Stage Snatch | Gunsmoke (04-24-60)

Summary

Old Time Radio Westerns Podcast: Detailed Summary of "Stage Snatch | Gunsmoke (04-24-60)"

Podcast Information:

• Title: Old Time Radio Westerns
• Host: Andrew Rines
• Episode: Stage Snatch | Gunsmoke (04-24-60)
• Release Date: May 10, 2025

---

Introduction

In this gripping episode of the Old Time Radio Westerns podcast, hosted by Andrew Rines, listeners are transported back to the tumultuous days of the Wild West. The episode, titled "Stage Snatch," features the iconic character Matt Dillon, portrayed by William Conrad, as he navigates the perilous task of transporting a notorious prisoner, Rouse, to Hays City. This episode showcases the classic elements of Western drama, including moral dilemmas, intense confrontations, and the ever-present struggle between law and personal vengeance.

---

Plot Overview

Transportation of the Prisoner

The story begins with Matt Dillon, the steadfast U.S. Marshal, preparing to escort Rouse, a convicted murderer, to trial in Hays City. Early interactions set the stage for underlying tensions:

• Matt Dillon introduces himself as the first man sought and the last people want to meet, emphasizing the risks of his job:
  "I'm that man. Matt Dillon, United States Marshal, the first man they look for and the last they want to meet. It's a chancy job, but it makes a man watchful and a little lone." ([01:20])

Encounter with Bigfoot

During the journey, Matt encounters Bigfoot, a native figure seeking justice for his father's death at the hands of Rouse:

• Bigfoot confronts Matt about Rouse:
  "The man with the scar is dead. No, he ain't dead." ([03:16])

Matt attempts to reassure him, highlighting that the law is handling Rouse:
"But he's been picked up." ([03:20])

The conversation reveals Bigfoot's personal vendetta:
"This man Rouse killed my father. His life belonged to me." ([03:45])

Conflict and Tension

As the stagecoach moves forward, internal conflicts emerge among the characters overseeing the transport:

• Chester expresses frustration over Matt's handling of paperwork:
  "Did it ever strike you how much time folks waste just writing things down?" ([05:03])

• The tension escalates when Chester suggests accompanying Matt to ensure control over Rouse:
  "It just might work out to be easier if I was to go along on the stage with you." ([06:41])

• Kitty, a key supporting character, advocates for Matt's ability to handle the situation:
  "What's the matter, Chespie? Don't you think Matt can take care of himself?" ([06:38])

Rouse's Desperation

Rouse becomes increasingly desperate to escape, leading to a critical turning point:

• Rouse attempts to manipulate Matt by requesting the removal of his handcuffs:
  "Marshall, you hear me? [...] Lessen your beard of me. Hey, is that it, Marshall?" ([08:07])

Despite Matt's objections, Rouse manages to free himself partially, escalating the threat:
"You talk too much, Rob." ([08:43])

Climactic Confrontation

The climax unfolds as Rouse takes a violent turn:

• During a heated argument, Rouse attacks Matt:
  "Oh, hey, Marshall, listen to me. You gotta live." ([15:20])

• In a moment of desperation, Matt is forced to defend himself, resulting in tragic consequences:
  "He hasn't killed anybody. You have." ([20:08])

Resolution and Aftermath

The episode concludes with the aftermath of the confrontation:

• Bigfoot takes vengeance, leading to a final confrontation where multiple lives are lost:
  "Bigfoot has done what he had to do. It is finished." ([21:04])

• Matt, reflecting on the events, acknowledges the loss and the complexities of justice in the Wild West:
  "Not quite. Bigfoot, I'm gonna have to take you in." ([21:12])

---

Character Dynamics and Development

Matt Dillon

As the central figure, Matt Dillon embodies the moral compass of the story. His interactions reveal a man torn between upholding the law and empathizing with personal grievances:

• His initial reluctance to involve himself in Bigfoot's quest for vengeance:
  "You're not thinking straight, Bigfoot. Forget all this and go home." ([03:50])

• His ultimate decision to defend himself, highlighting the harsh realities of maintaining order:
  "I have to be alive to do it." ([12:15])

Bigfoot

Bigfoot represents the struggle between personal justice and the legal system. His quest to avenge his father's death drives the narrative tension:

• His unwavering determination to claim Rouse's life:
  "He killed my father." ([10:08])

• The tragic culmination of his quest, leading to mutual losses:
  "The white man who killed them lies dead. It is finished." ([21:12])

Rouse

Rouse serves as the antagonist whose actions catalyze the plot's central conflict. His attempts to escape and manipulate Matt underscore the volatility of the frontier justice system:

• His manipulative plea to Matt:
  "Hey, Marshall, you know, I could be real comfortable this trip if you just undo these here wrist irons." ([08:07])

• His violent outburst resulting in Matt's defense:
  "He pulled a knife from his." ([20:27])

Supporting Characters

• Chester adds a layer of bureaucratic frustration, highlighting the mundane aspects of law enforcement:
  "Did it ever strike you how much time folks waste just writing things down?" ([05:03])

• Kitty serves as a voice of reason and support for Matt, emphasizing trust in his capabilities:
  "What's the matter, Chespie? Don't you think Matt can take care of himself?" ([06:38])

---

Notable Quotes

• Matt Dillon on his role:
  "I'm that man. Matt Dillon, United States Marshal, the first man they look for and the last they want to meet." ([01:20])

• Bigfoot on vengeance:
  "His life belonged to me." ([03:45])

• Chester on daily frustrations:
  "Did it ever strike you how much time folks waste just writing things down?" ([05:03])

• Matt Dillon addressing justice:
  "Let the law punish him then. Don't start trouble with the tribes." ([10:08])

• Rouse's desperation:
  "You gotta live. I gonna make it much longer." ([15:20])

• Bigfoot's final words:
  "Bigfoot has done what he had to do. It is finished." ([21:04])

---

Conclusion

"Stage Snatch" is a quintessential Gunsmoke episode that delves deep into themes of justice, vengeance, and the moral complexities faced by those who enforce the law in the Wild West. Through intense character interactions and a tightly woven plot, the episode captures the essence of frontier life and the eternal struggle between personal desires and societal duties. Andrew Rines' meticulous digital restoration enhances the listening experience, allowing modern audiences to appreciate the rich storytelling and timeless performances that have made Gunsmoke a legendary radio drama.

---

Notable Cast:

• William Conrad as Matt Dillon
• Ralph Moody as Rouse
• Howard McNear as Doc
• Georgia Ellis as Kitty
• Barley Baer as Chester

Special Production Note: The episode was specially written for Gunsmoke by Marion Clark with editorial supervision by John Meston, and produced and directed in Hollywood by Norman Macdonald.

---

This summary captures the essence of the "Stage Snatch" episode, highlighting key plot points, character developments, and memorable dialogues to provide a comprehensive overview for both new listeners and longtime fans.

Transcript

[Matt Dillon]

Foreign.

[Andrew Rines]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now, let's get into this episode.

[William Conrad]

Around Dodge City and in the territory on west. There's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun smoke. Gun smoke. Starring William Conrad. The story of the violence that moved west with young America and the story of a man who moved with it.

[Matt Dillon]

I'm that man. Matt Dillon, United States Marshal, the first man they look for and the last they want to meet. It's a chancy job, but it makes a man watchful and a little lone.

[Bigfoot]

Sat.

[Matt Dillon]

Hello, Bigfoot.

[Bigfoot]

I have watched you. Come. You're welcome.

[Matt Dillon]

You've traveled a fur piece from your lodges.

[Bigfoot]

Sometimes trail is long. Come, we will have food. Sit.

[Rouse]

I'm hungry.

[Matt Dillon]

That's a fact.

[Bigfoot]

Here, antelope, eat.

[Matt Dillon]

I was afraid for a while there my ribs was gonna stick together.

[Bigfoot]

You come with news?

[Matt Dillon]

Yeah, Bigfoot. I told you I'd bring you news. You can head back to your lodges.

[Bigfoot]

The man with the scar is dead. No, he ain't dead.

[Matt Dillon]

But he's been picked up.

[Bigfoot]

Picked up?

[Matt Dillon]

Mm.

[Bigfoot]

Marshall's got him.

[Matt Dillon]

The pokey? In jail.

[Bigfoot]

But he is not dead.

[Matt Dillon]

Well, not yet he ain't. He may be soon enough. Marshall's riding him out to Hays City tomorrow to be tried for murder.

[Bigfoot]

No. His life belonged to me.

[Matt Dillon]

What do you care, Bigfoot? Just so they got him.

[Bigfoot]

This man Rouse killed my father. His life belonged to me.

[Matt Dillon]

You're not thinking straight, Bigfoot. Forget all this and go home. Leave Rouse to the law.

[Bigfoot]

Round my brother?

[Matt Dillon]

Yeah.

[Bigfoot]

Your trail goes past the lodges of my people.

[Matt Dillon]

I should be riding past there tonight.

[Bigfoot]

I ask you to see my son, young Hawk, and send him here to me.

[Matt Dillon]

Sure, I can do that, Bigfoot.

[Bigfoot]

But.

[Matt Dillon]

I'm telling you again, I wouldn't get myself mixed up in nothing if I was you.

[Bigfoot]

The murder of my father must be answered.

[Matt Dillon]

Yeah, but the law has arrested this fellow Rouse. They'll take care of him.

[Bigfoot]

His life does not belong to white man. It belong to me. Now eat. You will need food to travel.

[Chester]

Mr. Dillon.

[Matt Dillon]

Yeah.

[Chester]

Did it ever strike you how much time folks waste just writing things down?

[Matt Dillon]

I can't say I've done much worrying about it.

[Rouse]

No?

[Chester]

Well, you see every day how much of it's going on.

[Matt Dillon]

Oh, how's that?

[Chester]

Well, when I go to pick up the mail. There's always a whole pile of letters there, ain't there?

[Matt Dillon]

That's what the mail's for, Chester, to bring letters.

[Chester]

Yes, I know that. But every one of them letters has something wrote down in it, don't it?

[Matt Dillon]

Yeah.

[Chester]

Yeah. Now, I don't need circulars and important things like that. I mean, all them letters that don't say nothing more than just howdy and how you ben, et cetera. Why, if they were to take all the letters that were wrote in this country on a single day, they wouldn't be worth a whole boot.

[Matt Dillon]

You may be right, Chester, but I know one thing.

[Chester]

What's that?

[Matt Dillon]

You'd be pretty hard to live with if you didn't get one of those worthless letters every now and then. Well, now. Yeah. Come on, let's get a beer and cool off, huh?

[Chester]

Is dark coming in out of that bright sun, ain't it?

[Matt Dillon]

I can see well enough to make it out that doc beat us to it.

[Chester]

Whoa, Doc. Oh, Miss Kitty. Just it, Matt.

[Kitty]

Come on, sit down.

[Matt Dillon]

Thanks, Kitty.

[Chester]

Thank you.

[Matt Dillon]

I'm surprised to see you here at this time of day, Doc.

[Chester]

Oh, I don't think you're in any position to call attention to a man's taking time off for a little refreshment.

[Matt Dillon]

Well, I wouldn't even notice any man but you.

[Chester]

What do you mean by that?

[Matt Dillon]

Well, you're always so ready to give a piece of your mind whenever anybody else takes a little time.

[Rouse]

Oh, for heaven's sake.

[Kitty]

Doc tells me you're taking a trip tomorrow night.

[Matt Dillon]

Yeah, I'm delivering a prisoner to Hayes City.

[Chester]

Mr. Don, I just don't feel easy about you taking that cussed rouse up there all along.

[Kitty]

What's the matter, Chespie? Don't you think Matt can take care of himself?

[Chester]

Why, of course he can take care of himself, Miss Kitty. But this fella is awful mean. It just might work out to be easier if I was to go along on the stage with you.

[Kitty]

Why don't you take him with him, Matt?

[Matt Dillon]

Now Chester has to stay in Dodge. Kitty, we got another man in jail.

[Chester]

It wouldn't hurt him none if we just left him locked up overnight. Mr. Dillon, the way he was feeling this morning, he probably wouldn't even know the difference.

[Matt Dillon]

Chester, you're staying here.

[Rouse]

Yes, sir.

[Kitty]

Well, Matt, if this man's dangerous, maybe you'd better take Jester.

[Chester]

Yes, Matt, by all means. That's what I think, Mr. Diller.

[Matt Dillon]

I'll get him there alone. I'm gonna go get.

[Rouse]

Sure nice of you, Marshall. Ranging of property stage, so to speak. Hey, Marshall, you hear me?

[Matt Dillon]

Yeah, I heard you. My guess, nobody wanted to ride that close to you.

[Rouse]

I don't know. I ain't such a bad sort of a fellow. Hey, Marshall, you know, I could be real comfortable this trip if you just undo these here wrist irons. Marshall, you got the gun. Ain't nobody else here to object.

[Matt Dillon]

I'd object.

[Rouse]

Well, that don't make no sense, Marshall. Lessen your beard of me. Hey, is that it, Marshall? You feared to ride with me with my hands free, huh? Even without a gun.

[Matt Dillon]

You talk too much, Rob.

[Rouse]

Yes. Hey, you're feared of him.

[Matt Dillon]

Just shut up, Jim. How many?

[William Conrad]

Got two look like.

[Rouse]

Why are we stopping?

[Matt Dillon]

Maybe we can talk to him. We sure can't outrun them.

[Rouse]

Hey, Marshall, shoot.

[William Conrad]

Shoot, Marshall.

[Matt Dillon]

Why don't you shut up and sit still?

[Bigfoot]

You are wise, Marshal. Now I take your gun.

[Matt Dillon]

Bigfoot.

[Bigfoot]

The gun.

[Rouse]

Throw it out. Good.

[Matt Dillon]

I didn't know you were a hold up man, Bigfoot.

[Bigfoot]

Not hold up man.

[Matt Dillon]

You've gone to a lot of trouble for nothing. There's no gold on this stage.

[Bigfoot]

I don't look for gold. I look for prisoner Rouse. I want prisoner.

[Rouse]

Marshall. Don't. Don't you let him get.

[Matt Dillon]

Shut up, Russ.

[Rouse]

Marshall.

[Matt Dillon]

Bigfoot, you and I have been friends. You've been able to take my word.

[Bigfoot]

Marshall has always acted with honor.

[Matt Dillon]

Then let me tell you something. I'm taking this man to Hays City to be tried for murder. The evidence against him is great. He'll probably hang.

[Bigfoot]

His life belong to me.

[Matt Dillon]

He may not have a life at all. After the trial, you take him. You won't either.

[Bigfoot]

He killed my father.

[Matt Dillon]

Let the law punish him then. Don't start trouble with the tribes.

[Bigfoot]

I do not start trouble. He started trouble.

[Matt Dillon]

Let me finish it for you then. Let me take him onto Hay City. I promise you justice, Bigfoot.

[Bigfoot]

He will have justice, my son. Get off your horse. Now, Marshal, you and your prisoner will get out of the stage. And you, driver, you will sit quiet and not be foolish. Come now, get out.

[Matt Dillon]

I suppose you've got a plan for me.

[Bigfoot]

The marshal must come with me for a while.

[Matt Dillon]

You're making a mistake, Bigfoot.

[Bigfoot]

I would make mistake to let Marshall go free. All right, my son. By the hands of Marshall, I will watch prisoner. And you, driver, you free to go. Do not return to Dodge.

[Rouse]

Marshall. Hey, you awake?

[Matt Dillon]

Yeah, I'm awake.

[Rouse]

I can't see any engines.

[Matt Dillon]

Don't worry about it. They can see you.

[Rouse]

I just thinking we might make break for it.

[Matt Dillon]

In the dark, it wouldn't get 10ft.

[Rouse]

A gamble. A bullet at me.

[Matt Dillon]

They wouldn't waste a bullet on you, Ross. They just drag you back. The gamble isn't good enough.

[Rouse]

Ain't you gonna do nothing?

[Matt Dillon]

I have to be alive to do it.

[Rouse]

What does that mean?

[Matt Dillon]

It means I'm gonna wait for a better chance than making an open target of myself with my hands tied.

[Rouse]

You should have left my hands free.

[Matt Dillon]

If your hands had been free and you'd tried to do anything, you'd be dead right now.

[Rouse]

You know what they're gonna do?

[Matt Dillon]

Bigfoot wants to give you a fair trial, Ross. They're gonna walk us to the encampment. There's a meeting of the council of the tribe. Yeah.

[Rouse]

Dirty Injuns.

[Matt Dillon]

At least they're giving you a chance. That's more than you did for Bigfoot's father when you.

[Rouse]

Oh, he was just a no good, dirty, injured. Marshall, listen.

[Matt Dillon]

I want to tell you make me sick. Why don't you shut up? I want to get some sleep.

[Rouse]

Oh, Marshall, I tell you true, I ain't gonna last much longer.

[Matt Dillon]

Quit crying, Ross.

[Rouse]

We must have come 20 miles since sun up walking while them engines ride.

[Matt Dillon]

I know how far we've come. I walked it with you.

[Rouse]

Well, you ain't roped to no horse like me. And you got your hands free. Daytimes anyway. Ain't fair.

[Matt Dillon]

They're not worried about what you think. Russ.

[Rouse]

You sound like you're on their side.

[Matt Dillon]

It's not an easy choice.

[Rouse]

You wouldn't raise a finger to save me, would you?

[Matt Dillon]

Listen to me rouse. I may not like it, but it's my job to get you to Hays City alive.

[Rouse]

You don't act like you're trying very hard. I tell you, Marshall, is ain't hardly human being drug along prairie like this. It's just more than a man can stand.

[Matt Dillon]

You're still on your feet, aren't you?

[Rouse]

Well, yeah, but I.

[Matt Dillon]

You better try and keep it that way.

[Rouse]

What does that mean?

[Matt Dillon]

They could keep right on dragging you. When you quit walking.

[Rouse]

I'll keep walking.

[Matt Dillon]

You better start saving your breath too.

[Rouse]

Marshall.

[Matt Dillon]

Yeah.

[Rouse]

Marshall, ain't they never gonna stop?

[Matt Dillon]

I don't know.

[Rouse]

We ain't even stopped for water since mid morning. Ain't you thirsty? Well, ain't you?

[Matt Dillon]

Why don't you shut up?

[Rouse]

Marshall. Oh, hey, Marshall, listen to me. You gotta live. I gonna make it much longer. Marshall. I got a rock in my boot. It's gone right through my foot.

[Matt Dillon]

That's too bad.

[Rouse]

I mean it, Marshall. I Just ain't gonna be able to walk no further.

[Matt Dillon]

You want me to carry you?

[Rouse]

Talk to him. Make him stop. Just. Just while I take it out.

[Matt Dillon]

They're not likely to stop for you to feel easier.

[Rouse]

Might if you asked him. Ain't got nothing against you. They just seeing you don't free me is all. Oh, please, Marshall, ask him to stop, just for a minute.

[Matt Dillon]

All right, Ralph. But you keep quiet, you hear? You let me do the talking. Sure.

[Bigfoot]

Sure, Marshall. I will beg.

[Matt Dillon]

Bigfoot, I want to talk to you. Ross, your prisoner has a stone in his boot. He wants you to undo his hand so he can take it out so he can go on walking.

[Bigfoot]

He will walk.

[Matt Dillon]

He'll make better time to your council if you don't have to drag him in a mile.

[Bigfoot]

We reach a stream, water horses, fix foot. Then at the stream we go.

[Matt Dillon]

Get your head up before you fall down. We're heading for the stream.

[Rouse]

You gonna stop?

[Matt Dillon]

That's what he said.

[Bigfoot]

Marshall, you and prisoner sit.

[Rouse]

Oh. Oh, I thought I'd never sit down again.

[Matt Dillon]

You better be sure you can get out.

[Rouse]

Get him to untie my hands so that I get my boot off, will you?

[Matt Dillon]

Gonna untie his hands, Bigfoot? He wants to take his boot off.

[Bigfoot]

Young Hawk, untie rope from horse.

[Rouse]

Now, just take a handcuffs.

[Bigfoot]

No handcuffs.

[Rouse]

I can't do nothing.

[Bigfoot]

This way, Marshal. Yeah, this is where it will be done. I will water horses. You will take boot off. My son will stay with you.

[Rouse]

He will watch I take my own boot off.

[Bigfoot]

The marshal will do it.

[Matt Dillon]

You better settle for that, Ross, if you want that rock out.

[Bigfoot]

You stay, son, and watch.

[Rouse]

Watch.

[Matt Dillon]

All right, Ross, which foot is it?

[Rouse]

It's this the right one?

[Matt Dillon]

All right, now brace yourself.

[Rouse]

Yeah. Easy.

[Chester]

Easy there.

[Matt Dillon]

Whether you want your boot off or not. Yeah, but pull it slow.

[Rouse]

Pull it real slow.

[Matt Dillon]

I've known old women of my time.

[Rouse]

Yeah, that's. That's where I slow. Hey, young Hawk, you just look here. Just look. Lean over here. Lean. Now you see?

[Matt Dillon]

Look out.

[Rouse]

Got you.

[Matt Dillon]

Knife, tape. I sure did.

[Rouse]

Martial art guy right in his belly.

[Matt Dillon]

Pyong hung here. Let me see. I worked that out real good, didn't I, young Hawk? Why, you dirty pig. You killed him.

[Rouse]

That one name, it'll just tickle him. Now grab his gun before his old man gets back.

[Matt Dillon]

I'd worry about that if I were you.

[Rouse]

Go on, grab his gun.

[Matt Dillon]

All right, I got it. That's the way. See?

[Rouse]

Now you and me's got the deal. All you got to do is shoot that engine when he comes back and we all see set.

[Matt Dillon]

I'm not gonna shoot him.

[Rouse]

Ain't gonna what?

[Matt Dillon]

He hasn't killed anybody. You have.

[Rouse]

Dylan, you crazy? I'm a white man.

[Matt Dillon]

You're nothing to be proud of.

[Rouse]

Hey, here he comes. Why'd you shoot him, Marshall?

[Matt Dillon]

Go on shooting, Bigfoot.

[Bigfoot]

My son hurt.

[Matt Dillon]

He's dead.

[Rouse]

Shoot. Heaven's name, Marshall.

[Bigfoot]

Shooting Marshall. You did not do this thing.

[Matt Dillon]

No, Bigfoot. I'm sorry. I couldn't stop it, Dylan. He pulled a knife from his.

[Rouse]

Will you shoot him?

[Bigfoot]

This white man, he crawled on a snake's belly.

[Matt Dillon]

We'll punish him, Bigfoot. I guarantee you that.

[Bigfoot]

I punish him now. The white snake is dead.

[Matt Dillon]

Yeah, he's dead.

[Bigfoot]

Bigfoot has done what he had to do. It is finished.

[Matt Dillon]

Not quite. Bigfoot, I'm gonna have to take you in.

[Bigfoot]

It does not matter. My father lies dead. My son lies dead. The white man who killed them lies dead. It is finished. Here, my gun.

[Chester]

Hey, Doc. Eh, don't you suppose it's getting nearly time to eat? Eat again. Just finished breakfast by night, huh, Doc?

[Rouse]

Catch it.

[Matt Dillon]

Oh.

[Bigfoot]

Kitty.

[Chester]

Ho, there, Miss Kitty. Aren't you out kind of early?

[Kitty]

I'm bringing a message to Matt. A friend of his was in the long branch last night and wanted me to say hello for him when Matt got back.

[Chester]

He didn't get back.

[Kitty]

I thought he was due in on the stage this morning.

[Chester]

That's what I thought too, Miss Giddy, and it's left me in an awful pickle. Well, what's the trouble, Chester? Why, that prisoner in there, the one he left with me in the jail.

[Kitty]

What's the matter with him?

[Chester]

Nothing's the matter with him, except he thinks he should get out. And I'd like to let him out too. I'm tired of feeding him. Where. You got the key, haven't you? Yeah. Well, Doc, of course I got the key, but I ain't sure it's fitting to me to let anybody out at the authority.

[Kitty]

Well, looks like you can ask Matt.

[Chester]

Well, look at that. I guess Mr. Dillon decided to ride back. Well, with an Indian. And on an Indian pony. That is kind of strange now, ain't it?

[Kitty]

Hello, Matt.

[Matt Dillon]

Chris.

[Chester]

Dylan.

[Matt Dillon]

Hello, Kitty. Doc. Matt. Chester.

[Bigfoot]

Bless you.

[Matt Dillon]

Put this man in the cell, William.

[Chester]

Locky, move.

[Matt Dillon]

That's what I said.

[Chester]

Yes, sir.

[Matt Dillon]

All right, Bigfoot, go with Chester.

[Chester]

Well, Matt, I. I guess we needn't.

[Rouse]

Have worried about you.

[Chester]

You start off with one prisoner and you come back with another, just like if.

[Kitty]

We're not trouble at all.

[Matt Dillon]

Yeah. Well, if you don't mind, I'll see you both later.

[Rouse]

Sure.

[Chester]

Matt, wait.

[Rouse]

Interesting.

[Matt Dillon]

There something wrong, Matt? What could be wrong, Doc? Like you said, Kitty, it's no trouble.

[William Conrad]

Sat produced and directed in Hollywood by Norman Macdonald. Stars William Conrad as Matt Dillon, U.S. marshal. The story was specially written for Gunsmoke by Marion Clark with editorial supervision by John Meston. Featured in the cast were Ralph Moody, Lawrence Dobkin and Mick Perrin. Barley Baer is Chester, Howard McNear is Doc, and Georgia Ellis is Kitty. And now, here's a special word from our star.

[Matt Dillon]

This is William Conrad. I don't often step out of Matt Dillon's shoes on the air, and I'm gonna do it today for an important reason called Radio Free Europe. Did you know that 93% of the refugees escaping Iron Curtain countries prove to be Radio Free Europe listeners at risk of life itself? Captive people do listen. Hunger for the truth about the free world. Your truth dollars, your help, whatever the amount, will keep the truth going through the Iron Curtain. Send it now to the crusade for freedom. Care of your post office.

[Bigfoot]

Gunsmoke is a presentation of the CBS Radio Network.

[Rouse]

Foreign.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com.

[Rouse]

Become one.

[Andrew Rines]

Of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands Steve Technogod and Craig who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcast trwesterns.com and you can call and leave us a voicemail 707-986-8739. This episode is copyrighted under the Attribution Non Commercial Share alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Matt Dillon]

Sam.