raymer (18:45)

• Matt’s Intervention

  • Matt steps in, warning of the dangerous cycle of revenge:
    • “This way of paying for things comes high sometimes.” – Matt Dillon (19:06)

The Truth Emerges – A Child’s Mistake

• The Real Shooter (20:34–23:00)

  • Matt speaks with Raymer’s nervous son, Sonny, who confesses:
    • “It was an accident, Marshal… I was after an old coyote… Only it wasn’t, it was that old hound dog of Mr. Dagg’s.” – Sonny (22:17)
  • Sonny hides out of fear—but pleads to protect his own dog from Carpus’s wrath.

• Resolution and Reconciliation

  • Sonny offers a puppy from his dog, Nellie, to Carpus as a peace gesture and promises to help train it:
    • “Nellie’s gonna have pups in a couple of weeks, Mr. Dagg, and I’ll let you have your choice… I’ll help you, I’ll come over every day… and help you train him.” – Sonny (23:29, 23:38)
  • Carpus, moved, accepts:
    • “Well, it sounds like a pretty fair offer… Looks like old Carpus has finally got himself a friend, Mr. Jones.” – Chester (24:04)

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Notable Quotes & Memorable Moments

• Compassion in Isolation (11:33)
  • Carpus’s love for his dog:
    • “I’d have given my right arm rather than lose that hound. I reckon folks’d call her crazy, but that’s how I felt.”
• Matt’s Realism (08:27, 19:06)
  • On the threat of violence escalating:
    • “This wouldn’t be the first time that a dog getting killed would finally lead to a man getting killed.”
    • “This way of paying for things comes high sometimes.”
• A Child’s Honesty (22:17)
  • Sonny’s trembling confession:
    • “It was an accident, Marshall. Cross my heart, it was.”
• Generosity and Healing (23:29–23:43)
  • Sonny’s peace offering, promising a new puppy and his daily help.
• A Shared Future (24:04)
  • Chester’s warm observation:
    • “Looks like old Carpus has finally got himself a friend, Mr. Jones.”
    • Matt adds: “Looks like two, though, Chester. Counting the puppy.” (24:17)

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Important Timestamps & Segments

| Timestamp | Segment | Description | |:----------:|---------------------------------------------|---------------------------------------------------------| | 05:07 | Chester’s bad luck at poker | Shows the daily rhythms and relationships in Dodge | | 07:03 | The news of the dog’s death | Doc explains Carpus’s loss and isolation | | 08:27 | Matt decides to investigate | Signals potential for escalating trouble | | 10:14–13:09| Matt and Chester meet Carpus | Grief and suspicion explored; dynamics of isolation | | 16:45 | Pete Raymer appears, shots exchanged | Conflict heightens; themes of anger and revenge | | 19:06 | Matt warns both men | Attempts to avert vigilantism and further violence | | 20:34 | Sonny introduced | Pivotal moment shifts to the next generation | | 22:17 | Sonny confesses | The truth untangles the conflict | | 23:29 | Sonny’s offer to Carpus | Conflict shifts to healing and hope | | 24:04 | Chester observes a new friendship forming | Quiet resolution and restoration of community ties |

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Themes & Tone

The episode remains true to Gunsmoke’s signature mix of suspense, empathy, and realism. The dusty western setting is vividly evoked through sound, dialogue, and the emotional cadence of the performances. The core theme is the potential for misunderstanding and isolation to breed conflict—and the healing possible through honesty, kindness, and the forging of unexpected friendships.

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Summary

“Hound Dog” stands out as a touching exploration of alienation, the pain of unexpected loss, and the incremental steps toward reconciliation. Marshal Dillon’s firm but compassionate “law-keeping,” a child’s nervous honesty, and a neighborly gesture combine to resolve a potentially tragic feud. By the end, listeners are reminded of the importance of connection, forgiveness, and community—even on the lonely prairies of Gunsmoke’s frontier.

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Transcript

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[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and let's get into this episode. This episode is going to be Gunsmoke. Original air date is December 30, 1956 and the title is Hound Dog.

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[Narrator]

Gun smoke. Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smell of gun smoke. Gun Smoke Starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lone.

[Chester]

Dog gone. Mr. Dylan, one of these here days, I'm just gonna shake the dust of Dodge City off of my boots for good.

[Matt Dillon]

Sure, I know, Justin, how much you lose this time?

[Chester]

$11. 20. Who said anything about losing?

[Matt Dillon]

Well, every time you sit in on one of those draw games, the boys whipsaw you and you threaten to pull stakes and leave town.

[Chester]

And one of these times I'm going to do it, too.

[Matt Dillon]

Sure, and the first thing you look for in the next town will be a draw poker table.

[Chester]

Well, maybe I ought to change to stud or blackjack.

[Matt Dillon]

Maybe you ought to just keep your money in your pocket. You ever think?

[Chester]

No, I. I got a hunch my luck is right on the point of turning, Mr. Dillon. Oh, if I only had, say, $5 or so to get back into the game. No, I could. Well, even if I only had a dollar. Oh. Oh, Miss Kitty. Just one single dollar. You broke, Chester. Well, yes. There you go. Oh, no, no. Now, I just couldn't think of taking money from a lady. Mr. Alone Baby Actor. Excuse me, Mr. Dylan. I'll pay it back in just a few minutes.

[Matt Dillon]

You know, Kitty, you're a born soft touch.

[Chester]

Ah, well, if he needs it, Matt.

[Matt Dillon]

It'S those Sharps over there at the poker table that need it.

[Chester]

Oh, well, you can't get hurt bad on $1.

[Matt Dillon]

Chester's hurt bad when he loses 10 cents.

[Chester]

Yeah, maybe he's lucky, Matt.

[Matt Dillon]

Ah, how so?

[Chester]

Forget it, Matt. Just one of those nights, I guess.

[Matt Dillon]

Dad, would a drink help?

[Chester]

Maybe. Probably not, but I'll have one anyway. These. It won't do me any harm. Okay. Oh, well, I see the Marshall of Dodge is out crowsing again.

[Matt Dillon]

Hello, Doc.

[Chester]

How are you, Doc? Oh, my kitty. You look prettier in a basket full of sunflowers. Thank you. Yes, you do. Yes, you do. Oh, say, Matt, you'll never guess who came to my office for help after.

[Matt Dillon]

No, but they got my sympathy, Doc.

[Chester]

It was all Carpus Dag. Carpus? Who's Carpus Dag? Well, he lives in a shack on the river bottom. Kitty hunts a little, traps some. Keeps pretty much to himself.

[Matt Dillon]

What's wrong with him, Doug?

[Chester]

Nothing. He brought me a patient. Too late to do any good, of course. He died right on my operating table. Oh, Died of what? A bullet wound.

[Matt Dillon]

You mean somebody was shot this afternoon? You didn't tell me about it.

[Chester]

I didn't figure it was important. Was the Carpus, though? Yes. He looked very broken up when he left.

[Matt Dillon]

Doc, will you please?

[Chester]

I reckon a man living alone that way, without any human friends, can get pretty fond of an old hound dog. A dog? I guess I did forget to mention it was that old spotted hound dog of his that was shot. How are you, Doc? Miss Kitty? Yeah. Chester, do you think maybe you can get by till payday for that dollar? Forget it, Chester. Yeah. Yes, forget it. No, no. No use looking at me, Chester. Well, I was just thinking, Doc.

[Matt Dillon]

Did Carpus have any idea who shot his dog?

[Chester]

If he did, he wasn't saying. But from the look on his face when he walked out, I'm glad it wasn't me. Now, why would anybody do a thing like that? Well, I don't know. It's too bad, but there's nothing much to be done about it.

[Matt Dillon]

I think maybe I better ride out there in the morning and have a talk with Carvis.

[Chester]

What for?

[Matt Dillon]

This wouldn't be the first time that a dog getting killed would finally lead to a man getting killed. Warning.

[Chester]

Warning. What's the matter?

[Narrator]

Well, I have a warning for all.

[Matt Dillon]

Eligible dependents seeking medical care at government expense from civilian sources.

[Chester]

Mr. Walright already.

[Matt Dillon]

Be sure the physician and hospital are participating in the Medicare program before beginning treatment.

[Chester]

Well, so my dependents have checked. Now, what they should make sure they.

[Narrator]

Use their ID Card to obtain only.

[Matt Dillon]

That medical care to which they are entitled. Misuse of the ID card is punishable by a fine of up to $10,000.

[Chester]

Or imprisonment of up to five years for a couple of aspirins. Don't take chances.

[Matt Dillon]

Read the pamphlet.

[Narrator]

Dependents medical care program.

[Chester]

Oh, now that's what I call scare advert. Shack looks deserted, Mr. Dunn. Maybe old crop has gone off somewhere.

[Matt Dillon]

And there's somebody cutting wood over there in the draw. Leave our horses here in the lean to Chester.

[Chester]

All right, sir. Man, it'd have to be a little ouchy to want to live out here all alone this way.

[Matt Dillon]

Maybe it's not a matter of choice.

[Chester]

No company except for dog. No neighbors for 10 mile or more.

[Matt Dillon]

That'S not quite that far. Pete Raymer's got a homestead about two miles away, north of here.

[Chester]

Maybe he shot that hound, Mr. Jones.

[Matt Dillon]

Oh, why do you say that?

[Chester]

Well, I don't know, but folks mostly leaves old Carpus to himself.

[Matt Dillon]

Yeah, I know.

[Chester]

Hold it there right where you are, Mr. Jones.

[Matt Dillon]

Take it easy, Chester.

[Chester]

Who is it? Speak up there.

[Matt Dillon]

It's Matt, Dillon, Carpus and Chester. Now, you better put that rifle down.

[Sonny]

Oh.

[Chester]

Well, I didn't recognize you, Marshall. My eyes ain't what they used to be. I thought maybe it was. Whoa.

[Matt Dillon]

You thought what?

[Chester]

Well, I. I just didn't know.

[Matt Dillon]

You mean you thought it might be whoever shot your dog, huh?

[Chester]

Oh, Doc told you about that.

[Matt Dillon]

I'm sorry to hear it.

[Chester]

Covers I'd had Danny boy 11 years marshal. He was goin blind pretty near bad as me. And he sure weren't no use to hunt with no more. But I'll say one thing, Marshall. I'd have given my right arm rather than lose that hound. I reckon folks should call her crazy, but that's how I felt.

[Matt Dillon]

Well, livin alone, I guess a man learns to appreciate it, Dog.

[Chester]

Well, he understood every word that was said to him just as good as you or me. By evenings, we'd sit there in my shack and I'd talk to him and, well, we won't be doing that no more.

[Matt Dillon]

Now, who do you think shot him?

[Chester]

Let's walk back up to the shack, Marshall. It's getting Mike Cole standing here all right. Here, look yonder. Here goes a rabbit. Look at that fool run. He sure scratching gravel. Danny boy had been after him like a shot. He'd have lost him right off, but he'd sure give it a try. Rabbits, coyotes, prairie chickens. He'd chase anything that moved. Blundering along blind as a bat, baying his lungs out.

[Matt Dillon]

Carpus, you have any idea why anybody want to shoot him?

[Chester]

Because they're playing low down. Me, that's why. Ain't no other reason for doing things like that. Come on inside. Ain't nothing fancy, but it keeps the weather off. Have some coffee going here in a couple of minutes, Marshall, if your mind has said a spell.

[Matt Dillon]

Well, don't go to any bother on our account.

[Chester]

No, no, it's no bother. Just get a few more logs in here. I ain't sure I can scare up three mugs though. It's kind of unusual having callers here, folks all jackets like I had the plague or something.

[Matt Dillon]

Well, people get caught up in their own troubles, I guess. Carpeth just get too busy sometimes to be neighborly.

[Chester]

Yeah, that man can get lonesome, Marshall.

[Matt Dillon]

Yeah, I know. Pete Ramer and his misses Ever dropped by here?

[Chester]

No, never.

[Matt Dillon]

Where'd you find the dog after he'd been shot?

[Chester]

I didn't find him, he found me. He come dragging himself back here to the cabin. I rushed him right in the dock, but it was too late.

[Matt Dillon]

And you don't know where it happened then?

[Chester]

Yes, I know. I followed his trail back this morning. It was on a brushy draw about a mile from here.

[Matt Dillon]

Toward the Rehmer place?

[Chester]

No more or less. I'll take care of it, Marshall. You just stay out of it. Law is for people and not for dumb animals.

[Matt Dillon]

Your dog wasn't shot by a dumb animal, Carpus.

[Chester]

I'll settle it my own way.

[Matt Dillon]

And you know who did it.

[Chester]

I know all right now see, they pay for it too.

[Matt Dillon]

That kind of paying for it gets out of hand sometimes.

[Chester]

I'm the one that suffered the loss. It's my concern, not the law. Puss, come out here. Somebody's out there in the yard. You hear me?

[Matt Dillon]

Get out. Get out on the floor. Well, it seems like one of your neighbors has finally come calling on your Carpus. Another visit with Joe and Daphne Forsyth.

[Sonny]

Joe. Joe. Joe.

[Chester]

Yeah, yeah, yeah, I'm up, I'm up. Forget breakfast. I'll shave at work.

[Sonny]

Joe, it's not time to go to work.

[Chester]

Then why'd you wake me up?

[Sonny]

You were snoring.

[Chester]

How about that?

[Sonny]

You were snoring loud.

[Andrew Rines]

Oh really?

[Sonny]

I just wanted to quiet you.

[Chester]

I thought I was quiet.

[Sonny]

You sounded like a buzzsaw going through a pine knot.

[Chester]

Pretty good. Pretty good. I wish I could be with you at 2:30 in the morning.

[Sonny]

You can go back to sleep now.

[Chester]

Oh, gee, thanks.

[Sonny]

You can Get a good night's sleep, too. Our savings bonds will protect us, huh? They protect us. The money we invest is used to protect our country and its freedoms. Why, all around us, we can see the safeguards that our bonds have paid for.

[Chester]

How about that?

[Sonny]

So you see, when you buy that savings bond with every paycheck, you're really investing in a secure night's sleep.

[Chester]

Not in this house, I'm not. What? Good night, Daphne.

[Sonny]

Good night, Joe.

[Chester]

That's Pete Ramer out there, Marshall. You heard me, you mangy old weasel. Come on out here. He's aiming to kill me.

[Matt Dillon]

But why?

[Chester]

Well, I. I don't rightly know, but he fired a bullet through the window, didn't he?

[Matt Dillon]

All right, Carp, as you stay away from the door. You too, Chester.

[Chester]

Yes, sir.

[Matt Dillon]

Raymer, It's Matt Dillon. You hold your fire. I'm coming out.

[Chester]

I didn't know you was in there, Marshall.

[Matt Dillon]

No, I guess you didn't.

[Chester]

Understand. I. I wasn't aiming to shoot nobody.

[Matt Dillon]

Is that so?

[Chester]

No, he's trying to throw a scare into him. Into old Karpus, I mean, bring him to his senses maybe.

[Matt Dillon]

Has he been out of his senses?

[Chester]

Well, he sure act like it. Marshall. You know what he done this morning? He tried to shoot my kid's dog. Snuck up through the brush, took a shot at her son. He seen him do it.

[Matt Dillon]

Any idea what had caused him to do a thing like that?

[Chester]

Dang if I know. He's just crazy, Eric. He always been the might touch. You know that. That's why folks around here just stay shy of him.

[Matt Dillon]

That might work both ways, Remy.

[Chester]

How's that?

[Matt Dillon]

Being lonesome, acting strange. They kind of go together sometimes.

[Chester]

Yeah, maybe.

[Matt Dillon]

Are you the one who shot his dog?

[Chester]

What? If he says that, he's a liar? I ain't even seen that old hound for a week. Didn't know he was shot till you told me. Anybody says I done that is a liar. Well, I. I say you done it, Ramer. You. You calling me a liar? Calling you anything, you are. Liar. Listen to Marshall. Is that what he told you? That I killed his dog?

[Matt Dillon]

No, he didn't tell me anything. He said he'd take care of it himself.

[Chester]

Yes, and I will, too. That's what you was doing, sneaking around my place and eye for an eye, tooth for it. It's the law, the scripture. All right, you just take warning from me right now. If I catch you around my place one more time, I'm gonna put a bullet in here. Ain't too bad you shot myself you better be a good shot. All right, shut up.

[Narrator]

Both of you.

[Matt Dillon]

Shut up. It's like I told you, Carpus. This way of paying for things comes high sometimes.

[Chester]

Danny boy was the only thing I had in the world. Well, then you ought to find out who killed him instead of coming around and scaring my kid after death. I know who killed him. Sonny come running home like.

[Narrator]

Like.

[Chester]

Like old Scratch yourself was after him, yelling. It's Mr. Daggy's yelling. He just took a shot at my dog. Oh, Carpus, if I could have got my hands on you.

[Matt Dillon]

Wait a minute. Wait a minute. Is that really what he said?

[Chester]

I ain't known to be a liar, Marshall.

[Matt Dillon]

The exact words, honey.

[Chester]

Well, that's the gospel. Saw if lightning was to strike me.

[Matt Dillon]

I suppose we all ride over to your place, Remy.

[Chester]

My place?

[Matt Dillon]

Yeah. I want to talk to Sonny.

[Chester]

What for? It might help to prevent a murder. There. Well, there's the kid, Marshall. Right there, front of the barn. Sonny. Sonny.

[Sonny]

Yeah, Pop?

[Chester]

Come on over here a minute, Sonny, will you? Marshall wants to talk to you.

[Sonny]

Marshall.

[Chester]

Yeah. Come on hitting here, Doc. Sonny come back. He run into barn, Mr. Dillon. Yeah. I can't figure what come over that boy, Marshall.

[Matt Dillon]

I will soon find out. Maybe it'd be better if you and Carpus stayed here with the horses, Bremer, you say so. Keep an eye on him, Chester. Don't let him get into an argument.

[Chester]

All right, sir. Can't figure why Sonny run into that barn just like you see the ghost. Bigger white.

[Matt Dillon]

Sonny.

[Sonny]

What do you want?

[Matt Dillon]

I want to talk to you. I want you to open the door.

[Chester]

Go away.

[Matt Dillon]

You can't get away from a thing by hiding from it, Sonny.

[Sonny]

You go on away. Marshall, I got a gun in here.

[Chester]

Oh, good.

[Matt Dillon]

I'd like to see it.

[Chester]

No.

[Matt Dillon]

All right, Sonny. I'll give you just three seconds to open this door and I'll move.

[Sonny]

All right, Marshall. Go ahead and arrest me if you want to, but. But please don't let Mr. Dake shoot Nelly.

[Chester]

He won't.

[Sonny]

He tried to this morning. That's why I got her tied up here in a barn.

[Matt Dillon]

Why do you suppose he did it, Sonny?

[Sonny]

Why'd he get even? Because I. I guess you know about it, don't you?

[Matt Dillon]

About what?

[Sonny]

It was an accident, Marshall. Cross my heart, it was. I was after old coyote and he run in his sad brush patch. And I went in after him and seen something moving. I thought it was him, so I fired. Only it wasn't. It was that old hound dog of Mr. Deg's oh.

[Matt Dillon]

A man should never pull a trigger unless he's sure what he's got in his sights.

[Sonny]

Yes, sir, I know. Papa always told me that, but I just forgot. Now I have to go to jail.

[Matt Dillon]

Now, you stop that kind of talk. You're not going to jail. Hey, Carpus. Come over here, William. You too, Raymer.

[Sonny]

I was scared to tell what happened because I knew Pop would be mad and I didn't think anyone would believe me.

[Chester]

What is it?

[Matt Dillon]

Marshall Garpa's. It was the boy here who shot your dog.

[Chester]

It was?

[Sonny]

I didn't mean to do it, Mr. Dagg. I thought it was a coyote, but it was old Danny Boy. I know how you like that old hound. I sure feel awful about it.

[Chester]

Are you sure it was an accident?

[Sonny]

Yes, sir, it was. Honest. It was. Well, Nellie's gonna have pups in a couple of weeks, Mr. Digg. And I'll let you have your choice of the litter. Any one of them you want.

[Chester]

Well, that hound of mine was a trained hunter, sonny. Takes a lot of work to train a young pup.

[Sonny]

I'll help you. I'll come over every day as soon as my chores is done and help you train him.

[Chester]

Well, it sounds like a pretty fair offer. This Nellie's a good dog, is she?

[Sonny]

She's the best dog in the world. You just take a look at her. Come on, I'll show you.

[Chester]

Oh, I'm mighty sorry about this, Carpus. Yeah, that's all right. He couldn't be helped.

[Sonny]

Come on, Mr. Dick.

[Chester]

Yeah, all right, Sonny, I'm coming. Yeah. Looks like old Carpus has finally got himself a friend, Mr. Jones. Yeah.

[Matt Dillon]

Looks like two, though, Chester.

[Chester]

Counting the puppy.

[Narrator]

According to Thomas Jefferson, equal justice to all men, regardless of their political or religious beliefs, is an essential principle of our political philosophy. The amendments to our Constitution spell out what we mean by justice. For example, no one can conduct an unreasonable search of our homes or businesses or seize any of our belongings. We can't be held for a capital or infamous crime unless we are first indicted by a grand jury. And we are entitled to a speedy and a public trial by an impartial jury. The accused has a right to confront the witnesses against him. And he can force witnesses who could aid his case to testify. Of course, he cannot be made to testify against himself. He is entitled to the help of a lawyer. And he cannot be deprived of life, liberty or property without due process of law. These are definitions in our dictionary of freedom. GUN SMOKE Produced and Directed by Norman McDonnell Stars William Conrad as Matt Dillon U S Marshal. The script was specially written for Gunsmoke by Les Crutchfield with editorial supervision by John Meston. The music was composed of and conducted by Rex Corey. Sound patterns were by Ray Kemper and Bill James. Featured in the cast were Parley Bear As Chester, Howard McNear as Doc and Georgia Ellis as Kitty. George Walsh speaking. Join us again next week for another specially transcribed story on gun smoke. This is the United States Armed Forces Radio and Television Service.

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[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail. 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

[T-Mobile Advertiser]

Everyone deserves to be connected. That's why T Mobile and US Cellular are joining forces. Switch to T Mobile and save up to 20% versus Verizon by getting built in benefits they leave out. Check the math@t mobile.com switch and now T mobile is in US cellular stores.

[T-Mobile Legal Disclaimer]

Savings versus Comparable Verizon plans plus the cost of optional benefits, plan features and taxes and fees vary. Savings with three plus lines include third line free via monthly bill credits. Credit stop if you cancel any lines. Qualifying credit required.

[Valpak Advertiser]

It's the most wonderful time of the year and Valpak is here to make it even better this month as you sip through holiday mail, don't miss the blue Valpak envelope. From dining to holiday shopping, there's a slate full of savings in your mailbox, plus a cheaper chance to instantly win $100. That's right, you can find $100 Christmas cash inside. Want to save even more money on what you love? Go to valpak.com for local coupons and offers. It pays to open Valpak. No purchase necessary for instant Win voip where prohibited prices are randomly inserted. See specially marked Valpak envelopes for details.

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