The Trail To Mexico | All Star Western Theatre (02-23-47)

Summary

Old Time Radio Westerns
Host: Andrew Rhynes
Episode: "The Trail To Mexico" – All Star Western Theatre (02-23-47)
Release Date: December 1, 2025

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Episode Overview

In this episode of Old Time Radio Westerns, Andrew Rhynes presents a digitally restored classic: "The Trail to Mexico" from All Star Western Theatre. The show blends the talents of the Riders of the Purple Sage—famed for their music and storytelling—with a Western adventure involving rustlers, mistaken suspicions, and lighthearted romance. The story follows Boy Willing and his cowboy friends as they're drawn across the border into Mexico for a new job, only to land in the midst of ranch troubles, a scheming foreman, and comedic miscommunications with the rancher's daughter, Lolita.

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Key Discussion Points and Story Highlights

The Riders Arrive in Mexico ([01:00–07:00])

• Musical Opening & Cowboy Life:
  The Riders perform a lively cowboy song about payday and small-town adventures, setting a jovial mood. The host, Cottonseed Clark, reflects on the practical, non-melancholic spirit of real cowboys and the importance of good food, with a sponsor mention for Weber's Bread.

• Setting the Scene:
  Boy Willing, Foy, and Jimmy Dean arrive at the impressive Mexican ranch of Señor Carlos Fernandez with a letter of introduction from Sam Holland.

  • “Now this is the kind of place that'll make punching cows a pleasure.” – Foy ([03:13])

Meeting the Fernandezes and the Job Offer ([07:00–09:00])

• Lolita’s Suspicion:
  Carlos offers the riders jobs, but his daughter Lolita is wary, noting recent cattle thefts. They conspire to act as if Lolita cannot speak English, hoping the new men will reveal suspicious intentions.

  • “But the letter could be a forgery... they might be part of the gang that has been stealing our cattle.” – Lolita ([08:59])

  • “Then I have an idea. Do not let them know you speak that language...” – Carlos ([09:22])

Arrival at the Bunkhouse & Ranch Troubles ([09:59–12:00])

• New Duties and Dangers:
  The foreman, Juan Lopez, tells the men they’ll start herding cattle the next morning—and to keep their guns ready, due to increased rustler activity.

• Comic Confusion with Lolita:
  The Cowboys struggle to communicate at supper as Lolita pretends not to know English. They joke about the language barrier and romantic possibilities:

  • “Look, you sweet little old enchilada. We no speaky of Mexico.” – Foy ([11:47])

Supper & Romantic Antics ([12:00–15:00])

• Romantic Schemes:
  Playful courtship attempts abound, but Lolita keeps her act up, adding humor to the misunderstanding.

  • “Now, now, looky here, my little Masha. I don't like giggling women, but we needs an interpreter. A blind one, see?” – Foy ([14:12])

  • “He couldn’t be a bad man. And he’s so pretty, too.” – Lolita, in Spanish, after Foy leaves ([14:42])

Discovery of the Rustling Plot ([15:06–17:30])

• Eavesdropping on the Conspiracy:
  Jimmy Dean overhears Juan, the foreman, plotting with other men to steal the cattle by sending the boys to the wrong area of the ranch the next day.

  • “They are rustlin’ the old man’s cattle... he’s going to send us to the east section tomorrow and then that leave the south section free so they can run out another hundred head.” – Jimmy Dean ([16:26])

• Making a Plan:
  Realizing warning Carlos would set Juan on guard, the men decide to head off the rustlers themselves at Devil’s Pass.

The Showdown at Devil’s Pass ([17:30–19:00])

• Ambush and Capture:
  The Riders outsmart the rustlers, ambushing them and securing the herd.

  • “When you shoot that gun, it's going to scare the socks off of them. Then right now you're going to see four barefooted cattle rustlers.” – Foy ([18:24])

• Restoring Justice:
  They confront Carlos and expose Juan’s involvement, just as suspicions start to shift toward the new hands. Lolita and Carlos quickly realize the Riders are true friends.

The English-Speaking Reveal ([19:34–20:00])

• Surprise for Foy:
  Foy and his friends are startled when Carlos asks Lolita for a gun in English, and she responds in kind—revealing she’d understood everything all along.

  • “She speaks and understands this stuff. Oh, am I in trouble.” – Foy ([19:38])

Romantic Subplot and Cowboy Teasing ([20:00–23:48])

• Foy’s Appeal for Help:
  Foy wants to propose seriously to Lolita and asks his friends to help impress her by “accidentally” overhearing them singing his praises.

  • “I want you to give me a big build up to her...give her that old Texas.” – Foy ([21:19])

• Turnabout Teasing:
  Instead, the cowboys tease Foy within earshot of Lolita, who overhears them joking that Foy’s reservations about settling down are due to her possible future looks.

  • “You told me this morning that Joy would hate to get hinted up to her that she probably be big and fat and ugly by the time she's 30.” – Cowboy teasing ([23:21])

  • “You curly headed Diablo!” – Lolita, indignant ([23:44])

Musical Closings and Fond Farewells ([24:00–28:51])

• Songs of the West:
  The episode concludes with musical performances from the Riders of the Purple Sage, including the titular “Trail To Mexico.”

  • “Just as it is the responsibility of the bakers of Weber's Bread to see the your community is supplied with plenty of good fresh Weber's Bread. And Weber's Bread is always good bread.” – Cottonseed Clark ([26:36])

• Reflection on Cowboy Adventure:
  Despite all the excitement, the cowboys hint at returning to Texas, with the final moments tying together music, commerce, and camaraderie.

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Notable Quotes & Memorable Moments

• “Who? Tom, Dick and Harry. Oh.” – Cowboy banter, poking fun at unfamiliarity ([03:55])
• “If it's trouble we're looking for, there's plenty of that the other side of the border.” – Jimmy Dean ([15:13])
• “I'll just go over to the bunk house till I figure out a way for me and you to understand each other. This is the silliest conversation I ever went through.” – Foy ([14:26])
• “It's more than I can stand. Why, if this keeps up, I'll be ruined.” – Carlos Fernandez, upon realizing the scope of the rustling ([18:16])
• “Now, just a minute. You're carrying this too far, boys. I'm going to break down. Admit it. He's got me roped and tied.” – Foy, realizing his feelings ([20:53])
• “You curly headed Diablo!” – Lolita, after overhearing teasing from the boys ([23:44])

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Timestamps for Key Segments

• [01:00] – Musical Opening & Riders arrive at Fernandez Ranch
• [08:39] – Lolita and Carlos discuss suspicion and plan
• [09:59] – Ranch troubles & foreman Juan introduces the job
• [11:47] – Cowboy/Lolita language comedy at supper
• [14:42] – Lolita’s secret reflections on the men
• [15:06] – Jimmy Dean discovers the rustling plot
• [17:30] – Devil’s Pass ambush and rustler capture
• [19:34] – English language reveal by Lolita
• [20:53] – Foy seeks help impressing Lolita
• [23:44] – Lolita calls Foy a “curly headed Diablo!”
• [24:00–28:51] – Closing musical medley

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Tone & Style

The episode is full of cheerful camaraderie, gentle mockery, and broad humor, with plenty of Western slang and folksy wisdom. The musical interludes by the Riders of the Purple Sage capture the nostalgic spirit of the West, while the story blends light romance with classic good vs. bad cowboy action.

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This summary captures the spirited narrative, the humor, and the musical enjoyment that makes "The Trail to Mexico" a signature example of classic radio Western entertainment.

Transcript

[A]

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[B]

Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and let's get into this episode. This episode is going to be All Star Western Theater Original air date is February 23, 1947 and the title is the Trail to Mexico.

[A]

The Bakers of Weber's Bread present your All Star Western Fairy. From Hollywood. Come to All Star Western Fairy starring America's Great Western and Singers 4 Willing and the Riders of the Purple Sage with songs and stories of the West. My name is Cottonseed Clark and here are the riders of the Purple Sage. I'm dressing up since I've or in a little while I'm gonna ride into town where every cowboy pal I know will live at his heel and so when payday rolls around and so I'm feeling fine because there's lots of time until we're all homeward town to work and play with cattle sweats and SW we in battle until payday rolls around what does the cowboy do when all of his work is through? Just what I'm going to do now Put money to spend and jingle off in the town to mingle with all the friends I allow I'm dressing up in south for in a little while I'm going to. Although a great many cowboy songs and ballads picture the cowpuncher as sentimental and melancholy, your old time cowboys were, for the most part hard riding, practical realists. They knew how to get a real day's work done. And they knew how important good food was if you wanted to keep a man in the saddle. Modern Westerners know the value of good food too. That's why Weber's Bread is such a popular loaf today. Because Weber's bread is good food. Good bread, well mixed and well baked, with a firm, even texture, a golden brown crust and a distinctive flavor. Weber's bread is always a substantial, enjoyable part of every meal. As toast for breakfast, sandwiches for lunch, or when served with dinner meals, Weber's bread is a welcome addition to the Menu. Buy Weber's bread when you go shopping. You'll see it in the familiar blue gingham wrapper and you'll like it. You folks who join with us each week for these western gatherings have been mighty nice about sending in your request for your favorite songs of the West. And believe us when we say that the writers of the Purple Sage feel privileged to sing them for you. Here is another of your favorite heart ballads that you've asked to hear. In my adobe hacienda. Cactus Lovelier than or. Desert stars and make every evening seem so clear in my only heart life and love are more complete when setting sun says the long is done Sweet music starts to fill the air in my little. Harmony is everywhere. The curtain rises on your all star western theater drama for today entitled the Trail to Mexico. Another adventure in the lives of the riders of the Purple Sage. Today's story, the Trail to Mexico carries the writers of the Purple Sage, Boy willing, Al Floy and Jimmy Dean, south of the border to the land of fiestas and fiestas, not to mention senoritas. As we join our three western caballeros, they are riding up to the spacious ranch house of Senor Carlos Fernandez, to whom they have a letter of introduction from a mutual rancher friend of a texture. Well, if you ask me, I think it's nothing but pure doggone foolishness riding all the way over here to Mexico for a job. Oh, Dean, you'd gripe about it if you was riding through the pearly gate. No, I wouldn't gripe about it, but I ain't in no hurry to make the trip. Man, oh man, what a fine looking ranch layout this is. Looks like those big spreads you see in the picture show. Yeah. Whoa, whoa. Now this is the kind of place that'll make punching cows a pleasure. Yeah, when punching cows becomes a pleasure to me, they'll be rolling snowballs in Hollywood. You guys stay here and I'll go up and meet the old boy with this letter of introduction from Sam Holland. You know what? The first time I ever went after a cow punching job was a letter of introduction. Yeah, well, people like Carlos Fernandez don't hide your favorite. Tom, Dick and Harry. I never heard of them. Me neither. Who? Tom, Dick and Harry. Oh. You guys wait here like audience. I won't be long, okay? You know what? I'd rather be infected. I don't like coming all the way. Well, ma', am, that is, I want to see Carlos Fernandez. Well, I don't know what you're saying, but if you can't speak English. We're both wasting our time. What can I do for you? Well, my name is Boy Willing. My friends and I rode over from Texas looking for a job. We have a letter from a friend of yours, Sam Holland, at Del Rio. From my good friend Sam Holland. Oh, let me read the letter, please. Here you are, sir. Gracias. Dear Senor Carlos, these boys are my very dear friends. Anything you can do for them will be greatly appreciated by me. Sincere best wishes, Sam Holland. Well, Senor Williams, I need good comments very badly. And since you come so highly recommended, I see no reason at all why you cannot go to work at once. That's mighty fine, Mr. Fernandez. I'll go get the boys. Good. I'll have my foreman, Juan Lopez, show you to your quarters. Just take your horses down to the barn. Thank you very much, sir. We'll see you later. And you will have supper with us tonight. Well, thank you.

[C]

Papa.

[A]

Come here.

[C]

Papa, what does the young man want?

[A]

Ah, they are friends of Sam Harland, and I have given them a job.

[C]

A job? But, Papa, they are strangers. And we have been having so much trouble on the ground. We should be more careful.

[A]

But I told you they had a letter of introduction from Senor Haaland.

[C]

But the letter could be a forgery. So far, they might be part of the gang that has been stealing our cattle.

[A]

That is possible. But I cannot turn them away until I am sure.

[C]

You must watch them carefully.

[A]

Cattle thieves have cost us much money. Wait, Lolita. Did you speak English to the young man when you went to the door?

[C]

No, Papa. I used only our own language.

[A]

Then I have an idea. Do not let them know you speak that language. Then when you are around them, perhaps they will say something which they think you do not understand. But that.

[C]

See, that is wonderful. You must tell them I cannot speak Americano. And then if they are bad men, perhaps I will find out.

[A]

And if they are not friends of them, Holland, we would soon know.

[C]

Oh, I hope they prove to be our friends. He was so friendly.

[A]

Much obliged to you, Juan, for taking care of our horses. And how do you like your bunk? Oh, fine, fine. When do we go to work? Tomorrow morning. You will ride herd on the cattle in the east section. And be sure your guns are made ready. John, are you expecting trouble? We've had much trouble with cattle, Russell. Hundreds of our best spears have been stolen this month. Yeah, and I thought we was coming over here for peace and quiet. Well, I must get washed up for supper. Ms. Lorito will be calling us any minute now. All right, Juan, we'll see you later. So we walked into a nest of cattle feed. That don't make sense either. Sam Holland told us this was the most peaceful ranch in the world. Nothing to do but just take life easy. Yeah, and now we got a ride heard on rustler's bait. Oh, look who's coming this away. That's the old man's daughter. And she sure is a pasty looking tortilla. Oh, you ain't a wolf. Pretty as a speckled guinea. Hey, I reckon she's going to have to supper. Supper? I'll bet she can cling a hot tamale. Come again? Oh, ma', am, you'll have to talk American. We don't say any of that stuff. Well, whatever you said, the answer is yes. This is a fine come off. She can't understand us and we can't understand her. Ah, there's a thousand things I'd like to be a telling her. Look, you sweet little old encolada. We no speaky of Mexico. Hey, she's making motions like she wants to eat supper. All right, Saga, molasses. You lead, we'll follow, huh? Oh, she wants us to follow her. And we are just the guys that'll do it. Come on, I think it's supper time. Well, we sure did enjoy our supper, Mr. Fernandez. I'm glad you did, boy. And I wish to apologize for Lolita. She cannot speak your language, so it makes it very difficult for you to understand her. Naturally, Boys, Lolita reminds me that I must retire early. So if you will excuse me, I will go to my room. Sure, that's all right. Lolita says that she will keep you company for a little while. Oh, that's for me? Oh, I mean, thank you, sir. Good night to all of you. Good night. Good night, sir.

[C]

Get a new citizen, Thompson.

[A]

Hey, she's motion to the chairs. Maybe she wants us to sit in. Maybe. From here on, I got a hunch this is going to be some conversation. Now quit picking your teeth, Dean. It ain't polite. Yeah, but it feels good. Besides, she can't speak English. Yeah, but she ain't blind. Look, honey, Chili, how that is. How about you and me going into town Saturday night and painting it red?

[C]

No comprendo.

[A]

How you ought to be ashamed. You know he don't understand a word you're saying. Good. Now listen to me, honey. How about stepping over here and giving your old Uncle Foy a nice big kiss? Hey, boy, would you ever get your face slapped if you see me what you said. But you don't know. Look, why don't you two guys go take a walk? Let me see if I can stir up some language this bunch of honey can speak. Honey, if you're saying the same thing to me that I'm saying to you, then we're going to be great friends. Ah, come on, Dean. I got a hunch this sort of thing ain't for me. No, me either. We'll see you at the bunk house, boy. Good for you. Now you're acting like real pals now. If you ask me, you better be careful. Might get wise all you're saying. Come on, Jimmy, let's go. Okay. Well, so long. I'll see you guys later. Look, angel face, how about sitting over here just a little closer? This is a doggone situation I was ever in. Now, now, looky here, my little Masha. I don't like giggling women, but we needs an interpreter. A blind one, see? You know something, Chicken? You're a mighty pretty little silly bean. If you could talk Texas, I got a hunch I could get right serious about you.

[C]

Dead.

[A]

Look here, angel eyes, this ain't getting me to first base. I think I'll go over to the bunk house till I figure out a way for me and you to understand each other. This is the silliest conversation I ever went through. Good night, my little Kamali. I'll see you later.

[C]

When. You so nice? He couldn't be a bad man. And he's so pretty, too.

[A]

You know, Dean, I'd just soon head back to Texas to eat a big plate of fried chicken. Yeah, me too. You know, this business about them rusters don't please me too much. That's right. If it's trouble we're looking for, there's plenty of that the other side of the border. Well, what's the matter for? Didn't you get along with her? Or did she slap your face? Well, boys, to be right honest about it, I took one look into those big, beautiful eyes of hers. I just didn't have the heart to sit there and make fun of her because she didn't understand me. Now, ain't that too bad? Get yourself ready and hit the hay. Well, I'm going down to barn, keep the horses all right myself, then I'll turn in. That's a good idea, Dean. Think you'll need a light. Know them moonlight's enough. Be back in a minute. You know, Dean's been gone a long time. Yeah. I wonder what's keeping him. Maybe I better go see about him. Might not be a Bad idea. He's likely to not fell on the water trough and drowned. Yeah, well, that's. Hey. Hey, what's up? What's wrong? Hey, boys. I just overheard something I wasn't supposed to. What in the tarnation are you talking about? Well, I went down to the barn and I walked on to conversation this foreman, Juan Lopez, was having with some men. Go what? Well, I'll tell you. They are rushing the old man's cattle. Are you kidding? Well, I sure ain't. I heard that foreman tell him that. Well, he's going to send us to the east section tomorrow and then that leave the south section free so they can run out another hundred head. Well, what do you know about that? What else did they plan? Well, he told men to drive them to the gorge at Devil's Pass and change the brand. And he'd make plans to have them in there in the morning to drive them into Texas. How many of them were there? Well, there was only three or four. Well, that's all they'd need to handle the job that way. Yeah, and then one said that he was going to rush back to Carlisle and tell him that they were being raided by a big gang of rustlers. Well, I'll be doggone. They got it all figured out, haven't you? All right, boys, we're going to put a little crimp into that foreman plan. Well, there ain't but one thing to do that's go tell the old man. Yeah, and Juan would deny it and we'd get run out of the country for accusing him. We're heading for Devil's Pass tomorrow morning instead of the east section pasture. There they are over there by the rocks. They ain't doing nothing but stand around. This ought to be easy. Yeah, we can take them if they'll circle around and come in from the other end behind those rocks there. Juan isn't in the bunch. I reckon he's going back to break the bad news to old Carlos and Lalita. His bad news ain't far behind. Come on, let's work around. Dean, move around the other side of this rock. When I fire my gun stuff, step out and cover them. Yeah, I got you. I hope this works like we think it will. Yeah, me too. Now get ready. Dean ought to be just about set. When you shoot that gun, it's going to scare the socks off of them. Then right now you're going to see four barefooted cattle rustlers. All right, boys, grab a handful of sky. Watch up, boys. Well, you want to find out if you start reaching for your guns. Get on your horses. We're going riding. They kept us tied up for five or six hours. And by now they're bound to be a long way off without hurt. This is more than I can stand. Why, if this keeps up, I'll be ruined. 1. Get these three new men from the east pasture. Round up every available man and see if we can find the herd. Just these. Carlos, I picked on those men and they haven't been there. I think they're behind this rock.

[C]

No, they couldn't be.

[A]

We suspected them at first. Then our suspicions were justified.

[C]

I just can't believe they would do it.

[A]

Nevertheless, they've done. What's that outside? Someone riding off. Come on, let's see who it is you're willing and his boys, Mr. Fernandez. What's the meaning of this? Boys, who are these men you are holding with your guns? Ask your foreman. Look here. What are you talking about here? If you make a play for your gun, you'll find out your herds are devil's fast. And these men, with the help of Juan, drove them there. Oh, I'm so glad stuck him through your hat. Willie, you can't prove nothing. These men have already talked and they're willing to spill all they know. But look here, you can have Juan. Boys, I don't know what to say. Don't say nothing, Mr. Fernandez. Just help me keep them covered while Dean and Sloy go into town for the law. You bet I will. Lolita. Get my gun. The big one.

[C]

Right away.

[A]

Did you hear what I heard? Yeah. He spoke in English to her when he asked for his gun and she entered him in English. She speaks and understands this stuff. Oh, am I in trouble. Now, look, you guys can do me a big favor. I got everything all packed up with Lolita and I want you to help me. Are you getting serious about her? Well, why shouldn't I? She's one of the prettiest, sweetest girls I ever knew. Now just a minute. You're carrying this too far, boys. I'm going to break down. Admit it. He's got me roped and tied. Yeah, if this don't beat all I ever heard of. You can count me out of it. All right. You've been wanting to settle down. Now I'm giving you the chance if you'll help me. Yeah, but I want to settle down in Texas. Not me. I want to settle in the good old United States. Things are going to be kind of dull around here now that them rustlers problems are all cleared up. Yeah, and what's more, there wasn't but one girl, and you saw her first. All right, let me down. I thought you were my friend. Oh, all right, tell us what you want. Well, I want you to give me a big build up to her. Well, you did all right with her the first time you met her. Yeah, well, but that's why you gotta help me. I gotta prove to her that I'm serious. Well, for God's sakes, what do you want us to do? Well, tonight I'm gonna take her walking. You and Dean be down near the edge of the corral under that big tree. I'll be walking down that way with Lolita. And, well, we'll accidentally come upon you two guys talking. Yeah, this don't make sense to me. What are we supposed to be talking about? Well, me. Well, have you lost your feeble mind? No, I. I just want you to be telling each other that, you know, Foy sure is crazy about Lolita and I've fallen for her and, oh, you know, give her that old text. You know, this is beyond out. The silliest thing I ever heard of you doing. Oh, now, come on, you've got to do this for me. Well, what do you think, Dean? You know, on second thought, Floyd, I think we ought to do it. You know, we owe for you that much. Yeah, you know, Dean, I sort of agree with you. Just leave it to us, boy. We'll. Okay, now, after you've talked about me for a bit, then start singing, you know, some real romantic song. Something like My Adobe Hacienda. Oh, boy, is he really rubbing it in. All right, we'll do it right now. I'm gonna go make a date with Lolita. I'll see you guys later. Ain't that the doggone the same you ever heard of a grown man doing? Yeah, when the love bug bites your bit. What are we gonna do about this thing? Hey, I've got it all figured out. You get the rose packs and the horses saddle. And when we get down to that tree, we will have our horses standing over at the side there for a quick getaway. And leave him here. Boy, when we get through with him, he'll be anxious to ride along with us. I think I'm beginning to get what you mean. I'm mighty glad you're taking a walk with me, Lolita. I had something I wanted to say to you.

[C]

I think you're very nice.

[A]

Let's go over here by that big pepper tree. It's kind of pretty there.

[C]

All right, let's do. And it's romantic too.

[A]

You know, I've been thinking a lot about us. Lolita and. Wait.

[C]

What is it?

[A]

There's Dean and Chloe sitting there by our tree. Let's sneak over and listen to what they're talking about.

[C]

All right. That should be fun.

[A]

We can walk almost up to him if we're real quiet. You know, Gene, I've been thinking a lot about Cora and Lolita. Yeah, me too. You know, he's been saying a lot of things about here lately.

[C]

You've been talking about me?

[A]

Oh, I talk about you all the time. What they say is true. You told me this morning that Joy would hate to get hinted up to her that she probably be big and fat and ugly by the time she's 30. You know what he told me? Yeah, he said he didn't want to be the papa to a house full of little tamales and fiolis.

[C]

Why do you think he curly headed Diablo?

[A]

Oh, I'll get even with you two for that quick if it's the last act of my life. You. You just wait and see. Oh, quit your grip. After you come to your senses, you'll probably spend the rest of your days thinking. Yeah, that's a fine way to do a pal P. I come to think of it, what about that little blonde galindel Rio you were giving the rush act to before we left? Yeah, and right now we are riding back that way. Hey, I wonder how she's doing. That's what I thought you'd say. Come on, let's go. In a song. You've heard the Trails of Mexico S.C. the riders of the Purple Stage 4 wheeling ALFB and Jimmy Dean. And featuring the Helen girl as Lolita with Nestor P. As Carlis, Don diamond as one. Here again are the riders of the Purple sage singing a song from their latest all color western picture Out California on your way Boogie woogie cowboy come west to fate that there's a cowboy Used to be a Nicky without any pets Singing mighty sadly of his home the range now regarded boogie woogie man what a change will give me a home where the buffalo roam. Where the deer and the answer were seldom misheard. A discouraging word used to hold it to me walking My boy used to heard the cattle and wanted guitar. Cause he never heard about a lake of the bar he whittle down the messes he got on the beach now it's hard to scratch in the boogie woogie feet Flibbity clop clop bibbity clop clop grizzle panel's alive and he jumps to the jive Libity clop clop liberty clop clop shoot the paddle jigga fettle my boy He's a boogie woogie artist on the radio now Drawing down a pound versus show and a pound but if he lost his pedal he'd be knocked off his feet because he's gotta have him with him to give him a beat Libity pop clap flippity pop He's a pillar and there's jamming to do Liberty pop need an 8ft puncher on the radio now the old lady behold lady ho. Just arrange it sooner Silver my boy. In the early days of cattle ranching when long trail drives were necessary to get the beef to market, cowmen had to be pretty careful that the herd didn't run all the fat off or destroy themselves in a wild stampede. It was the cowboys responsibility to get the herd to market in prime condition. Just as it is the responsibility of the bakers of Weber's Bread to see the your community is supplied with plenty of good fresh Weber's Bread. And Weber's Bread is always good bread for it's always well mixed and well baked. With its firm even texture and golden brown crust, Weber's Bread is appetizing to look at and a delight to eat. Buy Weber's Bread when you go to market. Your entire family will enjoy the distinctive flavor of the bread in the blue gingham rapper. Remember Weber's Bread. Men of the west from out of the west with a real song of the West. America's great western singing stars, Boy Willing and the riders of the Purple sage singing one of those grand old folk ballads of the wide open spaces that may serve to renew your memories of the old West. That trail to Mexico made up my mind in the early morning to leave the home where I was born to leave my name home of one and travel with for many a month was in the fling I'm off the gift you came to me and fed my dear, don't leave your home oh please don't go don't ride the trail to Mexico oh take your gold and your.

[C]

Silver too oh take the gold.

[A]

To the Rio Grande and ride the trail with a cowboy band I'll ride the twin into Mexico where the bullets fly it's there I'll go, I leave leave my native home of heart and travel well for many a mile. There's been some time for us. Today is up folks. And again it's been awful nice being with you. Until next week. This is Corey Williams speaking for Al Snoy Jimmy Dean saying, so long and good luck to you all. From Hollywood. You have heard your All Star Western Theater, a V.M. baird production starring America's great Western singers, Boy Willing and the Rioters of the Purple Sage. My name is Cotton P. Cart saying much obliged to you for keeping company with us and inviting you back to the All Star Western Theater again next week at this same time. This program came to you from Columbia Square. Foreign.

[B]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com and send us an email podcast trwesterns.com you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright for more information go to otrwesterns.com copyright have a great day and thanks for listening.

[A]

Sam.