Reading Dostoevsky Behind Bars (Update)

Summary

Podcast Summary: People I (Mostly) Admire – "Reading Dostoevsky Behind Bars (Update)"

Introduction and Background

In this poignant episode of People I (Mostly) Admire, hosted by Steve Levitt of Freakonomics Radio and Stitcher, listeners are introduced to Reginald Dwayne Betts, a remarkable individual who has transformed his life after serving over eight years in prison from the ages of 16 to 24. Celebrating the 20th anniversary of his release, Reginald shares his journey from incarceration to becoming a MacArthur Genius Award winner, Yale Law School graduate, poet, and founder of the nonprofit organization Freedom Reads.

Founding of Freedom Reads

At [01:41], Reginald delves into the inception of Freedom Reads, an organization dedicated to building libraries within prisons. His mission is to create spaces where inmates can commune over books, thereby disrupting the bleak and isolating environment of prisons. Reginald explains:

“Freedom Reads is an organization I started to build libraries in prisons. We make bookcases that are handmade out of walnut, cherry, and maple... We want to bring nature into the space to give you something to look at and remind yourself that you still live in the world.” [02:10]

So far, Freedom Reads has established 172 libraries across 34 prisons in 10 states, providing inmates with access to a diverse collection of literature.

Designing and Implementing Freedom Libraries

Reginald emphasizes the thoughtful design behind the libraries, aiming to foster community and reduce the sense of hopelessness commonly associated with incarceration. At [07:26], he describes the bookcases:

“We wanted people to not look at books in isolation. We partnered with architects to create modular, curved bookcases that encourage multiple people to browse together, fostering conversation and community.” [07:26]

These libraries are not merely collections of books but are architectural statements intended to transform the prison environment into a more humane and engaging space.

Challenges in Scaling and Funding

Scaling Freedom Reads presents significant challenges, primarily due to financial constraints. Reginald discusses the ambitious goals and the resources required to expand the initiative:

“Each of our Freedom Libraries costs about $25,000, which includes building the library and purchasing books. To reach our goal of 2,000 libraries, we need to raise $30 million.” [15:01]

Despite securing initial support, scaling up requires substantial funding. Reginald shares his strategic plans to increase the number of libraries annually, aiming for 300 to 350 libraries per year over the next three years.

Measuring Impact and Feedback

One of the critical aspects Reginald tackles is the difficulty in quantifying the impact of Freedom Reads. He candidly admits:

“It's difficult to know how many lives you change with the books if you're changing the way inmates are perceiving themselves. It’s just hard to quantify.” [21:13]

To address this, Freedom Reads employs feedback loops, such as direct letters from inmates and organizing events where writers perform and engage with prisoners. These interactions help gauge the program's effectiveness beyond traditional metrics.

Personal Experiences of Reginald in Prison

Reginald opens up about his tumultuous time in prison, highlighting the challenges and the moments that shaped his resolve to create Freedom Reads. He recounts instances of being sent to solitary confinement and the pivotal moment when a book changed his life:

“I decided to be a writer. But what birthed the Freedom Library was realizing how much books could transform a person's spirit even in the darkest moments.” [30:58]

His narrative underscores the profound role that literature and human connection play in rehabilitation and personal transformation.

Reflections on the Prison System and Redemption

Throughout the conversation, Reginald reflects on the broader implications of the prison system and society's reluctance to grant second chances. He shares his frustrations with institutions that deny him opportunities despite his accomplishments:

“It seems to me that in a just society, once you've served your time, the slate should be wiped clean. But that's so clearly not true.” [36:33]

Reginald advocates for a society that embraces redemption, mercy, and the potential for individuals to rebuild their lives post-incarceration.

Current Projects and Future Plans

Marking the 20th anniversary of his release, Reginald celebrates personal and professional milestones, including his solo show "Felon: An American Washy Tail" and the publication of his fifth poetry collection, Dog Rule. He proudly announces:

“With every book that's purchased, I'm donating 54 cents to Freedom Reads because I believe that this represents freedom beginning with a book.” [48:29]

Conclusion

Reginald Dwayne Betts' story is a testament to resilience, transformation, and the enduring power of literature. Through Freedom Reads, he is not only changing his life but also offering a pathway for countless others within the prison system to find solace, education, and hope. This episode serves as an inspiring reminder of the impact that one individual can have in fostering systemic change.

Notable Quotes

• “Freedom Reads is an organization I started to build libraries in prisons... We want to bring nature into the space to give you something to look at and remind yourself that you still live in the world.” — Reginald Dwayne Betts [02:10]

• “We wanted people to not look at books in isolation... fostering conversation and community.” — Reginald Dwayne Betts [07:26]

• “It's difficult to know how many lives you change with the books... It’s just hard to quantify.” — Reginald Dwayne Betts [21:13]

• “It seems to me that in a just society, once you've served your time, the slate should be wiped clean. But that's so clearly not true.” — Reginald Dwayne Betts [36:33]

• “With every book that's purchased, I'm donating 54 cents to Freedom Reads... freedom beginning with a book.” — Reginald Dwayne Betts [48:29]

Final Thoughts

Reginald Dwayne Betts embodies the spirit of redemption and the profound impact of education and literature in transforming lives. His work with Freedom Reads not only provides inmates with valuable resources but also challenges societal perceptions of incarceration and rehabilitation. This episode offers a deeply engaging and insightful look into the life of someone who has turned adversity into an opportunity to inspire and enact meaningful change.

Transcript

[Steve Levitt]

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[Reginald Dwayne Betts]

It was 20 years ago this week that Reginald Dwayne Betts was released from prison. And that's a great excuse to replay our conversation from 2023. This is a very special episode for me. I'd never met Duane before this conversation, but I was so impressed by him that we stayed in touch, became friends, and I've even joined the board of his organization. For he is truly one of the most remarkable and likable people that I've ever known. My guest today, Reginald Duane Betts, is a MacArthur Genius Award winner, founder of the non profit Freedom Reads, a poet and a graduate of Yale Law School. He's accomplished all that despite the fact that he spent more than eight years in prison from the age of 16 to 24.

I wasn't a model prisoner, but I do think that in a different system that was searching to cultivate the skills and the talents and the personalities and just the rehabilitation of people inside, I would have been a model prisoner because I would have had mentors around me.

[Steve Levitt]

Welcome to people I mostly admire. With Steve Levitt.

[Reginald Dwayne Betts]

Here's someone who beat incredible odds to turn his life around. But not only that. After graduating from Yale Law School, he could have made enormous amounts of money. Instead, he's dedicated his life to helping those who remain behind in prison. You started an organization called Freedom reads back in 2020. Could you tell me what Freedom Reads is doing?

Freedom Reads is an organization I started to build libraries and prisons. And what we're doing is building a place for people to commune over books. We make books, bookcases that are handmade out of walnut, out of cherry, out of maple. The idea is that this disrupt the built environment that is a prison. One that's really rooted in desperation and a sense of hopelessness and one that has an absence of nature. We want to bring nature into the space to give you something to look at and remind yourself that you still live in the world. But we also want to bring these books in and center them in a way that makes it a sort of locus of something else within a prison. And so far we built 172 Freedom libraries across 34 prisons and 10 states.

That's fantastic. What kind of books do you put in these libraries?

That's always the million dollar question. So I wonder, what is one of your favorite books? And let's say fiction.

So I'm gonna maybe embarrass myself, but I love the Harry Potter series.

The Harry Potter series is not in the library. So that was the first time I've struck out.

Okay, what about Zen and the Art of Motorcycle Maintenance?

I know that book. It is not in the library. So now that's one that we will look for to put in the library, because that's a really good book.

Yeah, I haven't read it since I was in my 20s, but when I read it in my 20s, it had a really big influence on the way I thought about things.

Well, this is how we built the collection, though. I would talk to somebody like you, and you would tell me a book like that, and then we would go research it. Yesterday, actually, I was having lunch with somebody and he said, the Things They Carry. And I was like, of course we have Tim o' Brien in the collection. Tim o' Brien is amazing. You know, it also has Dostoevsky. It has some Chekhov, but it has some Shakespeare. But we have SA Cosby. We have James, James McBride. I tell people the collection is like a river. You can't step in the same place of a river twice, but it's still the same river. And so sometimes books get moved out and moved back in. The collection really is meant to be a robust statement about some of the most profound books in the world. So you have your 100 years of solitude, but you also have somebody like Rion Scott, who's an amazing short story writer. And we had this collection of his called Insurrections in a catalog, and you may have never heard of that. And then you pick it up and you get transported to another world. And that might be right next to the Chester Himes or right next to the Maltese Falcon, or right next to the other run of Stephen King books that we have in there.

So these are mostly not easy books. Many of the prisoners aren't gonna be that highly educated. Can they handle these books?

Well, you have to destabilize what you think about literature. Text itself is kind of frightening because you think that the book is this fixed object that you have to have a certain amount of knowledge to enter into the book with. But we tell stories all of the time. And so one of the things we do is we bring writers in to give readings and to give talks and People hear them reading from their works and they say, oh, I can read that in a book. Or we create an opportunity for community. Because what you really saying is difficult is somebody has to tell you what the story is about. Somebody has to make you interested and invested and engaged. We also work with people who turn a book into a solo show and they abridge it. So we got Black Boy and that's a 300 page book that's fit into a 45 minute solo show. We brought somebody in to perform A Brief Wondrous Life of Oscar Wilde. We brought somebody in to perform the Late Homecoming. And so what happened is that these shows actually help destabilize the barriers towards reading. And you realize, oh, I understood that story. So it's just some competencies. I need to learn to dig into this. And then people start digging into it. If you go to a university and you start struggling, well, the one thing that you have immediately around you is a community of people that's doing the same thing that you're doing. And you could identify where to get their help from. Once you recognize you have a need. Well, how does that exist in prison? Not just for literacy, but the way that literacy and literature calms an environment, it doesn't. We make it exist. So, yes, some people won't be able to read the hardest books. But by presenting them the way that we do, I think people end up constantly surprising themselves.

Do you have any way of knowing which books are being read and which books are having an impact? It would be great to have a feedback mechanism.

Oh, man, I hate to say this because. Okay, I'm going to say it anyway. Forgive me, Jill Lepore, but Professor Jill Lepore, historian out of Harvard, we got her book in there about Wonder Woman and somebody in our team was talking about, like, should we take this out of the collection? Maybe it doesn't comport. We thought it was something different. I'm like, ah, it's pretty good. I like it. Let's see what happens. The next day, we got a letter from a woman in prison. We had just did six libraries in a California women's prison. And so the next day we literally got a letter from this woman saying, I picked up that secret history of Wonder Woman. And it is such an amazing book. I cannot believe I found something like this on this show. But we create another feedback loop because when we do events, and the reason why we do events is simple. They have events at the public library all of the time. I did eight and a half years in prison and I never Saw anybody come to talk to us. Nobody ever came to read us poetry. Nobody ever came to share their work. Nobody ever came to say, let's do the same thing for you that we do for college students and high school students all around America, which is to expose them to people who might give them a reason to understand what they might become in this world.

You've put a lot of thought into every detail of this, it seems. Could you describe the bookcases in more detail? What do they look like? And why were the choices around them made? And who makes it?

I started doing some research on micro libraries because that was the first word that popped in my head that described what I wanted to do. But a lot of these are designed architecturally to think about what the space does for the people, because you recognize the building as being what attracts people to build community. Well, we had to make the actual structure of where the book set be the thing that builds community almost as if it's operating as a building. So we couldn't put the bookcases on the wall because I wanted you to look at books and look at the person across from you. And so I reached out to some architects. And then former commissioner of the Connecticut Department of Corrections, Scott Semple, had a relationship with Mass Design, and he introduced me to them. And then I ended up partnering closely with them to build the libraries. You know, first we were thinking about literally putting a whole building into a housing unit, and what would that look like? And the DOC immediately let us know that you can't obscure sight lines. And the architects would say things like, well, what if we made the material diaphanous and see through? And the DOC folks would say, again, you cannot obscure sight lines. Let me say this more Clearly. You have 44 inches of height to work with. And so we started to think, okay, if we have 44 inches, the height to work with, well, what do we want to do with this? What do we want the people to do when this enters into a space? And so we decided we really, really want people to not look at books in isolation. We wanted it to be a space where you could be there and not even looking at the books. You could be there just having a conversation about sports or anything. Like, it could be a locus point of calm in a housing unit. You know, the idea of Freedom Library, this was coined by Elizabeth Alexander, the president of Mellon, but it exists in a tradition of Freedom Schools and Freedom Riders. So we worked with this guy named Jeffrey, one of the architects at Mass Design. He was thinking about Dr. Martin Luther King, Jr. And how he has this quote that says the arc of the universe is long but bends towards justice. Well, what if we designed this in a modular way that created different kinds of arcs? And what if we realized that Once we built 10,000 of these, once we move towards putting one of these on every housing unit in every prison in America, wouldn't that just be a giant arc that's bending towards justice? And so that's how we thought about, okay, we're going to make it curved, we're going to make it modular so that if a prison doesn't have a lot of space, there's always at least two bookcases to create an arc and to create an opportunity for three to five to eight people to browse the books at the same time. So we decided those things about the shape, and then we decided we wanted to use wood as a material. Because I did eight and a half years in prison and never saw a tree. I was never able to touch a tree. So that was also the physicality that we wanted to push. Is one prison called Valley State Prison in California, they have 16 housing units. And we were taking 50 bookcases, three and a half per housing unit. And then you got to unbox the 500 books and put them on the shelves. It took about six hours. And what it meant was that the people that came with us, they were doing community service. They were talking to the people inside. And for a lot of folks inside, for the first time in their lives, people from the outside came in who wasn't their family, who wasn't there to ask them questions about their crimes, who weren't even there to talk about criminal justice reform. They were there to provide them with this opportunity and provide them with conversation. A woman once said, man, what is this, Shakespeare? And another woman said, oh, it's a tragedy. And the other woman said, well, what's a tragedy? And she was like, it means everybody dies. And I'm like, that's not all it means. I mean, look, what about this line in Hamlet? And we were holding up Hamlet. When he said, blah, blah, blah, she was like, yeah, that's kind of interesting. We had this short conversation, but it was funny. It showed both of our knowledge of Shakespeare. It was a little bit of give and take. And we got to model the relationships that get built around literature. And so I like to think that the actual design elements, down to the finger joints that we use to connect the pieces of wood, down to the fact that you ask, who makes them? We have a team of People that were formerly incarcerated that's doing the work with us. And then out of the 12 full time employees that Freedom Reeds has, five of us have served significant time in prison. You know, when we go back into Angola and James is with us and he's seeing his friends who he grew up with, who he did 10, 15, 20 years with, it's just a really powerful moment because they like, what are you back here for? He's like, I'm bringing these libraries. It's almost like we creating an ecosystem in which all of the work around the Freedom Library is internally connected and externally connected. From me as the leader of the organization, to the team members that we've brought on to the relationships that we've built to do the work and our primary partner, because every time we build a Freedom Library for a housing unit, we also build one in a prison for staff. And so our primary partners are the people in prison, both those incarcerated and those who work in prison.

I'm surprised to hear you do it for the staff. What was the thought process behind that?

Some of my worst experiences in prison were at the hands of cos. But some of the most transformative experiences I had were also through interactions with staff. I remember getting a job at the law library. It was only because the staff okayed me to work there, and I was like, 22, 23. And young folks in prison sometimes break rules, and when you get access to a printer, they think that you might be doing something illicit. And sometimes we are. So they defer to hiring older, more mature people to avoid a potential conflict. But I don't think I would be a lawyer today if he didn't make that decision to give me a chance. And he only made the decision to give me a chance because I had messed with him every single day about the books that he was reading. He would always turn his book over so that we couldn't see the title of it. At the time, I was working in the school as a GED tutor. And so I would come in, I was like, what you reading today, officer? I look, man, don't be ashamed of reading romance novels. Let us see that trade paperback you got. And then the next day I would come back and you can always tell when somebody has a different book by the shape, the size, or whatever. And I was like, are you really reading all these books? And the dude was like, you know those folks at Buckingham palace that don't speak? That's who he was. He wasn't having conversations with me. And yet we bonded in the Only way that was permissible, which was a little bit of joshing back and forth.

But he got me this job.

And if we would have had a freedom library there, if he would have felt like he had permission to talk to me about what he was reading, to ask me what I was reading, it would have just been a more profoundly unique experience. And so we do it for the.

Staff because I think that in some ways we have demonized people who work.

In prisons to the detriment of trying.

To have real systematic change. And so I'm trying not to demonize the people who work in prisons. I'm trying to recognize that staff in prisons have a higher rate of alcoholism than the rest of the society, a higher rate of domestic violence, a higher rate of suicide, like it's poor health outcomes for everybody who has to spend a significant time in prison. We used to tell people, when cos are bothering us, yo, stop acting like you're not doing a 10 year sentence too. In fact, I might got nine years, but you got 30 years and you just doing it 15 hours at a time.

But also, I'm trying to be honest. I'm trying to recognize that I am haunted by the fact that I put a pistol in somebody's face. And I carry around a deep sense of regret for that. And we live in a society that doesn't give you permission to have that kind of regret. And like robustly say, I want to do something about it, but I also want to do something for the people who have been just as wrong. And if I am really going to say that in a full throated way, I can't get into that game of choosing who I want to demonize because I already know that if we're playing that game, I have so many failures, you know that my house isn't made of glass. My house is like in the countryside in the open.

What kind of scale are you operating at so far? How many books have you put into prisons?

I think one of your colleagues wrote Voltage Effect.

Sure, yeah. John List.

I've read his book like four times and I spent a lot of time thinking about what he talks about in scale and how our project is a quintessential example of how you could fail at scale. Last year, the goal was to do 50 libraries. We had done 10 at the June board meeting and my board was really skeptical. They had questions about whether or not we would be able to reach our goals. But from that point in June to the end of the year, we built an additional 50 libraries. So we entered this year, having built 60 libraries in January, we built 60 libraries alone. And at this point, we on a pace to get about 200 or so this year. And our strategic plan that we're writing currently is to push the numbers up for 24, 25, and 26 to about 300 to 350 per year. And we feel like we will, over these three years, learn what it means to scale in terms of. Can we get to the point where we're doing a thousand libraries a year?

What's the constraint? Is it money? Is it prison officials?

It's not prison officials. We always work with the commissioner or the secretary, whoever's the leader of the Department of Corrections in the state. Then we get the okay for all of the prisons, as opposed to hand selling prison by prison. We could just sell state by state. So we were on a call with all of Colorado, and one of the wardens was the place that we were gonna go to first. He was highly skeptical. And we show up at Colorado, and I got on an orange fedora and some sneakers and some khaki shorts. And the warden is like, dwayne. And I'm like, yeah, it's a pleasure to meet you. He's like, man, let me show you this. Cause, you know, I wasn't really on board with this at first. I mean, I wanted to do it, but I was skeptical, you know, like, anybody might be. But let me show you how you built one, and now I need you to build 20 more. And he goes to the housing unit where they had a library. And it's beautiful. People are talking, and the books are amazing, and they've organized the collection of books to put the titles in it that we needed. And then he says, let me show you this housing unit. And we go right next door. There's no Freedom Library there. And for the first time in a long time, I feel like I'm in prison again. Now, I've been in 30 prisons this year. I'm in prisons all the time. But this was the first time in a long time that I felt like I might have to go in a cell in two seconds. And the reason is because it was so austere. It was just white walls. Nobody wanted to be out in a day room space because it was such a sad institution. And so I'm talking to the guys, and I'm trying to explain to them what the Freedom Library is. And then they get engaged. And then as we're about to leave this guy reach, and I shake his hand, and he says, thank you. Nobody Comes back, I leave the housing unit with the warden and the warden says, you know, that guy was on death row for like 20 years and he doesn't talk to a lot of people. This is why we need 20 more. Your presence, you're bringing these libraries in here, it changes something about the fabric of what could happen in a moment. It might not change the whole prison, but it changes the fabric of what could happen in a moment. So no, the wardens, the officials, the prison staff is not the reason why we haven't gotten to a thousand a year yet. The reason is resources. And then the reason is we also in the process of literally figuring out what staff do we need to do 250 libraries versus the staff we needed to do 50. I tell people this all the time. The year I got locked up, the year I was sentenced to prison, was 1997. The state of California spent $3.8 billion on incarceration. That year, 360 million was spent just to account for the new people that they arrested. Each of our freedom libraries is about $25,000. And that includes hiring the staff to actually build and construct the libraries. That includes the money that it costs to buy the books. And so cost is an impediment. And that's why we're constantly raising money and we're hoping over the next year to raise the $30 million that we'll need to get to 2,000 libraries across this country. And we could devote our internal resources on doing the work and then being.

Able to present that to the world and have folks reinvest and help us take this off.

We'll be right back with more of my conversation with Reginald Dwayne Betts after this short break. People I mostly admire is sponsored by Constant Contact. Running your own business today means facing constant disruption. From rapidly evolving AI technologies to inflation and unpredictable political shifts, this instability can make even short term planning feel uncertain, leaving business owners feeling reactive instead of proactive. That's why growth is more important than ever. And Constant Contact helps make it simple and steady. With their all in one platform, you can create and manage attention grabbing campaigns in just a few clicks. Email, text, social media, events, landing pages, you name it, it's all in one place. Constant Contact's AI content generator helps you turn a rough idea into a ready to go message faster than ever. And with hundreds of customizable templates, it's easy to make something that looks and reads like your brand. You also get automated sending, real time reporting and tools that actually help drive sales. So you're not just marketing your business, you're growing it. Get a free 30 day trial when you go to constant contact dot com. Try constant contact. Free for 30 days at constant contact dot com constant contact dot com. There's a lot of emphasis these days in the not for profit world on quantifying the impact of interventions. And in principle, I think that's exactly the right idea. Philanthropists want to know how much good their donations are doing. But unlike for profit firms, which have a relatively straightforward proxy for success, which is profit, in practice, it's often hard to accurately measure a nonprofit's impact. Freedom Reads, I think, is a great example of this. It's difficult to know how many lives you change with the books if you're changing the way inmates are perceiving themselves. It's just hard to quantify. And I'm not saying it's impossible to do. It's just exceedingly difficult and might involve randomization. You're a small organization, plus you'd want to wait five or ten years to see what kind of impact this was having on people's lives down the road.

So that's the critical question. I was in a visiting room once. I was visiting somebody in a New York prison. My visit was over, but I'm sitting down and I'm watching this man and his woman having a visit. The woman's back was towards me and I could see the man and he was rating. And I was thinking, this is so rude, you sitting down rating while this woman came to see you. This is disrespectful, mind you. I don't know this dude. I should be minding my business, but now I'm intrigued. And then he says, all right, I'm finished. Let me read it to you. And he reads her a poem. And she says, yo, you just like a Langston Hughes. He says, you know, a little bit like Langston Hughes. I got a little Shakespeare in me. And then they start talking about how, like they love books and somebody mentions Beloved. And they was talking about Ta Nehisi Coates. And she was like, well, what? I was in school, I loved the Russians. And she started talking about Dovsky and Chekhov. And he was like, I never really loved the Russians, but I love something like Walter Mosley. And now, as you could tell, as I tell this story, I got intense. And I'm supposed to be minding my business, but I'm like, fascinated, right? I'm literally taking notes. And so then either the man or the woman says, we should read books together. And the other One was like, yo, that's a great idea. He said, you know, I want to pick the first book. And she said, but how you going to do that? And it was a pause. But what if he had a Freedom Library on his housing unit? When she said the Russians, he would have went back and said, you know, I know we got the Russians there because we have a browsing library and we create support. So if you get hooked on the Russians, you could find the resources. Like, they go Dostoevsky, they go Chekov, they go A Gentleman in Moscow, which is a very new book that's set in Russia. That's amazing. My point is, how do you identify something like that and say, that's what we want to test for. How many opportunities like that did we create? And then we can make our own narrative about how that's valuable. And you could agree or disagree with it, but we want to measure how many opportunities that we create like that. Different kinds of communication with people and their family on the outside. But the key point you said, though, is that you really do need time, and time is a product of money. It's really hard to think strategically about three years down the line, five years down the line, 10 years down the line, if you don't yet have a budget for that. But the other thing that I'll say, I took a paralegal course when I was in prison. I also took a correspondence course in writing. That means that the prison allowed me to do that.

Now, this is when they didn't have.

Pell Grants and they didn't have college and prison. So what if somebody was like, what's the effectiveness allowing these inmates to do these correspondence courses because they do cost staff time?

Is this beneficial? Well, I graduated from Yale Law School. I graduated from the University of Maryland. I was the commencement speaker. When I graduated, I had a full tuition, academic, scholarship. And I've excelled at every point in my life in terms of applying the things that I learned in prison. But if you tried to measure the efficacy of. Of anything that I was doing in prison, two years out, three years out, five years out, you'd have been like, dwayne is still unemployed. He still doesn't have meaningful employment. Five years after he got released from prison, he's making less than minimum wage, teaching poetry to children. All of this was a waste. But if you look another five years, you're like, wait a minute. He has created 11 jobs for other people, and he has actually found a way to move from inmate to trusted collaborator with some of the most respected Department of Correction officials in the country. So what is the metric that we would have applied to my life to lead you or anybody else to want to support an organization that was trying to make me possible? That point about metrics is one that I struggle with because I understand why.

Funders want to be able to see.

What they get for the support.

But that's why we bring you into the prison with us, because what you get is what you see in that very moment. And you witness two people around a book or you witness how it literally does change the space. And we actually argue that the first metric of success is showing up. What does it mean to count that as a metric? What does it mean to say that we have been in more prison housing units than any other organization in this country and we've done it in a short amount of time?

I mean, I share your feeling. The reason I asked that question, I feel like it's become such a knee jerk reaction on the part of funders to demand quantitative results. And I've come to bristle at that over time because I feel like exactly what you said, a lot of what matters, we're never gonna measure using the kind of measures we have.

The reason why that was a beautiful question is because it doesn't get asked enough. And so we don't get to think about it in public. And I have struggled a bit, but I have benefited, and Freedom Reeves has benefited by the fact that some people think that in some real way what we're trying to do with Freedom Reads is like what I did with my life. And if that's true in terms of me being a 16 year old kid who was in a state that I didn't grow up in and I had no friends and no community, if I was able to not only survive in prison, but thrive. And I have a trajectory now that I did not have before I got incarcerated. Which means that what created this trajectory was what I did when I was in prison. A lot of funders have taken as an act of faith maybe that this is what has been missing from what we are talking about when we talk about criminal justice reform, like the literal transformation of lives on a wholesale level. I don't care that the system is violent. I don't care that the system is often racist. I don't care that the system is ingest. I care what kind of life that my man has when he comes home from prison. And there hasn't been the kind of robust work that takes that question and answers it the way I answered it for My own life. And so I think that the funding.

That we've had so far, it has been a lot of seed money that.

You would get in the for profit space. That has been what was really irregular about Freedom Reed's trajectory.

Mellon invested $5.25 million in an idea.

But freedom is an idea.

What is the Constitution but an idea? Sometimes I'm talking to funders who, like, may not know that California spent 3.8 billion on corrections in 1997. But if they know that, then when they look at my ask, which might be a million dollars, might be 5 million, might be 10 million, they know that it is a fraction of a fraction of a fraction of what was necessary to create this problem. So why should they balk at supplying a fraction of a fraction of a fraction that might galvanize some real systemic change in a way that's targeted at.

Who do you become when you leave.

A prison and how do you become that thing on your own? Because we're not a direct service organization. All we saying is that a library is the field of dreams. That if we build it, they will come. And that some significant subset of folks who get connected to this thing will transform their lives. And I do want to tell you the one story about where this all came from that conceptualizes why I think it is such a design rich project.

Great.

So I ended up in solitary confinement in my first year in prison. I was in a hole like three or four times. And it was all for incidental contact with staff or somebody punching me in the face. And the hole was hard. And I remember they stripped me of all my property. I hate to say this, man, but I was just so afraid. And you don't really have permission to be scared in prison because who you gonna complain to if you scared, go to church. I looked at an image of myself from when I was 16. I graduated from high school at the county jail. Cause turns out that when I was 16, I had enough credits to graduate from if I finished out my 11th grade year. So I finished out my 11th grade year there. And I graduated before I stood in front of a judge and he sentenced me to nine years in prison. I was smart and I knew that books were like a kind of solace for me. So I'm in a hole and I hear these guys yelling, yo, send me a book. And then you can hit a paperback sliding across concrete. And the book is going into sales. And I'm scared at first. I'm like, yo, I'm asking for a book. Yo, somebody send Me a book. And I ended up getting this book called the Black Poets. And it changed my life. The first poem I read by Etherish Knight was called For Freckle Face Gerald. It had a line in it that says 16 years hadn't done a good job on his voice. And it talked about how this 16 year old kid ends up in prison and ends up being raped. And I'm reading this poem and there's people that's dealing with this in the prison that I'm locked up in, right. And when I read it, I realize that to be a poet and to be a writer and to be able to give life to somebody else's story that could be unspoken is a kind of power. And I decided to be a writer. But that's not what birthed the Freedom Library. What birthed the Freedom Library, really, as I reflected upon it, it's how this whole thing happened. Because if they strip you of your books in the hole, how do you get the books? Well, the prison, the buildings were parallel and in between, each of the buildings was like a gutter space, 40ft wide and 100ft long. To stretch the length of the building, that was like a no man's land. And the COs didn't go back there either. So between population and a hole, you had this space and somebody would take like 20ft of sheet that they ripped and they would tie it to a shampoo bottle and they would launch the shampoo bottle into the space between. And on the other side, in general population, somebody would take a sheet that's ripped and a boot is tied to the end of it, and they would launch that boot into the space between, and then the two would tug at the same time so that the screens would connect. And then one person would pull the whole rope into their cell and they would sort of tie it off and then they would add a pillowcase to it and they would fill the pillowcase up with whatever they needed to put in it. So it could be food, it could be contraband, or it could be books.

Wait, let me just try to understand this. You're managing with sheets and boots and shampoo bottles to create a communication network that spans across two buildings.

Yes. You could be in your cell and look out the window if you on the side facing that gutter and see like 10 strings across the way from different cells.

Wow, that's crazy.

But that's how the books get in. And so the Freedom Library is just a new iteration of that. Like, we don't need to use ripped.

Sheets and Pillowcases to create a mechanism.

Of solace for people. I don't know the person that gave me the black poets, though.

I mean, that changed my entire life.

And I don't know this person's name.

The only time I thought about suicide.

In prison was when I was in solitary confinement.

The only time I thought that I'm not going to make it out of.

This was when I was in solitary confinement.

And these dudes created a mechanism to inspire me and allow me to confront what prison does to the spirit. Just by creating a mechanism that made it permissible for me to yell out to a group of strangers. Ayo sent me a book. And to expect to be greeted with generosity and not scorn. And the reality is that in general population, it doesn't go down like that. You don't just yell out and ask a bunch of strangers for something. But why do they do it in a hole? Because in a hole, you've recognized that we all can't run from our shared desperation. And so then why do I build it for the housing units on the outside? Because now I have some of the skills to conceptualize, you know, a pulley system that's predicated on boots and shampoo bottles and ripped prison sheets. We've done a similar thing, except what we use is wood, beautiful books, and people.

You were in prison for eight years, starting at age 16, and you got out and you basically did everything right. You got a job at a bookstore. You started attending community college. You got a bachelor's degree. You went to Yale Law School, the most prestigious law school in the country. But here's the thing I wonder about. In some ways, our society is incredibly unforgiving. As you were doing the right thing, I suspect that you ran again and again headlong into the view that you were a criminal, that you were an ex con, and people wouldn't give you a chance. Can you describe some of those experiences?

I had the opportunity to speak in front of a bunch of kids two weeks ago, and they said, can I ask you a question? You're doing amazing. Have you ever struggled? I started laughing because you understand, I mean, I come out of prison, and what happened is every time I was trying to make a way, prison kept coming up. I was so committed to going to college. I had a plan. I'm gonna get home, and then I'm going to college. I didn't know what college I wanted to go to, but I knew the University of Maryland was nearby, and I knew that I loved their basketball team. So I go to Meet with the counselors in March. I said, I want to attend school here. I'm just trying to learn what the steps are to apply. And he was like, well, how old are you? And I was like, man, I'm 24. I just got out of prison. He said, you should go to community college. Cause I'm telling you, we've already made our admission decisions, and we won't be looking at applications again to such and.

Such a date, but you could start.

Community college as early as August. And he was like, you know, if you go there and prove yourself, I think that you got a shot. And so I immediately went to the.

College, and then I ended up getting.

Into the honors academy at the community college. And that meant that I didn't want to go to University of Maryland anymore.

I wanted to stay because I had.

A guaranteed scholarship to Howard University.

Man.

When I went to sign my paperwork at Howard, now, mind you, I wrote an essay about having a felony conviction.

When I was planning to go.

Like, I put it in my application.

They asked the question, but nobody read the application because they had trust that the community college wouldn't give somebody their scholarship that wasn't a compelling and a great student. And yet, when Howard University was confronted with my felony convictions, they never got back to me. So we was like, let's pivot, because, you know, the train is moving. And if I jump off to ask you why you don't see me as somebody that's worthy of redemption, of forgiveness, of mercy, of the possibility to be something more than what I was then, I'm gonna ruin my own life trying to convince you of something.

And so I ended up applying for this transfer Academic excellence scholarship at Maryland. And this was like 50 years after Maryland University's law school had rejected Thurgood Marshall because he was black and he had to go to Howard. And so now I'm like, howard then rejected me because I'm a felon. Is Maryland gonna welcome me? And I remember doing this, and it's 12 people around the table, and they grill me for an hour. And they say, do you have any questions? I'm like, well, yes. We've been talking for a long time. And it is. I think they call it an elephant in a room. I don't know if you all know, but I went to prison when I was 16, and I know it's a big deal. And I just wanna give you a chance to ask me anything you want to ask. Cause if it prevents me from getting this, I would rather know now. And what they Said was, nah, we know that. And we talked to the people that we needed to talk to. And you might not get this scholarship, but if you don't, that's not the reason. And so I think I've consistently been dealing with this. I've had jobs that I didn't get. I've had jobs that I've been promised and then got snatched away from me. And sometimes you have things that happen, and you just wonder, is this because I've been in prison? I literally once had a university that wouldn't bring me on campus for an interview to teach poetry, that years later invited me to be the commencement speaker for the whole university. It's like, brother, I wasn't good enough to teach your students. But now that Yale University has admitted me as a student, now that I've written a few more things, now that I've fulfilled the trajectory I was on when I wanted to fulfill it as a part of your institution, I get to be your commencement speaker. I mean, it's happened so much that it is an anchor that keeps me hooked to prison, for better or worse. I do think that I've dealt with these challenges and these frustrations, and I've often been reluctant to talk about it because I do feel like I'm demonizing people who were just trying their best and just failed at it. And I don't want to do that.

But at the same time, it's like I talk to Howard. They don't even want to admit that they played me.

They don't even want to admit that they mistreated me. Because for them to admit that is to implicate them and the same burden that they having panels on all of the time throughout the year.

It seems to me that in a just society, a fair society, once you've served your time, the slate should be wiped clean, right? You made a mistake, you're punished for it. Now you get a second chance with a level playing field. But that's so clearly not true. And to your immense credit, you have overcome these obstacles. But I think about the millions of average people, you know, regular people who made a mistake, who come out, who don't have your talent, and who face these obstacles, and is it any wonder they end up going back to prison? I really feel like somehow we've gone wrong in this society. I mean, this lack of forgiveness is not consistent with Christianity or Judaism or Islam or anything. I don't know. Have you thought about that at all?

Honestly, I think it's predicated on a couple things. One, the Fear is really real. And two, the demonization happens on both sides. We are so invested in figuring out who we're going to blame that we create these structures of blame that I think make it hard to have some kind of commonality. And a lot of people would disagree with me with this. I'm just speaking about my own experiences and the challenges that I've confronted as somebody that had a lot of resources when I went into prison, that was able to develop some skills while in prison. And I've had a wild amount of support since I've come home. I do believe a fisher in our society is still our need to find a way to other people.

I actually know that I did that with Howard just now. Like, I'm mad. And in being mad, I want to say that, like, you are the enemy. Except the truth is that this was just one person or a group of people that made a mistake. And since this happened, the university, they had folks invite me out to give talks. They paid me to give lectures. Like, I get a lot of respect from people at Howard, so the reality wasn't even pernicious. It was probably just, I just don't know what to do because we don't have a conversation about what to do. And look, I put a pistol in somebody's face. Nobody was gonna get fired at Howard.

For not admitting me. Nobody was gonna begrudge the person for making that kind of judgment call. Because we haven't built a society that believes in redemption and mercy and forgiveness and second chances, as much as I think we might say.

[Steve Levitt]

You're listening to people I mostly admire with Steve Levitt and his conversation with Reggie Reginald Duane Betts. After this short break, they'll return to talk about if Reginald Dwayne Betts suffers from survivor's guilt.

[Reginald Dwayne Betts]

Most of the people who are listening to this podcast will have had no direct contact with prisons. Their image of what prisons are like is driven almost solely by Hollywood portrayals, which are prone to sensationalism. Could you describe an average day in prison? Partly. I'm interested in the rhythms of the day, but much more than that. I'm curious about your mental state. Were you dominated by boredom, by anger, frustration?

I would say first, every prison is different. But that first camp, I would wake up in the morning, you would go out to breakfast, then you would come back in, and then you go out to wreck. But if you didn't have rec, then you could go to school, or you could just hang out in a day room. It was some boredom because I was young and what was it to do but gossip and walk around? We didn't have weights there, so you couldn't really work out necessarily. So that was the rhythm of that prison. But then for the next prison I went to was called Red Onion State Prison. It was a super maximum security prison. We went to sail like 23 hours a day. We came out to go to lunch, and then like twice a week we could go out for an hour on the rec yard. I was there for like about five, six months. And then I was at a place called Sussex One State Prison, which was essentially the same. And I was there for two, three years. And it was a stretch of time that I couldn't even go to the cafeteria. We just lived on the unit. They brought us the food. And the days were boring because you were in your cell sometimes 24 hours, sometimes you were allowed one hour on the day room to take showers and use the phone, but it was brutal. And then after that, I went to a place that was more open. It was a lower security campus, and basically the doors were open at all times except count time at that place. I used to spend five hours a day learning Spanish. I did a lot of exercising, a lot of working out. I worked as a GED tutor, I worked as a law clerk. But also I did a lot of writing independently.

Since you came out of prison, nobody could contend that you haven't made the most of your opportunities. You've just done amazing things. And it's interesting that you were not a model prisoner at all. You're constantly being sent to solitary confinement. Do you think that part of your success outside of prison was the same reason you were getting sent to solitary while you were in prison?

Well, no, because the first time I went, I was 16, I was at a county jail, and I was a little afraid to be in a housing unit that I was in. I had just got there. I was the youngest person there. And you could write yourself out of the block and you could make up some innocuous reason, but the staff always knew that you were afraid. And I did that, but I felt like a coward for doing it. And so when the staff came to move me, I was like, nah, I'm good, I'd rather stay here. And I'm so naive. I'm thinking that that's an option. And he's like, no, you either move with me or you go to the hole. You know, you go into the hole. And I touched his arm. It's like, no, I'll move. I just touched his arm. He slammed Me on the wall, threw handcuffs on me, dragged me down the steps and said I assaulted him. And I did 10 days in the hole for that. I get to the next prison. I just didn't let the officer close the door. I was frustrated because everybody else was walking around and I just wanted to go, give me some ice. And she tried to slam the door closed. And I was like, you can't close my door. I'm all of a fool. You know, I'm like 16. And so she raised me up for assault. And I do six months in the hole for that. The third time, a CO was searching me, and they grabbed my genitals, and so I took his hands off me. Well, he said I assaulted him. Six months in the hole for that. Most of my charges happened on the front end of my bed. When I was a child, you know, I talked with my hands. I'm not trying to make myself out to be a better prisoner, inmate, rule follower than I was. But I was not a threat to institutional security. I was not causing people problems. I was not gambling. I was not making mash. I was not drinking mash. I was not fighting people. I wasn't a model prisoner. But I do think that in a different system that was searching to cultivate the skills and the talents and the personalities and just the rehabilitation of people inside, I would have been a model prisoner because I would have had mentors around me.

So you got out of prison and you made the most of your second chance. You suffered all from survivor's guilt. There were so many people you knew in prison who were never getting out because of life sentences, or people who got out, but they didn't have the skills or the luck or the support that you had, and they ended up back in prison. Are you haunted at all by the thought that so many are left behind, trapped in the system?

You know, in the past three, four years, I've gotten Christopher Tunstu out of prison. He had two life sentences. I've gotten Roje Fentress out of prison. He had 53 years for a crime he didn't commit. I've gotten Terrell Kelly out of prison. He had 40 years for a murder he did commit. I got Kevin Williams out of prison. He had a life sentence for robbery he was involved with. I also spoke on behalf of his friend and co defendant, and he was awarded parole as well. I got another friend of mine out who was locked up in New York, who I didn't know before. He was the first person I got out. He was my client I was a law student. And so I've had a chance to try to do some meaningful work. And Terrell and Fats, Roger, I knew these guys as a kid. I mean, we were in a system together. Chris, he was my sale partner, you know what I mean? When I was about to get in a fight with somebody, he like jumped up. And I'm like, you know what? Him jumping up is what made me not fight. Cause I was like, yo, you don't need to lose this and that for me. And he died tragically six months after he came home. But like he came home and so I don't know if I had survivor's guilt. We all did things and I'm just not gonna curry that. But I do have a real sense of duty and responsibility for myself, my family, for my friends incarcerated, but also for this country.

Because you could judge a country by how it treats the people that's in prison.

And I am an American citizen.

I consider myself a black American poet. You know, I write about what it means to live in a world through this particular lens. And so I care about what we do to people in prison. And I think we all should. What I have is a profound sadness thinking about what it meant for me to be in a courtroom that would look at a 16 year old kid. And the judge said to me, I'm under no illusion that sending you to prison will help. And then he sends me that. And I was five'5 and £125. And I think my biggest challenge today is the realization every single day that I am not, in a really profound and realistic way, supposed to be doing anything that I'm doing right now. When people salute me, they pretend like it doesn't matter, that this is profoundly absurd, that I'm able to do this. They pretend like they don't understand that the system that we have created has not just made my life an impossibility for so many people, but like an understood impossibility. And I think that's what bothers me most because I go into these spaces and I'm asking myself, how are we still able to do this? Let's just ask ourselves, what duty do we owe? And Hamlet, you know, Hamlet is riffing, he's mad, and he's like, he's going to do this and do that to this person. And then his friend Peloni's like, yeah, give him what he deserves. Hamlet's like, wait a minute, wait, wait, wait. If we give man what he deserves, don't we all deserve the sword? No, I should give man what I believe that I deserve to give him by right of me being a human in this world. The reality is that if we keep saying that what people deserve is prison, we will realize that that's what all of us deserve. And that's not what all of us deserve. I think all of us deserve to.

Have access to the principles this country was built upon and fighting for. That is what gives me some sense of hope. Because I think knowing somebody was fighting for that is what would have given that kid hope. To actually believe that what I am today was possible because I was just trying to survive. Maybe if a Freedom Library existed when I was inside, I would have actually had ambitions to do any of these things. I have stumbled into quite a life, but I would be lying to you if I said that any of this was planned.

All I can say is that I think Reginald Dwayne Betts is amazing. Everything is stacked against you when you spend your youth locked up. So many years of education and early job experiences, missed the emotional scars of eight years in confinement, the social stigma associated with being a convicted violent offender. That he has overcome all that to help so many people blows my mind. This conversation inspired me to give financial support to Freedom Reads. If you would also like to make a donation to help support their activities or just learn more about what they're up to, check out freedomreads.org I reached out to Duane to ask what projects got him most excited.

Right now I find myself excited to tell you that this is the 20th anniversary of my release from prison. Man, I still think about it sometimes. I got a chance to stand on a stage at the Perelman Arts center and to perform my solo show, Felon An American Washy Tail. And in doing that, I got to tell the story of the black poets being slid under my cell door when I was a teenager in solitary confinement. And that story ends up being really the story of the invention of Freedom Reads because it was in solitary, where I watched those guys invent an underground library and give me the book that would change my life.

It's been a lot of changes for.

Me, actually, in the past year, and I think the Most significant is March 4th. And that 20th anniversary is me re embracing freedom. And it is me publishing Dog Rule, my fifth collection of poetry. The book is beautiful. It is a book of joy. It is a book that really recounts what it meant for me to learn how to weep, in fact, in some real way. The book began on this podcast. This podcast being the first time that I found my emotions coming out in public and me not being ashamed of it. And with Doggrove with every book that's purchased, I'm donating 54 cent to Freedom Reads because I believe that this represents freedom beginning with a book. It represents a meaningful change and the book captures, I think, everything that Steve and I discussed during this podcast interview. I hope you enjoy.

Next week. We're back with a brand new episode featuring neurologist Suzanne o'. Sullivan. Suzanne studies psychosomatic illness, a highly controversial subject.

[Steve Levitt]

Most people are not aware that something as dramatic as complete paralysis can occur as a result of a purely psychological cause when the brain and nerves are other otherwise healthy. I do not believe it's within their control, but I believe it is controllable.

People I mostly admire is part of the Freakonomics Radio Network, which also includes Freakonomics Radio, no Stupid Questions, and the Economics of Everyday Things. All our shows are produced by Stitcher and Renbud Radio. This episode was produced by Morgan Levy with help from Lyric Bowdich and mixed by Jasmine Klinger. Our theme music was composed by Luis Guerra. We can be [e-mail] that's P I M A Freakonomics.com thanks for listening.

[Reginald Dwayne Betts]

Certainly. You took a paralegal course. You wanted to be a lawyer? Nah, I ended up going to law school because I couldn't get a job.

[Steve Levitt]

The Freakonomics Radio Network the Hidden side of Everything.

Stitcher.