Ozymandias | Gunsmoke (01-13-57)

Summary

Old Time Radio Westerns: Gunsmoke – “Ozymandias” (Original Air Date: 01-13-57)

Podcast Host: Andrew Rhynes
Release Date: February 7, 2026

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Episode Overview

This episode of the Old Time Radio Westerns podcast features a digitally restored broadcast of the classic Gunsmoke episode “Ozymandias,” which originally aired on January 13, 1957. The story centers on themes of ambition, legacy, the cost of justice, and the inescapable consequences of pride as U.S. Marshal Matt Dillon is tasked with serving an eviction notice that will force a hardworking homesteader from his land. Through richly layered characters, sharp dialogue, and atmospheric sound design, the episode explores questions of law versus justice and the true meaning of legacy on the American frontier.

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Key Discussion Points and Insights

1. Conflict Between Law and Justice

• Burke Krager’s Ambition:
  Burke Krager, a powerful rancher, has been fighting for years to consolidate all the land in Blue Sage Valley. Now, through legal maneuvering, he has obtained an eviction order against Sloat Carson, who settled a small 360-acre homestead on what Krager claims as his own ranch land (06:01).
  • “The laws decided the land's mine. It was your job to get him off it.” — Burke Krager (07:14)
• Matt Dillon’s Moral Dilemma:
  Marshal Dillon grapples with the difference between what is legal and what is just:
  • “I was talking about justice, not law.” — Matt Dillon (06:55)
  • He openly questions whether evicting Carson is truly just, given Krager’s vast holdings compared to Carson’s small farm.

2. Portrait of Hard Work and Desperation

• Sloat Carson’s Determination:
  Carson is depicted as a diligent and honest man who has put years of hard labor into his homestead. The possibility of losing everything to a legal technicality is heartbreaking.
  • “Nobody can grab a man's farm away from him after he's put his sweat and blood, his whole heart into the order.” — Sloat Carson (13:10)
  • He is devastated by the eviction notice, highlighting the vulnerability of smallholders on the frontier.

3. Family Dynamics and the Burden of Legacy

• Rift Within the Krager Family:
  Krager’s son, Crowdy, is deeply conflicted by his father's ruthless ambition. Ultimately, he turns against his father by revealing a legal loophole to Sloat Carson, which allows Carson to contest the eviction in court (22:08).
  • “He didn't blunder onto it. I told him about it.” — Crowdy Krager (22:08)
• Cycle of Vengeance and Regret:
  After Burke Krager dies of a burst blood vessel during a violent confrontation sparked by his anger at Crowdy’s betrayal, Crowdy is left with remorse and vows to break up and sell off his father’s precious ranch.
  • “I'll break this ranch up and sell it off. Every foot of it.” — Crowdy Krager (23:24)
  • The episode closes on a meditation about how a person’s legacy is shaped by their actions:
    • “A man sure don't live long after he's dead.” — Crowdy Krager (23:29)
    • “Well, I guess that depends on how a man lived his life, Chester.” — Matt Dillon (23:53)

4. The Role (and Limits) of the Law

• Legal Wrangling as a Tool:
  A judge’s injunction obtained by Carson and Crowdy blocks the eviction, demonstrating that legal battles can drag on and be used as both a shield and a weapon in frontier conflicts (19:35-20:18).
• Marshal Dillon as Symbol and Arbiter:
  Dillon embodies the lonely burden of frontier justice:
  • “I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lone.” — Matt Dillon (03:50)
  • He enforces the law yet is acutely aware of its human costs.

5. Moments of Humor and Humanity

• Doc and Matt’s Banter:
  The interaction between Doc and Matt, including jokes about marriage, aging, and the prospects of Doc with local widows, provides comic relief and adds warmth to the episode’s heavy themes (18:19-19:19).
  • “You know, there's Widow Liffey's got that house at the edge of town. You know, I've seen how she stares at you when you drive by.” — Matt Dillon, teasing Doc (18:42)

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Notable Quotes & Memorable Moments

| Timestamp | Speaker | Quote/Context | |-----------|----------------|-------------------------------------------------------------------------------------------| | 03:50 | Matt Dillon | “I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lone.” | | 06:55 | Matt Dillon | “I was talking about justice, not law.” | | 07:14 | Burke Krager | “The laws decided the land's mine. It was your job to get him off it.” | | 13:10 | Sloat Carson | “Nobody can grab a man's farm away from him after he's put his sweat and blood, his whole heart into the order.” | | 19:35 | Chester | “Judge Bent says the Land Commission's only got jurisdiction in. In case nobody don't take it to court. He says Slo could keep this dragon on for years.” | | 22:08 | Crowdy Krager | “He didn't blunder onto it. I told him about it.” | | 23:24 | Crowdy Krager | “I'll break this ranch up and sell it off. Every foot of it.” | | 23:53 | Matt Dillon | “Well, I guess that depends on how a man lived his life, Chester.” | | 18:42 | Matt Dillon | “You know, there's Widow Liffey's got that house at the edge of town. You know, I've seen how she stares at you when you drive by..." (teasing Doc) |

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Key Segment Timestamps

• [03:06–04:30]: Introduction to Gunsmoke and Marshal Dillon’s ethos.
• [04:30–08:38]: Krager brings eviction order; Dillon, Doc, and Chester discuss law vs. justice.
• [10:29–13:45]: Serving Sloat Carson the eviction; depiction of his daily struggle.
• [14:00–15:17]: Crowdy offers to help Carson legally; threat of violence.
• [19:19–20:18]: Delivery of legal injunction; Carson can’t be evicted immediately.
• [21:09–23:12]: Violent confrontation; Burke Krager’s death.
• [23:24–23:53]: Crowdy’s remorse and resolves to erase his father’s legacy; somber reflection by Dillon.

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Episode Tone and Style

The episode balances rugged drama, ethical complexity, and gentle humor. The dialogue is natural and peppered with Western colloquialisms, capturing the world-weariness of lawmen and the stubborn pride of frontier ranchers, all delivered with the gravitas and warmth characteristic of 1950s radio drama. Enhanced restoration brings out immersive ambient sounds—creaking doors, distant gunfire, and prairie winds—deepening the listener’s sense of time and place.

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Final Thoughts

“Ozymandias” stands as a meditation on the cost of ambition and the limitations of legal justice on the American frontier. The episode’s haunting ending drives home its central message: that power is fleeting, and a man’s actions, more than his possessions or legacy, are what last in memory.

Transcript

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[Andrew Rines (Host)]

Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and let's get into this episode. This episode is going to be Gunsmoke. Original air date is January 13, 1957 and the title is Ozymandias.

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[Marvin Miller (Narrator)]

Gun smoke. A round. Dodge City. And in the territory on west, there's just one way to handle the killers and the spoilers. And that's with a U.S. marshal. And the smell of gun smoke. Gun smoke. Starring William Conrad. The story of the violence that moved west with young America. And the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chancy job and it makes a man watchful and a little lone.

[Doc]

Oh, my. Why don't we take the day off tomorrow, Matt? See if we can shoot us a deer.

[Matt Dillon]

Oh, that's not a bad idea.

[Doc]

Document. Looks like we might get a light snow tonight. Make it easy to track him.

[Matt Dillon]

You couldn't track a three legged buffalo in a box, can you?

[Doc]

Oh, is that so? Let me ask you, who tracked that antelope we shot just before Christmas?

[Matt Dillon]

It wasn't an antelope, it was a deer.

[Doc]

Yeah, well, that's not the.

[Matt Dillon]

And you didn't track it. Chester did. You want to stop in the office for a while?

[Doc]

Darn right I do, Matt. I recollect that antelope just like it was yesterday. Dear Doc.

[Matt Dillon]

Good morning, Chester dear.

[Doc]

That fella's back there waiting to see you, Mr. Dillon. Morning, Marshall. Hello, Burke.

[Matt Dillon]

I thought you were back in Washington.

[Doc]

I was. Come in on a train last night. Got a job for you, Marshall.

[Matt Dillon]

Is that so?

[Doc]

Yeah. What's he saying?

[Matt Dillon]

You know Doc, don't you, Burke?

[Doc]

Yeah, we've met. Sure we've met. I've been warning him for years about that blasted temper. You just mind your own business. You look at him right now, you see veins swelling up in his neck. Face getting red as a beast. So help me talk at him back. Keep on like that, Bert Krager. One of these days I'll make a coroner's fee off of you. Mark my words. Now, I didn't come here to listen to the half baked opinions of some broken down old quack quack. Wait a minute.

[Matt Dillon]

You just both of you wait a minute.

[Doc]

Doc.

[Matt Dillon]

You quit trying to drum up business. What's the job, Burke?

[Doc]

These papers ought to explain it pretty well.

[Matt Dillon]

Oh, let me see them.

[Doc]

That's what I've been doing back in Washington. And I don't mind telling you, it gives me a lot of satisfaction. When I finally got them to issue them papers.

[Matt Dillon]

Court ordered a United States Marshal in Dodge City, Kansas for service of eviction notice.

[Doc]

Yeah, look at the second One, Marshall. Took me pretty nearly three years to get justice done.

[Matt Dillon]

Eviction order from Federal lands Commission, Washington, D.C. to Juan Sloat Carson.

[Doc]

Yep. Finally getting them off My guilty of.

[Matt Dillon]

Illegal homesteading a portion of the Krager Ranch located in section 246 township. I see.

[Doc]

Our.

[Matt Dillon]

You sure that this is justice, Burke?

[Doc]

You got the papers right there in your hand, Marshall. It was issued according to law.

[Matt Dillon]

I was talking about justice, not law.

[Doc]

You aiming to separate the two? Right.

[Matt Dillon]

How much range are you running now, burke?

[Doc]

Just over 30,000 acres. Uh huh.

[Matt Dillon]

And slow Carson's got a measly 360 acres in that homestead. They're gonna break you to let him go on farming.

[Doc]

That's got nothing to do with it. The laws decided the land's mine. It was your job to get him off it.

[Matt Dillon]

You've been driving yourself for 10 years now, Burke, without a letup. You got every inch of land between Briar Ridge and Walnut Creek, except for this piece that Sloat's living on.

[Doc]

And I got it too. Now once you serve that order, why, what do you ought to prove, Burke? But I have proved, Marshall, that I'd own the whole valley someday. Every last foot of it. And with Sloat Carson out, I do own it. I gone along all these years keeping the old name Blue Sage Valley. But now that I own it complete. I'm changing that name, Marshall. It's the Krager Ranch now from here on out. Yeah, from here on out. Won't be very long if you up and bust a blood vessel. My son's named Craig too. I'll remind you, Burke.

[Matt Dillon]

Sluts put a lot of work into that place of his. You sure you won't think it over?

[Doc]

You got them papers, Marshall, and it's your duty to serve.

[Matt Dillon]

All right, I'll serve him. I got no choice.

[Doc]

And I bid you all good day. There is a downright mean man, Mr. John. Yeah, well, if he doesn't change his ways, he's going to be a good one.

[Matt Dillon]

You may be right, Doc, but not for the reason you think.

[Doc]

What do you mean?

[Matt Dillon]

Sloat Carson's a peaceful man. That doesn't mean he'll take to being pushed off that land of his.

[Marvin Miller (Narrator)]

Hello, this is Marvin Miller with another page from your American Heritage scrapbook. It was a portrait of a French hero, Lafayette, painted in 1825. That marked the zenith of the artistic career of Samuel Finley Breese Morse. Yes, the first dots and dashes ever wrought by Morse were blended in oil on a piece of canvas. But lack of funds Forced him to abandon his art studies in London, and he accepted America's first professorship of fine arts at the University of New York City. While at the university, he lived in the tower garret, and it was there that he experimented with wires and batteries, hoping for an inventive success that would free him financially so he could contribute to the arts of America. Even while conducting his electrical experiments, Morse tried to make his art a paying proposition, but without success. In 1837, he put aside his brushes and constructed the first working model of his telegraph. Symbolically, he used one of his wooden canvas stretchers. In the process, his promising career as an artist was sacrificed. Yet he performed perhaps a greater service to mankind in another way. Samuel Morse became one of the world's great inventors.

[Doc]

Sa. No smoke coming out of the chimney, Mr. Dillon. Reckon maybe he ain't the home.

[Matt Dillon]

He's probably working out in the barn. Let's ride over there.

[Doc]

It's just a cussed shame, that's what it is.

[Matt Dillon]

That can't be helped, Chester.

[Doc]

Bert Kreger don't need this land no more, and he needs a second head.

[Matt Dillon]

He's got a devil on his back, Chester Craig or ranch are the only three words in the world that mean anything to him.

[Doc]

Well, there's a mighty poor reason for putting a man off land. He's proved that. Marshall. Chester.

[Matt Dillon]

How are you?

[Doc]

Sloth? Mighty good to see both of you. Yeah, been up this way for quite a while.

[Matt Dillon]

Mine gets caught up in things. Sloat first. He knows all this time's been taken.

[Doc]

That's a fact. All right, come on up the house. I'll set the coffee on.

[Matt Dillon]

How you making on?

[Doc]

Oh, tolerable crop. Wasn't too bad last year. Next year, though. The next year is going to be my best one yet. At their north 80. You know, I had to let it lay fallow the last two years for lack of time. By golly, I got in there last fall. Plowed the whole darn thing before the snows hit. I had to work 18 hours a day to do it. But now it'll be in shape to plant right when the thaws come. Catch the melt off in the spring rains.

[Matt Dillon]

And Kaffir.

[Doc]

Kaffir. Marshall, that's the best feed crop in the world. Spend too dang much for seed, maybe, but in the long run, it'll pay out. Marshall, you're almighty serious. For some cause. Really?

[Matt Dillon]

Well, there's reason for it slow. This isn't just a neighborly call I'm making. Bert Kreger just got Back from Washington yesterday.

[Doc]

That's so.

[Matt Dillon]

I guess you know what he was doing.

[Doc]

Oh, same thing he's been trying to do three, four years now. Steal my land away from me. Yeah.

[Matt Dillon]

Well, he's finally done it.

[Doc]

What?

[Matt Dillon]

I got an eviction notice with me and an order from the land commission to serve it on you.

[Doc]

I don't believe you're joking, Washington.

[Matt Dillon]

I wish I was. I'm sorry.

[Doc]

Nobody can grab a man's farm away from him after he's put his sweat and blood, his whole heart into the order.

[Matt Dillon]

Gives him a right of prior occupancy.

[Doc]

But he never run ahead of stock on this ground when I filed on it.

[Matt Dillon]

There's nothing I can do about it, Slug.

[Doc]

Don't them fellers back there even care about my side of it? Don't they even want to hear my story?

[Matt Dillon]

According to the order, they notified you by mail.

[Doc]

Oh, I got some kind of papers through the Post. I couldn't tell what they was all about. Just figured it was some more of Burt Kreger shenanigans. Some kind of bluff.

[Matt Dillon]

It wasn't bluff.

[Doc]

Slippers, Mr. Jones and them two. Them papers said come to a hearing in Washington. Now, where'd I get the money to go to Washington?

[Matt Dillon]

I don't know, Slope, but the court's decided.

[Doc]

Mr. Dillon, here comes old favorite sign. Roddy Krieger coming here.

[Matt Dillon]

Now, you just take it easy, Flo.

[Doc]

Morning, gentlemen.

[Matt Dillon]

How are you crowding?

[Doc]

Ain't you crazy? Done enough? What you come here for? Maybe I come to undo some of it, Mr. Carson, if it ain't too late. I'm aiming to undo it myself, gry. I'm figuring to use a gun.

[Matt Dillon]

Now, wait a minute. Slow.

[Doc]

I ain't a man that hunts trouble, Marshall. You know that. You know it as well as anybody. But I ain't letting four years of my life get took me without putting up a fight.

[Matt Dillon]

Kellen. Burt Krieger won't change a legal decision, Slope. What did you mean, Crowdy? If it ain't too late.

[Doc]

You served that eviction notice yet, Marshall?

[Matt Dillon]

No, not yet.

[Doc]

The law say you gotta do it today instead of tomorrow. Maybe.

[Matt Dillon]

No.

[Doc]

And I'd like to talk to you, Mr. Carson. Why? I may be able to tell you something that'll save your farm for you. I'll listen to you karate, but I won't promise nothing. You don't have to, Marshall. I think it'd be better if you wasn't a party to this.

[Matt Dillon]

Why are you doing this, Crowdy? What's your reason?

[Doc]

You'd lived around my paw your whole life, you wouldn't have to ask. Carson, could we walk into the barn?

[Matt Dillon]

All right.

[Doc]

Excuse us, Mark. Well, looks like there won't be any bloodshed after all, Mr. Jones.

[Matt Dillon]

I don't know, Chester. I wouldn't count on it.

[Doc]

Another visit with Joe and Daphne Forsyth. Joe, honey. Huh? Joe, darling, put down the paper. I've got something important to ask you. Okay, Joe. All right. All right, what? How many savings bonds do we have? What kind of a question is that? A good one. How many?

[Matt Dillon]

I'm not sure.

[Doc]

I'd have to count, and I'm reading the paper. What do you want to know for? Have we got enough to make things comfortable for us? Very comfortable. That's why I buy on a payroll. Savings plan upon the month will give us quite a nest egg for the future. Enough for a college education eventually. But who's going to college? Our children, silly. We don't have any yet. Oh, what do you mean, oh? Better buy some more bonds, honey. Daphne, you mean we've got a new investment? How about that?

[Matt Dillon]

Evening, Doc.

[Doc]

Oh, man. Where. When'd you get back?

[Matt Dillon]

This afternoon. How come you're still sober?

[Doc]

Oh, well, now, that's one distinction I hold, Matt. I mean, I'd be the best doctor in the west, but I'm sober.

[Matt Dillon]

Maybe if you took the drinking a little bit.

[Doc]

Give a man credit for anything, did you?

[Matt Dillon]

I guess I'm in a bad mood, Doc.

[Doc]

Yeah? Evict Sloat Carson, did you?

[Matt Dillon]

No, not yet.

[Doc]

No. Why not?

[Matt Dillon]

Well, let's say tomorrow's soon enough, huh?

[Doc]

It's too soon. Jasmine. Have a beer.

[Matt Dillon]

No, thanks. I was just looking around. Have you seen Kitty?

[Doc]

Well, she was here a while ago, but she went to bed. Said she had a headache, though. She didn't have a headache, though. I know Kitty. She just wanted to get out of here for one night.

[Matt Dillon]

I can't blame her much.

[Doc]

Girl like Kitty ought to be married, Matt. Settle down having children.

[Matt Dillon]

Why don't you talk to her about it, Doc?

[Doc]

I will. Yes, by golly, I will.

[Matt Dillon]

You should have studied for the ministry.

[Doc]

You know, I've thought about that, but the pay is bad.

[Matt Dillon]

Now there's a real Christian.

[Doc]

I wouldn't talk if I were you, man.

[Matt Dillon]

But at least I don't go around telling people how to live their lives.

[Doc]

Oh, don't you?

[Matt Dillon]

You know what I mean.

[Doc]

Yeah, what a minute.

[Matt Dillon]

You know what you need, Doug? You need some old woman to rail at a nice fat wife to take you to house.

[Doc]

Oh, no, you don't you? Don't turn it on me like that.

[Matt Dillon]

You know, there's Widow Liffey's got that house at the edge of town. You know, I've seen how she stares at you when you drive by. You might do your yourself some good there.

[Doc]

Oh, wait a minute. Oh, I'm not saying a word.

[Matt Dillon]

I hear she's a good cook, too.

[Doc]

Yeah, the only woman cooked the railroad ever had till they found out she was a woman.

[Matt Dillon]

Well, it took them six months. You gotta admire her for that.

[Doc]

Oh, sure, I admire her for that.

[Matt Dillon]

All right, if you're gonna be stubborn.

[Doc]

About, I'll blow my brains out. But the day comes that I gotta take a woman that crops her hair and wears men's boots and men's hats. All she needs is a beard and a rifle and she'd make a good buffalo hunter.

[Matt Dillon]

Female charm sure wasted on you, doc.

[Doc]

Hers is Mr. John.

[Matt Dillon]

Oh, yeah. What is it, Justin?

[Doc]

Well, I. I figured I better bring these over to you right away. Judge Bent stopped by the jail and went. Hello, Doc.

[Matt Dillon]

What's this about?

[Doc]

Judgment. Well, he left these here papers and I thought you'd already know about them.

[Matt Dillon]

Now, let me see. US Marshall M. Dillon, injunction against service of eviction order number order in U.S. district Court enjoining one Burke Krieger from attempting to assume possession of land parcel known as section 246. Plaintiff slo Carson.

[Doc]

Yeah, looks like slo's kindly outboxed old crager, Mr. Dylan.

[Matt Dillon]

Yeah, sure does. With young cr's help.

[Doc]

Well, judge Bent says the Land Commission's only got jurisdiction in. In case nobody don't take it to court. He says Slo could keep this dragon on for years.

[Matt Dillon]

Well, Chester, it looks like we ride out tomorrow and serve papers on Burke Kreger instead of Sloat.

[Doc]

There'll be trouble, sure.

[Matt Dillon]

Yeah, they probably.

[Doc]

That mean. Marshall. Just here.

[Matt Dillon]

Thanks, Bert.

[Doc]

Morning. Said maybe I can rustle up a pot of coffee.

[Matt Dillon]

Oh, no, don't bother. We're not going to be here long.

[Doc]

Well, I'll take a minute. Serve them papers on Sloat Carson, did you? No. What? Why not?

[Matt Dillon]

As a matter of fact, Burke, we're here to serve some papers on you.

[Doc]

What the thunderation you talking about?

[Matt Dillon]

Judge Bent issued this late yesterday afternoon. You better take a look at it.

[Doc]

Here. What's that old fool doing poking his nose into my business? What is pretty clear if you read it. I don't have to read it. I know what it is. The only blasted way in the world Carson could have beat me and he stumbled Onto it.

[Matt Dillon]

In case you're interested, Judge Ben handed down a ruling at the same time to prevent me from serving the eviction notice.

[Doc]

Then I'll run him off. I'll take a gun to him.

[Matt Dillon]

I wouldn't advise that. You try that.

[Doc]

Burke. Marshall Chester this morning.

[Matt Dillon]

How are you, Crowley?

[Doc]

What's the trouble, Pa? Trouble? Ten years, that's the trouble. For ten years I've fought with this valley foot by foot. When I get it right in my hand, the last square inch here at the Cragar ranch, this fool slow Carson blunders onto the one way of blocking me. He didn't blunder onto it. I told him about it.

[Marvin Miller (Narrator)]

You what?

[Doc]

I told him about that loophole in the land commission's order. You mentioned it one time. You remember? Are you sneaking young welfare here? Now you know what doc said about you getting mad. I'll have the hide off your back. I'll beat you till you scream to have a bullet put in your head.

[Matt Dillon]

Mark.

[Doc]

Stand back, Marshall.

[Matt Dillon]

Put down that horse.

[Doc]

I'll cut the daylights out of you. You heard me, Burt. Yellow cur pumper. Mr. Krieger. Oh. What's wrong here?

[Matt Dillon]

Wait a minute, Crowley. Let me have a look at it.

[Doc]

What happened to him? We got to get doc out here right away.

[Matt Dillon]

It's no use, Crowley.

[Doc]

He's dead. Dead? Doc said it was gonna happen like that if he didn't stop losing his temper. But he can't be dead. I. I didn't mean for this to happen.

[Matt Dillon]

It wasn't your fault, Crowley. You were trying to do the right thing.

[Doc]

It was your father who was doing wrong. I can't even claim that excuse, Marshall. I didn't care what happened to Sloat Carson. I was just trying to hit back at pa. For all the years he.

[Matt Dillon]

Bullied me, I don't guess he was easy to live with.

[Doc]

But I didn't aim to do this. I just didn't.

[Matt Dillon]

I. I'll send Doc out when we get back to town and make out his coroner's report.

[Doc]

I'll break this ranch up and sell it off. Every foot of it.

[Matt Dillon]

I guess we'll be riding.

[Doc]

Probably Krieger ranch. I'll blot that name out if it's the last thing I ever do. Come on, Justin Krieger ranch. I'll show him how long that name will last. In two years, nobody will ever remember. A man sure don't live long after he's dead.

[Matt Dillon]

Well, I guess that depends on how a man lived his life, Chester.

[Andrew Rines (Host)]

Oh.

[Marvin Miller (Narrator)]

What's the matter.

[Doc]

My wife has a toothache. Your wife has a toothache and you're moaning? Well, she hit me when I complained about her yelling.

[Marvin Miller (Narrator)]

Why didn't she go to a dentist? Outside the United States, dental care is available for dependents at all Uniform Services facilities on a space available basis.

[Doc]

No kidding. What about inside the United States?

[Marvin Miller (Narrator)]

It's available for medical or surgical conditions.

[Doc]

And in an emergency to relieve undue pain and suffering. How are they on a broken jaw?

[Marvin Miller (Narrator)]

For more on Medicare, get the pamphlet.

[Doc]

Dependents Medical Care Program. Sam.

[Marvin Miller (Narrator)]

Gun Smoke Produced and Directed by Norman McDonald Stars William Conrad as Matt Dillon, US Marshal the music was composed and conducted by Rex Corey. Sound patterns were composed by Ray Kemper and Bill James. Featured in the cast were Parley Bear As Chester, Howard McNear as Doc and Georgia Ellis as Kidding George. Walsh speaking. Join us again next week for another story of the western frontier of America in the 1870s on gun smoke. This is the united states armed forces radio and television service.

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[Andrew Rines (Host)]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail. 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

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