Spring Term {reused script} | Gunsmoke (01-01-61)

Summary

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Old Time Radio Westerns – “Spring Term” | Gunsmoke (01-01-61)

Podcast: Old Time Radio Westerns
Host: Andrew Rhynes
Episode: Spring Term | Gunsmoke (Original Airdate: January 1, 1961)
Restored Release Date: September 13, 2025

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Episode Overview

This episode transports listeners into the mythic world of Dodge City, where Marshal Matt Dillon seeks justice amidst misidentification, mistaken vengeance, and the relentless consequences of frontier law. “Spring Term” (a reused Gunsmoke script) spotlights a case of mistaken identity that sets off a deadly manhunt, exploring themes of guilt, justice, and the lonely burdens of the lawman’s life. The podcast’s restored audio brings new clarity to the soundscape, immersing fans old and new into the drama of the old West.

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Key Discussion Points & Story Breakdown

1. Setting the Stage in Dodge City

[01:45 – 03:30]

• Narration establishes the ethos of Dodge City: Only the force of the U.S. Marshal can keep order in a lawless land.
• Matt Dillon introduces himself: “I’m that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It’s a chancy job, and it makes a man watchful – and a little lonely.”
  — Matt Dillon [01:49]

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2. An Ambush in the Night & Mistaken Identity

[03:30 – 06:25]

• Chester remarks on the quiet night and recalls parental wisdom about nighttime—adding comic relief and character depth.
• Sudden violence: Shot is heard; Dan Shaw is found wounded in an alley.
• Key clue: Shaw was shot in the back; dying, Shaw recalls his aggressor mentioning the name “Stone,” which neither he nor Dillon (nor anyone in town) recognizes.
• Matt deduces that Dan was targeted by mistake: He and Dan are similarly built; Dan’s hat matched Matt’s.
• Backstory unfolds: Dillon once knew a Stone and a Danch—cattle thieves with a bloody grudge. Danch, believed to be seeking revenge for Stone’s hanging (a crime Dillon did not commit), is likely the assailant.

Notable Quote:

• Chester: "Now that just pure talk to you. Pure."
  — Chester [04:40]

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3. The Manhunt Begins

[06:25 – 10:19]

• Dillon and Chester hit the streets and saloons of Dodge, seeking information on Danch.
• Kitty recalls seeing a tall man missing an ear – Danch’s distinctive mark (left ear chewed up).
• Chester reports Danch was spotted at the Prairie Dog Hole but has already left.
• Dillon resolves to keep pursuing, aware danger may still be lurking.

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4. Dane Shaw Dies; the Hunt Intensifies

[11:28 – 15:00]

• Sad twist: Shaw, initially expected to recover, dies unexpectedly (“You never know how a man’s heart will react”—Doc).
• Dillon senses he’s being followed: Bill Lee is caught tailing him through an alley with gun drawn.
• Lee is suspected of working for Danch but refuses to talk; Dillon jails him, hoping to flush Danch out.

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5. Turning the Tables: Forcing a Confession

[15:00 – 17:27]

• Under grilling, Lee remains silent.
• Dillon changes tactics—threatens to release Lee, warning he’ll shoot if Lee tries to kill him again (a tense bluff).
• Lee, terrified, cracks and reveals Danch’s hideout:
  “It’s down the Centipede Trail about 75 miles across the Cimarron, place called Wagon Bed Springs. He’s waiting there for me—waiting to pay me when… when I…”
  — Lee [16:24]
• Dillon and Chester prepare to ride out, taking Lee as a guide.

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6. Showdown at Wagon Bed Springs

[18:38 – 24:02]

• Dillon and Chester arrive at Wagon Bed Springs, a frontier waystation.
• They question a bartender who lies about Danch’s whereabouts, confirming Danch is still in town.
• Staking out the bartender, they follow him to a hut at the edge of town—Danch’s hideout.
• Dillon confronts Danch:
  “You’re trapped, Danch. Come out with your hands up.”
  — Dillon [20:54]
• Danch, defiant, tries to shoot his way out, but Dillon ambushes and kills him in self-defense.

Memorable Moment:

• Chester, reflecting on the violence:
  “Well, he tried to kill you, Marshall. It was self defense.”
  — Chester [23:37]

• Dillon’s grim code:
  “Let him go, Chester. He’s just scum all right. Bury him, mister. He paid you.”
  — Dillon [23:58]

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Notable Quotes & Memorable Moments

• Matt Dillon on Lawman’s Life:
  “It’s a chancy job. And it makes a man watchful and a little lonely.”
  — [01:50]

• On Mistaken Identity:
  “His hat’s a one thing — hat’s the same shape and the same color as mine. Yes. Dane and I are built enough alike … Somebody could possibly make a mistake, especially at night.”
  — Dillon [05:35]

• On Frontier Justice:
  “I don’t hang people. Anyway, if I lose, Danch is probably still in Dodge.”
  — Dillon [06:07]

• The Bluff:
  “You’re not fast enough to kill me face to face. … Sometimes I have to (kill), when there’s no other way out. But I won’t get paid for shooting you.”
  — Dillon [16:01]

• Dillon’s Closure:
  “Come on, Chester, let’s get out of here.”
  — Dillon [24:00]

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Key Timestamps for Important Segments

• [01:45] – Opening narration by Matt Dillon: tone of the episode established.
• [03:30] – Attack on Dan Shaw; case of mistaken identity revealed.
• [04:40] – Comic banter between Chester and Dillon.
• [05:35] – Dillon’s deduction about the shooting.
• [11:28] – Dane Shaw’s death, deepening the stakes.
• [13:00] – Dillon catches Lee in the alley; interrogation begins.
• [16:24] – Lee cracks under pressure, revealing Danch’s location.
• [18:38] – Arrival at Wagon Bed Springs; setup for the final showdown.
• [20:54] – Attempted ambush of Danch.
• [23:37] – Danch is killed; Dillon’s somber reflection.

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Episode Tone & Legacy

• The episode captures the melancholic, isolated existence of a frontier marshal, infuses moments of wry humor through Chester’s asides, and drives toward a moral conclusion where justice must prevail—even when it offers little personal satisfaction.

• Audio restoration notably enriches the atmospheric effects—boots on canvas, the wind across the prairie, and the tense drawl of confrontation.

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Final Thoughts

For both newcomers and stalwart fans, this episode typifies the moral complexity and suspenseful pacing of the golden age of radio westerns. The themes of justice, regret, and Marshall Dillon’s solitary burden ring out as clearly as ever, thanks to both the script and the revitalized audio.

Transcript

[Matt Dillon]

Hey, this is Sarah.

[Narrator/Commercial Voice]

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[Matt Dillon]

Even kind of cheesy.

[Narrator/Commercial Voice]

But I like it. Sure, you met some of my dietary needs, but they've just got it all. So farewell.

[Matt Dillon]

Oatmeal. So long, you strange soggy. Break up with bland breakfast and taste AM PM's bacon, egg and cheese biscuit made with ktree eggs, smoked bacon and.

[Grainger Commercial Voice]

Melty cheese on a buttery biscuit.

[Matt Dillon]

AMPM Too much good stuff.

[Narrator/Commercial Voice]

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[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and I'm excited to bring you another episode as absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.

[Matt Dillon]

Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with the U.S. marshal and the smell of gun smoke. John S.M. william Conrad. The story of the violence that moves west with young America and the story of a man who moved with it. I'm that man. Matt Dillon, United States Marshal. The first man they look for and the last they want to meet. It's a chance, a job. And it makes a man watchful and a little lonely. Here on the job site with Dale, who's a framing contractor. Hey, good morning. Dale traded up to Geico Commercial Auto Insurance for all his business vehicles. We're here where he needs us most. Yep, they sure are. We make it easy for him to save on all his insurance needs all in one place with coverage that fits his business and bottom line. Oh, I shouldn't have looked down. It's all right. We're so far up here. Look at me. Take a deep breath. I'm good. So good. Get a commercial auto insurance quote [e-mail] and see how much you could save. Get more with Geico. Angie, I can't believe you papered this room. I did. Just followed one of those how to do it books. Frank didn't help you lately. He's had nagging back ache with sleepless nights. Feels worn out. A person doesn't seem up to much with backaches. Better tell him to try, doctor. Good advice. That's Doan's pills, an analgesic and mild diuretic to the kidney. Nagging backache. Also headache, dizziness and muscular aches and pains. May come on with overexertion, emotional upset or everyday stress and strain. Jones, pain relieving action is often the answer. And they also offer mild diuretic action to the kidneys. So if nagging backache is making you feel worn out, tired and miserable with restless sleepless nights, don't wait. Try Joan's pillow, used successfully by millions for over 60 years. See if they don't bring you the same welcome relief. Get Stone pills today to save money by dome's big economy size. You going out soon, Mr. Dillon? It's a little early yet, Chester, and things seem quiet enough. But why do you ask? Well, sir, I thought I might rub your thoughts up a little bit and then go. That's night. Wasn't made just for sleeping. That's what my mommy used to tell us. And I just. I'll bet you a dollar to a dime it was your father who said that. My papa. Of course it was. Did I say my mama? Well, I sure never meant that. My goodness alive, no. She didn't even do nothing after dark. Kept reading the Bible and out loud that did you no harm. And anyway, you've more than made up for it. Well, Ms. Dylan, I ain't such a wild one is all that. I don't know, Chester. Every now and then you've got a look in your eye that spells trouble for some pretty girl somewhere. Now that just pure talk to you. Pure. Close by. Come on in the street. Yeah, I see him. There's nobody else around. Take a look down the alley. That's d. Sh. Dang, Danny, you bad hurt. Shot me right in the back. Marshall must have been in the alley there. One of you men go find Doc, huh? Any idea who it was, Dan? No, sir, none at all. I ain't got an enemy in the world. I know, I know. But has anybody, anybody at all said anything lately or done anything that might have led to this? No. No. Did you see him at all? No, sir. But I did hear him say something about Stone Marshall. That's all I heard. Stone? A man's name. Could be. Anyway, that's all I heard. Maybe he thought I. I was somebody called Stone. I don't know. Well, I don't Know Stone? Not around here anyway. No. Do you, Dane? No, I don't. All right, couple of you men. Get him up to Doc. Come on, Ch. Damon. Such a nice, peaceable fella. It's a downright chain. That's what is. You want some more coffee? Yeah. Yeah, I think so. Nobody's right, Chester. He got shot by mistake. How come you're so sure? His hat's a one thing. Hat's the same shape and the same color as mine. Yes. Dane and I are built enough alike. We're close enough in size that somebody could possibly make a mistake. Especially at night. What is, huh? Maybe. But that stretched itself to ask me, except for one thing. I once knew a man named Stone. You knew him? You mean he's dead? Well, but if he dead, then it couldn't have been him. Stone had a friend called Danch. Might have been Danch. Why, now, they were both cow thieves down in Matagorda County. It was one day Danch found his friend's Stone hung from a live oak tree. Now, I haven't seen Dance since that event, but I've heard that he's often sworn publicly that he's gonna kill me for it. Did you? No, Chester. Probably some cattlemen caught him using a straight iron, in fact, as a little quick justice. I wasn't even around. I don't hang people. Anyway, if I lose dad, she's probably still in Dodge. He'd have heard he shot the wrong man soon enough. What, are you gonna look for him? It's better than letting him look for me. Especially seeing the way he goes about it. Well, what's he look like, Case? I see him first. He's tall, thin. He's got one mark you can't miss standing on his left side, anyway. What's that? He had a fight somewhere. Got his ear chewed up. Well, unless he's growed another, that ought to make him easy enough to spot. I might wander around and see if he's near the Dodge house. Ain't this Jones? All right, Chester. I'm gonna make a round of the saloons. I'll be at the long branch. You sure you don't want to blink, man? No, not tonight, Kitty. Enough to be expecting trouble? Maybe. Have you heard the name Dance around here lately? Dance? No. No, I haven't. What's he look like? He's a tall man missing an ear. Oh, yeah. Saw a fellow like that a couple of nights ago. He's in here real late. Is that so? You haven't seen him since? No. I could ask the other girl. Ms. Dylan. Oh, Ms. K. Ms. Dylan. You know that cheap woman, Housetown? The one they call the Prairie Dog Hole? Yeah, what about it? Well, sir, I went to every other place and then I tied it just on a tent and sure enough, he was there. You mean you saw him? No, he's gone. They said he rode in after dark last night and he left for dawn. He wouldn't have been back thinking to the horse, wouldn't he? Maybe it wasn't him after all, huh? Maybe not, Chester. But I think I'll keep sniffing the air just the same.

[Narrator/Story Voice]

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[Matt Dillon]

The next afternoon, about sundown, Dane Shaw suddenly died. He hadn't been badly hurt, but as Doc said, you never know how a man's heart will react. Anyway, Dane, a man without an enemy in the world, was dead, murdered in a place of me at night. I was walking down Front street thinking about it and wondering why it's the innocent that so often get hurt when all at once I had a feeling I was being followed. I walked on till I reached an alley and then I turned into it casually. Once out of sight, I ran halfway down it and ducked behind a rain barrel and waited. And a few seconds later, I knew I'd been right. Don't kill me. Don't feel me much hungry. That depends on you, mister. Get up. You got my gun. I went on. You went off when you jumped me, that's all. Shut up and turn around. All right, my dear, is right around the corner. Walk ahead of me and walk careful. I will. Sure will. That's it. Now open the door and go right on in. Sure, Marshall. Well, I declare who it is, Ms. Dylan. I don't know. Who are you, mister? My name is Lee. Lee what? Bill Lee. All right, Lee. Now, why did you follow me down that alley with a gun in your hand? I wasn't following you, Marshall. Oh? What were you doing? Well, I was just. It was dark down there and I didn't want to take any chances. All right, Lee. Did you shoot Dane Shaw last night? Now, you look here, Marshall. You can't drag me in here and use me. Shut up. All I want out of you is one thing to dance, hire you to kill me. You got nothing on me, Marshall. I never heard of no dang. All right, lock him up, Chester. Lock me up? What for? A lion? Now, wait a minute. That's illegal. It sure is. No, I'm. I'm. I mean, you can't put me in jail. You show him what we can do, Chester. Mister. All right, mister. Right through that door. Door. I see you tied to this, Marshall. I know my right. The only right you've got left is to be hung. And I hope it takes place real soon. Every morning, Chester brought Lee out of his cell and I questioned him, but he admitted nothing. Day after day we kept him in jail anyway. And I hope Dance should hear of it and come into town to do the job himself. But it isn't a good feeling to walk down the street and know that any minute you might get shot in the back. And finally, I got tired of it. I wanted to know where Danch was. You're wasting your time, Marshall. Look, for the last time, are you gonna tell me where Danch is? I've told you a hundred times, I don't know Danch. Why'd he make his deal with you? I don't know nothing about no deal. I'm an innocent man, Marshall. And as soon as I get out of here, I'm going to write the government about. Tell me, Lee, how does it feel to kill a man for money? Well, don't you look at me, Marshall. Nobody paid me nothing. But what about you? You get paid for shooting people, you get paid regular. Me, I think I'll hit you right on the head and drag you back to your cell like. Sure, sure, I'm not a chest. I let him be. All right. That kind of obviously key boy, I know. But I got a better idea of what to do with him. What? And we're not getting anywhere this way. Lee just isn't going to tell us anything. He's got his mind made up. I don't know anything. I told you so. Keeping him locked up isn't going to help turn him loose. Oh, no. Now. Well, it's about time. You can't do that. He'll just try to kill you again for a test. Again. All right, go on, Lee, you're free. Get out of here. You really mean it, Marshall? Hurt me. How's your gun? Take it. Don't pick it up by the butt. That's better. Oh, I know I wouldn't try nothing, Marshal, if you'd die if you did. You're not fast enough to kill me face to face. No, and I wouldn't try. Goodbye, Marshall. Chester, I'm leaving. I'm taking the next train to Abilene. I'll leave. Yeah, I got one thing. What? She said I get paid for shooting people. Oh, no, Marshall, I didn't mean nothing. No, In a way you're right. Sometimes I have to when there's no other way out. But I won't get paid for shooting you. What now? I figure killing you will be part pleasure and part self defense. Well, what are you talking about, Marshall? Just that. Yeah, but why you want to shoot me? I don't like men of your kind. Well, Marshall, you can't. I can't let you get any farther than that boardwalk. I'd be a fool if I did. Now you go on out the door, William. I'm coming right after you. No. No. I'll feel a lot safer with you, dad. Go on. No, I'm staying right here. Then I'll kill you right here. You're armed. No. I'll give you my gun. Now, P. Don't kill me, Marshall. Don't kill me. I'll tell you. I'll tell you anything you want. Too late. You'll probably lie anyway. Oh, no, no, Marshall. No, I won't. You listen to me, Gant. It's down the centipede trail about 75 miles across the Cimarron place called Wagon Bed Springs. He is. He's waiting there for me. He waiting to pay me when. When I. When you kill me. Is that right? I'm not gonna kill you, Marshall. No. I guess contrasted before he changes his mind. He's a pretty brave man. Sure, sure, you take it there. You still. I told you, you let me go. Now, you know Vanch isn't gonna like you having killed the wrong man and me still walking around in good health with and the law wouldn't like it if I turned a murderer loose. Lock him up, Chester, and get the horses. You know the way Lee.

[Narrator/Story Voice]

This is the story of the 1. As head of maintenance at a concert hall, he knows the show must always go on. That's why he works behind the scenes, ensuring every light is working, the H Vac is humming, and his facility shines with Grainger's supplies and solutions for every challenge he faces. Plus 24. 7 customer support. His venue never misses a beat. Call quickgranger.com or just stop by Grainger for the ones who get it done.

[Narrator/Commercial Voice]

This is the story of the 1. As a custodial supervisor at a high school, he knows that during cold and flu season, germs spread fast. It's why he partners with Grainger to stay fully stocked on the products and supplies he needs, from tissues to disinfectants to floor scrubbers. All so that he can help students, staff and teachers stay healthy and focused. Call 1-800-GRAINGER Click grainger.com or just stop by Grainger for the ones who get it done.

[Matt Dillon]

Wagon Bed Springs boasted a hotel with a half a dozen rooms, a restaurant and two saloons, all built out of Dobie, but just a stopping point for bullwhackers and mule skinners driving their freight wagons along the Santa Fe Trail. When night came, Chester and I rode in, found a corral for our horses and scouted the town. Dance wasn't anywhere in sight, so I decided I didn't. Began asking questions. Same for me. Strangers, ain't he? Yeah. We're supposed to meet a friend here. Well, look around. I have. I can't find him. If he's in Wagon Bad Springs, you can find him. This ain't a big town like Dodge in them places. I wish there was. You know, I'd like to see Dodge sometime. That's where my friend may have gone. But maybe you saw him when he passed through here. A tall man, one ear. Oh, yeah. Calls himself Danch. Well, sure, I know him. He. He was here quite a while, but he left just yesterday. He. He's gone to Texas. And she's not died. That's so. He tired of a. Well, that's what he said when he left. Huh. All right. Thanks. Sure. Are you staying here long? No, not long. Here's for the beer. We'll be back as soon as we eat. Good. Say, did you meet it in there? Miss, are we really going to eat supper again after that Bark? He said he'd never seen Dodge. He was there last night, Paul. I remember his face. If he was in Dodge, he knows who I am. Danch is here somewhere, and that barkeep's going to get word to him mighty fast. Now, come on, let's get across the street. Where are we going? We'll follow him when he goes to tell Dan I'm here. He'll leave as soon as he thinks we're in a restaurant. All right. He won't see us here. Can I go with you? If you stay out of the way, I will. I figured it right and in a few minutes the barkeep came out onto the street and walked down toward the edge of town. We followed some distance behind until he reached a small Dobie hut. Mary knocked and then disappeared inside. The hut had no windows we could see, but I sent Chester around back to make sure. He returned in a moment and I told him to wait while I went up to the door. Who is this? You're trapped, dad. Come out with your hands up. I didn't see him. He said he might have nothing to do with this. I'm getting out of here, boy. Marshall, I'm coming out. I ain't your heart, but don't you. Okay. Come on. You know, get a bit more than that. I can't get out, though. All right. Keep your hands up. Sure. I'll take him. Keep an eye on him. Come on, you. I won't do anything. He paid me to warn him, that's all. You're in a bad spot, Dance. You can rot in there. I don't suppose you'd give me a fight in France any more than you get stoned once. I was in Galveston when Stone got hung. That's a lie. That doesn't matter. How come you hired Lee to shoot me? You lost your nerve. Too many settlement in dodges. Why? Yeah, I forgot your reputation with cows. And I don't care how you die anyway. You talk big for a man who's practically buried. I'm coming out feeling I'm coming out with a drunk. Don't do it, Danch. I'll have to kill you. I'll hang anyways and I just might get you. I backed off around the corner of the hut and waited. Nanch opened the door wide and suddenly he sprang out, a gun ready in each hand, expecting to face me. He stood there for a second before he realized he'd been trapped again. And then he made his choice and started for the corner of the hut where I was. Drop him. That shot okay, Chester. Is he dead? Yeah. Well, he tried to kill you, Marshall. It was self defense. Bureau. Shut up. What do we do? This man is killing. Let him go, Chester. He's just scum all right. Marry him, mister. He paid you. Yes, sir. I'll take care of him. If I ever see you and Dodge, you'll go to jail. Oh no, sir. I. I wouldn't come to you. Come on, Chester, let's get out of here.

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[Matt Dillon]

Repeat after me, please. What do you want when you need Brand? What do you want when you need Brand? Reliability. Reliability. Reliability. Now, what do you get in Kellogg's All Brand? What do you get in Kellogg's All Brand? Reliability. Right? Hi, this is Dennis James. To explain why Kellogg's Way is the reliable way to get the effectiveness you want from brands with just half a cup a day. The Kellogg's All Brand is the real Battle Creek formula, the one that millions of people depend on. And they depend on it because Kellogg's All Brand contains more vital brand bulk than to help you keep regular. It's low in calories and it's mighty pleasant eating, too. Kellogg's All Brand comes in crisp toasted shreds that have a wholesome brand muffin taste. I think you'll like it. So be sure you remember for the effectiveness you want from Brand, get reliable Kellogg's All Brand. That's what you get in Kellogg's All Brand Reliability Gun Smoke Produced and directed in Hollywood by Norman McDonald stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gun Smoke by John Meston. Featured in the cast were Vic Tarin, John Dana, Harry Bartel and Lawrence Todkins. Harley Bear is Chester, Howard McNear is Doc and Georgia Ellis K. This is George Walsh inviting you to join us again next week when CBS Radio presents another story on Gun Smoke. Have a Happy Habit one day through Friday being Crosby and Rhodes Mary Clooney on the CBS Radio Network.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com YouTube become one of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands, Steve and Ron W. Who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcasttrwesterns.com and you can call and leave us a voicemail 707-986-8739. This episode is copyrighted under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

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