
Original Air Date: October 05, 1958Host: Andrew RhynesShow: Frontier GentlemanPhone: (707) 98 OTRDW (6-8739) Stars:• John Dehner (J.B. Kendall)Special Guests:• Virginia Gregg• Eddie Firestone• Richard Perkins• Charles SeelWriter:• Tom HanleyProducer:• ...
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John Dana
Foreign.
Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines. And let's get into this episode. This episode is going to be Frontier Gentlemen. Original air dates October 5, 1958. And the title is the Librarian. Let's get into it, and I hope you enjoy.
John Dana
Last week I reported an incident involving a gold mining claim. This is the story of an altogether different type of claim.
Unknown
Frontier Gentlemen. Herewith an Englishman's account of life and death in the West. As a reporter for the London Times, he writes his colorful and unusual stories. But as a man with a gun, he lives and becomes a part of the violent years in the new Territories. In just a moment, we will bring you this latest report from the Frontier Gentlemen. Like a season ticket to the ballpark, CBS News admits you to every major event going on. Regular features like our World News Roundup, broadcast seven mornings a week on most of these same stations. Make you spectator to the most spectacular events of our time. They take you right to where the news is happening. Let you learn the details from experts who've watched the news develop every morning on CBS Radio. Join CBS News correspondence on the World News Roundup for reports from the major news centers of the world. Now starring John Dana. This is the story of J.B. kendall, Frontier Gentleman.
John Dana
On the western shore of Missouri river in Dakota Territory is a town called Fort Pier. Across the river, a tiny wood frame extension of Fort Pierre called simply Pier. But it is here that the United States government has established a land office. And it was here that I journeyed in search of a story on homesteaders. The land office was closed, but a local citizen told me I might find homesteaders some 25 miles east of there. Instead, there was only desolation. And I was turning my horse for the trip back to Pier. When the afternoon air was shattered by an exchange of gunpowder. Riding towards a puff of smoke that rose from a dry wash some distance away, I found a woman who appeared to be in her middle 30s. Busily firing a rifle at a shack that stood some hundred yards beyond.
Virginia Gregg
Come out of that cabin with your hands in the air while you can still walk.
John Dana
Do you need help?
Virginia Gregg
Don't come any closer, mister.
John Dana
I'm not going to harm you.
Virginia Gregg
Don't come any closer.
Eddie Firestone
I'll shoot.
John Dana
I'm sure you would, but you'd be making a mistake.
Virginia Gregg
Are you with him?
John Dana
I assume you're talking about the party you were shooting at in the cabin. No, I assure you, I'm not with him.
Virginia Gregg
It's a trick. You're on his Side?
John Dana
No. I happened to be in the area, heard the gunshots and came over to investigate.
Virginia Gregg
You sure?
John Dana
I'm sure. You convinced?
Virginia Gregg
Almost. Gotcha, didn't he? Better keep that long neck of yours down. But I'm not taking this rifle off you till I know who you are. What's your name?
John Dana
J.B. kendall.
Virginia Gregg
What are you doing around here?
John Dana
I'm a writer.
Virginia Gregg
Mister. Do you think I'm just fooling with you?
John Dana
No, no, no, not at all. I am a writer. I. I write for the London Times. I'm a correspondent.
Virginia Gregg
No, you don't. Keep your hands where I can see them.
John Dana
Miss, please believe me, if I could be of help. I want to, but a shotgun interrogation is hardly to my liking. Do you want to tell me what this is all about?
Virginia Gregg
Trust you. I'm not used to this kind of thing. People out here.
John Dana
Something tells me Dakota territory is a good deal west of your home.
Virginia Gregg
My husband died in Massachusetts. I've just come from there.
John Dana
I'm sorry. You haven't told me your name.
Virginia Gregg
This is James Danworthy. Elmira Danworthy.
John Dana
Mr. Danworthy, what. What are you doing out here besides trying to kill somebody?
Virginia Gregg
It's not a joking matter, Mr. Kennedy.
John Dana
I didn't.
Virginia Gregg
My husband and I came west almost a year ago. We'd seen one of those advertisements in the Eastern papers. They're cheats. Advertising towns in the west that don't even exist.
John Dana
Yes, I've heard.
Virginia Gregg
Took all our money, which wasn't much. He'd been a soldier four years of war and several years after, and I was a librarian in Boston. I was 30 when I married him. I'd waited a long time for him to get his fill of the Army. Then we came west and nothing worked out. We'd paid for a house and lot in a town that didn't even exist. That was in Kansas.
John Dana
And how did you happen to come to Dakota?
Virginia Gregg
We wanted to get out of Kansas and heard about this homestead land here. Kind of dry sometimes, but we liked it, I guess because we could have it. We preempted it right away and.
John Dana
Preempted?
Virginia Gregg
If you're 21, a citizen haven't borne arms against the United States.
John Dana
You can have 160 acres and you've got 160 acres.
Virginia Gregg
If I'm living there a week from now, I have.
John Dana
Oh, what do you mean?
Virginia Gregg
You get six months to prove up on your land. Jim took sick. We had three months more to go. I took him back to Massachusetts, but it was too late. He died there.
John Dana
Now you're back. And somebody has moved in on your claim. Is that it?
Virginia Gregg
Yes. I have to be living here or I lose it.
John Dana
I see. Do you know who the man is?
Virginia Gregg
No. I just got here today. He chased me away, said it was his place.
John Dana
Have you talked to him?
Virginia Gregg
No.
John Dana
Just shooting at him?
Virginia Gregg
Yes. He came out several times, but I couldn't hit him. I'd kill him if I could. Jim and I worked hard for this.
John Dana
Why did you come back?
Virginia Gregg
It was to be our home. Not, it was mine.
John Dana
It's still yours. Well, first take that.
Virginia Gregg
You're with him. You are.
John Dana
No.
Virginia Gregg
It's been a trip the whole time, all of this.
John Dana
No, no. Now listen to me. I'm going up and talk to him. Get down. Look out.
Virginia Gregg
You're not fooling me. He's just doing that. Trying to make me think he's shooting at you. You're together stealing my lap.
John Dana
Right.
Virginia Gregg
For you, for tricking me.
John Dana
Wait. I'm going up there. I'll talk to him. Don't shoot. Don't shoot. I'll kill you.
Richard Perkins
Both of you.
John Dana
It's the last thing I do.
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John Dana
Through the filter that counts. I walked toward the cabin. At any moment I expected gunfire, but nothing happened. I was such an obvious target that my hidden adversary must have been curious as to my intent. It was with a feeling of relief that I finally confronted this stranger in the cabin. A young man, but haggard and hungry looking. He stood in the doorway and waggled a long rifle barrel at me.
Richard Perkins
Well, looky here. I got me a brave Yankee just dying to walk right down this squirrel gun. All right, stopping your track, Yankee. You move that rifle yours one inch, I'll blow your innards out.
John Dana
I have no quarrel with you.
Richard Perkins
Why that ain't even Yankee. Throw down our rifle now.
John Dana
I came to talk, not give up my gun. I told you, I have no quarrel with you.
Richard Perkins
I can shoot you down right now.
John Dana
You could, and you'd never know what I have to say.
Richard Perkins
Mister, you got a lot of nerve walking up here.
John Dana
No more than you have taking over the lady's claim.
Richard Perkins
That's what you want to say? You come here to say that?
John Dana
I'm asking you to leave.
Richard Perkins
You got any shuck on you?
John Dana
Shuck?
Richard Perkins
Cigarette makings. You got any?
John Dana
Yes.
Richard Perkins
Hand them over.
John Dana
Is that an order or a request?
Richard Perkins
I'm telling you.
John Dana
Did it occur to you that I may not like to take orders? That my rifle is covering you at this point?
Richard Perkins
Mister, I've had every rifle in the Yankee army on me one time or another. It don't make no due to me. Give me the makings if you can.
John Dana
Spare it, all right? Yeah, can't you? You're pretty shaky, aren't you? You been ill?
Richard Perkins
No, no, I ain't sick, but war left me that. Who's that lady, your wife?
John Dana
No, just a friend.
Richard Perkins
You better tell her to leave me alone. I could kill her easy, but I'd soon not.
John Dana
Look, you seem like a decent sort. Why don't you sidle up and ride on? This lady is a widow. She and her husband built this place.
Richard Perkins
Mister. Now you get this and you get it straight. I spent four years sharpening my eye on Yankees during the war. Now it's over and we're all supposed to be friends again. But it don't work that way, see? Now I've had a saddle throwed on me in every town west of the Mississippi and North. Dakansas. I got a hole in my neck to chase a plow. But the Yankees won't let me have no land legal like. So I found this one and I'm takin it. You hear me?
John Dana
Then you'd rather steal this land from a widow.
Richard Perkins
Yankee's the best widowmakers I know.
John Dana
Mister, the war is over.
Richard Perkins
Is it not in my.
Eddie Firestone
Go on, leave me be.
Richard Perkins
Go on, get out of here.
John Dana
You are sick, aren't you?
Richard Perkins
Leave me be, I said.
Virginia Gregg
Now get.
Richard Perkins
Next time you come back, I'll kill you.
Virginia Gregg
I never expected you to come back.
John Dana
Did you really think I was in partnership to steal your property?
Virginia Gregg
I don't know. I saw you talking to him. I thought.
John Dana
I understand.
Virginia Gregg
Who is he?
John Dana
War sick, Confederate soldier.
Virginia Gregg
Can we get him out?
John Dana
And I don't want to shoot him. He's had enough of that. Now we'll go to the land office and pier. They'll see you get it back legally.
Eddie Firestone
Good morning, folks.
John Dana
Good morning. I'm Mr. Kendall, and this is now.
Eddie Firestone
Now, don't tell me. Don't tell me this is the charming Mrs. Kendall.
John Dana
No, this is Mrs. Danworthy.
Eddie Firestone
Mrs. Danworthy. Bartley Quill, United States land agent par excellence. Your humble servant, madam.
Virginia Gregg
Yes, how do you do, Mr. Quill?
Eddie Firestone
Now, you folks are desirous of locating a nice homestead in the area. Is that good?
John Dana
No, miss.
Eddie Firestone
Will cost you 50 cents. I shall have my assistant, Mr. Todd, bring forward the necessary papers. If you can't read, I'll help you. Mr. Todd. Yes, sir.
John Dana
Mr. Quill, please listen.
Eddie Firestone
Your servant, sir.
John Dana
Yes, I am.
Eddie Firestone
Well, then.
John Dana
Yes. Well, Mrs. Danworthy and her late husband already have a homestead claim some 25 miles east of here.
Eddie Firestone
Oh, a widow, madam. I am sorry, Mr. Todd. Never mind. Yes, sir.
Virginia Gregg
Mr. Kendall. Maybe I'd better work this out my own way.
Eddie Firestone
Work what out, madam?
Virginia Gregg
There's a claim jumper on my property.
Eddie Firestone
Claim jumper? Do you mean some foul citizen has moved onto your land?
John Dana
Worse. Into the cabin. He's taking it over.
Eddie Firestone
And you want him out? Of course, of course.
John Dana
We thought maybe you could advise.
Eddie Firestone
No, no. As government land agent, I am not allowed to advise in these matters. What you need is a land attorney, a person familiar with the law. I am not only familiar with it, but conversant and persuasive.
John Dana
May I ask, are you allowed to recommend such a person?
Eddie Firestone
Oh, yes. Indeed. Indeed. Madam, your worries are over.
John Dana
The land attorney, Mr. Quill, you were about.
Eddie Firestone
Fortunately, sir, there is one in these parts. But only one.
John Dana
His name?
Eddie Firestone
Bartley Wilkinson Quill, Attorney at Law, Yale, 54.
John Dana
Yes, of course. I should have known. All right, what can you do?
Eddie Firestone
In time, good sir, in time. Mr. Todd, bring me my book covering claim jumpers. What? I don't understand.
John Dana
There's.
Eddie Firestone
There's no book written. Oh, Todd. Pardon, sir, for the stupidity of my assistant. Stupidity is the problem these days. All phases of government.
John Dana
Well, now, I wouldn't.
Eddie Firestone
You found it, of course, Todd? Yes, sir. Is this it?
John Dana
Mr. Quill, I. Mrs. Danworthy hardly has the time for such legal work as you apparently intend to do.
Eddie Firestone
But a matter of weeks. Kendall have him out in no time.
John Dana
That's just it.
Eddie Firestone
What is?
John Dana
She has less than a week in which to be living on her land. No, it has to be done quickly now.
Eddie Firestone
A widow, you say? Yes. Now, madam, there will doubtless be many legal affairs of another nature to be taken care of. Wills, estate settlements, affairs in the East Batan.
John Dana
Mr. Quill, it is not necessary to hang your shingle on Mrs. Bright Stanworthy's doors.
Eddie Firestone
Nor should one hide under a bushel, My dear sir.
John Dana
Not a chance. Mr. Quill, sir. Thank you, Mr. Quill. You've been most entertaining, but the lady needs more instantaneous help.
Eddie Firestone
Do I detect a reflection of what you will.
John Dana
Good day.
Eddie Firestone
Just a moment, sir. I perceive that this is a matter for the sheriff.
John Dana
You.
Eddie Firestone
Your servant, sir. I'll get up a posse. Isn't that proper? A posse, Mr. Kendall? And we'll go hang the man.
Unknown
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John Dana
Not knowing how long Mr. Quill would take to organize his, I insisted Mrs. Danworthy engage a hotel room to rest. Then I went out and watched the tiny town appear, come alive with excitement as Mr. Quill spread the word that help was needed. By noon, 20 men with horses were lounging about the land office waiting for Mr. Quill, whom I knew to be inside with his books, looking up the proper procedure for handling a posse. I felt it was a good opportunity for me to tell the men my feelings in regard to the man in the cabin. Least of all did I want him hanged. Gentlemen. Gentlemen, your attention, please. Thank you. Gentlemen. As you may or may not know, I am Mr. Kendall. It was I who brought Mrs. Danworthy to town for help.
Eddie Firestone
Oh, she. We don't know nothing about this. Just that the old man needed a pot.
John Dana
Oh, I see. Well, some of you may remember Mrs. Danworthy. She and her husband homesteaded 25 miles from here. They took a trip back east and her husband died. Now she's come back to find a claim jumper on her place.
Eddie Firestone
We know how to take care of them.
John Dana
No, no, no, please. That's exactly what we don't want. Now, I've talked to this man. He is dangerous in his present frame of mind. I suggest that we proceed with caution. But I also insist that we do not kill the man. I've heard that you sometimes let claim jumpers swim across the river. Is that right?
Eddie Firestone
Yeah. Funny thing, though. Ain't no record of one of them ever reaching other side, Is there, boy?
John Dana
Just. Just a moment. I'm not suggesting that either.
Eddie Firestone
Well, what do you want us to do with him? Kiss him and put him to bed?
Richard Perkins
If you just.
John Dana
Gentlemen, please. Please, gentlemen. If you'll just help me to catch him without harm. Now, what he's doing isn't fair to Mrs. Danworthy, and he must be removed. But killing him is not the answer.
Eddie Firestone
Well, I don't know how you're going to get rid of him otherwise. There you are, boys. Well, everybody ready?
Richard Perkins
Yes, sir.
Eddie Firestone
Yeah, I've been reading up on it, boys. I found out one thing.
John Dana
Yeah?
Eddie Firestone
What's that? Quill? It's no good without a rope.
John Dana
It was after the men had ridden out of town toward the homestead that I discovered Mrs. Danworthy had disappeared. She had not lain in her bed at the hotel, and no one had any idea where she might have gone. Wagon and horse were missing, and I rode as fast as I could. But I was too late. The posse had arrived just ahead of me.
Eddie Firestone
Quill.
John Dana
Just a moment. Mrs. Danworthy, have you or any of your men seen her?
Eddie Firestone
It doesn't make any difference, Candle. Legally, the owner needn't be here.
John Dana
Mr. Quill, will you stop harping on the legal aspect of a hanging? You can't do this thing. I won't let you. Maybe Mrs. Danworthy is giving up the land.
Eddie Firestone
Well, we'll just move in on that jumper anyway. Kendall.
Virginia Gregg
I want every last one of you men off my property right now. Now. Get.
Eddie Firestone
Widow Danworthy. It's your friend, Mr. Quill, the attorney.
Virginia Gregg
Mr. Quill, I'm asking you to leave.
Eddie Firestone
But what about the claim jumper? We rode a long way for him.
Virginia Gregg
He's gone. I came back here this morning and he was gone.
Eddie Firestone
You'll remember me now, won't you? Mrs. Danworthy? Anytime you have any legal problems, I'll.
Virginia Gregg
Be obliged if you get off my property.
Eddie Firestone
Yes, ma'am. All right, we're going.
Virginia Gregg
Mr. Kendall?
John Dana
Yes?
Virginia Gregg
Would you come here, please?
John Dana
Yes?
Virginia Gregg
I'd like to thank you for trying to help me.
John Dana
That's all right. There's something I want to know.
Virginia Gregg
Yes?
John Dana
Did you come back to kill him?
Virginia Gregg
Yes.
John Dana
But why? We'd have got rid of him for you.
Virginia Gregg
Because I didn't want that kind of help if it was to come to that. It was my fight.
John Dana
He was sick. He didn't deserve to be killed.
Virginia Gregg
Mr. Kendall, I didn't tell you why my husband died. It was this land. A man never worked so hard, but it killed him. No. I just couldn't let a stranger have it, could I?
John Dana
Where did you put his body?
Virginia Gregg
I didn't kill him, Mr. Kendall. He's inside. He doesn't know it, but he's dying of fever. He told me it first came on him in the war.
John Dana
Does he know you came back to kill him?
Virginia Gregg
No. He was helpless when I. When I found him. He thinks I came back because you told me he was sick. No. He doesn't know.
John Dana
I stayed there two days. Almira Danworthy nursed him to the end and he died Blessing her name.
Unknown
Frontier Gentlemen was produced and directed by Anthony Ellis. Tonight's script was written by Tom Hanley and stars John Dana as JB Kendall. Featured in the cast were Virginia Gregg, Eddie Firestone, Richard Perkins and Charles Seale. Join us again next week for another report from welcome the Frontier Gentleman. Bud Sewell speaking.
Andrew Rines
This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook join in the conversation by going to otrwesterns.Com Discord and don't forget to send us an email. Podcasttrwesterns.com this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and again, thanks for listening.
Old Time Radio Westerns Podcast: "The Librarian – Frontier Gentleman" Summary
Podcast Information:
In this episode of Old Time Radio Westerns, host Andrew Rines transports listeners to the tumultuous Dakota Territory of the late 1950s. The story, titled "The Librarian – Frontier Gentleman," revolves around J.B. Kendall, a reporter-turned-frontier gentleman from the London Times, who becomes embroiled in a land dispute involving a widow and a menacing claim jumper.
John Dana introduces J.B. Kendall as he arrives in the desolate town of Fort Pier, located on the western shore of the Missouri River in the Dakota Territory. Seeking a story on homesteaders, Kendall discovers the local land office is closed. Instead, he encounters Virginia Gregg, a determined widow defending her homestead claim against an unknown aggressor.
John Dana (00:27): "This is the story of J.B. Kendall, Frontier Gentleman."
As Kendall investigates, he witnesses Virginia Gregg valiantly defending her claim by firing at a nearby shack. Their initial confrontation is tense:
Virginia Gregg (03:17): "Come out of that cabin with your hands in the air while you can still walk."
Kendall attempts to reason with her, revealing his true identity as a writer, not an accomplice:
John Dana (04:03): "J.B. Kendall."
Virginia Gregg (04:54): "You deserved to be killed."
Virginia shares her plight: after moving west from Massachusetts with her husband, they were deceived by false advertisements promising prosperous homesteads. Her husband, Jim Danworthy, tragically died after falling ill during their attempt to secure the land.
Virginia Gregg (05:02): "It's not a joking matter, Mr. Kennedy."
Kendall's presence escalates tensions when Richard Perkins, the claim jumper, confronts him in the cabin. Perkins, a war-scarred individual, reveals his desperation and resentment towards Yankees:
Richard Perkins (10:15): "I spent four years sharpening my eye on Yankees during the war. Now it's over and we're all supposed to be friends again."
Perkins demands cigarettes from Kendall, showcasing his instability and determination to seize the land:
Richard Perkins (10:27): "Hand them over."
Despite Perkins' threats, Kendall strives to defuse the situation, emphasizing the end of the war and his lack of ill intent:
John Dana (10:50): "The war is over."
Seeking assistance, Kendall and Mrs. Danworthy approach Eddie Firestone, the local land agent, played by Eddie Firestone. Firestone initially appears helpful, offering legal assistance:
Eddie Firestone (14:04): "Bartley Wilkinson Quill, Attorney at Law, Yale, 54."
However, it becomes evident that Firestone is more interested in exerting authority and enforcing the law through coercive means, such as forming a posse to eliminate the claim jumper:
Eddie Firestone (16:32): "I'll get up a posse. Isn't that proper?"
Kendall attempts to persuade Firestone and the posse to seek a non-violent resolution, but his efforts are met with resistance.
As the posse mobilizes, Mrs. Danworthy mysteriously disappears, heightening the tension. Kendall discovers that the posse has already taken action, but Mrs. Danworthy is nowhere to be found:
John Dana (20:03): "Mrs. Danworthy, have you or any of your men seen her?"
Firestone remains indifferent, focused solely on removing the intruder.
In a poignant revelation, Mrs. Danworthy confronts Kendall, disclosing her true intentions. She admits to returning not just to protect her land but to end the threat herself:
Virginia Gregg (22:01): "Did you come back to kill him?"
She confesses that her journey west was driven by desperation and a desire to protect her late husband's legacy:
Virginia Gregg (22:04): "Yes. But why? We'd have got rid of him for you."
In a heart-wrenching turn, it's unveiled that Jim Danworthy did not die from natural causes but succumbed to a fever brought on by overexertion on the land—an indirect consequence of the relentless struggle for survival and landownership.
Virginia Gregg (22:15): "Mr. Kendall, I didn't tell you why my husband died. It was this land."
Ultimately, Virginia chooses to take matters into her own hands to protect her homestead, rejecting external interventions that could lead to further violence.
The episode concludes with John Dana reflecting on the tragic circumstances that led Mrs. Danworthy to her drastic actions. The narrative underscores themes of desperation, justice, and the harsh realities of frontier life.
John Dana (23:15): "Almira Danworthy nursed him to the end and he died. Blessing her name."
Andrew Rines wraps up the episode, inviting listeners to engage with the podcast community and share their appreciation.
Virginia Gregg (03:17): "Come out of that cabin with your hands in the air while you can still walk."
John Dana (10:50): "The war is over."
Richard Perkins (10:15): "I spent four years sharpening my eye on Yankees during the war. Now it's over and we're all supposed to be friends again."
Virginia Gregg (22:15): "Mr. Kendall, I didn't tell you why my husband died. It was this land."
J.B. Kendall (John Dana): A London Times correspondent turned frontier gentleman, striving to mediate conflicts and uncover the truth.
Virginia Gregg / Elmira Danworthy (Virginia Gregg): A resilient widow fighting to protect her homestead and honor her late husband’s legacy.
Richard Perkins (Richard Perkins): A war-weary claim jumper determined to seize land by any means necessary.
Eddie Firestone (Eddie Firestone): The authoritative land agent, representing governmental pressure and legalistic approaches to land disputes.
Desperation for Land: The episode highlights the extreme measures individuals take to secure land and the lengths to which desperation can drive people.
Conflict Resolution: Through Kendall's character, the story explores the challenges of resolving disputes peacefully in a lawless frontier setting.
Impact of War: Richard Perkins' character reflects the lingering scars of war and how they influence post-war behaviors and societal reintegration.
Justice vs. Vigilantism: The narrative contrasts official legal channels with individual acts of justice, questioning the efficacy and morality of each approach.
"The Librarian – Frontier Gentleman" is a compelling episode that delves into the human condition amidst the unforgiving backdrop of the Wild West. Through its rich dialogue and intricate character dynamics, it offers listeners a profound exploration of justice, survival, and the enduring struggle for rightful ownership.