Be Kind, Rewind: “Her Answer: Part 2” with Betsy Randle

Summary

Pod Meets World – Episode Summary: "Be Kind, Rewind: 'Her Answer: Part 2' with Betsy Randle"

Release Date: May 15, 2025

In this engaging episode of Pod Meets World, hosts Danielle Fishel, Ryder Strong, and Will Friedle reunite with special guest Betsy Randall to delve deep into the impactful "Boy Meets World" episode titled “Her Answer: Part 2” from season six. This episode provides fans with an exclusive behind-the-scenes look, personal anecdotes, and reflective insights nearly three decades after the show's original airing.

---

Guest Introduction: Betsy Randall Returns

The episode kicks off with a warm welcome to Betsy Randall, beloved for her portrayal of Amy Matthews, Topanga’s mother. Betsy's appearance is heartfelt, as she shares personal memorabilia and anecdotes from her time on set.

Betsy Randall [16:20]: "I adore you as an actress and the mom. So I did love you, even though I wished you'd stayed in."

---

Deep Dive into “Her Answer: Part 2”

Amy Matthews’ Disapproval of Early Marriage

The primary focus of the discussion centers around Amy Matthews' strong opposition to her son Cory and his girlfriend Topanga rushing into marriage. Betsy reveals her personal reservations about the storyline, highlighting a nuanced portrayal that resonated beyond the characters.

Betsy Randall [16:57]: "Oh, I thought it was totally too early. I thought they were going to get married when they hadn't even gone to college yet."

Behind-the-Scenes Dynamics and Script Insights

Betsy discusses the off-camera conversations among the adult cast members regarding Cory and Topanga's impending marriage. She shares her frustrations and emotional responses to certain script choices, particularly criticizing the characterization of Rusty as dismissive and patronizing.

Betsy Randall [26:17]: "I was angry at Rusty's character. I was angry at Michael for jumping on the other side so fast and sort of almost patronizing me."

Betsy also touches upon the acting techniques used on set, emphasizing the Meisner technique both she and Ryder employed to bring authenticity to their performances.

Danielle Fishel [28:24]: "There's no membrane. There's no separation. It's like."

Emotional Impact and Character Reflection

Reflecting on the emotional weight of the scenes, Betsy expresses how deeply she connected with her character's turmoil, blurring the lines between Amy Matthews and herself.

Danielle Fishel [61:41]: "It's fascinating to me how much Betsy, as an actor, inhabits the character."

Betsy recounts specific moments, such as the poignant scene where Amy confronts Topanga about her Yale acceptance, and how her own life experiences as a mother influenced her portrayal.

Betsy Randall [23:07]: "I always knew that I wanted to be a mother, and I think that kind of saved me because I knew John was the guy no matter what, through hell or high water."

---

Reflections 30 Years Later

The conversation transitions to how the episode's themes remain relevant and impactful today. Betsy shares her thoughts on the significance of portraying strong maternal figures and the challenges of addressing sensitive topics such as young marriage and personal autonomy.

Danielle Fishel [28:55]: "She literally still feels for Danielle. She really, there's so much it."

---

Behind-the-Scenes Anecdotes

Betsy provides delightful behind-the-scenes stories, including her interactions with co-stars and the late Bill Daniels. She reminisces about the professional yet respectful relationships on set, highlighting Bill Daniels' dedication and the mutual respect among the cast.

Betsy Randall [50:56]: "He was a rare bird and he still is. He wasn't a big jokester or chatty kind of guy, but eventually... there was a respect."

Betsy also recounts her recent work on an episode of Matlock, sharing experiences of working alongside esteemed actors like Kathy Bates.

Betsy Randall [53:28]: "It was such a small little part, but it was really fun. And it was such a trip to work with Kathy Bates."

---

Acting Techniques and Character Portrayal

The hosts commend Betsy’s dedication to her craft, noting how seamlessly she blends her personal experiences with her character's emotions, creating an authentic and relatable performance.

Danielle Fishel [61:41]: "There's no membrane. She's living this. It's really cool."

Betsy elaborates on her method of embodying Amy Matthews, discussing how her personal life and acting training informed her portrayal, making the character's emotions feel genuine and heartfelt.

Betsy Randall [43:25]: "Our training is really working off the other person. That is really the gold."

---

Conclusion and Final Reflections

As the episode wraps up, Betsy shares her current endeavors and challenges in the acting industry, including difficulties in securing roles and the complexities of balancing personal and professional life. The hosts express their admiration and support, emphasizing the enduring legacy of “Boy Meets World” and the profound impact of its characters.

Ryder Strong [60:48]: "It's hard. But anyway, we adore seeing you both on Zoom and in person."

Pod Meets World successfully bridges nostalgia with insightful analysis, offering fans a comprehensive look into a pivotal episode of “Boy Meets World” through the eyes of one of its key actresses. Betsy Randall's candid reflections and heartfelt discussions provide a richer understanding of the show's legacy and the real-life emotions intertwined with its storytelling.

---

Notable Quotes:

• Betsy Randall [16:57]: "Oh, I thought it was totally too early."
• Danielle Fishel [28:24]: "There's no membrane. There's no separation."
• Betsy Randall [26:17]: "I was angry at Rusty's character."
• Betsy Randall [23:07]: "I always knew that I wanted to be a mother..."
• Danielle Fishel [61:41]: "She is so good at it..."
• Betsy Randall [43:25]: "Our training is really working off the other person."

---

This episode stands as a testament to the enduring bond between the cast of “Boy Meets World”, their commitment to authentic storytelling, and the lasting impact of their work on fans around the world.

Transcript

[Danielle Fishel]

You're listening to an iHeart podcast.

[Ryder Strong]

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[Will Friedle]

Friedle from Pod Meets World.

[Ryder Strong]

Are you a small business owner launching a company or dreaming of starting one?

[Will Friedle]

Then check out season three of Mind the Business Small Business Success Stories from Ruby Studios and Intuit QuickBooks.

[Danielle Fishel]

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[Ryder Strong]

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[Danielle Fishel]

Listen to Mind the Business Small Business Success Stories on the iHeart app, Apple Podcasts, or wherever you get your podcasts.

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[Ryder Strong]

Running a household with a four and six year old, I have become a connoisseur of children's toys. And not only can Amazon prime get me what the boys want as quickly as possible, which honestly can save my day, it also suggests new toys, ones I didn't even know existed, sending me down a rabbit hole of robots, ninja hybrids and happy puppets.

[Will Friedle]

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[Will Friedle]

One of the things I've kind of gotten into a little bit lately is, is the origin of phrases. Oh, have you guys ever, you know, it's like, where did this come from?

[Ryder Strong]

Where did that come from? So many of them come from Shakespeare and we don't even know it.

[Will Friedle]

Ton of them come from Shakespeare, which is great. But I heard one the other day that kind of led me down the rabbit hole to then and I can only remember two or three right now, but the one I heard was the. So back in the 1800s, the early 1800s, very. A story started to go around with the aristocracy and the rich people in the world that people, when they died, didn't actually die and were being buried alive. So rich people doing what rich people did, try to buy their way out of that ever happening. And what they did for that was they started to build above ground tombs where their bodies would, would stay until people knew they were dead and then they'd be buried. Damn. The problem was the bodies would start to decay and smell, which is where the phrase stinking rich comes from.

[Danielle Fishel]

Oh, wow.

[Will Friedle]

So I thought that was really cool. The other one also about. So carnivals back in the 17 and 1800s.

[Ryder Strong]

Yeah.

[Will Friedle]

You would win things based on your age and how much money you spent. So the younger you are, the stuff was at the bottom. And you could play for, you know, a penny or whatever it was. And you could win the little things where the most expensive thing at the top was always the same and it was for adults. And what you would win was a cigar. So if you didn't win, you were close but no cigar.

[Ryder Strong]

Oh.

[Will Friedle]

So there were all these kind of. I don't know, that one you knew.

[Danielle Fishel]

Came from somewhere, right? It was like. Because you're like, why would you say that? What does this. Unless you're winning a cigar. But stinking rich. I always thought stinking was just like a modifier, like an intensifier, you know?

[Ryder Strong]

Right.

[Betsy Randall]

Like a. Like a.

[Ryder Strong]

For the F word, apparently.

[Will Friedle]

Stinking.

[Danielle Fishel]

Cool.

[Betsy Randall]

That's.

[Will Friedle]

Apparently where. And again, you wonder how many of these. These are all Internet things, so you wonder how many of these things are true. But it's the. The. The origins are. Are so interesting. I mean, everybody's knows where Matt is a hatter comes from now and all that.

[Danielle Fishel]

Kind of making up my own. I'm gonna take some phrases.

[Will Friedle]

Okay, so what would it be? Pick a phrase. Let's pick a phrase. What would be the history of it?

[Danielle Fishel]

Let's.

[Ryder Strong]

What's the Pod meets world?

[Will Friedle]

What exactly.

[Danielle Fishel]

Give me a phrase.

[Ryder Strong]

I love my favorite phrase because I remember the first time I heard it being like. I'm sorry, what? Six of one, half dozen of another. Okay, that one. I. The first time I heard that as a kid, I was like, that makes no sense. And my mom. My mom threw it out very casually. Well, it doesn't matter. It's six of one. I think that's how she shortened it too. Well, it doesn't matter. That's six of one. It's like.

[Will Friedle]

Wait, what?

[Ryder Strong]

It's what? Well, six of one, half dozen of another. It's the same thing. It's six of one thing or half a dozen. It's the same thing. And I remember thinking, I'm gonna use that forever. And still to this day, anytime I use it, I think. I love that. I love that.

[Will Friedle]

I love that so much. We have to. You're right, though. We have to come up with a great one. Well, I mean, do you know where. Do you know where. Cutting the red tape. Do you know where that comes from?

[Danielle Fishel]

Yeah, I think you've talked about that on the.

[Betsy Randall]

You did.

[Will Friedle]

You mentioned that was the Civil War soldiers. They had to actually go to washing to get their benefits, and they're all wrapped with red tape. So there's the. We'll have to come up with a good one. What's a good. What's a random phrase that you could just make up?

[Ryder Strong]

What if we. We have to come up with something that implies, like something pertaining to our recaps and the episodes and like a drop shock of a season two Grover's knot.

[Danielle Fishel]

It's a Grover's not.

[Ryder Strong]

Oh, it's a Grover's knot.

[Danielle Fishel]

Grover's knot.

[Ryder Strong]

You did come up with that. You're right.

[Danielle Fishel]

That is real Grover's Knot.

[Ryder Strong]

When we were in a real Grover's Knot.

[Will Friedle]

That's a good Grover's Knot. Also sounds like the town you'd live in. In, like, goosebumps. Oh, you know, it's like, God, wait. My friends are from Grover's Not.

[Danielle Fishel]

Someday I'm gonna write something that's an R.L.

[Will Friedle]

Stein town. Grover's not.

[Ryder Strong]

It'll be a real if, you know. You know, moment when writer includes that in something. We can all watch.

[Will Friedle]

What about underhanded? What if we just make up something for underhand? Because, you know, it's got to already be something, but we just make up something totally different.

[Ryder Strong]

Yeah. A different history.

[Danielle Fishel]

Yeah. What's the history to under him?

[Will Friedle]

A distinction.

[Ryder Strong]

Thank you, sistery. That's fake history.

[Will Friedle]

That sounds a little creepy.

[Ryder Strong]

Okay.

[Will Friedle]

Like, I gave her a fist.

[Danielle Fishel]

Or I feel like if I Google that, it's gonna.

[Will Friedle]

Yeah, you misspell one thing and there's gonna be badness that's gonna happen, so. All right, well, we'll come up with something. Grover's not a good one, though.

[Ryder Strong]

Grover's not. Is a good one. I. I still think there's something about. There's something we could do if I keep. Because I keep thinking about my six of one, half dozen of another. Like the drop shock of a. You know, the. Yeah, we've had the hijinks versus the something. But Grover's not probably the closest we have.

[Danielle Fishel]

Wait, what about.

[Will Friedle]

What about shady Melon? A shady melon? Because, like, where did shady melon come from? That could be something, too.

[Ryder Strong]

That person's a shady melon.

[Will Friedle]

It's like, where did that come from? Well, it's back in. So in the 1700s, the aristocracy would heard that you could only buy melons that weren't fully raised in the sun.

[Danielle Fishel]

Right. They had more shade.

[Will Friedle]

They had more shade. So they would. They would buy these parasols and they would sit outside and they would be covering the melons. Shady Melon.

[Danielle Fishel]

I like it. That's perfect.

[Ryder Strong]

Welcome to Pod meets World. I'm Danielle Fischl.

[Danielle Fishel]

I'm Ryder Strong.

[Will Friedle]

And I'm Will Friedle.

[Ryder Strong]

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[Danielle Fishel]

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We continue our little halftime break of season six with Be Kind Rewind episodes. And today we've asked one of our most beloved cast members to return to Pod Meets World to revisit an episode that left us with a lot of questions, Most of them she could answer. Season 6's Her Answer, Part 2 was a rare return of focus to her character. And we wondered not only about the backstory of how it all went down, but how she felt about the script. More specifically, a blow up on Topanga, her son's future wife and her future daughter in law that felt both confusing and maybe disliked by the actress. But that was all just conjecture on our part. So we've invited her back on the show to get into it, rewatch the episode on her own and let us know how she feels almost 30 years later. So this week we are thrilled to be reunited with a woman who's probably never actually wanted Topanga to go to Yale. It's Amy Matthews herself, Betsy Randall. Yay.

[Will Friedle]

Hey, I hear.

[Danielle Fishel]

Hey, Betsy.

[Ryder Strong]

Hi, how are you?

[Will Friedle]

How are you?

[Betsy Randall]

I just wanted you to see your picture in the background if I can get it.

[Ryder Strong]

Oh, there it is.

[Will Friedle]

I've got that same one hung up on my wall.

[Ryder Strong]

He does?

[Betsy Randall]

Yeah. Every time I tape an audition, I'm looking at that. That's big.

[Ryder Strong]

Please get me back on like that.

[Betsy Randall]

Yeah, younger like that.

[Ryder Strong]

Anyway, Betsy, thank you so much for coming back. We have proven that we would make any excuse to see you again.

[Betsy Randall]

Oh, good.

[Ryder Strong]

So I'm so glad you watched a big episode for us. Season six, Episode two, Her Answer, Part two, which was a continuation from the premiere show of the season. A little refresher here for our listeners. It Originally aired on October 2, 1998 and was directed by David Kendall and written by Matt Nelson. So before we get too deep, I wanted to tap into your mind a little bit. Back in 1998, what were your off camera feelings about Cory and Topanga getting married at such a young age?

[Betsy Randall]

Oh, I thought it was totally too early.

[Ryder Strong]

Yeah.

[Will Friedle]

Yep.

[Betsy Randall]

Yeah, I thought they, I. Well, my off camera thing. Well, I guess I let you know on camera too. I thought the scene was great. I thought the whole episode was wonderful. So I think we were all really good. Yeah. But I really just didn't approve of you guys jumping into marriage when you hadn't even gone to college yet.

[Ryder Strong]

Uh huh. Do you Remember? Cause it's mentioned in the episodes that that's apparently what Amy and Alan did.

[Betsy Randall]

I was in denial about that.

[Ryder Strong]

Okay, Okay.

[Betsy Randall]

I actually didn't know that.

[Ryder Strong]

Oh, okay. Ye. It's discussed. He. You know that.

[Betsy Randall]

Did they tell us that?

[Ryder Strong]

I don't know.

[Danielle Fishel]

That's what I was wondering. The episode Long Walk to Pittsburgh, I think is when they talked about it, because that was another one where Amy.

[Ryder Strong]

Was sort of against.

[Danielle Fishel]

Against Topanga and Corey and then sort of won over by Allan pointing out that they had been married when they were 18. Right.

[Ryder Strong]

Or, yeah, 18 or 19 or they.

[Danielle Fishel]

Started dating at least.

[Ryder Strong]

And.

[Betsy Randall]

Yeah, I didn't see that one. I just. I'm gonna have to go back and see. What was I thinking? Well, I'm not sure how to answer that. No, that's okay.

[Ryder Strong]

Do you guys. Do you remember there being a lot of discussion amongst the adults off camera?

[Betsy Randall]

Okay.

[Ryder Strong]

Yeah. Tell me about some of those conversations.

[Betsy Randall]

Well, I don't remember who was talking about what. It's just there was an issue and I think Rusty sort of kept his mouth shut about the whole thing. I was much more vocal about just, you know, if. If was me, if my kids were doing this, I. I'd have to speak up.

[Ryder Strong]

Right.

[Betsy Randall]

But didn't mean that I didn't love my future sis. Daughter in law or anything like that, you know.

[Ryder Strong]

Right.

[Betsy Randall]

I adore you and like, I adore you as an actress and the mom.

[Ryder Strong]

Yeah.

[Betsy Randall]

So I did love you, even though I wished you'd stayed in. At. At. Where was it where she went to. Gone to Yale. Yale. So I don't remember too many people having other issues. I think it was just.

[Ryder Strong]

Just you.

[Betsy Randall]

They were questioning my judgment about it. I think in a way I felt. Or at least maybe. Maybe Michael was.

[Ryder Strong]

Yeah. Because Michael was pretty dead set that this was what was going to happen. Like Cory and Topanga were going to get married.

[Betsy Randall]

Yeah.

[Will Friedle]

I recall Michael. I can't remember anyone other than Michael pro. Them getting married.

[Danielle Fishel]

Is that true?

[Will Friedle]

Well, I mean, I just remember, like, people like, you know, Betsy, all of us kind of like, wow, they just got out of high school. I mean, the idea at the time was more they're really young to be getting married. And I can't recall again, Michael always, he loves love, and that's not a bad thing. He's got very. A fantasy idea about young love and what it can lead to and true love and the universe putting you together and, hey, that's a wonderful way to look at it. I can't recall Any real other arguments on his side? Most of the things I remember was us, all of us kind of going like, wow, this seems really young for these characters to get married.

[Danielle Fishel]

I don't know where the other writers were at. Were they.

[Will Friedle]

That's what I'm saying. I don't remember.

[Betsy Randall]

I was wondering. I was wondering about Jeff in particular. Jeff Sherman or Matt Nelson, like.

[Danielle Fishel]

I mean, I don't remember them saying one way or the other, actually.

[Will Friedle]

Yeah.

[Betsy Randall]

Well, I think they were just intrigued that there was a conflict and it probably fueled the scene, you know, because I really upset, you know, it worked and I really cried and it worked. So it was just. It. I, as an actor, I use my life experience, of course, as we all do, and this was one of them. This was one of them.

[Ryder Strong]

So interesting that you say that because we talked about it in the episode and I said, I don't remember what it was, but I remember Betsy was really upset. Betsy was unhappy. And I was, in my mind, 30 years later, I was like, was she unhappy with the writing? Was she unhappy with her? Was there something that they wanted? That was something was at odds? And it's so interesting that what I'm remembering was you were actually very much at odds with the storyline in such a real way. They wrote that for you as the character. It wasn't just Amy Matthews being opposed to it. We're watching Betsy Randall.

[Betsy Randall]

Yeah.

[Ryder Strong]

Be opposed to it.

[Betsy Randall]

I am Amy Matthews.

[Ryder Strong]

Exactly. They're the same. One in the same.

[Betsy Randall]

Yeah. For me. But I have to tell you that there was something really profound I was going to tell you. I really did disapprove of Michael and his pushing that. I disapproved of that, that they were pushing that to be the right thing to do. And I thought, surely they're just doing that to make it interesting so that when you guys come around the next episode, which is wonderful, and I come around going, I love you no matter what. And, you know, of course I have to settle down. But you have to remember, too, that I was the first person besides Bill Daniels who was a parent, had experience being a parent, my kids. I mean, I was pregnant at 22, so I was that. And I had an experience of wishing I'd waited longer for my life in certain ways. I mean, I don't regret my kids, but what the heck was I thinking, Right?

[Ryder Strong]

My mom says the exact same thing at the time.

[Betsy Randall]

You know, it was just like, hey, you know, I'm just gonna get pregnant. You know, so it's pretty stupid as well. But I. I always knew that I wanted to be a mother, and I think that that kind of saved me because I. I knew John was the guy no matter what, through, you know, hell or high water. We've been married for 53 years.

[Will Friedle]

She.

[Betsy Randall]

So I knew that, but I also just. We were in a strange time when I met life. But I just did believe that. That the guys or Michael, anyway, just didn't know what the hell he was talking about.

[Danielle Fishel]

Yeah, yeah, yeah.

[Will Friedle]

Now, did you. You said you. You obviously had a. Had a problem with the way that this storyline was going. Do you remember ever going and talking to any of the writers about it or voicing that kind of point of view, that, hey, I don't. I don't think this is. We should be bracketing this as this is the right decision for young kids to be making.

[Betsy Randall]

Well, I think I talked to Rusty about it. We certainly talked about everything together. So that was one. The main person. I didn't feel that. I felt I was in the minority, and I didn't have a whole lot of say about it. And I don't know, I could have taken Michael aside and said, what are you doing here? But I knew that this made this interesting. I knew it was entertaining. I thought it was fun, and it certainly gave me emotional life to make it a beautiful scene. So I can't complain about that. And the fact that maybe my objection as Betsy and Amy encouraged them to continue and write the next episode, that made it more. We get it, too, you know, that both you and, you know, and Ben kind of come around and say, we are going to wait.

[Ryder Strong]

Yeah.

[Betsy Randall]

And I thought, well, thank God. But I had to give you the choice to do that. And I thought that was right. I think that was right. I was angry at Rusty's character. I was angry at Michael for jumping on the other side so fast and sort of almost patronizing me saying, you're, you know, you don't. I know. He kept finishing my sentence. It used to drive me crazy. I'd say, you know, she's setting. She's baking the food, or she's doing this or she's doing that. And he'd go, and you did that and you did that. And I just wanted to say, shut up, not being so patronizing. Yeah, that's it. I'm giving you the honest truth. It was something that was like, do you think that's right? To me, I. I kind of looked at Rusty like, do you know what you're doing there?

[Ryder Strong]

Yeah, we talked about that. Did you. What did you think about that kind of that jealousy angle that they tried to put in there between Topanga and Amy?

[Betsy Randall]

You know, I had to look at myself. And still to this day, when I watched it again, because I was very moved by it. And of course, I'll cry at anything because I thought we did such a good job, but. Yes, but I. I didn't really think that.

[Ryder Strong]

Yeah, I.

[Betsy Randall]

Like I said, I had these kids already, and I certainly have run into conflicts with my kids, especially my son, you know, through. Through everything. And. No, any. Anything that would pissed him, piss him off or whatever, you know, I mean, it was just we would press each other's buttons. So I knew how that was for me to be insecure.

[Ryder Strong]

Yeah.

[Betsy Randall]

And not knowing how to stand up and, you know, speak my mind. When he got married. So he got married. They weren't young, and we were thrilled that they were getting married, but I was the mother of the groom, and the wedding was in Sweden, and I was just sort of felt like small potatoes, you know, it was this kind of weird thing. So I kind of know what that feels like to be jealous. But I wasn't jealous of Josephine.

[Ryder Strong]

Yeah.

[Betsy Randall]

It was really more just questioning how Aaron and I were gonna be in this new thing. And I had opinions. I mean, just like Amy. That was me. That was definitely me saying, you don't know what you're talking about. I think you're out of line. Why didn't you go to Yale? I mean, I can see saying that.

[Ryder Strong]

Yeah.

[Betsy Randall]

Because I knew something wasn't right. But it wasn't my place to speak up when the wedding was happening for. In real life, but it was my place to speak up. In Boy Meets World.

[Danielle Fishel]

There's an interesting moment watching this the second time in a row, when you. When you and Rusty have your scene, which is an amazing scene, and you make this incredible turn mid line, where you say, you know, they're not ready. They're not ready. I'm not ready.

[Betsy Randall]

Yeah.

[Danielle Fishel]

I felt like that was the end of the scene. It's a beautiful moment. It's so well played. Rusty's reaction is perfect. That should, I think, should have been the end of the scene. Because then you go on to explicate why you're not ready. And I feel like all of those additional lines I could have done without. It's like, the point is made. You're not ready. And we see that. It's an emotional thing. It's not a logic thing. It's not intellectualized. It's just Amy's not ready. She does have reasons and it's really not her place. So she's, you know, and that's fine. That's enough of a story. But then it goes on to be sort of spelled out in this way that just didn't feel like the way people actually think about these things.

[Betsy Randall]

I totally agree. I felt the same way. I thought the same thought. Why couldn't you just left it there?

[Danielle Fishel]

Right there?

[Betsy Randall]

Because for me to say I'm not. I mean, I'm not ready. That was the real thing.

[Ryder Strong]

Yeah.

[Betsy Randall]

Then to say I'm jealous of her felt like so stupid.

[Ryder Strong]

Yeah, yeah, yeah. We did not. I did not enjoy it.

[Betsy Randall]

Truncated the scene by doing that, they lost the gold. They got away with it because they could do it, you know, so maybe.

[Will Friedle]

Not jealousy, but as the only one we'd be able to speak to about this who is a mom who's had a son that was married. Is there any part of you that feels like you're being replaced or is that something that is so. It's just there. It's so alien to the conversation where it's like. No, that's. It has nothing to do with it.

[Ryder Strong]

No.

[Betsy Randall]

But he's older. He was older. He was in his 30s. And so he'd established. And we'd established a relationship that was pretty strong whether we pissed each other off or not. As in the. But. But we know each other very well and yeah, we appreciate who the other one is. And I was thrilled that he was marrying Josephine. I was afraid he was going to self destruct in some other way. So I was very happy that he found this beautiful, intelligent woman. And if she. And she lived here, she lived in Santa Monica, so it wasn't like she was in Sweden. That was the surprise that just. Right. That. That killed me. They took grandkids and that killed me. And now I hate them. They come home, we pitch in and they come home for Christmas. It sort of helps with all that.

[Will Friedle]

Have you been to Sweden?

[Betsy Randall]

Oh, yeah.

[Will Friedle]

Yeah, I'd like to.

[Betsy Randall]

Yeah. We had to do a lot of walking because they didn't have a car. So we're walking in the snow a lot. And now that I have back issues, just go here. I'll go in the winter anymore.

[Ryder Strong]

Exactly.

[Betsy Randall]

I think I'll go in the summer. They said to come in the summer and we're gonna try to do it, but I can't do it this summer.

[Danielle Fishel]

So I wanna go back to the end of season five because there's a pretty huge evolution which is that Amy gets pregnant. Do you remember the conversations behind that? Were you part of the decision? Did you like that? I just wanna hear all of your thoughts around that.

[Betsy Randall]

I'm gonna have to go back to. I can watch it. But I remember going, really? Okay.

[Ryder Strong]

Yeah.

[Betsy Randall]

Okay. You know, that'll.

[Danielle Fishel]

So you don't think you knew before table read?

[Betsy Randall]

I think I knew there was talk of it. I think there was some sort of a hint. I don't remember being shocked. I remember I thought it would be fun.

[Danielle Fishel]

Yeah, right.

[Ryder Strong]

Yeah.

[Betsy Randall]

And I thought, here I am, this older woman having another baby, and Amy was not as old as I was going, wow, this would really be something, wouldn't it? You know, it was college and evidence of the baby. But anyway, yeah. I mean, we just had fun with it. And Rusty got into a car wreck and. Or his bicycle accident.

[Will Friedle]

The bicycle accident.

[Betsy Randall]

Shooting. And he was, like, looking like a wreck and anyway.

[Danielle Fishel]

God.

[Ryder Strong]

Did that happen during season five?

[Betsy Randall]

I think so. Well, it was when we were doing the baby thing. The funniest.

[Danielle Fishel]

So we haven't gotten there yet. When the baby. Yeah, we haven't gotten. I think it's season. Obviously the season six where.

[Ryder Strong]

Okay, it's after the baby was born.

[Danielle Fishel]

Yeah.

[Betsy Randall]

Okay. This is. Have you seen the baby be born?

[Will Friedle]

No, not yet.

[Danielle Fishel]

No.

[Will Friedle]

You're still. Amy is still 38 months pregnant or whatever it is. Like, she's like she's been pregnant for. Yeah, a while now, but. And then they kind of cut away from it. And then just occasionally a line would come in where it's like, well, the new baby. And you kind of go, oh, that's right. Oh, right, Amy's pregnant. And now we're to the point where I think it's going to become part very much more of the story. I think they've started to join you.

[Betsy Randall]

In watching it because we did have a fun time with it. And the biggest, funniest thing was that when the baby was born. I don't know if you remember. I don't want to ruin it for you, but it looked like a little old businessman, you know, like, what? That's.

[Ryder Strong]

The newborn.

[Betsy Randall]

Look kind of big, you.

[Ryder Strong]

Know, it's a big newborn.

[Betsy Randall]

Yeah, it was a big newborn.

[Ryder Strong]

But anyway, so funny. Was it annoying to wear the fake baby bump?

[Betsy Randall]

I don't really even remember wearing it.

[Ryder Strong]

Really?

[Betsy Randall]

You know what? I remember wearing my little white negligee. Oh, yeah, hotel.

[Will Friedle]

That's right.

[Betsy Randall]

Ran into somebody and I thought, I look really good.

[Ryder Strong]

And you're like, wow, look at that. Do you remember the Wardrobe fittings for that. Like, how involved were you in picking what you were going to wear? I mean, that's obviously such a personal thing. Like it's you, your body, you have to be on camera in it. How involved were you in picking the negligee?

[Betsy Randall]

Oh, I loved it. Yeah, I, I didn't, I didn't pick it myself. They just brought it and said, what do you think? And I go, I think I look great. Yeah, that's. Sure.

[Ryder Strong]

What do you think of when you hear Amazon prime delivery trucks outside your home?

[Danielle Fishel]

Your favorite streaming shows, of course.

[Ryder Strong]

But there is so much more. Whatever you love, that's what prime is.

[Will Friedle]

Prime helps you get more out of whatever passions you're into and it helps you discover new ones.

[Ryder Strong]

Just today I bought a new makeup remover for my brushes and a few collagen masks that I sleep in. And Amazon prime is perfect for my never ending obsession with beauty products. Not only do I get what I need incredibly fast, I can find myself going down a rabbit hole for all new items I didn't even know existed. Nail brightening treatment. Yes. Green tea clay mask. Yes. Add it to the haul.

[Danielle Fishel]

And the fact that Amazon prime also puts hundreds of movies and TV shows right at your fingertips.

[Will Friedle]

It's more than just same day delivery. It's a place to explore your passions.

[Ryder Strong]

From streaming to shopping, it's on Prime.

[Will Friedle]

Visit Amazon.comprime to get more out of whatever you're into, this is what you.

[Ryder Strong]

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[Danielle Fishel]

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[Ryder Strong]

Whether it's that vintage pearl necklace or brand new ruby earrings. A Prada crossbody bag to be besties with your other handbag. Even an eternally classic watch like that Rolex oyster or that Cartier tank. You know the one.

[Danielle Fishel]

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[Ryder Strong]

So bring your high standards and never limit what you can find.

[Danielle Fishel]

Yeah.

[Will Friedle]

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[Ryder Strong]

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[Danielle Fishel]

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[Ryder Strong]

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[Will Friedle]

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[Ryder Strong]

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[Danielle Fishel]

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[Ryder Strong]

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[Will Friedle]

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[Ryder Strong]

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[Danielle Fishel]

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[Ryder Strong]

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[Danielle Fishel]

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[Will Friedle]

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[Ryder Strong]

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[Will Friedle]

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[Danielle Fishel]

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[Ryder Strong]

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[Will Friedle]

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[Danielle Fishel]

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[Ryder Strong]

Okay, so then the big scene where you ask Topanga why she couldn't have just gone to Yale during your toast. What do you remember about shooting that particular scene.

[Betsy Randall]

I looked at you and I went, wow, that's pretty harsh. That's pretty strong. But I was doing that. I believed it in the character. But I looked at you and went, I hope I haven't hurt her.

[Ryder Strong]

Yeah.

[Will Friedle]

When we were watching back the first time, Ryder noticed something and then kind of posed a question we wanted to ask you about, which is, was your performance in that scene in any way affected by watching me kind of do a caricature of it later in the episode? So I'm, you know, I'm. During the run throughs and everything, I'm kind of almost making fun of your scene. And did that affect your performance in your scene at all, what I was doing later?

[Betsy Randall]

No, because I wasn't jumping ahead.

[Will Friedle]

Right.

[Betsy Randall]

I was just in the moment as an actor. I wasn't thinking about what you were going to say when you did. I went, oh, man. Okay. All right. This is what my family thinks about me. Okay.

[Ryder Strong]

Yeah.

[Betsy Randall]

You know, I really. It kind of just drove it home for me more that I was right.

[Ryder Strong]

Right.

[Betsy Randall]

And I thought, he even knows I'm right. I thought you knew I was right. I thought Rusty knew I was right. And nobody in Bill Daniels. I was so pissed off. Everybody was in denial about the reality of the situation. I really feel passionately about that.

[Ryder Strong]

Right. Everyone was like, well, if that's what they want to do.

[Betsy Randall]

Oh, my God.

[Ryder Strong]

You're like, come hell or high water, at the very least. I have to let all of you know, though, I think this is a terrible decision.

[Betsy Randall]

Yeah. And something's wrong with you.

[Ryder Strong]

Right.

[Betsy Randall]

With all of you. Will. Will, you saved me. You. You saved me because you're. You were being in your silly character's way. Your nature was to make a joke.

[Will Friedle]

Right.

[Betsy Randall]

And I don't even know if you were meaning to make a joke. It was like you were just trying to work it out yourself. In a way. That's what I justify. It didn't offend me.

[Will Friedle]

Oh, that's good. Okay. I'm glad.

[Betsy Randall]

You did not offend me. You never did. I adore you. From the.

[Will Friedle]

Now, what I was trying to remember, other than Amy, is Angela the only other person in the entire cast that is on the other side of the argument. It's really just Angela and Amy that say they're too young, they shouldn't do this. Right. I mean, everybody else essentially says. Says they should get married. Right. Am I. Am I m. I mean, one of.

[Ryder Strong]

The biggest points is, are they already married?

[Betsy Randall]

Yeah, I forgot about that.

[Will Friedle]

Yeah. She's the only other one who voices. They're too young. What is everybody thinking? And everybody else is like, no, they should get married. Yeah. Yeah.

[Ryder Strong]

Yes. You had someone.

[Betsy Randall]

Angela. Oh, man, I always liked her.

[Ryder Strong]

How would you and Rusty prep for dramatic scenes? Did you guys do anything differently when you had big episodes like this?

[Will Friedle]

This?

[Betsy Randall]

Nope.

[Ryder Strong]

But there wasn't ever any specific prep. You guys did. You just had your normal rehearsal?

[Betsy Randall]

No, because when we were. When we go through the script and rehearse it together, we would discover what worked and what. And so we brought pretty much everything that we had. You know, our training is really working off the other person. Yeah. That is really the gold. And I think that's why we both kept the part. You know, we were a good match because we both had that Meisner background of what's coming at you. This is what you got to work off. You can affect you, but don't pretend it doesn't affect you.

[Ryder Strong]

Yeah.

[Betsy Randall]

So that didn't hurt when I was getting mad, because I was mad. No matter. And I was mad at each one of you.

[Ryder Strong]

Right. Just like everyone.

[Betsy Randall]

Every single one of you is so screwed up. You know what you're talking about?

[Ryder Strong]

Well, we eventually get to the playground where you accept Topanga as your son's future wife with the family heirloom ring, and then you find out we are gonna wait to have a wedding. We didn't really remember that this is where the two episode arc ended. We. We were talking about it. We were like, why don't they just get engaged and then. And then wait to have a wedding? That just seems normal. We talked about that all through the first episode. And then when it happens in this episode, we were like, oh, very smart.

[Betsy Randall]

They made you wait.

[Ryder Strong]

Yeah, exactly. What were your thoughts on that scene? And when you read it in the script, like, knowing that that's where it was coming, what did you feel about it then?

[Betsy Randall]

Well, I wasn't surprised. Yeah. I knew I had to do that, but I. At that point, I was seeing what was happening. Because you guys agree not to get married yet.

[Ryder Strong]

Yeah. Yeah.

[Betsy Randall]

So that kind of helped me anyway. Go. Okay. But also, I did feel badly about yelling at you. I really did.

[Ryder Strong]

I remember that. I remember that being hard for us.

[Betsy Randall]

I felt bad for you, and it was hard for us. You and me.

[Ryder Strong]

Yeah.

[Betsy Randall]

So when that happened, it was like, oh, good, I have a chance to.

[Ryder Strong]

Yeah.

[Betsy Randall]

Adore her.

[Ryder Strong]

Yeah, I do remember that. I remember it being emotional for both of us.

[Betsy Randall]

Yeah, it was.

[Ryder Strong]

Yeah. Oh, my Betsy.

[Betsy Randall]

70S. We. We all cry a lot.

[Ryder Strong]

Yeah, it happens. I'm in my 40s, and I sob like a baby regularly, so.

[Will Friedle]

Me, too.

[Danielle Fishel]

Not true, Will.

[Ryder Strong]

No.

[Will Friedle]

I don't cry. I actually just cried last week at a dcom, so, yes, I did.

[Ryder Strong]

Yes, baby, yes.

[Will Friedle]

So there you go. Yeah. I'm not totally dead inside, just on life support, so.

[Betsy Randall]

Oh, that's good. I'm happy for you.

[Will Friedle]

Thank you. I felt something. It was interesting. I don't want to do it again, but it was interesting. A quick question, and I don't know if you'll remember this, but there was another question that we had that we're like, oh, we have to ask Betsy when she's on.

[Betsy Randall]

Oh, good.

[Will Friedle]

So there's the episode, I don't know if you remember, where Topanga is essentially propositioned and almost assaulted in her dorm room by the teacher, by Fred Savage's character. Do you. Do you remember this episode?

[Betsy Randall]

Gosh, I kind of forgot about it. Tell me. Go ahead.

[Will Friedle]

Well, so that one of the things we're talking about. So it ends in a big courtroom case, and one of the problems that we had in the episode was that Topanga. It was. It wasn't about Topanga. It instantly became about how Corey dealt with the fact that Topanga was dealing with this. And there's. And again, I know I'm throwing a specific moment at you, but there is a moment in the courtroom at the end where you don't have any lines, but you walk over and you essentially say, without any words, you put your hands on Danielle, and it's like, I'm so sorry you went through this.

[Betsy Randall]

Yes.

[Will Friedle]

And I distinctly remember you asking for that moment because there was no moment between the two of you.

[Betsy Randall]

Oh, yeah. I think I'm just.

[Will Friedle]

Yeah. I'm just wondering if you remember anything about that that.

[Betsy Randall]

I don't really, but I can see myself doing that, and it's sort of in my memory. I'd have to go watch the episode again, but I could see myself doing that, of course.

[Will Friedle]

Okay.

[Danielle Fishel]

Yeah.

[Will Friedle]

We were just curious, especially if I.

[Betsy Randall]

Thought it wasn't expressed.

[Ryder Strong]

Yeah, it wasn't expressed. And then there's, like, a part where Topanga, even in the courtroom scene, goes to speak up and say something, and Dean Bolender, you know, Bonnie goes quiet and, like, I. I don't even get to speak. Meanwhile, Sean gets asked to speak two times. Sean had nothing to do with the storyline, but Sean's op and is welcomed and encouraged. And hear me, who was the one who was assaulted? Or at least you know, come onto by this teacher doesn't ever get to tell my side of the story. And so it was really nice that there was at least some acknowledgement from you too.

[Betsy Randall]

None of the male writers were acknowledging that your voice wasn't being heard.

[Ryder Strong]

Yes, right. Yes, exactly. So we do remember that Will remembered specifically that you were like, I'm giving this. I'm going.

[Will Friedle]

I remember you kind of saying, no, I'm. I have to go over and say something or address this in some way. And they gave you that little beat. But yeah, I distinctly remember that. I was just wondering if. I know I was throwing a random episode out at you, but it was one we wanted to talk to you about.

[Betsy Randall]

I know which episode it is.

[Ryder Strong]

It's called Everybody Loves Stewart. It's season six, episode seven.

[Will Friedle]

Yeah. It's about four episodes from now from the one you just watched.

[Ryder Strong]

Yeah. Episode six or seven. So find it and we'll talk to you about it again. This episode was also a big fake out. Goodbye to Mr. Feeney. I know you've talked a little bit about what your relationship with Bill was like both on screen and off, but was. Tell us a little bit about what Bill was like as a scene partner and was he jokey with you guys?

[Will Friedle]

Did.

[Ryder Strong]

Was there talk in between scenes? What was he like as a, as a, as a co actor?

[Betsy Randall]

He was a rare bird and he still is. He wasn't a big jokester or chatty kind of guy, but eventually. But conversations would come up. He was very protective of his space to remember his lines and so on. So he was very conscientious about that. He did joke around with us in some ways, you know, and we. But not a whole lot, you know. Yeah, it's really. A little bit more. There was a respect. I, I did appreciate his experience as a person and an actor and, and I admired him a lot and I wanted him to like me. Yeah, I think he liked me. It was just. And that made it even more. When the scene came up where thought he was selling you out and I just, you know, was mad at him for that. Yeah, I didn't think that he would really be like that in real life. I didn't. But maybe he was, you know, sort of. So there was that. But I, I just loved working with him. I learned a lot. And also when we first started, he and I would go to lunch sometimes together, you know, at first, because you're getting to know each other, so you kind of go and on the set, you know, and you go to the Paramount or wherever we started. I guess it was Disney. Disney. Yeah. And we would just come kind of talk and get to know each other about what we're interested in. I was a singer, and we shared. We shared a lot. We had a lot in common, and so that was nice. So I adore the guy, but he's always been a little bit hard to know.

[Ryder Strong]

Yeah.

[Betsy Randall]

When you might step over something or he won't get it now. He just doesn't hear anything. So that's.

[Will Friedle]

We all. We were all searching for his approval. By the way, I don't think there was a single one of us on the set that didn't want Bill to like us.

[Betsy Randall]

Well, I would bet you did. And the thing was, is that you guys worked so well off of him. You did in particular. You boys in particular had to. To. To come to terms with working with him. But. And then Danielle, of course, you came into this picture and the three of you just had. He was a lot. A big part of your lives.

[Ryder Strong]

Yes.

[Betsy Randall]

So his approval really mattered.

[Ryder Strong]

It did, yeah.

[Danielle Fishel]

I just had a realization while Betsy was. Was talking about his memorization. Bill never held a script during rehearsal.

[Ryder Strong]

Did.

[Betsy Randall]

Kidding.

[Will Friedle]

No.

[Ryder Strong]

No.

[Will Friedle]

I don't believe.

[Danielle Fishel]

Never saw him holding a script. He would show up for every rehearsal fully memorized.

[Will Friedle]

Even Friday would change.

[Danielle Fishel]

Yeah, even Friday. That's what I mean, realizing, like, he would memorize that day's script completely. We would all be walking around with scripts in our hands until the moment we taped. Usually, I mean, some of us would get it, but especially because it was always being rewritten. But I'm just realizing we never rehearsed with Bill where he held a script in his hand.

[Betsy Randall]

Yeah.

[Ryder Strong]

He had one off to the side with all of his notes, and he could go in between scenes, pick it up, go over what he. You know, go over it, look at his notes, but it was never in his hand on stage.

[Betsy Randall]

He had life experience since he was a child.

[Ryder Strong]

Yeah.

[Will Friedle]

That's a muscle he used all the time.

[Betsy Randall]

And it's just. He really mastered that. And, gosh, the guy did Broadway and solo and had to do everything. I mean, he really had that. I just. I was impressed. I'm impressed now of how well he did memorize. Now that we're all older and memorizing is a little bit more challenging.

[Ryder Strong]

Sure.

[Will Friedle]

Can you remember him ever calling for a line?

[Betsy Randall]

Oh, I'm sure he did, but I don't.

[Will Friedle]

He must have, but I don't. I mean, I don't remember it happening. I remember all of us doing it. Occasionally, but I do too.

[Ryder Strong]

I remember happening. Even if he didn't call for it, what would happen is he'd get quiet and he'd look down and he'd search.

[Will Friedle]

For it and then Kathy would.

[Ryder Strong]

And Kathy would then toss it out and then he'd go back.

[Will Friedle]

But it was rare.

[Ryder Strong]

Yeah, yeah, yeah, man. Well, finally, I know our listeners were thrilled to see you on a recent episode of Matlock. Tell us all about that.

[Betsy Randall]

Wasn't that a kick? It's just so funny. And in fact, they do a two part, two part episode at the end. Just last a week ago or something. Two episodes. And I'm in the episode. They brought me back. I think they'll give me some money.

[Ryder Strong]

Exactly. Yes.

[Betsy Randall]

But it was, it was such a small little part, but it was really fun. And it was such a trip to work with Kathy Bates. I mean, when you walk, meet her and you. She comes in and she's in this old lady kind of look, and I, and she goes, hello, don't you look pretty? And I said, well, you look very pretty too. I mean, it was just like, hello, this is. Are you kill me now? You know, everybody thinks that when they first meet them because, you know, she's her, she's the murderer and the movie, you know.

[Will Friedle]

Yeah, yeah, she's Misery. She's always got that craziness.

[Betsy Randall]

She killed every. I mean, she just was killer in that and won best actress for it. She's just. But she's so sharp. And I learned a lot watching her and just seeing how she stays focused. I mean, she's the producer of the show, she's in on the writing, she approves the writing. I mean, the really good cast. The director is the daughter of David Lynch.

[Will Friedle]

Oh, okay.

[Betsy Randall]

It's just a really top notch group and it was an honor to work on it. It really was. It was fun and I wasn't intimidated. There was just one time where there was a line I kept wanting to not say, so I had to, you know, call line for that one thing. But as it turns out, they cut that line anyway. So.

[Ryder Strong]

There'S a reason why you didn't remember it.

[Betsy Randall]

I was right. But she was, she was very gracious. And at the end, after I, you know, turn into a dementia maniac and can't, you know, think and it can't communicate anymore. And I thought, well, that was. They said, gee, you're so convincing. And I said, well, you know, it's not hard for me to play dementia. I, I know what that is. I can kind of Feel it. But I. What was interesting is that I, I had to stand at the, you know, do it. We did it over and over and over and going up and down this hallway and that scene with her partner who sings to me, who's a gorgeous voice and we had that in common, so that was sort of fun. And so I was at the end of the hall just waiting to come in again and she was standing at the other end and she looks at me and goes like that.

[Will Friedle]

Oh, cool.

[Betsy Randall]

And I thought, okay, that's good. All right. I could finish up. So really it was lovely. They were very gracious to me and very complimentary and it was just a wonderful thing. And I wish I didn't have dementia so I could go back as another, you know, guest star. But. Yeah, unless I snap out of it, I don't think that's gonna happen.

[Will Friedle]

It could happen. You never know.

[Ryder Strong]

You never know. How often are you. Are you still auditioning, submitting self tapes? Are you. How often are you going out for parties parts?

[Betsy Randall]

Well, lately not at all. It's terrible right now I know everybody I'm talking to even bigger celebrities than us, you know, is, is they're just everything is like. And even comment about how difficult it is to afford to shoot here and everybody. The Canada. And so I realized that, I mean it used to be that I'd have, you know, I do an audition every couple of weeks and stuff some for Chicago. My, My agent in Chicago. Because I can go there and say I live there because of my family.

[Ryder Strong]

Yeah.

[Betsy Randall]

But just nothing's really popped, you know, and I'm sort of in between. I'm. I'm awfully cute.

[Ryder Strong]

So cute.

[Will Friedle]

Very cute.

[Betsy Randall]

And I don't know if I am on the camera here but. But overall I just have a cuteness that sometimes works against me when it comes to being older. And I, I think that part was great because I looked vulnerable and childlike.

[Ryder Strong]

Right.

[Betsy Randall]

It worked for the camera and it worked for that. So I mean I, I did a movie where I, I scare the out of everybody. So I'm. I know how to do that with my. If I have a dark wig. It worked better.

[Ryder Strong]

Yeah, exactly.

[Betsy Randall]

And my cuteness didn't get in the way because I was. Was playing. I was so in control of everything and so well written for this play called. Whatever it's called. It was called but Painter and so I just, I just not getting as much as I'd like. There was one where I was asked to come in to play opposite Ted Danson, which About killed me. And I went in after Sally Struthers.

[Will Friedle]

Oh, okay.

[Betsy Randall]

So I went, okay, not real sure that I'm more ripe than she is, you know. And it was the first time I'd gone in person and been assets, and it was. There were only four of us.

[Ryder Strong]

Wow.

[Betsy Randall]

Really honored to just be with.

[Ryder Strong]

Yes. In that company.

[Betsy Randall]

Yeah. And so there was something. And it was the gal who. The casting director was our casting director from Boy Meets World.

[Ryder Strong]

Oh, Sally Steiner. Sally.

[Will Friedle]

Oh, cool.

[Betsy Randall]

So it was really. So it was. I was so nervous, and I, you know, and I was afraid to audit. I hadn't auditioned in so long in person, and I can't read the script without my glasses.

[Ryder Strong]

Right.

[Betsy Randall]

And I thought, geez, you know, can I wear my glasses for these and do. So I thought, well, I'm not going to wear my glasses. I'm just going to memorize it. Well, yeah, that was a challenge. I kept my lines and just, you know, I finally got through it, but, oh, I would have been better off to just wear my glasses and hold, rip, and do it and do it the way I knew I could do it. But I wasn't right for the part anywhere. I mean, that was really the bottom line. And I saw Sally do it. My God, she was great. You know, a. But anyway, I felt like, okay, well, there's hope if I'm requested like that.

[Will Friedle]

Yeah, that's great.

[Ryder Strong]

Exactly.

[Betsy Randall]

You guys do much anymore?

[Ryder Strong]

None of us are doing on camera stuff.

[Will Friedle]

Camera. Yeah. No.

[Ryder Strong]

Nope. Yeah. We don't even try, though.

[Will Friedle]

No. Yeah.

[Betsy Randall]

In all fairness, do you audition for voiceover? Do you have a voiceover thing?

[Will Friedle]

I do a lot of voiceover. Yeah.

[Betsy Randall]

Yeah, I bet you do. I have a good voiceover agent and they love me, but I. I just can't get cast to.

[Will Friedle]

It's tough to break into. Yeah.

[Betsy Randall]

Like a click.

[Ryder Strong]

Yeah.

[Betsy Randall]

And I do these things and I go, this is great. You know, they cast me and sometimes I'll get called back, but most of the time I'm not getting it, and I just don't know what to say about that.

[Ryder Strong]

Right, right.

[Betsy Randall]

So it's. It's hard.

[Ryder Strong]

But anyway, we adore seeing you both on Zoom and in person. I hope we get an opportunity to see you in Zoom outside of Zoom again. And I know our audience was thrilled when they saw you on Matlock. So keep sending in those self tapes because we want to see more and more of you. We're not done watching Betsy Randall be a performer.

[Betsy Randall]

Thank you.

[Ryder Strong]

Thank you for being with us. We love you so Much.

[Betsy Randall]

I love you.

[Danielle Fishel]

Good to see you.

[Betsy Randall]

Bye, Bets.

[Ryder Strong]

Thank you, Betsy.

[Will Friedle]

We'll see you next time.

[Ryder Strong]

Okay, bye.

[Betsy Randall]

Happy trails.

[Ryder Strong]

I knew when I watched it and I had that feeling that was like. I remember it being a passionate thing.

[Will Friedle]

She was angry.

[Ryder Strong]

She's true. She was angry, upset.

[Will Friedle]

Yeah.

[Danielle Fishel]

It's fascinating to me how much Betsy, as an actor inhabits the character.

[Ryder Strong]

She thinks it's the same person. It's not. It's not any different.

[Danielle Fishel]

There's no membrane. There's no separation. It's like. And so it's. It's. Even when she's talking about her memories, half the time I feel like she's. Oh, she's talking about what she was doing in the scene and then she's talking about what she was doing off camera. But it's the same person. It's the same person. So she experiences like her. Her reality is that emotional truth of the scene and also the experience as an actor doing it. And there's no. She just lives it.

[Will Friedle]

It's so cool. It's a different type of method. Yeah, it's. It's. There is no difference between. Amy. Yeah.

[Danielle Fishel]

She wants to be in present tense. Like, that's. That's the Meisner technique. Unique.

[Ryder Strong]

Right.

[Danielle Fishel]

Is that you react to what you're given and what. What scene you're in. And she is so good at it that I think she fundamentally lives the experience in a way that, like, I don't really like. I mean, I would have experiences, but I wouldn't con. Like, I wouldn't absorb them as mine or my real life reaction the way that I think she clearly does. Like she's living this. It's really cool. It's really an intense. It's. It's a lot. I mean, you, You're. I mean, you're feeling the. Feels like. I love that she's still crying, like at the drop of the head. It's like.

[Ryder Strong]

Yeah.

[Danielle Fishel]

Because you are a live wire of em. Transparency. Like you are feeling it and letting yourself. It's such a cool muscle. Wow.

[Will Friedle]

I haven't seen it yet, but I hear Painter. I hear she's really, really good in that movie.

[Ryder Strong]

Oh, yeah.

[Will Friedle]

Yeah. Apparently an incredible performance.

[Ryder Strong]

So it also explains why she remembers and why I remember it being so emotional between her and I because she was so concerned about the fact that she had hurt me.

[Will Friedle]

She still feels bad.

[Ryder Strong]

Yeah. She literally still feels for Danielle.

[Will Friedle]

Yep.

[Ryder Strong]

And it was like. Like, you know. Yeah. It's just so interesting. She really. It's. It. There's. It's so cool. It's so cool. So anyway, thank you all for joining us for this episode of Pod Meets World. As always, you can follow us on Instagram Pod Meets World show. You can send us your emails. Pod meets worldshowmail.com and we've got merch.

[Will Friedle]

Why couldn't you have just bought some merch? I feel like maybe I've done that one before. You did that by done that one already. I might have done that one already.

[Ryder Strong]

Give us a second one. Give us a second one.

[Will Friedle]

All right. Merch.

[Danielle Fishel]

Oh jeez.

[Ryder Strong]

Come on.

[Danielle Fishel]

Oh my God. Actually, just real quick, how much when you watch this episode again, when were we screwing around in the background of the kitchen?

[Will Friedle]

Oh my God.

[Danielle Fishel]

We are trying so hard to make each other laugh and it must have been Ben that we were trying to screw with because he's so serious and we are just like woo woo. You can see me and you making eye contact and like trying to to screw up the scene so bad every chance we get. We're like bratty little kids. Such bratty actors. But I bet you we made Ben break at some point during rehearsal because he's really committed. But I oh weird.

[Ryder Strong]

Oh, pod meets world show.com will send us out.

[Will Friedle]

We love you all. Pod dismissed.

[Ryder Strong]

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[Ryder Strong]

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[Danielle Fishel]

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[Ryder Strong]

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[Betsy Randall]

You'Re.

[Danielle Fishel]

Listening to an I Heart podcast.