Transcript
Maggie Bowles (0:01)
Straw Hut Media.
Ryan Tillotson (0:02)
So John told you with excitement. He did.
Jane Lynch (0:05)
Okay, well, it was kind of like, you know, he's like the nicest guy in the world. Listen, this is a good thing. We're going to kill you. What do you think about that? And I was like, oh, it's great.
Unidentified Fan or Listener (0:17)
It's great.
Maggie Bowles (0:23)
Hello, and welcome back to the Only Murders in the Building podcast. I'm Maggie Bowles.
Ryan Tillotson (0:27)
And I'm Ryan Tillotson.
Maggie Bowles (0:28)
And we are looking behind the scenes and mining for clues as we meet the cast and creators of the Hulu original series, Only Murders in the Building.
Ryan Tillotson (0:35)
Today on the show, we are continuing our conversations all about season four, episode four, the Stuntman. If you haven't seen episode four or if you haven't listened to part one of this week's podcast, go do both
Maggie Bowles (0:46)
those things first, because today we're talking to the one, the only, Jane Lynch. Jane lynch is here. So we'll hear about how her character was first pitched to her all those years ago and how sass has changed over the seasons.
Ryan Tillotson (1:02)
We'll also talk with Michael Cyril Crichton about Howard's secret wardrobe this season and what it is like acting with a pig and a dog.
Maggie Bowles (1:14)
Last episode, we learned from Madeline George that Glenn Stubbins accent, his Irish accent was actually Paul Rudd's idea. And when we talked to John Hoffman, showrunner co creator, he wanted to know how that landed with us. Here's John.
John Hoffman (1:28)
How was that for you? I'm dying to know. Yes. How was that for you? I like. Was it like, are you kidding me at first? What was your reaction?
Maggie Bowles (1:35)
What's funny is when the, when the Irish accent comes out in the beginning, I'm like, this is a bad Irish accent. I was like, this isn't a real Irish accent. And I was like, who the heck is talking? And then when you see him and his name is Glenn Stubbins.
Jane Lynch (1:53)
