The Summer I Turned Pretty

Summary

Podcast Summary

Pop Culture Happy Hour — "The Summer I Turned Pretty"
Air date: September 16, 2025
Host: Stephen Thompson (NPR)
Guests: Isabella Gomez Sarmiento (NPR Music Reporter), Candice Lim (Slate’s ICYMI podcast)

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Main Theme & Purpose

This episode dives deep into the phenomenon of "The Summer I Turned Pretty," exploring why the TV adaptation of Jenny Han’s bestselling trilogy has exploded in popularity, particularly as it heads towards its third and final season's finale. The conversation zeroes in on the core love triangle (Belly, Conrad, Jeremiah), the obsessive fan culture surrounding “Team Conrad” vs. “Team Jeremiah,” the role of music in the show, and what the series ultimately tries to say about girlhood, agency, and nostalgia.

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Key Discussion Points & Insights

1. Personal Obsessions & First Impressions

• Stephen Thompson introduces the series context and the central question: are listeners "Team Conrad" or "Team Jeremiah?"
• Isabella Gomez Sarmiento admits "I am obsessed with this show. I am obsessed," describing herself as "Team Connie Baby" and noting the show's addictive, algorithm-fueled pull. (04:16)
• Candice Lim details her initial resistance, calling herself a late convert who binged everything for “community,” and describes the series as “not candy, it is ice cream... smooth. You really have to be in the mood for it.” (06:35)

2. The Community Experience

• Candice shares how the show creates a sense of community, especially at LA bar watch parties. The audience engagement feels “somewhere between like a political debate and literally like the Super Bowl.” (06:35)
• Both guests agree the fan experience—discussing plot turns, the love triangle, and watching together—is as much fun as, if not more than, the show itself.

3. Show Structure: Pacing and Bloat

• The hosts critique the show’s length and pacing, especially the “bloated” 11-episode final season (with a 71-minute penultimate episode). (09:02)
• Isabella states, “There is so much going on that feels so unnecessary... they’re saving the stuff that you actually care about until the very end.” (09:12)
• Candice ranks the seasons: Season 3 as her favorite, followed by season 1. She dislikes season 2 for its flashbacks and lack of linear storytelling.

4. Character Dynamics: “Team” Debate and Beyond

• Stephen herself identifies as "Team Laurel" (Belly's mom), saying, “I eventually just found both of these boys to be total drips... Jeremiah is... a screaming baby and Conrad is a sulking baby.” (12:13)
• Candice highlights a pivotal Paris episode, where Belly chooses neither love interest: "She really, in that moment, kind of chooses herself. And I think that is actually very emblematic of what the show is really about." (13:44)
• Guests agree: fixing on “Team Conrad” or “Team Jeremiah” is a distraction. The heart of the story is Belly’s agency and growing self-knowledge.

5. Belly’s Character Development

• Isabella critiques Belly’s slow progression: “For a protagonist... Belly has had the least character development of almost anyone in these series.” (14:07)
• The Paris sequence is praised for showing growth, including her fashion evolution and claiming independence: “That was actually, like, so moving.” (15:00)

6. Childhood Nostalgia & Escaping the Past

• Stephen observes, “Conrad and Jeremiah represent idealized visions from her childhood,” and says, “It’s very hard to live, like, a fully realized life when everything stays rooted in your childhood.” (15:48)
• The show’s real “rumspringa” moment is Belly’s departure to Paris and dating outside the central triangle.

7. Parental Relationships & Generational Legacy

• Candice and Isabella argue the true “great love” of the story is between the moms, Laurel and Susannah: “They soulmated so hard, they passed it down to their kids.” (18:05)
• The show’s focus on these relationships enriches the reading of the teenage drama.

8. The Music: Character or Crutch?

• Stephen remarks that the music (especially Taylor Swift, Olivia Rodrigo, Harry Styles) is “aggressive... almost like Taylor Swift as a character on this show.” (09:25, 18:28)
• Isabella: “I mostly hate the music on the show. I often find myself groaning at the needle drops because they’re too on the nose.” (19:10)
  • She concedes some moments work (e.g. “False God” for Conrad and Belly, “Wild Horses” in a key scene), but overall finds it “overwhelming” and “frustrating.”
• Candice notes, “The show... is trying to tune you in. Even in those seconds when you lose out... they’re like, ah, Taylor Swift.” (20:29)
• All agree the music reflects and fuels the show’s pop zeitgeist, for better or worse.

9. Why Is This Show Peaking Now?

• Candice theorizes:
  • The love triangle is “the closest thing we have to Challengers... or Materialist” but without high stakes. (21:48)
  • The dynamic is “like American Idol, where... it didn’t really matter if David Cook or David Archuleta won.”
  • The show's “happy hour” quality—high drama, low stakes, communal viewing pleasure—sets it apart from more “serious” prestige TV. (24:45)
• Isabella credits “escapism” and the “very competitive nature of the love triangle” for drawing people in. (24:00)
• They liken it to “Emily in Paris,” concluding: “I just want to turn on the little show about the girl wearing the little outfits and these boys.” (24:02)

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Notable Quotes & Memorable Moments

• Isabella Gomez Sarmiento [04:16]:
  “I am obsessed with this show. I am obsessed. I think about it all the time. I wake up possessed on Wednesday mornings to watch the new episode.”
• Candice Lim [06:35]:
  “This show is not candy. It is ice cream. It is smooth. You really have to be in the mood for it. One bite is enough to keep you interested. And you keep it in the freezer for a reason. Cause mommy’s going back.”
• Stephen Thompson [12:13]:
  “I eventually just found both of these boys to be total drips. Probably Jeremiah more than Conrad... Jeremiah is... a screaming baby and Conrad is a sulking baby.”
• Candice Lim [13:44]:
  “When Belly chooses neither Jeremiah or Conrad, and she makes out with this very intriguing man... she really, in that moment, kind of chooses herself. And I think that is actually very emblematic of what the discourse is really around and what the show is actually really about.”
• Isabella Gomez Sarmiento [14:07]:
  “For a protagonist... Belly has had the least character development of almost anyone in these series. And I feel like we know very little about her.”
• Candice Lim [18:05]:
  “I do think the biggest love story in this entire show is Laurel and Susannah. And I’m sometimes sad we don’t get to see more of Laurel’s grief because I saw a TikTok that was like, they soulmated so hard, they passed it down to their kids.”
• Isabella Gomez Sarmiento [19:10]:
  “I mostly hate the music on the show. I often find myself groaning at the needle drops because they’re too on the nose.”
• Stephen Thompson [24:45]:
  “For my part, I just boil it down to four words: high drama, low stakes.”

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Timestamps for Key Segments

• [02:52] Cast introductions and Team Conrad/Team Jeremiah debate kicks off
• [04:16 – 07:20] Isabella and Candice on obsession, fandom, communal watching
• [09:02] Discussion of season structure, episode length, and show bloat
• [11:16] Revisiting season 2's real estate drama and missteps
• [12:13 – 14:07] Discussion and critique of the love triangle; Team “You’ve Got Your Whole Life Ahead of You”; Belly’s agency
• [15:00 – 16:56] Analysis of Belly’s character growth, fashion, and emancipation in Paris episode
• [18:28 – 21:05] Deep dive into the music: Swift, song choices, music’s power (or distraction)
• [21:48 – 24:45] Theories on explosion of popularity, love triangle appeal, comfort TV, and "happy hour" TV

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Final Thoughts

The hosts and guests agree that “The Summer I Turned Pretty” is beloved for its blend of high emotional drama and low real-world stakes, immersive fan culture, and nostalgic yet sometimes frustrating depiction of coming-of-age choices. While the central triangle notionally drives discussion, the show’s real heart is Belly’s struggle for agency and growth—and the fans’ joyful obsession with every melodramatic twist, musical cue, and character misstep.

Summary Theme:
If you want to understand why “The Summer I Turned Pretty” is a defining show of the streaming era, this Pop Culture Happy Hour episode is essential: it’s about the power of communal viewing, the allure of escapist narratives, and the funny, critical love fans feel for a show that is “high drama, low stakes.”

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[End of Summary]

Transcript

[A]

This message comes from Sony Pictures Classics with Eleanor the Great. June Squibb shines in Scarlett Johansson's directorial debut, a moving, funny and unexpected tale about truth, loss and second chances. Eleanor the Great only in theaters September 26th.

[B]

The TV series the Summer I Turned Pretty has become a word of mouth sensation, with fans obsessing over the show's central love triangle. As the show approached the end of its third and final season, it's time to break down some of its messy dramas and explore how one TV show can afford all that Taylor Swift music. I'm Stephen Thompson. Today on NPR's Pop Culture Happy Hour, we are gearing up for the finale of the Summer I Turned Pretty and determining whether we're Team Conrad or Team Jeremiah.

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[B]

Music reporter Isabella Gomez Sarmiento. Hey, Isabela.

[D]

Hello, Stephen.

[B]

How many people call you Belly?

[D]

No one. Thankfully, no one.

[E]

Oh my God.

[D]

And I would Correct them if they did.

[B]

I'm happy for you. If that's what you want. That's what I want. Also with us is co host of Slate's icymi podcast and former Pop Culture Happy Hour producer Candice Slim. Hey, Candace.

[E]

Hello.

[B]

It is a pleasure to have you both here. So the Summer I Turned Pretty is based on a bestselling trilogy of books by Jenny Han. Both the books and the TV show tell the story of a young woman named Belly who's coming of age alongside two brothers named Conrad and Jeremiah. Their families are deeply intertwined by lifelong friendship, but as the kids get older, their romantic entanglements grow increasingly complicated, forming a love triangle that threatens to shatter lifelong bonds. Lola Tung plays Belly as season three begins. She's in college and happily dating Jeremiah, who's played by Gavin Castellano. Conrad is played by Christopher Briney. He's moved across the country to pursue his dreams of becoming a doctor. But old feelings aren't so easily buried, especially once Belly and Jeremiah announced their plans to get married. The Summer I Turned Pretty is streaming now on Prime Video. And we should mention that Amazon supports NPR and pays to distribute some of our content. Isabella, I'm gonna start with you. What do you think of the Summer I Turned Pretty?

[D]

Unfortunately, I am obsessed with this show. I am obsessed.

[E]

That's right.

[D]

I think about it all the time. I wake up possessed on Wednesday mornings to watch the new episode, and then I'm watching Team Connie Baby edits for the rest of my week. So safe to say, I love this show. And to be fair, I'm not going out of my way to watch this. The algorithm has gotten so powerful that it knows I love a male character written by a woman whose entire purpose is to yearn.

[B]

Conrad does a lot of yearning this season.

[D]

My TikTok algorithm, it's just clips of Conrad with, like, role model songs over it, and I quite enjoy it.

[B]

He has definitely perfected sulking while sneering.

[E]

Totally.

[B]

It is truly a gift. Okay, so you are pro this show and fully obsessed, and we'll get to this. But you are Team Conrad.

[D]

I am Team Connie Baby. Confirmed. Yes.

[B]

All right. I'm here as a journalist, of course, gathering information. As you should, Candace. Slim, what do you think of the show?

[E]

First off, Team Connie Baby. Don't get me started. All right? I'm Team Connie Baby. Clark it. And so my situation is that I actually really resisted this show for the first two seasons. I knew it was happening. I actually read the books, like, when I was 12, but I didn't really love them because they were just like so much going on all the time. But look, I am in the Jenny Han universe, right? Exo Kitty to all the boys I loved before. I'm familiar with her work. I clocked into season three not only cause I had nothing better to do, but also because I feel like there was just so much steam coming off season two. This built up anticipation that I was seeing on social media, on all of my timelines that I was like, honestly, I could use some community right now. I could use something to get excited about, something to get feral about, something to talk to strangers about at bars. Which is something that has happened to me all summer. And so I binge watched the first two seasons, have been watching season three and. And I officially wake up every Wednesday going, it's rage bait Wednesday, guys. And what I do first thing in the morning, 6am I watch it. I watch the whole thing, right? Text My friends, 6am I have been going to watch parties every single Wednesday at this bar in la. Fun fact, the music supervisor for the show actually went to one. It was very cute. Went to one last night.

[B]

We will get to the music of this show.

[D]

I have a lot of questions that.

[B]

Music supervisor has a lot to answer for, such as, where did you get all that money? Go ahead.

[E]

I know. And I have been going to these watch parties to rewatch it again with more people. Because the reactions, the way people really watch this, like, sport in a way that is somewhere between like a political debate and literally like the super bowl has been so fun. And I think that is actually one of the things about this show. This is a show where I actually love the audience and community even more than the show. I gotta be honest. Show sometimes bad, and that's okay. We move on. We're obsessed. And I think it's because this show is not candy. It is ice cream. It is smooth. You really have to be in the mood for it. One bite is enough to keep you interested. And you keep it in the freezer for a reason. Cause mommy's going back. Okay.

[B]

And there are some people, like, with ice cream who need to take pills in order to consume it.

[E]

Hell yeah.

[D]

Correct, Jeremiah.

[E]

Just kidding.

[B]

All right. I'm late to this show. I'm also, some might say, outside of this show's target demographic, though I am, as a music guy and as a person who covers the Billboard as part of his gig, fascinated by this show's deployment of music, which is very, very aggressive and extremely well funded. It's one of the first things that really jumps out about this show is that, like, there's Taylor Swift in almost every episode, but there are also huge hits by Olivia Rodrigo and Harry Styles. It definitely feels like the height of the billboard charts circa 2022 or 2023, which is to be expected. There's always kind of a long in the making of any TV show. And I definitely found as I tuned into this show, I was able to kind of immediately lock in to the mix of high drama and low stakes. And, you know, any love triangle, the writer is gonna have to kind of have machinations in order to level the playing field. And so it might seem like one brother is zooming way out ahead of the other brother. Well, we're gonna have to kneecap the brother that's in the lead and make that person much less likable. And so they're kind of constantly toggling back and forth between the two. And I did find myself engrossed by it. I will say, and I want to get your thoughts on this. The first season of this show is seven episodes long, and that was from 2022. The second season from 2023. Eight episodes this season. This third and final season is 11 episodes. And they are long.

[D]

Very.

[B]

The penultimate episode of the series is 71 minutes long.

[E]

Yes.

[B]

Feel bloated to you?

[D]

Absolutely. Yeah. I will say, like. Cause I also, like Candace, read the books when I was younger. I kind of have some recollection of what happens, but not entirely, because I was, like, 13.

[E]

Yeah.

[D]

There is so much going on that feels so unnecessary, and it almost always feels like they're saving the stuff that you actually care about until the very end, which I understand, because they're trying to keep you hooked. They want to keep you guessing for what's happening next week. But there are so many characters and storylines I frankly, could, like, walk away from and return and would just not care about anything that I missed at all. It feels very, very bloated.

[E]

Yeah. Cam Cameron. Shout out to him.

[B]

What about Taylor's mom's hair salon?

[E]

Oh, my God. Not the Lucinda. Not the Lucinda.

[D]

I do not speak of Lucinda.

[E]

No, I think you're right, Stephen. When I talk to my friends about the show, a lot of times we'll go like, that was a filler episode. That was a filler character. I think what I have been feeling personally is that if I were to rank the seasons in terms of how much I love season three, for me, is number one. I've been loving it. I think everything is doing something to move the plot forward. I love it. Season one is my second choice. Season two, I hate season two. I hate pk, hate H. Because season one and season three are really about summer. We're living in it. Day one, we land at cousins. We're in the beach house. We are having a good time. We're going to the pool, Conrad. And it happens very linearly. Season two, there's a few things that happens. First off, spoiler. Susanna, who is the mother of Conrad and Jeremiah Fisher, she does succumb to cancer, and she passes away. But we don't watch her die. We watch people talk about her after the fact. And season two does this really weird thing where all of the biggest moments. This is. I'm just gonna say it. Belly and Conrad having their first time. This is Susannah dying. This is everything that happened in prom that led to Belly and Conrad's breakup. All of these big moments happen in flashbacks. And so it almost feels like we're catching up on a friend who clearly has done so much and not told us, and we feel really left out in a way. The show became a game again where a season two felt like a recap.

[B]

You know, season two was also bogged down in, like, the fate of the house.

[E]

Real estate law. That's all they talked about. Kyra Sedgwick, like, thank you so much for appearing. Take your check and go home, Kevin.

[B]

It's interesting. I realized, you know, we've talked about the show this long enough. I never actually answered the question of whether I am team Conrad or team Jeremiah.

[E]

Oh. Oh, I'm so scared of that.

[D]

Let us know.

[E]

I'm so scared.

[D]

Speak up.

[B]

So I am on team youm've got your whole life ahead of you.

[D]

Okay. Valid.

[E]

And say that.

[B]

So I'm on Team Laurel.

[D]

Correct.

[B]

Who is Belly's mom, played by Jackie Chung. Laurel, definitely the character I found myself relating to the most, which, you know, is to be expected. I'm coming into this show, you know, from a different generational perspective, but I eventually just found both of these boys to be total drips. Probably Jeremiah more than Conrad. Jeremiah is. I mean, he is the younger brother, but he is the one who seems far less ready to be married.

[E]

Yes.

[B]

And is kind of a bigger baby. Well, no, that's not true. They both are. He's a louder baby.

[E]

Right.

[B]

He's a screaming baby and Conrad is a sulking baby.

[D]

Correct.

[E]

I will say, like, one of the funnest things about, like, watching this show as a community, both online and, like, going into watch parties. Is. Look, let's talk about the last episode we all watched, which was when Belly is fully in Paris. She is emerged. She's French. The part of the episode which I really actually thought was my favorite episode of the season, the part of the episode that the entire house just cheered like crazy, ding dong, ding dong. Is when Belly chooses neither Jeremiah or Conrad, and she makes out with this very intriguing man named Benito, and she really, in that moment, kind of chooses herself. And I think that is actually very emblematic of what the discourse is really around and what the show is actually really about, which is team Jeremiah and team Conrad as a conflict. I think it is a distraction from what the show really is trying to do and say, which is, this show is not about them. This show is about Belly. And the frustration that we feel both as viewers and critics is that we are watching someone for three seasons not only take a long time to finally turn pretty, but we are also watching someone constantly choose not themself or choose the option that us as older people would not want ourselves to choose. And I think in that way, there is something so fiery about this season, which is that I think they're landing the plane. I think I like her going to Paris. I like what's happening. I'm hearing that there are some divergence right now between, like, the book and what happens there and what happens here. And I think that's exciting and kind of interesting because when Jenny first wrote the book, way back then, a different time, apparently they were all white. That's a whole other thing. But now we're kind of in different territory, and I like that. I like that energy.

[D]

I agree completely. I feel like, for a protagonist of a show, Belly has had the least character development of almost anyone in these series. And I feel like we know very little about her. To have watched this many hours of her life, and it's been so frustrating to watch her entire personality revolve around these two boys. I mean, also, the fact that they're brothers. We're not even gonna get into that. That is quite crazy.

[B]

And the fact that they've all known each other since early childhood, which, how would they not seem like cousins or stepbrothers to you? But anyway, go ahead.

[D]

Exactly. I agree. In my mind, they're all related, and this whole thing is weird. However, I've been waiting for Belly to, A, develop A, personality and B, think about anything other than these two men for all three seasons, which is why I've also. I love the Paris episode. I loved when she told her New hot fling that he needed to leave because she wanted to sleep in her bed in her apartment alone for the first time.

[E]

That was good.

[D]

That was actually, like, so moving. And I do think something I loved about the Paris episode, I think there's been a lot of criticism throughout the show of how they dress. Belly. I think there's been a lot of, like, comments on her fashion. The fact that it feels like she's just dressing to trends. Sometimes the clothes fit her a little bit strange. Like, something has been a little bit off about the way that she's dressed for most of the show and this episode. She has, like, face framing layers. She's wearing lipstick. Her clothes are significantly more grown up. Like, you see that she's finding herself reflected in all of these different ways, not just in her decisions, but, like, how she's presenting herself to the world. And also, I really appreciated that she's not just, like, having a blast and everything's easy and perfect for her in Paris. She's, like, struggling a little bit and that growth is so important to this character that, like, we haven't seen that for her.

[B]

I think you've both touched on something that's really, really important about this story and why I agree with you so wholeheartedly that it's so important to get her to Paris. And dating somebody other than one of these two jokers is what these two boys, and I'm gonna keep calling them boys, even though they're played by, like, 27 year olds. Whatever that Conrad and Jeremiah represent idealized visions from her childhood, they represent a subconscious and maybe even conscious decision to cling to what you have always known. And you cannot. Maybe you can, but it is a long, long road. It's very, very hard to live, like, a fully realized life when everything stays rooted in your childhood. There are just going to be parts of you that don't grow and develop. And so the fact that for so much of this series, she views the world as a binary choice between these two, who are so similar. They share DNA and, like, you need to get out and meet other people and find out what you want.

[D]

Yeah, yeah, 100%. And in that way, I mean, this show always reminds me of another love triangle teen drama also filmed in Wilmington, North Carolina, which is One Tree Hill. And I think so much of what propelled that show forward was also when all these characters finally leave, even if we don't see them far away and, like, they eventually do return to this place, which I'm sure will maybe see a return to cousins for Belli at some point. But, yeah, I think that, like, going out, seeing the world, meeting other people, becoming your own person has been really missing for so much of the show. And it's so refreshing that we finally are getting to see that this show.

[B]

Has needed a rumspringer for a while.

[E]

There is something very incestuous about the way that Susannah to me was very like, I made my boys for you, Belly. I have presented you the best option, and then she dies, and then she's like, you figure it out. But, yeah, I think actually, now that I think about it, the show is also not even about Belly. It's really about what Belly could become, which, in our perfect world, the person we root for, the version of her we want her to be, is the Laurel of her life, is the Susannah of her life. And once again, Conrad and Jeremiah. It's not about them, but we love to talk about them.

[D]

I do think the biggest love story in this entire show is Laurel and Susannah. And I'm sometimes sad we don't get to see more of Laurel's grief because I saw a TikTok that was like, they soulmated so hard, they passed it down to their kids. I was like, yeah, that is really accurate. Like, it was always them. And, like, the fallout of that I wish we saw more of, but not the point of the show, I guess.

[B]

I guess.

[E]

Yeah.

[B]

One last question that I wanted to ask is just in general about the music, because the music is, in a way, a character on the show. I mean, it's almost like Taylor Swift as a character on this show. There are so many Taylor Swift songs. Where do you two come down on the way that deploys music? Because in its own way, as colossal as its music budget is, the music can be as on the nose as the music in Love is Blind.

[D]

Yeah.

[B]

Where like, oh, he slept with a character named Lacey. Now we're going to hear Olivia Rodrigo's song Lacey about how she's jealous of a woman named Lacey.

[D]

It's too much.

[B]

Did you ever find, like, maybe this show has too big a music budget?

[D]

Absolutely. I. I mostly hate the music on the show. I often find myself groaning at the needle drops because they're too on the nose. And I think, like, I don't know, I really believe in music and film being a way to discover music. And sometimes, to me, it feels a little bit lazy that it's just like Jeremiah and Belly kissing for the first time. And Are We Still Friends by Tyler the creator starts playing. It's just a little too Obvious. And I feel like the music has to actually do something for itself other than reinforce what we're already seeing and hearing the characters say to each other. And to me, historically, the show has failed to do that a lot. And I find the music to be mostly annoying. But I will say there have been moments, especially in season three, that I've appreciated. The needle drops. I mean, the false God with Conrad and Belly. Like, oh my God, that was great. The wild horses during the peach scene. That episode in particular, I feel like it did something really interesting, bringing in the Rolling Stones and all of this older music to the Belly Conrad storyline and trying to frame their love as like timeless almost rather than like present and like youthful as it does with the music with Jeremiah and Belly. So, like, there are interesting decisions, but overall, I find the music to be completely overwhelming. And also it moves too fast. I feel like there have been moments where it's like, needle drop. One line, another needle drop. Like, the pacing of the music I find to be very frustrating.

[E]

Music can turn the stakes up. This show in general V, low stakes. This girl is just trying to go to Paris.

[B]

All these people will be fine.

[E]

Absolutely. They're going to go to cousins and they're gonna leave cousins and we're all cousins. But I think the show that's kind of the engine that it pulls. It's like it's trying to tune you in. Even in those seconds when you lose out and you're like starting to fade, they're like, ah, Taylor Swift. Taylor Swift. And I think that's why people watch. I mean, to be fair, when I rewatch the show, I leave it on my, like, I just let it go. And sometimes I will like turn my head. Cause I'm like, oh my God, they just played the what by Taylor Swift. And I'm like, dance moment. Continue. Back to work.

[B]

I have such a love hate relationship with the way that this show deploys music. But at the same time, sometimes it's really effective. And if you were just like looking to marinate in, you know, like what people are actually listening to, this is a good way to do it. I do think it's fascinating the way that Amazon is set up, you know. Cause this show airs on Amazon prime. And when you pause it, you know, you not only have the opportunity to buy products, but you'll get like, here's the actor who plays the character that's in this scene. Here's the song that is playing right now. And so there are so many needle drops that it's nice to be able to kind of pause and be like, wait, who is this? A soundtrack album for this show would be like a 20 hour.

[E]

Oh, yeah. Oh, yeah. So I've been thinking a lot and asking around, trying to figure out why this summer, the summer of 2025, is the reason that, like, this show has really exploded into this, like Team con at Team Jeremiah 24, 7, 365 sphere, especially online. I have two thoughts and definitely give me your theories as well. My first is just that I wonder if the love triangle is something that as a pop culture, media infested society, we haven't fully felt satisfied with. The first being like, is it that this is the closest thing we have to Challengers? A movie I still love, Is it that Materialist which came out earlier this summer, did that leave us unsatisfied? And we just wanted to take that energy and put it somewhere else. I've been thinking a little bit about is it possible that this is a show that kind of posits two people, Conrad and Jeremiah, like candidates with no election, with no politics to it, in a way that I actually compare a lot to American Idol where, you know, it didn't really matter if David Cook or David Archuleta won. Both of them would walk with a record deal. But also they wouldn't necessarily change the state of our country. And I think in a similar way, like Conrad and Jeremiah, they live inside this box called my Amazon prime account. And no matter what they do, no matter what Belly does, it's not even actually up to me. There is a loss of agency from the audience because the show is written, the show is made, the show is done and it's gonna upload what it uploads. And so I was thinking about that, but then I was also thinking about the fact that, like, is it possible that right now the TV landscape is really flooded with a lot of, like, high brow stuff, right? Like the bear severance, the Last of Us. Those are shows that really take up the oxygen. Is it possible that the show has a gravitational pull because it feels like happy hour? Like you can walk in, not be prepared. You don't need to be deeply inform on the lore. You don't need to be in the subreddits. There is something very calming in this time, in this summer, in this year of like having a show that's a weekly drop that has this baseline for everyone to kind of congregate around. And then on top of that, the tiktoks, which Isabella, I'm on the same timeline as you babes where just, it never stops. I think about it all the time, and it feeds me in a way where I am not full. You know, I think the escapism is.

[D]

A huge part of it.

[E]

Yeah.

[D]

I think the very competitive nature of the love triangle and not to get too deep into it, but the different kinds of masculinity that Conrad and Jeremiah present, I think is something that, like, it's just really compelling to, like, have this thing that you're invested in and you're cheering for someone. But, yeah, it's just, like, not that deep. And it's not like, making this huge commentary on capitalism and labor and all of these bigger things that, like, that's the real world, you know, it's kind of like Emily in Paris, like, like smooth brain Happy Hour. Like, I just want to turn on the little show about the girl wearing the little outfits and these boys. And honestly, I don't see how this show can end well because to me, like, the brothers of it all is just, like, there's no bouncing back from that. I know it's toxic, but, like, I can't look away.

[B]

For my part, I just boil it down to four words. High drama, low stakes.

[D]

Absolutely.

[B]

All right, well, we want to know what you think about the summer I turned pretty. Find us on [e-mail] PCHH that brings us to the end of our show. Candice Lim, Isabella Gomez Sarmiento. Thanks so much for being here.

[E]

Thank you.

[B]

Thank you. This episode was produced by Carly Rubin, Liz Metzger and Mike Katsif, and edited by our showrunner, Jessica Reedy. Hello. Come in. Provides our theme music. One more thing. These days, a lot of listeners are asking us how they can support the show. And there is a super easy, totally free thing you can do. It takes literally two minutes. Go into the podcast app where you're listening to right now and rate and review this show. That's it. Doing that helps other people find Pop Culture Happy Hour. That helps us keep going. Thank you so much for listening to Pop Culture Happy Hour from npr. I'm Stephen Thompson, and we will see you all next time.

[E]

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