
Original Air Date: July 29, 1940Host: Andrew RhynesShow: The Lone RangerPhone: (707) 98 OTRDW (6-8739) Stars:• Earle Graser (Lone Ranger)• John Todd (Tonto) Writer:• Fran Striker Producer:• George W. Trendle Music:• Ben Bonnell Exit music from: Roundup...
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Teen Advocate
Use of flavored tobacco by teens is a crisis. Tobacco companies use flavors like cotton candy, watermelon ice and cool mint to hook kids like me. They seem harmless, but they aren't. Addiction to nicotine sets us up for a lifetime of health problems. Organ legislators can do something about it. Passing Senate Bill 702A will keep flavored tobacco away from kids. But there are just a few short weeks left for lawmakers to act. Take action to protect kids like me@.
Campaign for Tobacco Free Kids
Flavorshookorgankids.Org paid for by the Campaign for Tobacco Free Kids Action Fund.
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Narrator
Foreign.
Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host Andrew Rines, and I'm excited to bring you another episode absolutely free. This is one of over 80 episodes released monthly for your enjoyment. Now let's get into this episode.
Character F
A fiery heart with a speed of.
Character G
Light, a cloud of dust, and a hearty Heil Silver the Lone Ranger.
Campaign for Tobacco Free Kids
Nearly 90% of kids who vape say flavors are why they do it.
Teen Advocate
A lot of the flavors that I've heard are like peach, mango, watermelon. It makes it seem like more childlike and innocent. Oh, if I try this once, it won't be that much of a problem. But then eventually it becomes a problem.
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Character G
With his faithful Indian companion, Toto, the mass flight of the Plains fought crime and criminals throughout the western United States. No one could match his strength and courage.
Character F
It was his ability to judge character.
Character G
That made him the greatest champion of justice the west ever Knew no matter what the circumstances, the man who was honest and innocent would always depend upon the masked rider's help. Return with us now to those thrilling days of yesteryear. From out of the past come a thundering hoof beats of the great horse Silver. The Lone Ranger rides again.
Narrator
Hello, stone brother. We're heading for the range country. Enjoy. In trouble, Helen Over. Hooray.
Character G
Ellen Barker walked into the living room.
Character F
From the kitchen and stopped in surprise.
Character G
When she saw that her husband was.
Character F
Getting ready to go out.
Helen
Hello.
Jack
Oh, hello there. Grub about ready?
Helen
Everything's on the stool, chick. Where you going?
Character F
Oh, just out.
Helen
Out where?
Character F
Just down the trail apiece.
Helen
Down the trail?
Jack
Mm.
Character F
I don't think he'll be gone long, though. You can hold the vittles for a bit if I'm a minute or too late, can't you?
Helen
I suppose. But why don't you want to tell me where you're going? Is something you think you should hide? Oh, is it?
Character F
James Ellen, you have to get so curious when a fellow has something to do and you can see you don't.
Jack
Want to talk about it.
Character F
Can't you let him alone? Gosh, I figure. Listen, Helen, I.
Helen
You never acted like this before.
Jack
But, Kelly, you're not leaving this house.
Helen
Until I know where you're going. Jack, you've got to tell me. Leave, Jack.
Character F
All right, if you have to know. I got a message from your Paul. I'm going down the trail to meet him.
Helen
Jack? No.
Character F
Well, I am, but.
Helen
But you, kid, it isn't true.
Character F
Think I'm 70, but I don't understand.
Helen
You and father hadn't something since the day we were married.
Character F
Maybe he wants to make up. I don't believe it, but maybe he don't.
Character G
How do I know?
Character F
All I know is he wants to see me about something or other. And I don't even let him think I'm scared of him by staying away.
Helen
How do you know he wants to see you?
Character F
He sent a note.
Helen
The one of his names.
Character F
A stranger brought it because your PA asked him to give it to me.
Helen
Where is the note?
Character G
I don't know.
Character F
Threw it away, I guess.
Helen
What did it say?
Character F
Oh, gosh, when it comes to asking questions.
Helen
What did it say?
Jack
Just what I told you.
Character F
He wants to see me. He'll be at the grove over west. Didn't say nothing else. Why don't hurry and get started on.
Helen
This, I'll try to stop you.
Character F
I don't see no reason why you should.
Helen
But if you go, and I am going to ask you leave your gun at home.
Character F
Huh?
Helen
You heard me, Jack. Leave it here.
Character F
What in thunder for?
Helen
Because I know your temper. I know how one word can lead to another until they end in a quarrel. I want you to go unarmed, because if you're caught, if anything should happen to either of you, I. Well, I. I don't even want to think about it.
Character F
I ain't gonna fight.
Helen
You don't know what you'll do. Shucks, honey, are you gonna leave that gun?
Character G
Nope.
Character F
I don't reckon.
Narrator
Oh.
Helen
Dead.
Character F
I'll be careful, honey. I'll find out what your PA wants. And you got my word I'll be back home inside an hour.
Narrator
Oh.
Character G
Oh, boy. Well, here we are, boy.
Character F
I wonder where Helen's pa is.
Jack
Mr. Sampson? Aye, Mr. Sampson.
Character F
Guess he ain't here yet. But I said.
Character G
Hey. What in tongue.
Narrator
It.
Character G
It's him.
Character F
It's him laying there. He's been drilled.
Jack
Who's that?
Character F
Who is.
Jack
Hey, fellas, you hear that shot? Oh, boy. Where'd it come from?
Character G
Over that way I wanted.
Jack
Sounds to me like it come from the grove. And we better take a look.
Narrator
Come on.
Jack
Look at here. Samson's gunpowder. And who's this?
Character G
It's Jack Barker.
Jack
They had a gunfight. Jack's coming, too. Shut up a second, will you, fellas? Now, wait a second, Jack. Don't try and get up till I've had a look at this place where you were shot. Oh, Tain't so bad. Just creased your scalp and parted your hair. You was lucky.
Character F
Help me up here.
Jack
There you are, Jack.
Character G
How'd it happen?
Jack
What'd you and Sampson fight over, huh? What was it, Jack? What side of the argument?
Character G
But there was none, huh? I never drilled him.
Character F
I found him just like that. Then somebody yelled, and when I turned to look, they took a shot at me. I didn't even see who it was. That's all I can recollect right now, Jack.
Jack
That's pretty thin.
Character G
You don't believe me. You figure we should when we find you with a gun in your hand.
Jack
And one shot fired out of it with Samson's gun in his hand the same way.
Character G
But, hey, this gun ain't mine.
Jack
No, it ain't.
Character F
I tell you it ain't. The fella that done the killing must have left it and took mine. He left it to put the blame on me.
Character G
Sorry, Jack.
Jack
Well, I tell you, folks around here always knew something like this was bound.
Character G
To happen one of these days.
Jack
Ever since you got hitched to his.
Character G
Daughter again, his Order.
Character F
Wait, fellas, I'm telling you.
Jack
Maybe you killed him in a fair fight. Listen, that'll be for the law to decide. Pete, you'd better ride into town and bring the sheriff. We'll stay here.
Character G
Right.
Jack
Won't you believe me, fellas?
Character F
Won't you listen to what I say?
Character G
I'm not guilty, I tell you.
Jack
Okay, well, if we ain't got nothing to give you personals, who. Don't get us wrong. But a killing's a killing has to be dealt with according. So it's just a waste of breath trying to argue with us. But fellas, a nice man, a redskin, a crook.
Character G
Don't talk about it.
Jack
Watch them. What are your arms? This a hold up?
Character G
No.
Jack
Then what are you?
Character G
All right, Tado, I'll handle them. You examine Samson how to do it.
Jack
Carrie, where are you up to T.
Character G
And I heard the shots just as you did. Yeah, you were closer and got here first. We've seen what's going on, huh? I have an idea You've made one very serious mistake, T. Was I right or wasn't I?
Jack
Him still is.
Character G
All right.
Character F
You mean Mr. Sampson ain't dead? Wait.
Character G
Maybe. Taylor. You think he can be brought to.
Jack
Not know him hurt any bad?
Character G
Can you help him? Good. Then pick him up and put him across your saddle. I'm giving the orders here. Remember this. You can hold Jack for the sheriff. The sheriff can jail him. But in case you're tempted to take justice into your own hands, Jack isn't a murderer until Samson dies. Here, sir.
Jack
You came.
Character G
The first man that drive for his gun stops later. Ready to end here. And let's go.
Narrator
Come on, Silver.
Jack
And let's go.
Narrator
Shoot him down, you fools. Hold your fire.
Jack
Don't shoot. Samson's still living. He might get hit. Hold your fire.
Character G
This will do, Thomas. It's a good place to make camp. It's isolated and there's plenty of COVID You can make things ready while I'm gone. You right? Yes. Kimasabe to town. What to do there? Call on the sheriff. Oh, they'll be back by sundown. Come on, Silver.
Narrator
Hello, Silver. How are you?
Character G
At that moment, Samson, licensed foreman, was talking with the sheriff in the lawman's office.
Jack
I got a question to ask you, Sheriff. What's that, cop? How do you feel about duels? Duels? What are you talking about? Well, suppose there's hard feelings between a couple hombres. They get to hate each other so much that they finally decide to shoot it out.
Character G
That used to happen a Lot in the old days.
Jack
Times have changed. Duels are against all the oldest words.
Character G
Somehow or other, the guy who won never got hanged.
Jack
You mean the jury to quit them?
Character G
Yeah.
Jack
Well, I can't answer for any jury. I've seen them do a lot of fool things. But I know what the law says. And as long as I'm sheriff, I'll do my best to enforce it. Unless it's an accident or in self defense. A man who kills is a murderer. Interesting. I sure would. Look em telling you. A boy said you had some reason for worrying about duels. Carp, a man don't ask a question like that for no reason at all. Come on now, tell me the truth. Has old man Sampson been threatening to shoot it out with his son in law? That insanity? Well, you know how he talks. Yeah. It might be a good idea if you had a word with him. You can tell him what I said yourself and you can add this to it. If I was him, I wouldn't count on any jury setting me free. The folks in this county weren't law and order. I guess you're right, sir. What's up? There's been a shooting in Miners Grove.
Character G
You better come quick.
Helen
A shooting?
Jack
Anybody hurt?
Character G
Jack Barter. Wounded.
Jack
Who died?
Character G
Old man Sampson.
Jack
I was afraid he might, but the old man got the worst of it. He's dead.
Character F
No.
Jack
Come on. You go to risk, Jack. That's my duty and that's what I aim to do. Believe it or not, he'll be in jail within an hour. Reckon that'll hold you, young fella. You won't be breaking out of this jail. Now look here, Jack. Being the sheriff, I ain't doing nothing but my duty. The fellow said it looked like a fair fight. You both had guns out. You got Sampson and his shot came close to getting you. Now, maybe you'll be acquitted, but that's for the jury to decide, not me. You've got to stand trial.
Character F
Dog gone it. Sheriff, how many times I have to tell you?
Character G
There were no gunfights.
Character F
Mr. Sampson had been done for when I got there.
Jack
That mask. Jim said he was not dead yet.
Character F
Maybe he wasn't. I don't know. I thought he was. And what's that got to do with anyway? I'm still saying he weren't shot by me.
Jack
Bound and determined to stick to that story, huh? It's true. Won't get no jury to believe that.
Character F
I tell you.
Jack
I don't mind saying I don't myself. You'd be better off if you just come Clean.
Character F
Ah, the dickens would try to argue with you. Do me a favor, sheriff.
Jack
Anything that ain't unreasonable.
Character F
Send for my wife. Tell her where I am and I.
Character G
Want to see her.
Jack
Oh, sure. That can be done.
Helen
It won't be necessary. Tell him I already know what's happened. Carpet's home.
Character G
That is, dear.
Jack
Come tough lyin.
Character G
Yeah, Cal, but I knew someday you and the boss would tangle.
Jack
It was one of them things just had to happen.
Character F
But if Ned you ain't sorry.
Jack
What do you mean?
Character F
What do you think he is? Wasn't him your PA wanted you to marry. Wasn't why your PA made cops foreman, wasn't it? Of course I cut him out at your Paul.
Jack
Me fought Jack's fellow. That's all ancient history. I never heard it again. Helen chose you, sir.
Helen
There's no need to discuss it, sir.
Jack
Didn't.
Helen
And Jack. I came here for just one reason. I came to tell you that. That we're true.
Jack
What's that?
Helen
It can't be any other way. Maybe father started quarrel. Maybe he forced you to draw. But I can't forget that he was my father. But I begged you not to meet him armed.
Character F
But honey, you don't know the facts it worked that way at all.
Helen
I know the story you've told. And I can't believe it any more than I others do. But honey, I won't talk about it.
Character G
I can't.
Jack
Take me out of here. Well, sure, Ellen, you come along. See you later, sheriff. Yeah.
Character F
Well, that child Speed.
Jack
Didn't expect anything else, did you, Jack?
Character F
Even she wouldn't believe me.
Jack
And if your own wife won't, that means.
Character G
Huh.
Jack
Won't nobody else neither, young fella. If it turns out Sampson's really done for her. I'm afraid things are going to go so good for you then, sheriff, you've.
Character F
Got to find him.
Jack
That's what I mean to do.
Character F
You've got to find that masked man and see where Mr. Sasson was took. Then what are you standing there for?
Character G
Go on.
Character F
Go on, doggone and find him.
Character G
Looking for me?
Jack
What is the mask?
Character G
The curtain falls on the first act of our lone range of drama. Before the next exciting scene, please permit us to pause for just a few moments.
Teen Advocate
Use of flavored tobacco by teens is a crisis. Tobacco companies use flavors like cotton candy, watermelon ice and cool mint to hook kids like me. They seem harmless, but they aren't. Addiction to nicotine sets us up for a lifetime of health problems. Organ legislators can do something about it. Passing Senate Bill 702A will keep flavored tobacco away from kids. But there are just a few short weeks left for lawmakers to act. Take action to protect kids like me@.
Campaign for Tobacco Free Kids
Flavorshookorgankids.Org paid for by the Campaign for Tobacco Free Kids Action Fund.
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Character G
Now to continue our story. Startled by the sudden appearance of the masked man, the sheriff instinctively slapped his hand to his holster. Was stopped by the Lone Ranger's lightning draw. Careful, Sheriff.
Character F
Sheriff, watch out. He's got the drop on you.
Character G
I didn't come looking for trouble, Sheriff. If anything. You start, I'll finish.
Jack
Why did you come here?
Character G
Well, the answer to certain questions which you and Jack should be able to furnish.
Jack
Stranger. Where's Samson? What'd you do with him? He's still alive. Or angel.
Character G
You'll answer my questions first, Sheriff. Yours will come later.
Jack
Looks like you're a boss. What do you want to know?
Character G
Who were Samson's enemies? Who would benefit by his death?
Jack
What are you getting at?
Character G
I have reason to believe Jack has been telling you the truth. I believe he's innocent. In that case, you'll have to look elsewhere for your killer.
Jack
You.
Character F
You believe in me, mask man?
Character G
I do.
Jack
Why?
Character G
For one very excellent reason. I've seen both Jack and Samson. They were found under circumstances that made it appear they had shot it out. But there's one fact that won't agree with that story.
Jack
What fact?
Character G
That they had fought. Their shots would have been fired at almost the same time. But they weren't. Sampson's wound was made almost an hour earlier than Jack's.
Character F
You're sure of that, stranger?
Character G
Yes. How do you know? You might have seen the same thing if you'd had the opportunity to make a comparison.
Jack
I would have if you hadn't took Sampson away.
Character G
I had a reason to for that. If I had left him where he was, it might have been shown that Jack was innocent by taking him away. I'll do more than that. I'll also learn who was guilty.
Jack
Mask man.
Character F
You do that, and I'll be your part for life, outlaw or not.
Jack
You make it sound good, stranger. But how do I know you ain't talking through your hat?
Character G
Give me the information I've asked for and I'll prove I'm not.
Jack
You mean tell you who might want Samson down here?
Character G
Yes.
Jack
I wouldn't do no harm to tell you that. I reckon if you don't, I will, Sheriff.
Character G
Now get hasty, young fella.
Jack
Now, let's see. There's Buck Pride. And there's Samson. Sam James. Him and Samson.
Character G
Buck Klein, Sam Jinx, Nick Seeley. There were half a dozen Tava. Each was Sampson's enemy or had something to gain by his death. So any one of those men might have shot Sampson and framed Jack for it, isn't that right? The sheriff wanted to investigate each one and learn what kind of an alibi he had for the time of the shooting. But I talked him out of that. Our plan is not only easier, but more certain. And I don't want any of them to think that he's under suspicion. That's a good idea. The sheriff agreed to it. Him help, he will, Kimasabe what him do? I think tomorrow he'll spend quite a bit of his time in the cafes in town, telling the townsmen just what he's been instructed to say. You seen the masked man, Sheriff?
Jack
Yeah. What's he saying? What's that mask? Dense G. Hold on, Fell. Now, hold on.
Character F
Hurry up.
Jack
I don't mind telling you about it, but how can I with all you fellas talking to one? How'd the mask man happen to look you up? Sheriff goes. I'm the wall. That's why. Why wouldn't he?
Character G
But any of crook maybe, but I.
Jack
Got no notions about that. But how about Sampson? He's alive, all right. To see that he's going to live.
Character G
What do you mean by that?
Jack
Well, the mask fella says he's gonna be kind of touch and go. He's still unconscious. Can't be moved or anything. The mask fella's got a red skin paw tending to him. Where are they? Now that's something I ain't saying.
Character G
The masked man gonna let you know.
Jack
What happens to Samson. That's all been fixed. And Jack stays right where he is, in jail. Maybe he's telling the truth about that shooting and maybe he ain't. If Samson lives to tell his story, we'll get the facts. Till then Jack, stand behind bars. But how long is that going to be? Don't know for sure, but it won't be too long. The masked man said they ought to know whether Samson's going to pull through or not inside of 48 hours.
Character G
Hello Sheriff.
Jack
Oh it's you stranger.
Character G
I've been waiting for you. I've been all around town. Let everyone know what I told you to say.
Jack
Sure have mister. By this time if there's a man, woman or child and these parts don't know about it, they must be different. Good stranger, just a second.
Character G
Yes?
Jack
I've answered all your questions when you ask them. Mind if I put a few to you?
Character G
Go on.
Jack
Ain't anything you should mind answering. First off, this injun part of yours you've mentioned. You ain't told me his name. It wouldn't be Toddle. Would.
Character G
Would. But how did you know?
Jack
Oh, I just had a hunch when I heard you ride off last night calling that horse of your silver. Oh, would you mind my looking at your guns? Just one of them will do.
Character G
Take it. Satisfied?
Jack
Bullets of silver.
Character G
Right.
Jack
Mister, you may be wondering why I didn't put up no bigger argument when you told me you were scheming.
Character G
It was logical. And you certainly could see I had nothing to gain by it.
Jack
But mister, that wouldn't have been enough by wrong sight. No, it was cause I had a blame good notion who you was.
Character G
Then in that case maybe you'll be ready to carry out the rest of my plan.
Jack
What do you mean?
Character G
Recall the names of those men we discussed last night. The men who might gain by Samson's death.
Jack
Oh sure.
Character G
Well tomorrow send for them. Have them brought here to your office.
Jack
But what fur? What'll I say?
Character G
That you're forming a posse. That you've chosen them to ride in. Listen Sheriff and I'll tell you exactly what I have in mind.
Jack
Thanks.
Narrator
Him you know. Home.
Jack
The sheriff wants you. Sheriff wants you in town right now. What's that you said?
Narrator
Sheriff's bombing a posse cop.
Jack
You've got to be in it. Get in.
Narrator
Get in. Pete to sheriff. Warn you.
Jack
Sheriff and fire.
Narrator
You get to come.
Jack
Hurry, Jake. The sheriff wants it.
Narrator
Come on, Silver. Come on. On, fellow. Get him out, scout. Get him up.
Character G
Where we going? See that cliff tunnel? Me see it? That's where we're headed. Kimotami.
Narrator
Oh.
Character G
If we signal from there, the smoke.
Narrator
Will be seen in town. Come on, old fellow. Hurry, boy.
Jack
You sent for us and said we was needed for a posse. Well, if we are, why don't we do something?
Character G
Why don't you get away from that.
Jack
Window and tell us who we're going after?
Character G
We're all set and ready. Sure.
Jack
Well, maybe I should have told you a little more. But you see, fellers, I've been so busy watching for the signal, it kind of slipped my mind. Let's see the one that masked man's gonna send.
Character G
The mask man?
Jack
That's right, Buck. Then this has got something to do with Samson. Fellas, the masked man told me Samson would either come to this morning and pull through or he never would. Now's the crisis. If he dies, ain't nothing much we can do but go on with the case again. Jack, you got some kind of notion he didn't shoot Samson. There's certain things kind of point that way. Better let me finish. If Samson comes to, he'll be able to tell us who shot him. If it was Jack. Well, all right. But if it weren't, Then we want to grab the skunk that did just as fast as we can.
Character G
But how about this?
Jack
Your signal you mentioned. The mask man will make it. It'll be a smoke signal. One smoke will move. Samson's done first. Yeah, and two will mean he's conscious. He can talk. Chief Phillies, look towards the hill. Smoke where you see it. There he is.
Character F
How many car? How many?
Jack
Just one. Then that means Samson's cashed in his chip. Make a mess there, waste our time. Me, I'm going to. Wasted our time, did we? There's the second signal. You take a look. He just got to go. Come on, you, Andre, get to the saddle.
Narrator
We're riding for the hill.
Jack
Keep going, fellers.
Narrator
Ain't much further. Get on there, boy.
Character G
Get up there.
Narrator
Get up there, all. There's the rest man now. He. He's waving.
Character G
He.
Narrator
He's yelling several. Pull up. Pull up.
Character G
Sheriff, it worked.
Jack
I know doggone well it would. Which way the skunk go?
Character G
T and I were watching from above. We saw him drop back when he rolled through those trees there and raced to the.
Jack
You'll find out what we're talking about later. Fellas, right now there ain't time to explain.
Character G
Follow me. T's already on his trail. Come along somewh.
Jack
There's the engine.
Narrator
Who's on his?
Jack
Jason.
Narrator
Let's do it.
Character G
The first opportunity to make his escape. He's an intercept.
Narrator
Sampson. Ride. That fell down here.
Jack
The Bonet had shooting at us.
Narrator
I'll take care of that. I'm rotting ahead. Come on, little fellow.
Jack
Look at that white horse stretch out. Covers the ground like he was flying. Fixing the car.
Narrator
Power. The masked man's making the roof. He's getting ready to throw a concert. Rope. Get up, boy. Get up.
Jack
Get up.
Narrator
Get up. Now.
Jack
He got him. Cops.
Narrator
On the ground. He's fighting like a wild cat. The masked man will handle everything. Hold on to this man. Hold up. Stand still, cop.
Character G
We're saving you for a hanging.
Jack
You can't hang me. Just what made you think we can? C.L. sampson never died.
Character G
But he did.
Jack
What?
Character G
He died immediately. When you shot him, you gave yourself away.
Narrator
Clarence.
Character G
What I told him to say we.
Jack
Let you think Samson had a chance to pull through. A purpose.
Character G
So when the guilty man was convinced Samson was going to live to testify against him, he'd do exactly what you did. Attempt to escape.
Jack
What was the idea?
Character G
Car.
Jack
Figure if you could put the blame on Jack. Jack and hang, and you'd get hitched to the widow. What if I did? You will find that out after your trial.
Character G
And you'll likely find out more. Yeah, If I'm not mistaken. You guess close, Sheriff, but you've guessed it. Only part of the truth. Carp would have liked to marry Sampson's daughter so he could get his hands on the ranch. It wouldn't surprise me if you learned that Karp had been stealing from his employer, was facing exposure. Had to resort to murder to escape conviction.
Jack
All the better. That'll just make his hanging double. Sure.
Character G
And Jack will be released as quick.
Jack
As we can get to town. All right, boys, back to the horses. We'll take this pole cat to jail.
Narrator
Sam.
Campaign for Tobacco Free Kids
Nearly 90% of kids who vape say flavors are why they do it.
Teen Advocate
A lot of the flavors that I've heard are like peach, mango, watermelon. It makes it seem like more childlike and innocent. Oh, if I try this once, it won't be that much of a problem. But then eventually, it becomes a problem.
Campaign for Tobacco Free Kids
It's time to restrict the sale of flavored tobacco products in Oregon. At present, protect our kids from nicotine addiction. Urge lawmakers to Pass Senate Bill 702A. Take action at flavorshookoregonkids.org paid for by the Campaign for Tobacco Free Kids Action.
Expedia Advertiser
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Narrator
Sam.
Character G
The story you have just heard is a copyrighted feature of the Lone Ranger Incorporated.
Jack
Foreign.
Andrew Rines
This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate this episode within your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook and subscribe to our YouTube channel by going to otrwesterns.Com.
Character G
Become one.
Andrew Rines
Of our ranch hands and unlock some exclusive content. We want to thank our most recent ranch hands, Steve and Technogod who joined us recently. You too can join by going to otrwesterns.com donate send us an email podcast trwesterns.com and you can call and leave us a voicemail. 707-986-8739 this episode is copyrighted under the Attribution Non Commercial Share Alike Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.
Teen Advocate
Use of flavored tobacco by teens is a crisis Tobacco companies use flavors like cotton candy, watermelon ice and cool mint to hook kids like me. They seem harmless, but they are. Addiction to nicotine sets us up for a lifetime of health problems. Oregon legislators can do something about it. Passing Senate Bill 702A will keep flavored tobacco away from kids. But there are just a few short weeks left for lawmakers to act. Take action to protect kids like me@.
Campaign for Tobacco Free Kids
Flavorshookorgankids.Org paid for by the Campaign for Tobacco Free Kids Action Fund.
Expedia Advertiser
Trip Planner by Expedia. You were made to have strong opinions about sand. We were made to help you and your friends find a place on the beach with a pool and a marina and a waterfall and a soaking tub. Expedia Made to travel.
Podcast Summary: Old Time Radio Westerns – "The Return Of The Masked Man | The Lone Ranger (07-29-40)"
Host: Andrew Rines
Release Date: June 8, 2025
Duration: Approximately 36 minutes
In the episode titled "The Return Of The Masked Man," hosted by Andrew Rines, listeners are transported back to the golden age of Western radio dramas. This episode features a gripping storyline from "The Lone Ranger," meticulously restored to enhance audio clarity and immerse the audience in the Wild West's thrilling adventures.
The episode centers around a tense situation where Jack, the Lone Ranger, is implicated in the death of Samson, Helen Barker’s father. As suspicions arise, a mysterious masked man emerges, challenging the Sheriff's and Jack's narratives, ultimately seeking to uncover the truth behind Samson's demise.
The story kicks off with Helen Barker confronting her husband, Jack, about his sudden decision to leave the house without explanation.
Helen's concern deepens as Jack becomes evasive about his whereabouts, leading to a tense exchange that highlights their strained relationship.
Jack reveals he has received a message from Samson, prompting him to meet on the trail. Helen's apprehension grows, fearing for Jack's safety and the secrets he's keeping.
As Jack departs, the tension escalates when both Jack and his companion, Thomas (referred to as "Character G"), discover Samson wounded and seemingly dead. The duo is immediately suspected of foul play.
Enter the masked man, whose sudden appearance and swift actions confuse both Jack and the Sheriff.
The masked man's interrogation reveals discrepancies in the accounts of Samson's death, suggesting foul play and framing Jack for the murder.
He presents a compelling argument that Samson was indeed shot an hour before Jack was wounded, thereby exonerating Jack from immediate blame.
As the Sheriff prepares to take Jack into custody, the masked man offers a proposition to seek the true culprit behind Samson's death. Reluctantly, Jack agrees, recognizing the masked man's genuine intent to uncover the truth.
A fragile alliance forms as they plan to bring the real murderer to justice, navigating through suspicion and the inherent dangers of the Wild West.
The episode builds to a climactic pursuit where the masked man and Jack race against time to save Samson and unveil the true murderer – Mr. Sampson's unscrupulous son-in-law, Carp, who stands to gain significantly from Samson's death.
In an intense showdown, the masked man reveals his true identity as the Lone Ranger, working to clear Jack's name and bring Carp to justice.
The truth surfaces as Carp's motives and actions are exposed, leading to his apprehension. The episode concludes with Jack's innocence affirmed and the masked man's commitment to justice reaffirmed.
Andrew Rines emphasizes the podcast's commitment to high-quality audio restoration, ensuring that every sound—from the creak of a saloon door to the galloping hooves of Silver—is delivered with enhanced clarity and richness. This meticulous restoration breathes new life into timeless tales, allowing both nostalgic listeners and new audiences to experience "The Lone Ranger" as never before.
"The Return Of The Masked Man" stands out as a compelling episode that masterfully weaves suspense, drama, and heroism. By restoring this classic "Lone Ranger" episode, Andrew Rines and the Old Time Radio Westerns team honor the legacy of iconic Western dramas, offering an engaging and immersive listening experience that captures the essence of the Wild West.
For those unfamiliar with the podcast, this episode serves as both an introduction to the enduring appeal of old-time radio Westerns and a testament to the art of audio restoration, making classic stories accessible and enjoyable for today's audience.