Where Men Are Men | Frontier Town (1949)

Summary

Old Time Radio Westerns Podcast: Detailed Summary of "Where Men Are Men | Frontier Town (1949)"

Podcast Information:

• Title: Old Time Radio Westerns
• Host: Andrew Rhines
• Episode Title: Where Men Are Men | Frontier Town (1949)
• Release Date: February 10, 2025

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Introduction to Frontier Town

The episode, "Where Men Are Men," transports listeners to the rugged and tumultuous landscape of Dos Reyes, a quintessential frontier town in the Wild West. Hosted by Andrew Rhines, the podcast masterfully recreates the ambiance of 1949 Western radio dramas, enriched by digitally restored audio that brings every creak, gunshot, and melodious tune to vibrant life.

Main Characters

1. Chad Remington ([05:22] – [24:05]):

   • A seasoned lawyer in Dos Reyes, Chad embodies the archetypal frontier lawman—tough, principled, and deeply involved in the town's affairs.

2. Cy Bardwell ([06:25] – [26:34]):

   • The young and somewhat reckless son of Phil Bardwell. His actions and decisions drive much of the episode's conflict.

3. Phil Bardwell ([06:25] – [27:01]):

   • A wealthy and respected citizen who runs the Dos Reyes Packing Company. His penchant for courting young women often lands him in legal troubles.

4. Cherokee O'Bannon ([06:25] – [30:12]):

   • An ex-medicine man and close associate of Chad. Together, they navigate the complexities of frontier justice.

5. Bill Tolliver ([09:53] – [24:10]):

   • A formidable business partner involved in a cattle deal with Phil. His relationship with Phil becomes strained due to the latter's personal issues.

6. Blossom ([21:17] – [29:30]):

   • A charismatic singer at the Wheel of Fortune Cafe. She becomes the center of a deceptive scheme targeting Phil.

7. Boots Larsen ([20:16] – [27:08]):

   • An antagonist collaborating with Blossom to manipulate events in Dos Reyes for personal gain.

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Plot Overview

Initial Conflict: The episode opens with Chad Remington handling a complex case involving Cy Bardwell, who finds himself entangled in legal issues due to his father, Phil's, interactions with young women. Phil's frivolous spending on entertainment has led to multiple run-ins with the law, straining his reputation and business relationships.

Escalation: Phil Bardwell's latest misadventure involves a breach of promise lawsuit filed by Blossom, a singer at the Wheel of Fortune Cafe. This legal battle threatens a lucrative cattle deal with Bill Tolliver, who depends on the timely delivery of a thousand head of cattle to avoid bankruptcy.

Chad's Intervention: Determined to save both Phil's reputation and the packing company's future, Chad enlists Cy to undertake a morally dubious mission: seduce Blossom to fabricate a compromising scenario that would nullify her lawsuit. Cy, recognizing the gravity of his father's predicament, reluctantly agrees.

Deceptive Schemes: Unbeknownst to Chad and Cy, Blossom and her accomplice, Boots Larsen, have orchestrated a badger game to extort money from Phil and, by extension, Chad. Their plan involves setting up Cy in a compromising position, leveraging his actions to pressure Phil into relinquishing control of the cattle deal.

Climactic Confrontation: As Cy pursues Blossom to fulfill his task, tensions rise. Cherokee and Chad monitor his progress, but their efforts culminate in a showdown at the Wheel of Fortune Cafe. Boots and the crew attempt to manipulate Cy, leading to physical confrontations and the revelation of their true intentions.

Resolution: The arrival of a special investigator, summoned by Cy, exposes the deceitful schemes of Blossom and Boots. A tense standoff ensues, resulting in the unraveling of their plot. Phil Bardwell must reckon with his actions and their repercussions, while Chad and Cherokee restore order to Dos Reyes.

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Key Scenes and Notable Quotes

1. Chad Remington's Opening Statement ([05:22] – [09:05])

Chad introduces himself as the town's lawyer, emphasizing the unique challenges of frontier life.

Chad Remington: "Frontier towns are different, and the difference is defined by how much worse one is than the next. Rough, tough, rowdy, and boisterous. Yes, they're all that and most of them a good deal more." ([05:22])

2. Confrontation with Cy Bardwell ([08:02] – [11:30])

Chad confronts Cy about his repeated involvement in his father's troubles.

Chad Remington: "I'm through getting you out of trouble. And I'm going to tell your father that it's high time he washed his hands of you on our dog." ([08:08])

Cy Bardwell: "Well, how did I know she was married to the Pharaoh dealer? She works there just like the rest of them." ([08:30])

3. The Scheme Unveiled ([15:01] – [16:42])

Phil Bardwell outlines the breach of promise lawsuit and the stakes involved.

Phil Bardwell: "Well, son, it's woman trouble. Dad blamed it. I don't think you can help me out." ([15:01])

Cy Bardwell: "Well, if you'll tell me what the trouble is, Mr. Tolliver, maybe I can help you out." ([15:07])

Phil Bardwell: "They sure ain't. And if you don't want to go home to a bankrupt father, you will hightail it over to the Wheel of Fortune Cafe and ask for a young lady by the name of Blossom." ([16:05])

4. Showdown at the Cafe ([25:09] – [28:56])

The antagonist's plan comes to light as Marshals attempt to intervene.

Chad Remington: "You'd better show it now, Boots, or you'll end up with some holes in your chest where your badges ought to be." ([28:39])

Cherokee O'Bannon: "Chad, look out." ([28:56])

5. Final Resolution ([29:23] – [31:04])

The special investigator's arrival brings clarity and leads to the downfall of the antagonists.

Chad Remington: "Tolliver, is that the truth? You fell for that dance hall singer, and now she's suing you for $25,000 for breach of promise." ([23:30])

Cy Bardwell: "Believe me, Chad, I'm grateful for what you did. But this time I've had my eyes open to what a fool I've been." ([13:39])

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Themes and Insights

Redemption and Responsibility: Cy's journey from a wayward young man to someone who takes responsibility for his father's actions underscores the theme of personal redemption. His efforts to rectify Phil's mistakes highlight the importance of accountability in maintaining one's honor in the unforgiving landscape of the frontier.

Deception and Trust: The deceptive schemes of Blossom and Boots Larsen illustrate the precarious nature of trust in frontier towns, where appearances often belied ulterior motives. The episode delves into how easily reputations can be manipulated for personal gain.

Law and Order: Chad Remington embodies the struggle to uphold justice in an environment where legal systems are still evolving. His persistent efforts to mediate conflicts and seek fair resolutions reflect the challenges of maintaining order in a frontier society.

Economic Survival: The cattle deal with Bill Tolliver serves as a backdrop to the economic tensions within Dos Reyes. The dependency on successful business ventures highlights the fragile balance between personal conduct and financial stability in sustaining a community.

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Conclusion

"Where Men Are Men" offers a compelling narrative that weaves together themes of redemption, deception, and the quest for justice in a vividly portrayed frontier town. Through expertly crafted dialogue and dynamic character interactions, the episode captures the essence of Old Time Radio Westerns, delivering an engaging and immersive listening experience. Andrew Rhines' meticulous digital restoration enhances the storytelling, ensuring that the timeless tales of the Wild West continue to resonate with modern audiences.

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Notable Quotes with Timestamps:

1. Chad Remington on Frontier Towns ([05:22]):

   "Frontier towns are different, and the difference is defined by how much worse one is than the next."

2. Chad Confronting Cy ([08:08]):

   "I'm through getting you out of trouble. And I'm going to tell your father that it's high time he washed his hands of you on our dog."

3. Phil Bardwell's Plea ([15:01]):

   "Well, son, it's woman trouble. Dad blamed it. I don't think you can help me out."

4. Chad on Legal Matters ([24:05]):

   "Chad, are you going to let go of my arm?"

5. Cherokee's Defiance ([30:12]):

   "Well, I'll tell you how I figure it, gentlemen. I've lived a long and adventurous life."

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Final Notes: This episode exemplifies the enduring allure of Western dramas, blending action, moral dilemmas, and intricate character dynamics. Whether you're a seasoned fan or new to Old Time Radio Westerns, "Where Men Are Men" offers a rich and enthralling glimpse into the legendary Wild West.

Transcript

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[Chad Remington]

Foreign.

[Narrator]

Welcome.

[Andrew Rines]

To the Old Time Radio Westerns. I'm your host Andrew Rines, and let's get into this episode. This episode is going to be Frontier Town, originally aired in 1949 and the title is Where Men Are Men. Hope you enjoy. And again, thanks for listening.

[Ad Read Host]

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[Blossom]

Town the Saga of the Roaring West Frontier El Paso, Cheyenne, Calgary, Tombstone Frontier Town Here is the adventurous story of the early west, the tamed and the untamed. From the Pecos to Powder River, Dodge City to Poker Flat, these are the towns they fought to live in and lived to fight for teeming crucibles of pioneer freedom. Frontier town.

[Chad Remington]

Frontier town, huh? Well, I come from a frontier town and I don't want you to think that one frontier town is like another. You take it from me, frontier towns are different and the difference is defined by how much worse one is than the next. Rough, tough, rowdy and boisterous. Yes, they're all that and most of them a good deal more. Now, I happen to be a Frontier Town lawyer, Chad Remington by name, and I get to see the troubles folks, good and bad get into for miles around my hometown of Dos Reyes. Only recently I handled a case which was, well, three cases in one, and they all revolved around Cy Bardwell's young son. Phil Psy is an old and valued citizen of Dos Reis and runs the Dos Reus Packing Company. All of which means that Cy Bardwell has money. Money that Phil Bardwell seems to feel is better off spent entertaining young well, let's let it go at young ladies.

[Phil Bardwell]

Now.

[Chad Remington]

It should go without saying that this can lead to plenty of trouble. And in Phil's case, it did lead to plenty of trouble. First there was the Row and the Last Chance Salute. A week after the last chance fracas, someone else dared Phil to go for his gun. It took a little law book thumbing to get Phil out of the pokey on both these charges. And then only last week, trouble broke out anew. That doughty ex medicine man, Cherokee O'Bannon and I were walking from Cherokee's livery stable down Colorado street, slowly passing Dos Rios, nine saloons, minding our own business.

[Cherokee O'Bannon]

Would it be all right if I stepped into the next tavern we come to?

[Chad Remington]

You washed your hands just before we left the livery stable.

[Cherokee O'Bannon]

Yes, I know, but I like to go in and tie a shoelace.

[Chad Remington]

You know, that's a great trick if you could do it. You're wearing boots.

[Cherokee O'Bannon]

Foiled again by the astounding perspicacity of this young. Chad. Look out, Billy Blue Blazes. Chad. Someone was heaved right through the doors of that saloon by the bouncer.

[Chad Remington]

Someone. Don't you see who it is? Phil Bardwell. Here, help me get him up and dust him off.

[Cy Bardwell]

Oh. What hit me?

[Chad Remington]

Probably a bung starter. Phil, what happened inside?

[Cy Bardwell]

Well, I.

[Cherokee O'Bannon]

Never mind what happened. Just tell us if she was a blonde, brunette or a redhead.

[Chad Remington]

Phil, for pity's sake. You keep on getting mixed up in woman trouble and I'm gonna leave you in the calaboose.

[Cy Bardwell]

Now, wait a minute, Chad. You talk as if I go out of my way. They get into trouble.

[Cherokee O'Bannon]

You certainly go out of your way to pick on the wrong women.

[Cy Bardwell]

Well, how did I know she was married to the Pharaoh dealer? She works there just like the rest of them.

[Chad Remington]

How do you know anything, Phil? But there's something you might as well learn right now. I'm through getting you out of trouble. And I'm going to tell your father that it's high time he washed his hands of you on our dog.

[Cy Bardwell]

On it, Chad.

[Chad Remington]

You do that.

[Cy Bardwell]

And, well, you know how Pop is.

[Chad Remington]

Yes, I do know how Pop is. And because I do, Cherokee and I are taking you down to his office at the packing house and making you tell him face to face just what happened.

[Cy Bardwell]

Oh, but Chad, when you got into.

[Cherokee O'Bannon]

That row, the last chance a few weeks ago, you promised your father then that you were through getting mixed up with women.

[Chad Remington]

When I bailed you out after that shooting scrape, you swore up and down that you were turning over a new leaf and leaving women alone.

[Cy Bardwell]

I know, but Chad.

[Chad Remington]

But, Chad, nothing. Come on, young fella. You're going down to face the music right straight.

[Cy Bardwell]

That's about the whole story, Pop.

[Bill Tolliver]

And a fine story it is, indeed.

[Chad Remington]

We thought it would be better if Phil told you what happened himself.

[Bill Tolliver]

Of all the ungrateful, irresponsible, weak kneed, troublemaking clothing store dummies. I'm ashamed to say that my own son, my own flesh and blood, sure takes a cake.

[Cy Bardwell]

But, Pop, if you'd only listen.

[Chad Remington]

Only listen, my pet heifer.

[Bill Tolliver]

Every time some new peroxide blonde lands in town, I Can bank on you getting into some more trouble.

[Phil Bardwell]

But time is the last time.

[Cy Bardwell]

What do you mean, Pop, the last time?

[Bill Tolliver]

I mean I'm fed up up to here, and so help me, Phil, if you hadn't had the decency to come in and tell me about this yourself, you'd be out in the street without a nickel.

[Phil Bardwell]

I wouldn't be giving you one more chance.

[Cy Bardwell]

Well, you can thank Chad for that. He made me come in and face the music.

[Chad Remington]

Forget about it, Phil. Oh, if you don't think I'm butting inside. What is this final chance you say you're going to give, Phil?

[Bill Tolliver]

Well, you know, Chad, as long as I've been running this packing house here, in those three years, I've been buying cattle practically all over the state.

[Chad Remington]

Yes, as I remember, you bought cattle 6, 700 miles away and had them driven up here.

[Bill Tolliver]

That's right. And driving them, as you know, runs off a lot of weight. So for the past few years, I've had a deal with a man down in Fort Wingate about 30 miles from here, to receive the cattle when they get there, feed them and fatten them up again.

[Chad Remington]

Oh, you must mean Bill Tolliver.

[Bill Tolliver]

Yeah, Bill's the one.

[Cherokee O'Bannon]

Bill Tolliver? Why, that old rascal. He's been married and divorced more time than a guinea pig's head. Guinea.

[Chad Remington]

He has a weakness, too. But let's get back to this last chance you're giving Phil's eye.

[Bill Tolliver]

Well, it's just this, Chad. There's been about a thousand head of cattle at Fort Wingate for, oh, about a month now, and for some reason or other, Bill Tolliver's holding them there. Unless I get those cattle, I'll be.

[Phil Bardwell]

Mighty soon out of business.

[Cy Bardwell]

What do you want me to do, Pop?

[Bill Tolliver]

I want you to saddle up and ride over to Fort Wingate, See Bill Tolliver, straighten out whatever it is, and then get those cattle up here before I'm blinking well bankrupt.

[Chad Remington]

Well, that shouldn't.

[Bill Tolliver]

Couldn't be difficult at all unless the scatterbrained young punkin gets mixed up in some new mess and doesn't pay attention to business.

[Phil Bardwell]

Aw, I won't, Pop.

[Bill Tolliver]

Well, you blast it. Well, better not. Because next time, young man, I'm cutting.

[Phil Bardwell]

You off without a cent.

[Chad Remington]

I suppose if I'd been a city lawyer, I would have let it go at that. But in a frontier town where you know everybody, things are a little more personal. So on behalf of my client, I talked Cherokee into getting two of his best horses out of the delivery stable and the O'Bannon and I started out for Fort Wingate, about a half a mile behind Phil Bardwell. Just far enough back so he couldn't see us, but where we could keep an eye on him.

[Cherokee O'Bannon]

You know, Councillor, I was just thinking. A man who chases around after women is bound to get into trouble.

[Chad Remington]

Just for the record, Cherokee, let's get it straight. It isn't just women. It's the kind of women and the kind of company Phil keeps frequenting saloons.

[Cherokee O'Bannon]

There's something back headed about that that I don't like. Chad, there's nothing wrong with saloons.

[Chad Remington]

No, no, there isn't. Well, the buildings most saloons are in are all right. It's the fire, water and the people like you who keep drinking the moderation. Cherokee. See what that is? Two high binders up in those rocks trying to dry gulch. Phil, slap leather, man. Use your gun. Either our shooting was better than we were entitled to expect, or the blackguards who tried to ventilate Phil's back didn't have any salt. But they hit for the hills and within a few hundred yards or more we'd overtaken Phil and stopped by the.

[Cherokee O'Bannon]

Beard of top at the Prophet. Phil, how can you say we were spying on you? My Chad and I just happened to have business of our own over at Fort Wingate.

[Cy Bardwell]

Oh, sure, I'll bet Pop sent you over to take care of me. Well, this is one time I'm taking care of myself.

[Chad Remington]

Yeah, it sure looks like it. Those two bushwhackers almost took care of you for good.

[Cherokee O'Bannon]

I wonder what they wanted.

[Chad Remington]

Who knows? Money, probably. After all, Phil's father is about the wealthiest man in the entire county.

[Cy Bardwell]

Believe me, Chad, I'm grateful for what you did. But this time I've had my eyes open to what a fool I've been. And I want to show Pop I can make good on my own two feet.

[Chad Remington]

I'm all for that, Phil. And not only because of you, but because if your dad doesn't get that thousand head of cattle from Bill Tolliver, I'm afraid he's going to be out of business.

[Cy Bardwell]

I know it, Chad. And that's another reason I'm in dead earnest. So if you don't mind, I'll be climbing back in the saddle and finishing my trip to Bill Toliver's office. You'd only listen, Mr. Tolliver. I'd be able to tell you what's on my mind. And we could probably get our business settled in time for a meeting.

[Phil Bardwell]

Old business be hamstrung what sort of a mind do you think I got for business when I just got telling you that I am up to my years in trouble?

[Cy Bardwell]

Well, if you'll tell me what the trouble is, Mr. Tolliver, maybe I can help you out.

[Phil Bardwell]

Well, son, it's woman trouble. Dad blamed if. I don't think you can help me out.

[Cy Bardwell]

Woman trouble?

[Narrator]

Me?

[Phil Bardwell]

Oh, I've been a sucker for the women folks all my life and this time I really got myself in trouble.

[Cy Bardwell]

Yeah, but look, Mr. Tolliver, if it's woman trouble, I'm afraid there's not much I can do.

[Phil Bardwell]

Yeah, well, your pappy wants them thousand headed cattle, don't he?

[Cy Bardwell]

Why sure. Only.

[Phil Bardwell]

Well, he won't get him unless you get me out of this jam. You see, son, I. I opened my big mouth, if once too often to a little black haired singer over in one hour cafes. Stop feeling liberal. Now, she sued me for breach of promise. Her lawyers filed attachment on them thousand head of cattle your dad want.

[Cy Bardwell]

Gosh, even though I'm sorry for you, what do you expect me to do about it, Mr. Tolliver?

[Phil Bardwell]

Now you're a right good looking young fella and everybody in the state knows your father's worth a lot of money. So I reckon if you went over to the cafe and met the singer and then kindly soft talked her, I could have a photographer handy. And when you had your arms around her making love to her, whammo. We could snap a picture and her breech of promise suit would fall plum to pieces. The little man.

[Cy Bardwell]

Oh, good grief. Mr. Tolliver, you don't know what you're asking of me.

[Phil Bardwell]

Okay, don't do it. You just go back to Dos Reyes and tell your father to close up his packing house. Cause he is plumb out of business.

[Cy Bardwell]

Mr. Tolliver, isn't there some other way out of this?

[Phil Bardwell]

They sure ain't. And if you don't want to go home to a bankrupt father, you will hightail it over to the Wheel of Fortune Cafe and ask for a young lady by the name of Blossom. And if they ain't a picture in the newspaper of you making violin love to that little black haired wildcat, then son, your father's gonna lose every nickel he ever own.

[Blossom]

We'll return to the second act of Where Men Are Men, our exciting frontier town adventure in just a few moments. And now, frontier town.

[Chad Remington]

Talk about trouble on the frontier. The trouble Phil Bardwell found himself in because of Bill Tolliver and his own past record was trouble. Anyplace I've known men to be Surrounded on two sides with their backs to the wall and end up dying with their boots on. But Phil Bardwell was surrounded on all four sides. His father, Bill Tolliver, his own reputation, and the mysterious brunette singer at the Wheel of Fortune Cafe who answered to the name of Blossom.

[Cherokee O'Bannon]

Blossom, he said. Probably no more of a Blossom than a Willard skunk cabbage.

[Cy Bardwell]

Yeah, well, that's none of your affair. Pop sent me out with a job to do, and by thunder, I'm gonna do it.

[Chad Remington]

Phil, have you gone completely out of your mind? Your father sent you over here on business.

[Cherokee O'Bannon]

Yes, and it wasn't monkey business either.

[Cy Bardwell]

Look, Chad, I'm in no mood for a lecture and I've got no time to argue. Thank you. To let go of my arm.

[Chad Remington]

Now you look here, Phil. I got you out of trouble once this week and if you think that you're going.

[Cy Bardwell]

Chad, are you going to let go of my arm?

[Chad Remington]

No, by golly, you're going to ruin everything. Now.

[Cy Bardwell]

But maybe this will keep your big mouth shut. You'll take my advice from now on. You'll make it your business to steer clear of me.

[Cherokee O'Bannon]

Why, are you ungrateful little.

[Chad Remington]

That's enough, Cherokee. Let the blame fool go.

[Cy Bardwell]

Thanks, Chad. You're being smart.

[Cherokee O'Bannon]

Chad. Are you gonna stand and let Phil slap you and get away with it?

[Chad Remington]

It appears that he has already. I don't know what he's up to now, but by George, I'm keeping an eye on that Wheel of Fortune cafe and finding out just what in thunder is going on.

[Cy Bardwell]

Excuse me, mister. Wonder if you could help me with something.

[Narrator]

Yeah. You looking for somebody?

[Cy Bardwell]

There's a girl work here by the name of Blossom?

[Narrator]

Maybe. What's it to you?

[Cy Bardwell]

Oh, why? Well, I'd like to see her, that's all.

[Narrator]

You would, huh? Well, she's busy right now, but I.

[Cy Bardwell]

Mean, would you tell her I'd like to see her anyhow? Maybe she's not too busy to take a minute.

[Narrator]

Look, I just got through telling you she's busy. Now why don't you run along and stop being a pest.

[Cy Bardwell]

But I want to see her just for a minute. If you just tell her that Phil Bardwell from Dos Rios is.

[Narrator]

Phil Bardwell?

[Cy Bardwell]

Uh huh.

[Narrator]

You related to Cy Bardwell, the gent that owns the packing house down there?

[Cy Bardwell]

Cy Bardwell's my father?

[Phil Bardwell]

Why?

[Narrator]

Well, why didn't you say so in the first place? Here, sit down. I'll go tell Blossom she'll be right out. Out in three shakes of a lamb's tail. Don't you get the idea, Blossom? That kid's playing right into our hands.

[Boots Larsen]

No, Boots, I sure don't get the idea. First, you have a couple of the boys throw shots at him when he's on his way up here from Dos Rios. And now suddenly you want me to go out and be nice to him?

[Narrator]

How did I know he was gonna walk in here just begging to be taken? This is better than I could even dream of.

[Boots Larsen]

I know what's better about it.

[Narrator]

Why do you think he come over here and asked for you?

[Boots Larsen]

That ain't hard. Gonna try to talk me out of the breach of promise suit against Taliba So his old man can get his cattle released?

[Narrator]

Sure. Only he don't know that we know what he's after.

[Boots Larsen]

So?

[Narrator]

So if we play our cards right, we can collect from Tolliver and Phil Bardwell's old man.

[Boots Larsen]

How do you figure that?

[Narrator]

All you gotta do is do just what you did with old man Tolliver. Only in the kid's case, it's gonna be easier. He ain't old enough to know his way around yet. And once he starts talking gushy, we'll have that tin horn lawyer of our slap papers on him so fast, his old man will be writing checks in your name for a week.

[Boots Larsen]

You got a lot of confidence in that bum lawyer, Boots. Matter of fact, I don't think he was ever any closer to a lawyer book than seeing one in a bookstore window.

[Narrator]

Well, to tell you the truth, he ain't a regular lawyer. They kicked him out back in Illinois. But there's one thing he does know. Breach of promise. Plenty angles ways to make them pay off at the bank.

[Boots Larsen]

But, Phil, darling, how did you happen to come all the way down to Fort Wingate out of this whole big town? Just asked to meet me.

[Cy Bardwell]

Why, honey, girl as beautiful as you are gets a reputation. And in this country, the news of a. A beautiful woman travels twice as fast as a prairie fire.

[Boots Larsen]

Oh, Phil, you're so sweet to say things like that. Even though I know they're not true. All you men are such liars.

[Cy Bardwell]

Yeah, but I'm not. I meant every word I said about your reputation.

[Boots Larsen]

I hope you're telling the truth. When a girl's had to earn her own way like me, learns to mistrust men, the only thing that's gonna keep me going is the hope that someday I might find someone I could trust, take me away from all this.

[Cy Bardwell]

Well, in that case, you just trust me, Blossom. The way I feel now, I expect to be able to take you away to Take you away Real.

[Chad Remington]

Of course, being on the outside, hoping that we could find out what was going on inside. Cherokee. And I knew none of this at the time it took place. But after watching the Wheel of Fortune Cafe for an hour or more and finding that Phil didn't come out, I decided to take the bull by the horns and pay a call on Bill Tolliver to see what particulars we could learn from him.

[Phil Bardwell]

Well, Ted, that there's what happened, and that's the way it is.

[Chad Remington]

Tolliver, is that the truth? You fell for that dance hall singer, and now she's suing you for $25,000 for breach of promise.

[Phil Bardwell]

Oh, you never said a truer word in all your life, Chad.

[Cherokee O'Bannon]

I told you, Chad. Bill Tolliver may be old enough to be an elephant, but he hasn't gotten over trying to act like a wolf.

[Phil Bardwell]

Just the same, I think that little scheme I figured out, using Phil Bardwell as bait to prove Blossom's just a fortune hunter, is it going to work, don't you, Chad?

[Chad Remington]

No, I don't, Bill. You're trying to have Phil help you is like a drowning man grabbing another one who can't swim, either. What you need is a good lawyer.

[Phil Bardwell]

A lawyer? And go into the court and have everybody in the county laughing at me?

[Chad Remington]

I didn't say for you to get a lawyer. I just said that you needed one. And with a little help from Cherokee and from Western Union, maybe we can work it out.

[Phil Bardwell]

Hey. Hey, Chad. Where do you think you're going?

[Chad Remington]

I'm going a few places first, but I'm going to end up mighty soon down at the Wheel of Fortune Cafe.

[Narrator]

Well, Phil, my boy, as much as I hate to lose Blossom, I'm sure you'll make her a good husband. And just to show you my heart's in the right place, we're gonna celebrate with champagne on the house.

[Cy Bardwell]

Oh, now, wait a minute. I haven't said anything about Jeremy.

[Boots Larsen]

If Boots wants to buy us some champagne, we've got to be polite.

[Chad Remington]

You might as well drown your troubles in champagne. That is, if this gent can afford to buy enough. Because the champagne it would take to drown your troubles would be enough to float a battleship.

[Boots Larsen]

Who is this man? Phil?

[Narrator]

Yeah, and what's he doing butting in?

[Chad Remington]

To make it short and to the point, I happen to be a friend of this youngster's father. I think you get the idea.

[Cy Bardwell]

Why, you.

[Narrator]

Just a minute, Blossom. I'll handle this. Look, Mr. Trouble's one thing I don't like in my place. So I'm telling you. Now, get up.

[Chad Remington]

Well, I got a message for Phil and I intend giving it to him.

[Narrator]

All you're doing is either walking out or my boys are gonna have to carry you out feet first.

[Chad Remington]

But this message is important, and I promise that I.

[Narrator]

Right. I told you what had happened or not.

[Cy Bardwell]

Great Scott, but you knocked him out.

[Narrator]

Ain't it a shame? Now I'm going to throw him out. Hey, Al.

[Cherokee O'Bannon]

Mur.

[Narrator]

Toss his body out into the street.

[Andrew Rines]

Okay, boss.

[Cherokee O'Bannon]

Come on, Al.

[Narrator]

Well, I guess that takes care of that.

[Boots Larsen]

You see, Phil, what a friend you have in Boots.

[Cy Bardwell]

Yeah, I certainly do. Hey, what's that? That there on the floor? Looks like a telegram.

[Boots Larsen]

You better get it, Boots must have fallen out of that fella's pocket when you knocked him down.

[Narrator]

Yeah. Maybe this is the important message he had for Phil.

[Andrew Rines]

Well.

[Narrator]

Phil, you'd better go back in my office. I'll have the champagne served in there.

[Cy Bardwell]

Yeah, but I want to.

[Narrator]

You want Alan Murph to escort you back? It's better, son. Now get moving.

[Boots Larsen]

Boots, what's in that telegram?

[Narrator]

Plenty. It's from the kid's father, Cy Bardwell. Says he suspects we're trying to run a badger game on Bill Tolliver. He's asked the governor to send on a special investigator. The guy arrives on the late afternoon stage.

[Boots Larsen]

Good night. The State's Attorney's office gets into this. You know where we'll end up, Boots? In the penitentiary.

[Narrator]

Yeah, yeah, but there's still a myth. If Mr. Investigator arrives.

[Boots Larsen]

If he arrives. But he's on the stagecoach now, Boots.

[Narrator]

Oh, sure, sure, he's on it. That don't say that we ain't gonna stop that coach. Take the gent off and have one of our own boys take over his clothes and papers and come down here and whitewash us. Now, you get back in my office and keep the kid there. Blossom. Me and the boys, we.

[Cherokee O'Bannon]

Oh, oh, yeah.

[Narrator]

Rain up. Okay, now, here comes the coach. Remember, let me do the talking. All right, boys, and keep your guns out of sight. I want this thing to look like we were trying to help the poor devil. Hey, driver, wait a minute. It's the US Marshal's posse. Wait up. The marshal got word of special investigators on his way to Fort Wingate from the state capitol. Any you men inside? The man. Guess we're supposed to take you to town through a back trail. Marshal suspects some trouble.

[Cherokee O'Bannon]

Yes, I'm the special investigator.

[Narrator]

Well, come on, get out. We got a horse here for you.

[Cherokee O'Bannon]

The door, will you?

[Narrator]

Right on there. You Are.

[Cherokee O'Bannon]

Come on, now, hold on a minute. You men are marshals. Where are your badges?

[Narrator]

Look, brother, you're just wasting time. Now, come on, get out. We'll show you our identification later.

[Chad Remington]

You'd better show it now, Boots, or you'll end up with some holes in your chest where your badges ought to be.

[Cherokee O'Bannon]

Good boy, Chad.

[Narrator]

Boy, you troublemaker. What are you doing hiding in that coach?

[Chad Remington]

Getting ready to take you to jail for attempted kidnapping.

[Cherokee O'Bannon]

Chad, look out. Billy Blue Blazes. Chad, those buzzards may end up in jail tomorrow, but right now we'd better take them down to the doctors and get their hands bandaged up.

[Cy Bardwell]

Chad, you could have knocked me down with a feather when that blossom admitted she was married to Boots Larsen.

[Chad Remington]

Well, as her lawyer, I. Well, I advised her to make the admission so that she couldn't be forced to testify against her husband.

[Cy Bardwell]

Well, as they say, all's well, it ends well.

[Cherokee O'Bannon]

Except this hasn't ended yet. After running in and out of saloons doing Chad's dirty work, I've yet to find someone to offer to buy me a drink.

[Chad Remington]

Cherokee, haven't you learned yet that drinking is a harmful habit?

[Cy Bardwell]

A man your age, Cherokee, certainly should have learned it by this time. Drinking affects your health. Why, I've even known men to go blind from drinking too much.

[Cherokee O'Bannon]

Well, I'll tell you how I figure it, gentlemen. I've lived a long and adventurous life.

[Chad Remington]

Yes.

[Cherokee O'Bannon]

So if I do lose my sight, what of it? I've seen everything there is to see already.

[Blossom]

Frontier Town, starring Reed Hadley and featuring Wade Crosby is a broadcasters program syndicate. Production, supervision and direction by Paul Franklin. Music written and played by Ivan Ditmar. Be sure to be with us again same time next week for another fine action adventure story with your favorite young western star, Reed Hadley. And now, this is Bill Foreman telling you that Frontier Town comes to you from Hollywood.

[Boots Larsen]

SA.

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[Narrator]

Foreign.

[Andrew Rines]

This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail 707-986-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.

[Ad Read Host]

You just realized your business needed to hire someone yesterday. How can you find amazing candidates fast? Easy. Just use Indeed. Stop struggling to get your job posts seen on other job sites with Indeed sponsored jobs. Your post jumps to the top of the page for your relevant candidates so you can reach the people you want faster. According to Indeed data, Sponsored jobs posted directly on indeed have 45% more applications than non sponsored jobs. Don't wait any longer. Speed up your hiring right now with Indeed and listeners of this show will get a $75 sponsored job credit. To get your jobs more visibility@ Indeed.com Arts, just go to Indeed.com Arts right now and support our show by saying you heard about Indeed on this podcast. Terms and conditions apply. Hiring Indeed is all you need.