Indian Baby | Gunsmoke (03-27-60)

Summary

Old Time Radio Westerns Podcast Summary

Episode: Indian Baby | Gunsmoke (03-27-60)
Host: Andrew Rines
Release Date: April 26, 2025

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Introduction

In this gripping episode of Old Time Radio Westerns, host Andrew Rines resurrects the classic Gunsmoke narrative through a digitally restored experience that breathes new life into the timeless tales of the Wild West. Titled "Indian Baby," this episode delves into the complexities of frontier justice, cultural tensions, and personal tragedy, embodying the essence of the Golden Age of Radio Westerns.

Setting the Scene

The story unfolds in Dodge City and its surrounding territories, painting a vivid picture of the lawless and rugged landscape of the American West. The U.S. Marshal, Matt Dillon, portrayed by William Conrad, stands as the epitome of justice in this untamed frontier.

Main Plot

The Arrival of Dory

The episode begins with Matt Dillon dealing with a mysterious case involving a white woman, Dory, who arrives in town with a baby. Initially assumed to be her own, Dr. Adams and Kitty quickly discern that the baby may not be hers.

Matt Dillon (03:25): "No, I don't think I've ever seen him before. He wasn't in any shape to tell me his name."

This revelation sets the stage for a deeper investigation into the baby's true origins.

Unraveling the Mystery

As Matt converses with Dory, the layers of the mystery begin to unfold. Dory claims that her baby was taken by "savages," sparking suspicion and concern.

Dory (10:08): "The savage Indian. Joe. Joe."

Matt's skepticism grows as he confronts the possibility that the baby is an Indian child:

Matt Dillon (11:34): "Ma'am, he's an Indian baby."

Cultural Tensions and Truths Revealed

The tension escalates when Hawkwing, an Indian leader, arrives to shed light on the situation. He reveals that the white baby was actually dead and that Dory may have taken an Indian child, thereby igniting potential conflict between the settlers and the indigenous population.

Hawkwing (14:05): "The white baby is dead."

Matt navigates the delicate balance between enforcing the law and understanding the cultural complexities at play.

The Confrontation

As Dory absconds with the baby, Matt and Chester, his trusted deputy, track her down amidst rising tensions. The return of the Indian braves heightens the stakes, threatening an imminent clash.

Matt Dillon (22:53): "We walk in as quiet as we can. Hope we can get out the same way."

The confrontation culminates in a poignant dialogue where Dory admits the truth, and Hawkwing seeks mercy for her actions.

Dory (25:17): "I wish white mother go free."

Characters

• Matt Dillon (William Conrad): The steadfast U.S. Marshal striving to maintain peace and justice in Dodge City.
• Chester (Harley Bear): Matt's loyal deputy, providing support and assistance throughout the investigation.
• Doc Adams (Howard McNear): The town doctor, offering medical insights and moral support.
• Kitty (Georgia Ellis): Doc Adams' wife, involved in caring for those in need.
• Dory: A mysterious woman whose actions propel the central conflict of the episode.
• Hawkwing: An Indian leader whose involvement highlights the cultural tensions between settlers and indigenous people.

Themes and Insights

This episode masterfully explores themes of justice, cultural misunderstandings, and the struggle for survival in a harsh environment. It underscores the importance of empathy and communication in resolving conflicts, transcending cultural barriers to find common ground.

Conclusion

"Indian Baby" serves as a compelling narrative that encapsulates the essence of Gunsmoke. Through Matt Dillon's unwavering dedication and the intricate interplay between characters, the episode delivers a nuanced portrayal of the complexities inherent in frontier justice. The resolution, emphasizing understanding and mercy, leaves listeners reflecting on the delicate balance between law enforcement and cultural sensitivity.

Notable Quotes

• Matt Dillon (09:27): "Ma'am, he'd like to talk to you about the baby."
• Dory (17:17): "I. I guess I know it, Marshall. But the fever and all."
• Hawkwing (24:26): "Man you struck down. Who is he?"
• Dory (25:17): "I wish white mother go free."
• Matt Dillon (25:51): "I think they will, Chester. Indians think pretty straight. I have an idea that Dori and Joe will be able to start all over again."

Closing Remarks

Andrew Rines wraps up the episode by inviting listeners to engage with Old Time Radio Westerns through various platforms, encouraging ratings, likes, and subscriptions. The meticulous digital restoration ensures that both longtime fans and new listeners can experience the rich audio landscape of classic Western radio dramas in unprecedented clarity.

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Transcript

[Narrator]

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[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and I'm excited to bring you another episode at absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.

[William Conrad]

Around Dodge City and in the territory on west, there is just one way to handle the killers and the spoilers, and that's with a U.S. marshal. And the smell of gun smoke. Gun smoke. Starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job, and it makes a man watchful and a little lonely. Come on, now. And you go. Chester, open up the cell. We got a customer. Yes, sir.

[Chester]

Gracious me, mister. Don't look like he gets sober up in a month of Sunday.

[Matt Dillon]

Yeah, well, he's been working at it good and steady. There we are. All right, in you go.

[Chester]

Know who he is, Mr. John?

[Matt Dillon]

No, I don't think I've ever seen him before. He wasn't in any shape to tell me his name.

[Chester]

I ain't sure he'll ever remember it the way he looked.

[Matt Dillon]

Well, we'll give him time to recollect. Yeah. Come on, Chester, let's go get some breakfast.

[Doc Adams]

Ah, you sure did a good job there, Doc. That's a beautiful little girl of Molly's.

[Kitty]

Oh, I can't take much credit for that Kitty.

[Doc Adams]

No, but you didn't hurt her any, bringing her into the world.

[Kitty]

And I tell you, Kitty, if every woman was as sensible about having children as Molly is, a lot of doctors would be out of work.

[Doc Adams]

Yeah, well, she's had a lot of practice. What say that for her.

[Kitty]

With that brood of kids running around, she doesn't have much time to fuss about having another one, I guess.

[Doc Adams]

Well, anyway, it was good to see her again. She never has time to come into town anymore.

[Kitty]

I should think not.

[Doc Adams]

I don't have much time to get out of town. Even the dry prairie looks good to me. Look there, lying in the road.

[Kitty]

Oh, yeah, I see it. Kitty.

[Matt Dillon]

Oh.

[Doc Adams]

What? It's a woman.

[Dory]

How is she, Doc? Is she alive? Great Scott.

[Matt Dillon]

Doc.

[Doc Adams]

What is it?

[Kitty]

Well, she's got a baby. Kitty. She was almost lying on top of a baby.

[Matt Dillon]

A baby?

[Kitty]

That's what I said, a baby. Here.

[Doc Adams]

Here, Kitty.

[Kitty]

Hold it.

[Dory]

Sure. Doc.

[Kitty]

Yeah, I want to get that woman into town just as fast as I can.

[Doc Adams]

Can I help you move her? I'll make it.

[Kitty]

Poor thing, she's just skin and bones. Hey, now, Kitty, you see if you can support her head a little bit. Will you hold the baby in your other arm?

[Dory]

Yeah.

[Doc Adams]

All right, Doc. There.

[Dory]

This all right?

[Kitty]

Oh, that's fine. Yeah. All right. Now we'll go.

[Doc Adams]

Doc.

[Kitty]

Yes, Kitty?

[Doc Adams]

Did you call this her baby?

[Kitty]

Sure I did. She was holding it so close she was nearly smothering it.

[Doc Adams]

I. I don't think the baby is hers.

[Kitty]

Oh, what kind of foolishness is that?

[Doc Adams]

She's a white woman, isn't she?

[Kitty]

Well, you can see for yourself. She's a white woman.

[Doc Adams]

Well, I just got a good look at the baby's face. It's an Indian baby, doc.

[Kitty]

Indian. Here, let me have a look at it, please.

[Matt Dillon]

By George.

[Kitty]

Kidding. I believe you're right.

[Doc Adams]

Sure, I'm right.

[Kitty]

Well, no matter. We'd best get the both of them back to town.

[Matt Dillon]

So come on.

[Kitty]

Come on. Oh, there you are, Matt.

[Matt Dillon]

Where did you expect me to be?

[Kitty]

Well, I never expect to find you in your office, I'll tell you that.

[Matt Dillon]

That nice buggy ride out in the country with Kitty didn't improve your disposition much, did it?

[Kitty]

Nice buggy rudder. I made three calls, chopped a load of wood for old lady Thomas and brought her up a patient in the town.

[Matt Dillon]

All right, Doc, all right. I didn't mean to insult you with the idea of having a good time.

[Kitty]

As a matter of fact, Matt, it might be a good idea for you to talk to the patient I brought in.

[Matt Dillon]

Why? Has he been shot?

[Kitty]

It's a woman.

[Matt Dillon]

All right, then. Has she Been shot?

[Kitty]

No, but she's in bad shape from exhaustion and exposure. And she has a baby with her.

[Matt Dillon]

What? That sounds more on your line than mine.

[Kitty]

I'm not so sure, Matt. You see, she's a white woman, but the baby is Indian.

[Matt Dillon]

Those things happen sometimes, don't they?

[Kitty]

Of course they happen. You just listen to me. I tell you why I think this is different.

[Matt Dillon]

All right, Doug.

[Kitty]

I don't think the baby's hers. I think she kidnapped it.

[Matt Dillon]

Kidnapped? Maybe I better have a talk with her.

[Kitty]

But please, go easy with the matter. Whatever she's been through has been very hard on her.

[Matt Dillon]

Whether you want me to see her or not.

[Kitty]

I want you to see her.

[Matt Dillon]

All right. Come on.

[Kitty]

All right, Matthew, you can talk to her.

[Matt Dillon]

Looks like she's asleep, Doc.

[Kitty]

I don't think so. Go ahead and try.

[Matt Dillon]

All right. Ma'am. Ma'am, I'd like to talk to you, ma'am, and the marshal. It's about the baby.

[Dory]

My baby. My baby.

[Matt Dillon]

That's what I'd like to know about, ma'am. The baby.

[Dory]

Where is he? Give him to me.

[Matt Dillon]

It's all right. It's all right. He's right here. No.

[Dory]

No. They took him. They killed my baby.

[Matt Dillon]

Who killed him, ma'am?

[Dory]

The savage. The savage Indian. Joe. Joe.

[Matt Dillon]

Joe.

[Dory]

Joe.

[Matt Dillon]

Doc, you know who Joe is?

[Kitty]

I think he must be her husband, the way she keeps calling his name.

[Matt Dillon]

Yeah. Ma'am, where is your husband?

[Dory]

Joe? Joe.

[Matt Dillon]

Where is he? Joe.

[Dory]

Run off. Joe. Run off. Maybe My baby. Give him to me.

[Matt Dillon]

This isn't your baby, is it, ma'am?

[Dory]

They kill my baby.

[Matt Dillon]

I know, but this baby. Where did you get this baby?

[Dory]

A woman needs a baby. Give him to me.

[Kitty]

I'm going to give him to Her Majesty and make quieter and bring her out of this.

[Matt Dillon]

All right, Doc.

[Kitty]

There you are. You just hold him there, quiet and gentle.

[Dory]

Baby. Baby.

[Matt Dillon]

Ma'am, he's an Indian. Baby.

[Dory]

They took my baby.

[Matt Dillon]

So you took this one baby.

[Dory]

Baby. Joe. Joe.

[Kitty]

I guess there's no use talking to her anymore, Matt.

[Dory]

Joe.

[Kitty]

Maybe later.

[Matt Dillon]

Yeah, all right, Doc. Maybe I'll know more about it later myself.

[Chester]

It's all right with me, Mr. Dillon, riding way out here and all that.

[Matt Dillon]

I'm glad to hear that, Chester.

[Chester]

But it don't seem to me that you can be sure of getting anywhere just picking out any little old bunch of Indians and asking about one little old baby. It's like that needle in a haystack the fellow was telling me about.

[Matt Dillon]

Yeah, I'm not sure.

[Chester]

No, sir. It just don't figure the proof out.

[Matt Dillon]

It won't prove out if we don't start somewhere, either.

[Chester]

Well, yes. Guess you're right. But I.

[Matt Dillon]

Do me a favor, will you, Chester?

[Chester]

Why, sure I will, Mr. Dillon. I'd be proud to.

[Matt Dillon]

Just keep your doubts to yourself until I get through here.

[Hawkwing]

Will you?

[Chester]

Sure. I sure will.

[Matt Dillon]

All right, now, we'll leave the horses here.

[Chester]

Don't look like there's nobody here but just the squaws and kids.

[Matt Dillon]

Yeah. Men are probably off hunting.

[Chester]

Reckon so. Oh, there's one, Mr. Dung. There's brave.

[Matt Dillon]

Yeah, it's old Hawkwing. You stay here, Chester. I'll go talk to him.

[Chester]

Thank you.

[Matt Dillon]

I've come to talk. Hawkwing it is. Well, sounds like you want to talk to me, too.

[Kitty]

It is.

[Hawkwing]

Well, the marshal comes before the young men return from hunting.

[Matt Dillon]

All right, Hawkwing, you tell me what's on your mind first.

[Hawkwing]

The marshal knows it's a baby.

[Matt Dillon]

Mm. But there are two babies, Hawkwing.

[Hawkwing]

The baby is missing from the lodgers. When the young men come back, there will be trouble.

[Matt Dillon]

I want to talk about a white baby.

[Hawkwing]

The white baby is dead.

[Matt Dillon]

It is said that your people took the white baby. Your people killed it.

[Hawkwing]

That's not true.

[Matt Dillon]

But you know the white baby is dead.

[Hawkwing]

My people buried white baby.

[Matt Dillon]

Tell me what happened, Hartwig.

[Hawkwing]

Baby lay dead of fever in arms of mother. My people bury Baby. The women brought the mother to the lodgers.

[Matt Dillon]

What happened to the mother?

[Hawkwing]

The marshal asked that question.

[Matt Dillon]

You tell me, Hawkwind.

[Hawkwing]

Mother walked out into the night. She took Baby of my people.

[Matt Dillon]

You know this to be true.

[Hawkwing]

I know this to be true.

[Matt Dillon]

All right, Hawkwing. I was afraid it might be.

[Hawkwing]

It would be well if Baby come back before young men return.

[Matt Dillon]

Yeah, I think you may be right about that. Well, sure. She's better, Matt.

[Kitty]

I had her moved here to M. Smally's so she could be quiet for a while. I found out her name's Dory, that's all.

[Matt Dillon]

Maybe she'll talk to me this time.

[Kitty]

She's able to. That's all I can say. Whether she will or not is another matter.

[Matt Dillon]

Yeah. Well, let's go in and see.

[Kitty]

Ma. Put her in a room on the first floor. Here it is. It's me, Dory. Doc Adams. I brought the marshal. He'd like to talk to you.

[Dory]

I. I don't want to see him.

[Matt Dillon]

It won't take long. Dory. It's important.

[Doc Adams]

Please go away.

[Matt Dillon]

I can't. Dory. I've got to talk to you about the baby.

[Dory]

My baby?

[Matt Dillon]

Well, that's just it. I'm afraid he isn't yours.

[Dory]

I'll care for him, Marshall.

[Matt Dillon]

Well, I'm sure you would, Dory. But he still isn't yours, is he?

[Dory]

Mother has a right to a baby.

[Matt Dillon]

An Indian mother has a right to a baby, too.

[Dory]

But they took my baby, Marshall. They killed my baby.

[Matt Dillon]

Your baby was sick, Tori. Isn't that so? Your baby died.

[Dory]

They buried my baby. The savages buried my baby.

[Matt Dillon]

The Indian women were trying to help you.

[Dory]

They took my baby right out of my arm.

[Matt Dillon]

Because he was dead, Tori. Now, you really know that, don't you? Don't you, Dorie?

[Dory]

Doc.

[Kitty]

Go ahead, Dory. It'll be better if you face up to it.

[Dory]

I. I guess I know it, Marshall. But the fever and all.

[Matt Dillon]

Yes, I know you've been sick. And that may save your life.

[Dory]

What do you mean?

[Matt Dillon]

The Indians may be willing to let it go. It said when they get their baby back.

[Dory]

A baby.

[Matt Dillon]

You'll have to give him back, Dory.

[Dory]

Maybe they won't know, Marshall. They got lots of babies. Maybe they won't care. They know.

[Matt Dillon]

They care. We'll have to give him back. But, Marshall, Listen to me, Dori. I'm sorry for you. But I'm not so sorry for you that I'll risk an Indian uprising. The baby has to go back, or your life won't be safe. Lots of lives won't be safe, Doc.

[Kitty]

He's right, Dori. Do what he says.

[Dory]

Can I have him just tonight, Marshall. And you take him in the morning?

[Matt Dillon]

I guess that's all right, Dory. It's too late to get out there tonight anyway. But I'll have to take him the first thing in the morning.

[Dory]

All right, Marshall. First thing in the morning.

[Chester]

Here's your coffee.

[Matt Dillon]

Those seem none too hot.

[Chester]

You're about as ungrateful of a prisoner as I've ever fed. Of course, Jizz might early. But the marshal me, has to ride out the Indian camp.

[Matt Dillon]

He gonna let me out?

[Chester]

Maybe he will at that. He's got awful lot on his mind over that woman and her baby. I've been locked up long enough.

[Matt Dillon]

What woman you talking about?

[Chester]

Why, that woman that took a baby from the Indians. Walked right out of their camp with it, nice as you please.

[Matt Dillon]

Who is she?

[Chester]

I don't know. Some woman the Indians found way out west of town somewhere. Seems her baby got killed or something. And she went and kidnapped herself. The Indian baby.

[Matt Dillon]

What's her name?

[Chester]

I ain't never heard her name. Look, you better turn me loose right now, you isn't here. I have authority, Marshall. Lay out of here.

[Matt Dillon]

What's the trouble?

[Chester]

I don't know, Mr. Dillon. This fellow suddenly started going crazy. Marshall, the woman and the baby.

[Matt Dillon]

What's her name? Well, they know her first name is Dory. That's my wife.

[Chester]

Now let me out. Let me out.

[Matt Dillon]

Just wait a minute. Will you wait a minute? You weren't doing her much good when she needed you before. I. I thought she was dead, Marshall.

[Chester]

I thought they was both dead. I rode off to get help. They was awful sick.

[Matt Dillon]

I know.

[Chester]

I got lost, Marshall. I. I didn't find nobody. And when I got back the wagon, I seen the grave. I thought they was dead. I ain't cared about nothing since.

[Matt Dillon]

I can believe that. All right, let him out, Chester.

[Chester]

Yes, sir.

[Matt Dillon]

Tell me your name. Joe Dance. Oh, Dance. Your wife needs you pretty bad right now. I think you better go to her.

[Chester]

Well, I sure want to do that, Marshall.

[Kitty]

Where is she?

[Matt Dillon]

Matt.

[Kitty]

Matt.

[Matt Dillon]

I'm in the back here. Doc. Yeah, what is it?

[Kitty]

The woman, Dory, she's taken the baby and gone.

[Chester]

She did what?

[Matt Dillon]

Dory's gone. Get the horses, Chester.

[William Conrad]

Sure.

[Matt Dillon]

Get one for dad, too. His wife's going to be needing him more than ever now.

[Chester]

I'll say this for her. That woman can sure drive a buggy at a good clip. Dory can drive, all right.

[Matt Dillon]

Let's just hope she can drive fast enough this time.

[Chester]

You think she might be able to get away?

[Matt Dillon]

If the braves haven't come back from hunting, she might have a chance. Marshall. Yeah? Dan, if they. If the engines get her with that.

[Chester]

Baby, what'll they do to her?

[Matt Dillon]

I don't know. They have their own laws. I don't know what they'll do.

[Chester]

Mr. Dillon, look yonder.

[Kitty]

The buggy.

[Matt Dillon]

Yeah.

[Chester]

He sure did wreck it.

[Matt Dillon]

There are quite a bunch of them. Look at those tracks. You think they got her? Yeah, I think they got her. Come on.

[Chester]

Braves is sure back all right. Mr. Dunman. Look at them horses. Must be a couple dozen.

[Matt Dillon]

Yeah, they're back, all right. Do we go in shooting? You were born with more sense than that. We go in shooting, we're dead as soon as we get there.

[Chester]

How do you figure it then, Marshal?

[Matt Dillon]

We walk in as quiet as we can. Hope we can get out the same way. Let's leave the horses here. Just walk slow and easy and let me do the talking.

[Chester]

She's my wife.

[Matt Dillon]

You better hope it'll stay that way. Just don't start anything. The quieter we are, the better our chances are.

[Chester]

Sure. Right there. Her lined up, waiting for her.

[Matt Dillon]

Yeah. Just walk easy. All right, that's far enough. I've come to talk with Hawkwing. Send for him.

[Chester]

He's going after him.

[Matt Dillon]

Yeah. Dory. I see Dory.

[Kitty]

She's there.

[Matt Dillon]

Take it easy.

[Chester]

Well, they got her tied up.

[Matt Dillon]

Wait a minute. Wait a minute.

[Chester]

Get your hands off me. He unconscious, mister? No.

[Matt Dillon]

He's lucky he isn't dead.

[Hawkwing]

You are a brave man to come here now, Marshal.

[Matt Dillon]

I've come to ask that your people be merciful. I've come for the woman.

[Hawkwing]

It is not decided about the woman.

[Matt Dillon]

She has seen much trouble, Hawkling.

[Hawkwing]

She took baby from my people.

[Matt Dillon]

The woman was sick with fever, Hawkwing. There was an evil spirit with her.

[Hawkwing]

My people had not harmed her. Yet she took baby.

[Matt Dillon]

The baby's back. The baby's unharmed. Let her go, Hawkwing.

[Hawkwing]

I have told you it is not decided about the woman. Man you struck down. Who is he?

[Matt Dillon]

He is the white woman's husband.

[Hawkwing]

When she was found, the white woman and baby. There was no husband.

[Matt Dillon]

It is I said, Hawkwing. She was sick with fever. The husband had gone for help. She needs help now.

[Hawkwing]

Her husband cannot help her now.

[Matt Dillon]

No, Hawkwing. Your people are the only ones who can help her now.

[Chester]

Mr. Dillon. That Indian longer the baby. She's coming up here.

[Matt Dillon]

Just keep quiet, Chester.

[Dory]

I am the mother, Hawkwing. Let me speak.

[Hawkwing]

Little bird has suffered.

[Matt Dillon]

I know, and I'm sorry.

[Dory]

But white mother has suffered more. My baby is back with me. He shows good care. Her baby will never come back.

[Hawkwing]

What are you saying, little bird?

[Dory]

I wish white mother go free.

[Hawkwing]

You do not wish that she be punished?

[Dory]

She has been punished enough.

[Hawkwing]

Come then. We will tell the council.

[Chester]

You think they will set her free, Mr. Dillon?

[Matt Dillon]

I think they will, Chester. Indians think pretty straight. I have an idea that Dori and Joe will be able to start all over again.

[William Conrad]

Gun Smoke, produced and directed in Hollywood by Norman McDonald. Stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gunsmoke by Marion Clark with editorial supervision by John Messon. Featured in the cast were Gene Bates, Ralph Moody and Vic Paris. Harley Bear is Chester, Howard McNear is Doc, and Georgia Ellis is Kitty. This is George Walsh inviting you to join us again next week when CBS Radio presents another story on gun Smoke. Latest news follows.

[Matt Dillon]

Then Mitch Miller with tonight's guest stars on the CBS Radio Network. Foreign.

[Andrew Rines]

This has been a presentation of OTRWesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com Become one of our ranch hands and unlock some exclusive content. We want to thank the following ranch hand, Steve who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail. 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.