
Original Air Date: 1949Host: Andrew RhynesShow: Frontier TownPhone: (707) 98 OTRDW (6-8739) Stars:• Reed Hadley (Chad Remington)• Wade Crosby (Cherokee O’Bannon) Writer:• Joel Murcott Producer:• Paul Franklin Music:• Bob Mitchell• Ivan Ditmars Exit mus...
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Chad Remington
From Paris, France to Paris, Texas.
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Chad Remington
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Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines and let's get into this episode. This episode is going to be Frontier Town, originally aired in 1949 and the title is the Badlands. Let's get into It. And again, thanks for listening.
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Narrator
Frontier Town the Saga of the Roaring.
Slash Stoner
West.
Narrator
Frontier Town El Paso, Cheyenne, Calgary.
Chad Remington
Tombstone.
Narrator
Frontier Town Here is the adventurous story of the early west, the tamed and the untamed. From the Pecos to Powder River, Dodge City to Poker Flat, these are the towns they fought to live in and lived to fight for, teeming crucibles of pioneer freedom. Frontier Town.
Chad Remington
Friends. Howdy. I'm Chad Remington, frontier lawyer from the frontier town called Os Reyes. And you can take it from a frontier lawyer that the frontier is every bit as rough and tough and as strenuous as they say. Oh, I don't mean that everybody is a gunman or lives by the law, the six gun. But by and large, most of the enforceable law is the law that's barked out of Samuel Colt's single action frontier model. With the frontier just developing, there are areas which are unincorporated and still have no law at all. Now, in my neck of the woods, there's a 1200 square mile section completely detached from any law governing botany, which we just call the Badlands. And it was only a few weeks ago that the United States Marshal in our district sent for me and told me that there was a man in the Badlands he wanted brought back. A man he couldn't get to because the badge of his authority wouldn't extend that far. Not wearing a badge myself, I offered to gather up Cherokee O'Bannon, ride into the Badlands and see what I could do about bringing Slash Stoner back over the border into justice. Well, it was while O'Bannon and I were on our way up to the Badlands that something was happening on a small ranch, the O Box O, owned by Judy McGovern, which colored and complicated the task ahead of us. Stepping out on our ranch house porch made Ms. McGovern called to her foreman, Cheyenne.
Judy McGovern
Oh, Cheyenne, come over here a minute, will you?
Cheyenne
Why, sure, Miss Judy.
Judy McGovern
Sure.
Cheyenne
Something I can do for you?
Judy McGovern
Are those our yearlings straggling in there through the brush?
Cheyenne
Well, I'll be cow kicked if they ain't. Can't understand it. Told the boys myself this morning to run them yearlings into a box canyon till we got some new drift fence up.
Judy McGovern
If the wraiths are tearing our fences down, I wonder what's the use in putting new ones up.
Cheyenne
Well, miss, homesteaders never were welcome, even in so called civilized country. When you get up here in the Badlands. Well, there ain't no Cheyenne.
Judy McGovern
Those shots, they're coming from our meadow.
Cheyenne
They sure are, miss. And before it gets any worse, we'd better ride.
Judy McGovern
Go on, Draker. What else happened?
Drago
Well, that's about all there is to it, Ms. McGovern. Me and the boys saw someone tearing out our fences, so we come out after them. By the time we got here, they was gone.
Cheyenne
I wished I knew who was tearing down our fences all the time.
Judy McGovern
You know as well as I do Cheyenne who was using this land as open range before my father fenced it off. Slash stoner.
Cheyenne
Easy know, Ms. Stoner's a pretty powerful man around these parts. If I were you, I Wouldn't talk too loose about a man like that.
Judy McGovern
A man like that? A murderer, that's what. He killed my father. And someday I'm gonna prove it.
Slash Stoner
I hate arguing with a lady, miss my brother, especially a pretty one. But if I was in your son.
Judy McGovern
Where did you come from?
Slash Stoner
From my place. Heard some shooting and rode over to investigate. Looks like they wrecked your fences good this time.
Judy McGovern
Looks like they wrecked my fences. You've got your nerves donor when you know better than anyone else just who they are, Miss.
Slash Stoner
I used to figure you talk too much because you didn't think first. Now I know it's because you can't think at all.
Cheyenne
Why you.
Slash Stoner
Ms. McGovern, if you've got half a brain in your head, you'll keep your mouth shut when I'm around. Yet I'm afraid the only language you understand is hot lead.
Chad Remington
Look, Cherokee, what do you make of all those punches milling around in front of that range house?
Cherokee O'Bannon
Billy. Blue Blazes, Chad, that looks like a small size riot.
Chad Remington
And if it is a riot, and since we are up in the badlands now, maybe we're getting close to doing what the marshal asked us to do.
Cherokee O'Bannon
You mean you think Slash Stoner is right there in that front yard?
Chad Remington
I don't know, Bannon. But until we find out, suppose you let me do the talking and you just follow my lead. All right. Slow down now.
Judy McGovern
Are you two looking for someone?
Chad Remington
Well, yes and no, miss. But if you own this place, what with it getting to be roundup time, we thought maybe you could use two extra hands.
Judy McGovern
Well, I might have a minute ago. Now all that I need is a first class miracle. All my men are quitting. And I'll tell you this much, I don't blame them.
Cherokee O'Bannon
Quitting? Well, they look like you feed them a knife. What's the trouble?
Drago
Well, we're sick and tired of making clay pigeons out of ourselves for $30 a month, that's what. Why not two months ago, the girl's father was killed. Just this morning, the town marshal was gunned down from behind. We're getting out while the getting out is good.
Chad Remington
What's wrong? A little gun smoke bother your nose?
Drago
There's one thing about my nose. I don't go around sticking it in other people's business.
Chad Remington
Looking at that twisted horn on the front of your so called face, any business you'd find to stick it into would have to be plenty crooked.
Drago
Yeah, but here's something straight. Straight for your j.
Chad Remington
All right. Anybody else like a free swing of my jaw? Well, Then maybe you've all changed your minds and you'd like to stay on working for the young lady here.
Judy McGovern
Well, since they'll stay, how would you two like to stay?
Chad Remington
You bet, miss. We'll get our blanket rolls right away.
Judy McGovern
Oh, incidentally, what's your name?
Chad Remington
Oh, my name? Well, it's not much of a name, miss, but, well, anytime you call me, I'll answer to just plain John Doe.
Judy McGovern
I see. The only place I've ever heard that name before was in court, Mr. Doe. And if you have any ideas of your own about this ranch, that's where you'll end up, back in court.
Chad Remington
That's fair enough. But from what I've just witnessed here, I suspect the only court any of us will be in for a long while will be presided over by Judge Colt. Now, if you want to cluck your tongues and wag your heads and say I didn't know what I was getting into, well, you're as right as an early morning rain. I didn't. But before that night was over, I started to find out with a vengeance. Deciding to go into town. My first problem was to stop Cherokee from coming with me.
Cherokee O'Bannon
Billy Blue Blazes Chad, I'm sick and tired of you treating me like an orphan.
Chad Remington
But you are an orphan, Cherokee.
Cherokee O'Bannon
I certainly am not an orphan. I had just as many mothers and fathers as you did.
Chad Remington
All right, Cherokee, you might as well stop all that blustering because I know as well as you do why you're so insistent on going into town with me. You figure if I can run into Slash Stoner that you ought to be able to run into an old friend of yours.
Cherokee O'Bannon
Friend of mine? Who could that be?
Chad Remington
It couldn't be anyone other than your boozing companion, John Barleycorn.
Cherokee O'Bannon
Why, of all the unfair things to say. Here I make the unselfish gesture of offering to go in to protect you from the multitude of dangers which will beset you on every hand. And you have the temerity to call me a low down name like a Yaws.
Chad Remington
Yaws. What's yours?
Cherokee O'Bannon
Three fingers of bourbon and never mind the chaser. I certainly tripped you up on that one, Chad.
Chad Remington
You certainly did, Cherokee. But it isn't going to do you a bit of good. I'm afraid I've got trouble on my hands tonight, Cherokee. When I find Slash Stoner, I don't want to have to keep one eye watching you at the bar and the other eye watching Stoner's hand at his holster.
Drago
Flash, will you listen to me?
Slash Stoner
What's eating on you, Drago.
Drago
It's like I just told you. After I had it all fixed so the McGovern Gals punchers quit. These two big Jaspers ride in and knock everything higher in the kite.
Slash Stoner
Have a drink, Drago, and quit worrying, will ya? Suppose he signs on 20 new punches. You think that's gonna stop me?
Drago
But if you want to get that land back so that you can. Hey, see this Maverick walking over here toward the bar?
Slash Stoner
Yeah.
Drago
He's the one that'd like to beat my head off this afternoon.
Slash Stoner
Very interesting, Drago. Let's call him over to have a drink. Hey, you. You come over here a minute, will ya?
Chad Remington
Are you calling me?
Slash Stoner
Yeah. Have a drink.
Chad Remington
No, thanks. I don't like the company you keep.
Drago
Why, you cheat.
Slash Stoner
Drago was just telling me about you.
Chad Remington
Oh?
Slash Stoner
He said you were one of the new hands. Judy McGovern signed on.
Chad Remington
Yeah, that's right. I'm one of the two new hands.
Slash Stoner
You may think you're a new hand, but to me you look more like a broken down old foot.
Chad Remington
Well, you should know a lot about feet. I understand you escaped from the state pen on foot, Stoner.
Slash Stoner
What's that?
Chad Remington
You mean you thought I wouldn't recognize you? Why, I got a piece of paper here in my pocket with your picture on it. Published by the United States Marshal.
Slash Stoner
When you see him again, give my regards. If you live long enough to see him again.
Chad Remington
I see you reaching down towards your holster. You want to try your luck?
Slash Stoner
Yeah, but not right now.
Chad Remington
Thinking of waiting until my back's turned?
Slash Stoner
Maybe. It's a nice broad back room for about six slugs.
Chad Remington
Stoner, I don't intend to have my back turned. But I do intend to get you back. Back out of the badlands and across the border.
Drago
You sure talk tough, don't you?
Chad Remington
I thought you and I settled that argument this afternoon. However, I see that you've got hold of your gun. You think you can do any better with that than you can with your fists?
Drago
I don't know, but I sure could make an awful.
Chad Remington
Now, the only reason I was interested in him, Stoney, was so that you could see I make a practice of hitting what I aim at. In your case, I'm aiming at bringing you back and turning you over to the United States Marshal. Soon. Real soon. Next morning, Cherokee and I managed to to get Cheyenne alone and do a little groundwork on him. Important groundwork.
Cheyenne
Just like I'm telling it to you. The gal really can run on a ranch like her daddy could. And unless she can raise some money. The bank over here is going to gobble her up.
Cherokee O'Bannon
Well, then why doesn't she drive her cattle over to Mendocino and raise some money?
Cheyenne
Oh, great idea. Drive the cattle over to Mendocino.
Chad Remington
What do you mean, Cheyenne?
Cheyenne
How far do you think she'd get before some of these black hearted side whining buzz swooped down, took every head of cattle she had.
Chad Remington
Do you think you could convince her to at least try to drive them to Mendocino?
Cheyenne
Probably could, but it'd be just like convincing the gal to commit suicide.
Chad Remington
I'll tell you what, cheyenne. You convince Ms. Judy to drive to Mendocino and sell the cattle. And I'll promise you that no matter what happens, she'll get enough money to pay off the bank.
Cheyenne
Promises like that don't mean very much, son. This Judy's father, now he promised the bank he'd pay him off. And look what happened to him and his promises.
Chad Remington
You do as I ask you to, Cheyenne. And that'll make two promises I've got to fulfill while I'm up here. And believe me, mister, I'm going to make both of them stick. Unless I end up in a little ranch of my own in the Badlands. Boot Hill.
Narrator
We'll return to the second act of the Badlands, our exciting frontier town adventure in just a few moments. And now. Frontier town.
Chad Remington
Well, maybe you're like Cherokee and thought that I was bluffing when I promised Cheyenne that I'd see Judy McGovern would get enough money to pay off the bank if she at least tried to drive her cattle to Mendocino. It was just an idea I had, but an idea I felt would work. And what happened subsequently over at Slash Stoner's dismal ranch house certainly proved that I was on the right track.
Drago
I told you that new man was going to make trouble, Slash. Now he's gone and done it.
Slash Stoner
Done what?
Drago
He's got her rounding up her beef. Getting them ready to drive to Mendocino to sell. Once she sells the cattle and raises the money.
Slash Stoner
What makes you think she can raise the money?
Drago
Now look here, Slash. If you mean you want us to raid that cattle drive, nothing doing. When you first hired me, it was a question that just scaring them off their spread.
Slash Stoner
But now. Yeah, but now.
Drago
Well, by thunder, first you kill our old man, then you gun down the marshal and now you're talking about more shootings. Maybe you want to end up in jail, but I don't.
Slash Stoner
I've been in jail once too often. But I've got a pretty good idea where you'll end up, you yellow spined deer.
Drago
Does this look like it?
Slash Stoner
Yeah.
Cherokee O'Bannon
You back biting, rat?
Slash Stoner
Cause you haven't got salt enough to pull that figure. Go on, pull it. Why, your hand's trembling now like you had palsy. What you need is.
Chad Remington
Blast you, Slash.
Slash Stoner
Look at that. Not six inches away from me, and the best you could do was break a window. Here, give me that gun, Slash.
Drago
You see?
Slash Stoner
Never mind that whining. I'm crying. You get that job done for me, right? Because if you slip up, the next time I see you, I'll blast you the way I did that town marshal.
Drago
I understand, Slash. Honest.
Slash Stoner
And something else. I don't just want that McGovern cattle. I want that busy body's hide all full of holes. I get busy going to town and order a few dozen funerals.
Judy McGovern
Mr. Doe. John.
Chad Remington
Oh, you talking to me, Ms. McGovern?
Judy McGovern
Yes, I. Well, I guess I was wrong about you. You did a wonderful job rounding up the stock the way you did and, well, I appreciate it.
Chad Remington
Thanks, miss. But you save your appreciation until you've got the bank paid off.
Judy McGovern
What do you know about the bank?
Chad Remington
Oh, I know a few things, Ms. Judy, that I don't talk about. Oh, Cherokee, you call me champ. Yes. Any sign of anything in that gorge ahead?
Cherokee O'Bannon
Don't see anything yet.
Judy McGovern
What do you mean, is there any sign of anything?
Chad Remington
Well, if anyone's going to raid our drive, that's about the most likely place for it. Well covered and. You see what I mean? All right, rein up, boys, and hit for cover. All right, find yourself a nice big rock, miss. Those mavericks are in dead earnest.
Judy McGovern
What are you doing? Are you just gonna let them take my cattle?
Chad Remington
I reckon so, miss. There are five of us and about 20 of them.
Judy McGovern
Why, you quitter. Well, I'm not gonna let him get away with it without even trying. I've got a gun, and I know how to use it.
Chad Remington
Judy. Judy, get down. Drop that gun. Don't make me hurt you.
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You.
Chad Remington
You let him get them.
Judy McGovern
You're in with those rustlers, that's what you are, just as bad as they are.
Chad Remington
All right, miss, have it your own way. But remember what I told you. Save your thanks and your condemnation for a while until the banks paid off. Sounded bad for me, I guess, didn't it? Well, as you shall see, and soon. Not only wasn't it bad, but it worked out. If not the way I'd planned it, certainly the way I'd hoped for. Judy McGovern's cattle had been rustled. And now it was up to Cherokee and to me to fulfill my promise that she'd get enough money to pay off the bank. With Judy's money and my promise about Stoner to the United States Marshal fully in mind, Cherokee and I took up positions behind some rocks on the trail leading back from Mendocida to the Badlands.
Cherokee O'Bannon
Dad, I've taken chances with you on more bat brained ideas than a law allows. But this one is about the most ridiculous I've ever heard of.
Chad Remington
You've heard of the old saying, it takes a crook to catch a crook? Well, that's how I propose to catch Stoner.
Cherokee O'Bannon
What about the girl's cattle?
Chad Remington
Don't you believe that Stoner rustled her cattle?
Cherokee O'Bannon
Of course.
Chad Remington
Well, since I promised to get Ms. Judy her money, it's our job to get it back from Stoner.
Cherokee O'Bannon
Get his bag. Why'd you let him rustle the cattle in the first place?
Chad Remington
Well, since Stoner seems to be the only man who can get any cattle out of this valley, I simply let him take the cattle so he could sell them and get the money for us.
Cherokee O'Bannon
Silly blue blazes Chad. Here comes Stoner and some of his gun slicks now.
Chad Remington
Yeah. Unless I'm mistaken, that bulge insider shirt is the money he got for Judy McGovern's cattle. All right, come on, Cherokee, you and I are going to. All right, Stoner and the rest of you, start clawing clouds.
Slash Stoner
What do you want?
Chad Remington
That sack of money you got inside of your shirt. All right, come on, get it out. Oh, not that way.
Cherokee O'Bannon
He said your shirt, not your holster. Now if you can still use your hand, toss that bag over to me, boy.
Slash Stoner
A thieving sidewinding. Yeah.
Chad Remington
All right, now all of you get down off those horses. Come on. And if you know what's good for you, you won't try to follow us. Because next time I won't shoot over your heads. All right, Cherokee, we better be riding.
Cherokee O'Bannon
Get up there.
Cheyenne
You.
Chad Remington
Slash.
Drago
You're going to let him get away?
Slash Stoner
What do you think? Come on back on them horses.
Chad Remington
Let's giving Cherokee the money for safekeeping. I circled behind Stoner, crossed his trail and came out ahead of him where I waited for him to approach. All right, Stoner, that's far enough.
Slash Stoner
That dropped on me again, didn't you?
Chad Remington
Never mind the chatter. My horse threw me and ran off. So just get off of yours and I'll be on my way.
Slash Stoner
Sure. Not as smarty I'm sure, are you now, get up. Watch it. Gun will go off right through you if you make one phony move.
Chad Remington
All right, all right, take it easy. I don't think even you would shoot down a man whose gun is on the ground.
Slash Stoner
Well, I got a better idea. I'm taking you into town, wise guy, and locking you up. Anything that ever happened around here, you're gonna be blamed for now.
Chad Remington
Well, there's not much that I can do about it. I'd rather live in jail than be buried out here. By the way, with my horse gone, we'll have to ride double on yours.
Slash Stoner
Riding back of you won't be so bad. Not when I know when you're going. All right, Solly, let's get started for town.
Chad Remington
What's the matter, Stoney, you uncomfortable?
Slash Stoner
We get to the road. Moving you over onto one of my boys horses.
Chad Remington
Hey look, there's a stagecoach coming. How about trailing your horse and getting a ride in that? As long as I'm going to jail, I might as well go in comfort.
Slash Stoner
Yeah, I've been in this saddle long enough for one day. I guess the boys will find their way back. Come on. This stagecoach looks like a break for you. Join your stagecoach ride, wise guy. Your last stagecoach ride for the next 50 years.
Chad Remington
My lash. I guess you haven't been very attentive, Stone.
Slash Stoner
What does that mean?
Chad Remington
Take a look, Stone. You should recognize that by now. We've just arrived in your old stamping grounds. Colorado.
Slash Stoner
Colorado. But hey, where are we? This isn't the road to the badlands.
Chad Remington
No, no, it's not. That sign we're just passing says state border. You just crossed the line into the United States Marshall's bailiwick. All right, driver, reign up.
Slash Stoner
Why are you double dealer?
Chad Remington
Easy now, Slash. You see, you didn't clean out my shirt. I had another gun in there.
Drago
I'll get you fire.
Slash Stoner
You fool.
Chad Remington
That slug just went through the fat part of your leg. All right. Come on, Slash, you're able to walk. It's not far to jail. Hey, Marshall, he's right in here and ready for a pair of handcuffs and a nice striped suit. Who says a prodigal son never comes home?
Judy McGovern
Chad. I guess I can call you Chad now instead of dad, John or Mr. Doe.
Cheyenne
By whiskers, Ms. Judy, after what he done for you and for everybody else up here in the Badlands, you ought to call this broad shouldered troubleshooting galoot, your highness. Or something just as respectful.
Cherokee O'Bannon
Oh, no, a thousand times no, your highness. Sounds too much like your honor to suit me. I've been healed up in court so many times, even I started to think my name was Mr.
Chad Remington
Defendant. You know, he. He's not fooling about that either. When Cherokee peddled that rattlesnake oil of his, that was supposed to do everything from growing hair to making a cooling drink in summer. Well, you know, you can gun down a man out here on the frontier and go scot free, but you certainly can't show a man he's a sucker and get away with it.
Judy McGovern
Well, you certainly made a sucker out of Slash Stoner and got away with it. Although I still don't know exactly how you did it.
Chad Remington
Well, in the first place, when Cheyenne told me you had to raise some money to pay off the bank, I realized Stoner would never let you drive your cat.
Judy McGovern
I understand that part of it. Tricked him into rustling my cattle and then stealing the money he got for them back from him. But how did you ever figure you could get him into that stagecoach you hired Chad.
Cherokee O'Bannon
Hired? Why, I hired it. Marshall's expense, of course.
Chad Remington
You see, with Cherokee, you've got to give him something to keep his mind off his principal pastime. So that was his assignment.
Cheyenne
And just what is his principal pastime?
Chad Remington
Bending his elbow. And then keeping on bending his elbow.
Judy McGovern
Why, Cherokee, I'm surprised a man of moderation would take only one drink.
Cherokee O'Bannon
And being a man of moderation, I only order one drink. One drink invariably makes me feel like a new man.
Chad Remington
What's a new man got to do with a second drink?
Cherokee O'Bannon
Well, counselor, being a hospitable person, what else can they do except order another drink for the new man?
Narrator
Frontier Town starring Reed Hadley and featuring Wade Crosby as a Bruce Elves. Production, supervision and direction by Paul Franklin. Music written and played by Ivan Ditmar. Be sure to be with us again same time next week for another fine action adventure story with your favorite young western star, Reed Hadley. And now this is Bill Foreman telling you that Frontier Town comes to you from Hollywood.
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Chad Remington
Foreign.
Andrew Rines
This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com and send us an email podcasttrwesterns.com you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.
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Host: Andrew Rines
Original Air Date: 1949
Podcast Release Date: January 27, 2025
Andrew Rines welcomes listeners to the "Old Time Radio Westerns" podcast, setting the stage for the episode titled "The Badlands," originally aired in 1949. This episode delves into the tumultuous life of the Wild West, bringing to life the sounds and stories of frontier towns through digitally restored audio.
Setting: The vast and lawless Badlands, a 1,200 square mile area devoid of formal governance, serving as the primary backdrop for the unfolding drama.
[03:48]
Chad Remington narrates the harsh realities of frontier life, emphasizing the precarious balance between order and chaos. He introduces the Badlands as a lawless expanse where traditional authority is limited, setting up the central conflict of the episode.
[04:15] – [08:00]
Chad and Cherokee are tasked by the United States Marshal to apprehend Slash Stoner, who has committed crimes beyond the Marshal's jurisdiction. As they ride into the Badlands, they encounter Judy McGovern's ranch, where issues with fence destruction and cattle straying hint at deeper problems. Judy reveals her grudge against Stoner, stating:
Judy McGovern: "A murderer, that's what. He killed my father. And someday I'm gonna prove it."
[05:21]
[09:07] – [14:10]
A confrontation at Judy's ranch escalates tensions. Chad, demonstrating his prowess, manages to handle a physical altercation with the hired hands, persuading them to stay and assist Judy. This act earns Chad and Cherokee the ranch hands' loyalty.
Chad discusses his strategy with Cherokee:
Chad Remington: "You figure if I can run into Slash Stoner, that you ought to be able to run into an old friend of yours."
[10:36]
However, Cherokee expresses frustration over Chad's methods, revealing a personal stake in the mission.
[16:54] – [27:59]
Chad devises a plan to help Judy by encouraging her to drive her cattle to Mendocino, believing this will generate the funds needed to pay off the bank and weaken Stoner's influence. This plan inadvertently leads to Stoner's involvement, culminating in the rustling of Judy's cattle.
Chad and Cherokee set up an ambush to retrieve the stolen money from Stoner. A climactic showdown ensues where Chad confronts Stoner directly:
Chad Remington: "Stoner, I don't intend to have my back turned. But I do intend to get you back. Back out of the badlands and across the border."
[13:50]
During their final confrontation, Chad outsmarts Stoner by revealing he has an additional weapon hidden, ultimately leading to Stoner's capture.
[27:16] – [29:48]
In the resolution, Judy acknowledges Chad's efforts:
Judy McGovern: "Well, you certainly made a sucker out of Slash Stoner and got away with it. Although I still don't know exactly how you did it."
[27:46]
Chad explains his strategy, highlighting the importance of planning and deception in overcoming ruthless adversaries. Cherokee's role is also acknowledged, showcasing the strength of their partnership.
Chad Remington on Frontier Law:
"Oh, the frontier is every bit as rough and tough and as strenuous as they say."
[03:48]
Judy McGovern Confronting Cheyenne:
"A man like that? A murderer, that's what. He killed my father. And someday I'm gonna prove it."
[05:41]
Chad's Strategy Discussion:
"You figure if I can run into Slash Stoner, that you ought to be able to run into an old friend of yours."
[10:36]
Chad on Capturing Stoner:
"I'm aiming at bringing you back and turning you over to the United States Marshal. Soon. Real soon."
[14:17]
Judy's Appreciation:
"Well, you certainly made a sucker out of Slash Stoner and got away with it."
[27:46]
"The Badlands | Frontier Town" masterfully captures the essence of classic Western radio dramas. Through compelling characters, strategic confrontations, and a richly detailed setting, the episode delivers a gripping tale of justice, resilience, and the unyielding spirit of the Wild West. Andrew Rines' digital restoration ensures that these timeless stories resonate with clarity and depth, preserving the golden age of radio for new audiences to enjoy.
Production Credits: Starring Reed Hadley and featuring Wade Crosby as Bruce Elves. Production, supervision, and direction by Paul Franklin. Music composed and performed by Ivan Ditmar.
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