Did I forget Steve Allen?

I don't know, but I definitely almost forgot Sephen Colbert.

WHY!

Because I can't decipher who you are from the other four of you!

There's three of us.

Where's number four?!

{Enter The Multiverse}

Suddenly, not every day was the same—and that was strange, as it seemed the entire year had just been residuals of the same day over and over—but these days we're distinctly different, and perhaps that's because without knowing what I was going to write, things were kept interesting, and even more interesting was what I was writing at all.

Music: but was it comfortable? I had put out a single a day which by now amounted to an album all put together, and I might have thought to put it out as a compilation toward the end of it all, but I hadn't gotten that far yet; I was still in the proc de of an actual album, though more complex in reasoning and context—the concept was struggling to come to the surface. It had, after all, been in the realization that a prefixed muse has been envisioned somewhere in the sands of time, that painting of melting clocks merging together into some desert scraped sandstorm, something of illusion and something like a half imagined oasi…a hallucinated woman who might have been me, but actually beautiful—perfect, actually, draped in pearls and diamonds, dripping in them—leading this lost and wandering man—a beautiful man, also, to an oasis. Was the oasis real? I wasn't sure yet, and after the first track Mirage, I was behind by 4 days on what was supposed to have been whatever tracks followed, the list of them now stuck in wax to the base of the candle at the altar, still burning— a black candle for protection , of course—a strong reminder I should keep moving until whatever things and creatures had seemingly been sent after me could not find me, any longer—and however thought it might have been the case, even if just a seed as planted into my mind — it seems at least that one negative had turned positive, in the very least.

The woman whom I had shared a room with just the year before— who seemed to be something like demonically possessed and had also just rather disappeared without a trace—left behind just a bit more than her sunglasses. Since I had thought it better safe than sorry to record everything just in case I continued to be attacked, (having been literally pounced on already twice by other roommate)s—a beautiful soundscape emerged from having been cursed out, a rant which had become increasingly hilarious over time, and of course, remembering Ms. Keisha more fondly than not, especially having left her sunglasses behind.

Besides, after having by grown up with my mother, even the meanest people sometimes seemed mild by comparison in remembrance of her sometimes bitter and absolute cruelty. It's hard to have imagined that I had grown up under those conditions—and though now understanding that how some others had grown up in roach and rat infested housing projects, and however clean, mostly orderly, and overall class wise my mother was, on her worst days she had been horrible, especially for a child or adolescent to have dealt with alone, and so Ms. Keisha, though at most times, an irritant, had become a buried treasure, as I sifted through the mounds of recordings in order to create something unique, and different. After tipping off the copyright sensors not once, but twice—once having submitted a completely self composed work and still somehow being flagged by the system as copyrighted material, my music became more bizzare and strange, not just bending rules, but completely breaking them.

—Tales of a superstar DJ.

LINDSAY LOHAN is sleeping FACE DOWN on the couch in SunnÏ Blū's Studio

Lindsay, wake up.

Mmfh.

[Does not wake up. At all.]

Lindsay.

Mmf.

Tequila.

[Suddenly very awake, in fact; she has suddenly perked up with an amazing glow. ]

*very serious knocks on the door*

Oh shit.

[suddenly, more drunk again]

–oh shit.

*three more knocks*

Where's the tequila?

SUNNÏ

Ah, shit.

Is that your lawyer, or your manager?

Shit, maybe both.

SUNNI. OPEN THE DOOR .

–Might even be my agent, too.

OPEN THE GODDAMN DOOR.

(Both, in cheesy unison, tiny rock concert}

I CHIMED IN WITH A

HAVENT YOU PEOPLE EVER HEARD OF

[Sunni opens the door.

No, it's “closing the door–

not “open the door”

“The Goddamn door.”

Right, Goddamit.

–where's the tequila.

Where it is– [Sunni points in a wayward direction; Lindsay stumbles morning-aftery into the booth.

Eww–”morning aftery”

Not like that.

*addendum*

[That Is, just to say that this scene takes place in the afterdays haze of a very

–Very

Holy Shit , God.

What.

You rule.

[Lindsay enters the booth and uncaps a bottle of tequila so effing fancy, it hurts to look at.]

So fucking fancy.

Was that lindsay lohan?

Yeah it is. It's still lindsay logan, Morgen–

–It's ‘Morgan”

–She's just over there now. Not was

How are you even friends.

FLASHBACK

‘ I don't want to be the reason,

I could never know you—

And I don't want to be the reason

I could never love you'

‘Weird dreams, bro.'

I had woken up with a song in my head I just flat out refused to sing; I knew it wouldn't come out the way it sounded in my head. it was beautiful, but the dream was a sentiment in itself — starring Lindsay Lohan, of course, still a redhead.

Apparently we were sisters—same father, different mother; waking up, though, was silly and sounded bizzare— but in the dream it made sense. We were aware of each other, but just now really meeting for the first time— the place at all didn't seem Los Angeles, but the house was large and kind of old. It seemed I wanted to speak to her but was nervous—then, abandoning a music project entirely, had decided to ask Lindsay to go on a walk—she obliged, but seemed like she really wanted to be left alone, which I ignored—I wanted to get to know my sister, but really— I think, it seemed like I just wanted to ask questions about being super famous. ‘What was it like to be loved?'

I didn't ask flat out.

In fact, I stayed quiet and let her do the talking— eventually she became upset and began crying. Being rich and famous was not all it was chalked up to be; upset and furious— though not irate, and simply in tears, she began to reveal she had a drinking problem—naturally of course, I then took her to have a drink. I made the drinks weaker, but she wanted more, however, I didn't want her to get sick, so she stormed off and started yelling at me again. Now she was drunk and actually yelling— she told me her real Hollywood story, full of struggles, and that everything was a lie. I changed the subject to our paternal bond, telling her none of that mattered and we should just focus on being sisters, but she just kept going on about the Hollywood life—and how fake everything was. She claimed she was a washed up old sham— I refused, stating that she seemed to be doing well, and I quipped—

“That's not true, didn't I see you on Fallon?”

It was in fact the only Tonight Show segment I had watched all year, after writing the song ‘JIMMY FALLON' in early spring— I did after all, love Lindsay Lohan, who had been written into the festival project as well, ironically as Sunnï Blu's alcoholic celebrity companion—so this dream was probably my fault anyway somehow, considering it was happening in my head.

Lol.

Her response to the comment about the appearance on Tonight made me laugh—still pirated (pissed, drunk) she goes

“Oh please! Have you ever heard him speak a full sentence [on his own]?!”

Seemed like a personal dig, but I tried to hold back a snickering giggle.

“Okay…”

I let her go on, eventually as it seemed returning to the bar. It seemed the fact that we were sisters by blood only kind of mattered to me—

Dream ended with a song that happened to be in the key of frankengenie, but I wasn't going to sing it.

It was Christmas Day, not that it mattered, and I had been to bed in the early morning after the last release The Glimmer Twins [The Abyss], which was a narrative song for The festivsl Project's Enter The Multiverse collection —which I'd been inspired to write from a book I was reading.

Of courses

I woke up needing the Peloton, but opted for Christmas Pasta, closer to sitting down to write then not and knowing if i exercised at all it would be hours before diving into Ableton, I ...

OWSLA CONFIDENTIAL, LTD.The infinite Skrillifiles: Next Generation— Quantum Force

Episodes

Omniplex. (Dissonance)

CIRCV5z.

[Be Careful What You Wish For.]

Bon Ami.

Bon Ami.

[The Abyss.] (ft. The Glimmer Twins]

crAzy.

Say So.

frankengenie

dosage.