Luke’s Law | Gunsmoke (01-10-60)

Summary

Podcast Summary: Old Time Radio Westerns – "Luke’s Law | Gunsmoke (01-10-60)"

Podcast Information:

• Title: Old Time Radio Westerns
• Host: Andrew Rhynes
• Episode: Luke’s Law | Gunsmoke (01-10-60)
• Release Date: March 16, 2025

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Introduction

In the episode titled "Luke’s Law" from the classic radio drama Gunsmoke, listeners are transported to Dodge City, the epicenter of Western frontier justice. Hosted by Andrew Rhynes, this episode delves deep into themes of law, loyalty, and personal justice, painting a vivid picture of the struggles faced by those living on the untamed frontier.

Plot Overview

The narrative centers around the troubled Burris family and their confrontation with Smed Moley, a man with a notorious reputation in Dodge City. The story unfolds as Matt Dillon, the steadfast U.S. Marshal of Dodge City, faces the challenge of upholding the law in a community resistant to external authority.

Key Characters and Their Roles

• Matt Dillon (William Conrad): The principled and determined U.S. Marshal dedicated to maintaining law and order in Dodge City.

• Jess Burris (Jess Burris): The concerned son of Paul Burris, seeking justice for his father's brutal beating.

• Luke Burris (Luke Burris): Jess's father, a proud and stubborn man who prefers handling matters personally rather than relying on the law.

• Smed Moley (Smed Moley): The antagonistic figure responsible for Paul Burris's assault, embodying the lawlessness prevalent in the frontier.

Detailed Episode Summary

The Conflict Begins

At [08:06], Jess Burris approaches Marshal Matt Dillon with a plea for justice:

Jess Burris: "I want you to arrest the man that beat my pa. You can do that, can't you, Marshall?"

Matt Dillon responds empathetically, understanding the weight of Jess’s request but facing institutional challenges:

Matt Dillon: "Dylan, you better tell me more about it."

Jess explains that Smed Moley assaulted his father, Paul Burris, but Paul is unwilling to cooperate with the authorities:

Jess Burris: "But I know right now it was Smed Moley out of…"

This sets the stage for a classic Western dilemma: the tension between personal vendettas and the rule of law.

Matt Dillon's Struggle with the Law

Throughout the episode, Matt Dillon grapples with the limitations of his authority when faced with Luke Burris's defiance. At [11:57], Dillon tries to appeal to Luke's sense of justice:

Matt Dillon: "And some of them died when they didn't have to."

However, Luke remains unconvinced, arguing the necessity of personal justice in their harsh environment:

Luke Burris: "When I come out here, man had to do his own settling with the land…"

This conversation highlights the central theme of the episode: the struggle to impose civilized law on a rough-and-tumble frontier where personal retribution often reigns supreme.

Escalation and Confrontation

As the tension escalates, Smed Moley confronts the Burris family. In a heated exchange at [14:36], Moley taunts Matt Dillon:

Smed Moley: "Well, Marshall, you can do nothing to me. But if you're smart, you won't make me prove it."

Matt stands his ground, warning Moley:

Matt Dillon: "Well, that's the old man's business…"

This confrontation underscores the persistent challenge Dillon faces in enforcing the law against entrenched local resistance.

Tragic Resolution

The climax occurs when Smed Moley attacks Jess Burris, resulting in a tragic death. Luke Burris, driven by grief and rage, takes matters into his own hands. At [17:46], Jess is fatally shot:

Jess Burris: "Shot."

Luke vows vengeance, declaring his intent to personally deal with Moley:

Luke Burris: "I'll kill him sure."

Despite Dillon's efforts to intervene, Luke's commitment to personal justice prevails, culminating in the death of Smed Moley and reinforcing the episode's exploration of law versus personal retribution.

Key Discussions and Themes

1. Law vs. Personal Justice: The episode poignantly examines the conflict between established law enforcement and the community's reliance on personal vengeance.

2. Stubbornness and Redemption: Luke Burris's reluctance to involve the law highlights the challenges of changing long-standing attitudes towards justice on the frontier.

3. Impact of Violence: The tragic outcome underscores the devastating effects of unresolved conflicts and the perpetuation of violence in absence of effective legal intervention.

Notable Quotes with Attribution

• Jess Burris ([08:06]): "I want you to arrest the man that beat my pa. You can do that, can't you, Marshall?"

• Matt Dillon ([07:45]): "It ain't exactly trouble, but this young fellow is mighty off aired serious about seeing you."

• Smed Moley ([14:36]): "Well, Marshall, you can do nothing to me. But if you're smart, you won't make me prove it."

• Luke Burris ([17:46]): "I'll kill him sure."

• Matt Dillon ([22:09]): "I'm sorry you feel that way, Luke, but I had to step in. This is murder."

Conclusion

"Luke’s Law" serves as a compelling episode that delves into the heart of Western justice. Through the interactions between Matt Dillon and the Burris family, alongside the antagonistic presence of Smed Moley, the story masterfully portrays the complexities of enforcing law in a community resistant to external authority. The tragic resolution emphasizes the enduring struggle between institutional justice and personal vengeance, a theme that resonates deeply within the Western genre.

Andrew Rhynes' meticulous digital restoration brings clarity and depth to this timeless tale, allowing modern audiences to immerse themselves in the rich storytelling and vivid performances that defined the golden age of radio Westerns.

Transcript

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[Andrew Rines]

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[William Conrad]

Around Dodge City and in the territory on west. There's just one way to handle the killers and the spoilers and that's with a U.S. marshal and the smell of gun smoke. Gun Smoke Starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal the first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lone.

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[Matt Dillon]

Paul.

[Jess Burris]

I got the mail, Pa. We got a letter from Brother Ben. I brought it to read for you.

[Matt Dillon]

Paul.

[Jess Burris]

Paul, where are you?

[Matt Dillon]

Paul, where you at? Paul.

[Jess Burris]

Paul, where are you?

[Luke Burris]

Down here, Chris.

[Jess Burris]

Bed.

[Luke Burris]

What are you doing here?

[Jess Burris]

Paul? Paul, you sick?

[Luke Burris]

Fetch me to the house.

[Jess Burris]

You've been beat. Who done it? Paul, the house.

[Luke Burris]

Fetch me there, boy.

[Jess Burris]

Sure, Paul. Do that right now.

[Matt Dillon]

Uh.

[Luke Burris]

Oh.

[Jess Burris]

Can you make it on your feet? Hey, you'd rather I'd carry you, Pa?

[Luke Burris]

Oh, I. I can walk.

[Jess Burris]

Tell me, Paul, who done this to you?

[Luke Burris]

Just get me to bed, boy.

[Jess Burris]

You know who, Dunny. Have you seen him before?

[Luke Burris]

Yeah, I know him.

[Jess Burris]

Tell me his name, Paul.

[Luke Burris]

No. Ain't no use you're knowing.

[Jess Burris]

Sure there is. Sure I'll go after him.

[Luke Burris]

No, you. You ain't going no place.

[Jess Burris]

Then there's a law, Paul. It ain't right for him to go all free.

[Luke Burris]

No, leave it me, boy. I never had no need for the law.

[Jess Burris]

But Paul.

[Luke Burris]

I said leave it be. You go ahead. Open the door for me. I'll walk in by myself.

[Chester]

Well, hold on there, son. What can I do for you?

[Jess Burris]

I come see the marshal.

[Chester]

You come to the right place.

[Jess Burris]

I don't see him here.

[Chester]

Of course you don't see him. Cause he ain't here.

[Jess Burris]

He coming back?

[Chester]

Sure he's coming back.

[Jess Burris]

And we'll wait for him.

[Chester]

All right, son. Have a seat.

[Jess Burris]

Thanks.

[Chester]

Might be that I could help you. Me being the marshal's assistant, you might say.

[Jess Burris]

I'll wait.

[Chester]

Oh, sure. I just thought I might, maybe could save us some time before he got here.

[Jess Burris]

I said I wanted to see the marshal.

[Chester]

All right, son, all right. Ain't no call to be so huffy about it.

[Matt Dillon]

All right.

[Chester]

Oh, Mr. John, I'm glad you come.

[Matt Dillon]

You got trouble, Chester.

[Chester]

It ain't exactly trouble, but this young fellow is mighty off aired serious about seeing you. I. I couldn't do nothing for him at all.

[Matt Dillon]

How's that, son? You want to see Me, son?

[Jess Burris]

Yeah. Marshall. Yeah, I sure do.

[Matt Dillon]

Oh, what's your name?

[Jess Burris]

Jess Burris.

[Matt Dillon]

Burris. Are you Luke's son?

[Jess Burris]

Yes, sir, I am.

[Matt Dillon]

What can I do for you?

[Jess Burris]

I want you to arrest the man that beat my paw. You can do that, can't you, Marshall?

[Matt Dillon]

Dylan, you better tell me more about it.

[Jess Burris]

Well, I. I found him yesterday laying down by the creek, all beat and bloody. I'd have come sooner, but he needed attendance.

[Matt Dillon]

Did he tell you who did it?

[Jess Burris]

No, sir. No, he wouldn't. But I know right now it was Smed Moley out of.

[Matt Dillon]

Your Pa wouldn't tell you. How do you know?

[Jess Burris]

I've been asking questions. See, Pa had some bad dealings with Smed Marshall. He seen him here in Dodge yesterday morning and called him down good. They called him a cheat and a liar and a horse thief. Pa can give it to you good when he's of a mind.

[Chester]

That's right, Mr. Dillon. It happened right out there on Front street while you was over in Hays City, Mr. Burris. Really give it to him good. All right.

[Jess Burris]

And Smed got hisself liquored up and come out to our place and beat up Paul. He might have died, Marshall.

[Matt Dillon]

Yeah. I'm sorry to hear it, Jess. Your father's a good man.

[Jess Burris]

You can arrest Smed, can't you, Marshal Dillon?

[Matt Dillon]

Well, yes, I can arrest him. If you're Paul, swear that he's the man.

[Jess Burris]

Oh, he ain't gonna do that, Marshall.

[Matt Dillon]

Why not? Is he afraid?

[Jess Burris]

Paul ain't afraid of nothing. That's most of the trouble.

[Matt Dillon]

How's that?

[Jess Burris]

Well, he ain't never needed to call on nobody for help. He don't figure to start now. He's root stubborn.

[Matt Dillon]

Well, there's not much I can do to change that.

[Jess Burris]

Maybe not, Marshall, but maybe you could stop a killing.

[Matt Dillon]

You figure that this isn't the last of the time, huh?

[Jess Burris]

No. No, it sure ain't the last of it. Unless you lock Smed Moley up for a while.

[Matt Dillon]

All right, Chesna. I'll go talk to you. Pa. Luke. Luke Burris.

[Luke Burris]

Who's there?

[Matt Dillon]

Matt Dillon. I'd like to talk to you.

[Luke Burris]

Come on in. Marsh. I'm back here.

[Matt Dillon]

Well, sorry to see you laid up, Luke.

[Luke Burris]

It amend. What are you doing out this way?

[Matt Dillon]

Well, I. I heard you were off your feed.

[Luke Burris]

You didn't come to pay no sick call, Marshall.

[Matt Dillon]

No, I. I guess I didn't, Luke. I was hoping you'd help me out.

[Luke Burris]

How would that be?

[Matt Dillon]

I need you as a witness, Luke. As soon as you're Able to travel.

[Luke Burris]

Witness for what?

[Matt Dillon]

Witness against Smed. Moley.

[Luke Burris]

I told the boy to leave it be.

[Matt Dillon]

Jeff is trying to protect you, Luke. And see that there's no more trouble.

[Luke Burris]

I don't need no help. I ain't never needed no help.

[Matt Dillon]

Looks like you might have used some yesterday.

[Luke Burris]

He jumped me when I wasn't ready for him. But I can handle Moley, Marshall. Don't you worry about that.

[Matt Dillon]

You let me lock him up and you won't have to. The law has no.

[Luke Burris]

I ain't come out here before the law, Marshal.

[Matt Dillon]

Maybe, but times have changed.

[Luke Burris]

Not for me, they ain't. When I come out here, man had to do his own settling with the land. Indians were whatever stood in the way of his carving out a place. Folks learned to live and die without the law.

[Matt Dillon]

And some of them died when they didn't have to.

[Luke Burris]

How a man dies is his own business.

[Matt Dillon]

Yes, if he's the only one dying.

[Luke Burris]

Marshall, you got something to arrest me for? You gonna take me in?

[Matt Dillon]

You know better than I look.

[Luke Burris]

And, Marshall, I'll sure thank you to leave me alone and get along.

[Matt Dillon]

Locking Molly up might save you a lot of trouble, Luke.

[Luke Burris]

I'll handle my own trouble.

[Matt Dillon]

All right. All right. You handle it. But there may come a time when I'll have to move in.

[Luke Burris]

I ain't never needed the law yet.

[Matt Dillon]

You better hope you won't be needing it from now on. Step into the world of power, loyalty and luck.

[Luke Burris]

I'm going to make him an offer.

[Andrew Rines]

He can't refuse with family.

[Matt Dillon]

Canolis and spins mean everything. Now you want to get mixed up.

[Luke Burris]

In the family business.

[Matt Dillon]

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[Luke Burris]

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[Matt Dillon]

Play the Godfather [e-mail].

[Luke Burris]

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[Matt Dillon]

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[Jess Burris]

Sit down.

[Matt Dillon]

Thanks.

[Jess Burris]

Well, the law business must be pretty good.

[Matt Dillon]

Oh, how's that?

[Jess Burris]

You're usually in here earlier than this.

[Matt Dillon]

Yeah, well, it's not that. Business is good, I can tell you that. Matter of fact, Kitty, I'm having a hard time selling the law.

[Jess Burris]

What do you mean?

[Matt Dillon]

Old man Burris. He got beat half to death yesterday. And he won't let me haul in the fellow that did it.

[Jess Burris]

Matt. Molly.

[Matt Dillon]

Yes, Mad Molly. How did you know?

[Jess Burris]

Everybody knows. He's been here at the bar all.

[Matt Dillon]

Day bragging about it. How the old man got uppity with.

[Jess Burris]

Him and how he fixed it. Yeah, he's still here. Down at the far end there.

[Matt Dillon]

Yes, I see him. I guess I better have a talk with him.

[Jess Burris]

All right.

[Smed Moley]

I sure ain't nobody going to talk about horse whipping, Smith.

[Matt Dillon]

Molly.

[Smed Moley]

Well, now, the marshal.

[Matt Dillon]

Yeah. I want to talk to you. All right.

[Smed Moley]

You go right ahead, Marshall. You go right ahead. Ain't nothing you can do to me.

[Matt Dillon]

Don't count on it.

[Smed Moley]

I know ain't nothing you can do. Marshall. I seen a boy.

[Matt Dillon]

What boy?

[Smed Moley]

Luke's boy, Marshall. Big fella like him.

[Matt Dillon]

Nearly the crime you take to beating him too? Like you did the old man?

[Smed Moley]

Oh, sure. Not Marshall. Sure now. He feels bad enough.

[Matt Dillon]

Uhhuh.

[Smed Moley]

Now you know why he feels so bad, Marshall.

[Matt Dillon]

I suppose you tell me.

[Smed Moley]

He feels so bad cuz he come running to you for help and he can't get none. His old man won't take no help from the law.

[Matt Dillon]

Well, that's lucky for you.

[Smed Moley]

We got us a big marshal out here and he can't do nothing. Well, you know it's true, Marshall. You can't arrest me if the old man don't say so. And he ain't gonna be saying so.

[Matt Dillon]

Well, that's the old man's business.

[Smed Moley]

Yeah. Yeah, I know.

[Matt Dillon]

And I'll tell you something. If you ever go out there again, he means to take care of it.

[Smed Moley]

I ain't worried.

[Matt Dillon]

You should be. Because if the old man doesn't handle you, I will.

[Smed Moley]

Well, Marshall, you can.

[Matt Dillon]

Yes, Molly, I can. But if you're smart, you won't make me prove it. Hey, Mark, you there?

[Jess Burris]

You ain't got no business coming out here no more.

[Smed Moley]

Seem to me I got business here. Unfinished business.

[Jess Burris]

What do you want?

[Smed Moley]

I want to see your old man.

[Jess Burris]

You've seen him enough.

[Smed Moley]

That's the way I figured it, do. I figured I seen him enough. But I've been hearing different.

[Jess Burris]

What do you mean?

[Smed Moley]

Been hearing from folks around town. Your PA been talking unkindly about me. Downright unkindly.

[Jess Burris]

How'd you expect him to talk?

[Smed Moley]

Well, I figured I closed his mouth some the other day.

[Jess Burris]

Boy, Pa ain't afraid of you.

[Matt Dillon]

No?

[Smed Moley]

No, I guess he ain't yet. I guess I got to show him some more.

[Jess Burris]

You ain't going after him again.

[Smed Moley]

You ain't figuring the street, you. Well, you got a gun, ain't you, boy?

[Jess Burris]

And I can use it.

[Smed Moley]

All right, boy. Seeing you got the drop on me, I'll just ride off. You shouldn't have threatened me, boy.

[Luke Burris]

Here You. You dirty color gray.

[Jess Burris]

Jess.

[Luke Burris]

Jess. What's happened? Moly?

[Jess Burris]

Shot.

[Luke Burris]

Oh, I'm murdering thieving. Shot my boy and rode away. Next time I see him, I'll kill him sure. Gas. Guess. Are you hurt bad, boy? It ain't nothing. Gas. Nothing at all. Now I'll get you to the dark and he'll fix you up in no time. Don't you fret, nun. I'll go and fetch the wagon.

[Chester]

It's pretty nice, ain't it, Miss Dillon? Just sitting out here watching the world go by.

[Matt Dillon]

Uh huh.

[Chester]

Of course, ain't much of the world going by. I gotta admit that I ain't saw more than three or four wagons and a buggy or two since I been settin here.

[Matt Dillon]

That's funny, Chester. Seems to me you've been sitting here most of the morning. I've had to step over you every time I went in or out of the office.

[Chester]

Oh, well, I may have dozed off once or twice here.

[Matt Dillon]

Yeah, you may have.

[Chester]

But you said yourself it's been a slow morning, Mr. Dylan. I figured I might as well rest up. So be ready in case something happened.

[Matt Dillon]

Looks like it might be going to happen right now.

[Chester]

Why, what do you mean?

[Matt Dillon]

That's old Luke Burris driving that wagon, isn't it?

[Chester]

Yes, I guess he is. Well, he must be feeling better.

[Matt Dillon]

Well, he may be, but there's somebody in the wagon bed who isn't feeling mighty clear.

[Chester]

You're right, Mr. J. There is somebody stretched out in there.

[Matt Dillon]

Luke.

[Chester]

Luke Burris ain't even looking at you, Mr. Du. But that's his boy he's got there.

[Matt Dillon]

Yeah. Come on, let's give him a hat. How is he, Doc?

[Luke Burris]

He's not good, Matt.

[Matt Dillon]

Is he gonna make it?

[Luke Burris]

He hasn't got a chance. The bullet was fired at point blank range.

[Matt Dillon]

It's a shame. Yeah. Can I go in? You can't do him any harm now. He's only got a few minutes. Come on. I'm sorry about this, Luke.

[Luke Burris]

Oh, leave us be, Marshall.

[Matt Dillon]

This time I can't. Can I speak to the boy, Doc? Be easy, man. Yeah, sure, Jesse. Jess, it's Marshall Dillon. Marshall, can you tell me who did it?

[Luke Burris]

You don't have to talk to him, Jess.

[Matt Dillon]

I can get him if you tell me, Jess. I can lock him up this time.

[Luke Burris]

Lock him up.

[Matt Dillon]

Now you tell me his name.

[Luke Burris]

He ain't got no right to pester you, Jess. You don't have to tell him nothing.

[Jess Burris]

I was telling.

[Luke Burris]

Marshall.

[Matt Dillon]

Yeah, Jess.

[Jess Burris]

It was Moly Smith.

[Luke Burris]

Moly again.

[Jess Burris]

You you get in time?

[Matt Dillon]

Yeah, I'll get him.

[Luke Burris]

Yes.

[Matt Dillon]

He's gone, Matt.

[Luke Burris]

I'm sorry, Luke. I did the best I could. I've seen you try to save him, Doc.

[Matt Dillon]

I thank you, Luke.

[Luke Burris]

I still ain't got nothing to say to you, Marshall. I could have asked that you'd let him die in peace.

[Matt Dillon]

I'm sorry you feel that way, Luke, but I had to step in. This is murder. I gotta get into this now, whether you want me to or not.

[Luke Burris]

I can't stop you, Marshall.

[Matt Dillon]

No. No, you can't stop me.

[Luke Burris]

I'll tell you something.

[Matt Dillon]

What's that?

[Luke Burris]

Nothing's changed. I can't stop you from coming into this thing. But we don't need you, Marshall. Jess and me, we don't need you any more than we ever did. We can take care of our own.

[Chester]

I've been kindly hankering to go back to Texas for some time now. But this sure ain't the way I'd like to make the trip sailing. A man for a day and a night can sure wear a fellow down. Ain't that right, Mr. Jones?

[Matt Dillon]

Yeah.

[Chester]

Wouldn't be so bad if a body didn't have to keep his eyes so open every minute.

[Matt Dillon]

Yeah, I know that's particularly hard on you, Chester.

[Chester]

Well, you gotta keep looking out for so many things that you don't get to enjoy the scenery. None at all. Hardly.

[Matt Dillon]

You're not missing much in this part of camp.

[Chester]

No, I don't know, Ms. Dillon. I. I kind of like it out here.

[Matt Dillon]

So nice and flat and hot and dry.

[Chester]

Well, sure, but you can just see forever. You got to admit that, Mr. Dylan.

[Matt Dillon]

Yeah, Chester, you're right. I got to admit that there's nothing in the way there.

[Chester]

You see, that's what I mean. How long you reckon it'll take us to catch that smed. Moly, Mr. Jones?

[Matt Dillon]

I don't know, Chester. We may not catch him at all.

[Chester]

Oh, my gracious me, we'll catch him all right. You said yourself the trail was nice and clear as can be.

[Matt Dillon]

Yeah, it's too clear.

[Chester]

What do you mean by that?

[Matt Dillon]

We're not the only ones following us.

[Chester]

You mean there's somebody else trailing him?

[Matt Dillon]

Yes, he's got about a half a day's start.

[Chester]

You think it's that old Luke Burris?

[Matt Dillon]

Yeah, I'm afraid it is.

[Chester]

Well, he just ain't got good sense to keep on with a thing like this, does he?

[Matt Dillon]

Allie thinks he's right, Chester. It's awful hard to talk sense to a person who thinks he's right.

[Chester]

Expose your eye at that what counter, Mr. John. Seems like it's a shack stuck way out here.

[Matt Dillon]

Yeah. Now let's head for it. Keep your eyes open.

[Chester]

Yes, I am.

[Matt Dillon]

I believe the horse is here. Bring your rifle.

[Chester]

I got it right here.

[Luke Burris]

Don't worry, Marshall. You won't need your guns.

[Chester]

There's no Luke now, come on.

[Luke Burris]

I've been hitting you all the way.

[Matt Dillon]

Yeah, I know. I saw your trail.

[Luke Burris]

No sense both of us making this trip.

[Matt Dillon]

I told you, Luke, when it's murder, it's my business.

[Luke Burris]

Yeah. There ain't no need now.

[Matt Dillon]

We'll see.

[Luke Burris]

I already seen.

[Matt Dillon]

What do you mean?

[Luke Burris]

Come inside, Marshall. Come on inside.

[Matt Dillon]

Come on, Chester.

[Chester]

Why?

[Matt Dillon]

Why?

[Chester]

Mickey Dill, up.

[Matt Dillon]

Yeah. Stand back. Burris.

[Luke Burris]

Chair. Marsha, I'm all done.

[Chester]

Mad Moly. He's hungin right here. Inside.

[Matt Dillon]

Yeah.

[Luke Burris]

I told you, Marshall, I got no need for the low.

[Chester]

He's been dead quite spare.

[Luke Burris]

Yeah, she's Shut up.

[Matt Dillon]

All right, Chester, you better start digging. We'll have to bury him.

[Chester]

Is she.

[Luke Burris]

You should listen to me, Marshal. I meant it when I said we took care of our own. That we had no need for the law to do it.

[Matt Dillon]

Yeah. Now the law has to take care of you.

[Luke Burris]

That don't matter now. My boy's dead. And I took care of the man that killed him. I took care of it, Marshall. Like we always done, without no law.

[Matt Dillon]

Yeah, you did that, all right. And your boy wouldn't have had to die at all if you'd let me move in in the first place. All right. Come on, Luke. You can help Chester dig the grave. Like you helped dig the grave for Jessica.

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[William Conrad]

GUN SMOKE Produced and directed in Hollywood by Norman MacDonald stars William Conrad as Matt Dillon, US Marshal the story was specially written for Gunsmoke by Marion Clark with editorial supervision by John Meston. Featured in the cast were Ralph Moody, Dick Krena and Lawrence Dobkins. Harley Bear As Chester, Howard McNear is Doc and Georgia Hawkins as Kitty this is the CBS Radio Network.

[Luke Burris]

Foreign.

[Matt Dillon]

This.

[Andrew Rines]

Has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com Become one of our ranch hands and unlock some exclusive content. We want to thank the following ranch hand Steve who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

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