Transcript
A (0:01)
Hi, I'm Gary Stearman. Welcome to Prophecy Watchers. We have a couple of really interesting guests today, along with Mondo Gonzales and the guest to my left, Chuck Konselman. Welcome to Prophecy Watchers.
B (0:14)
Thank you so much.
A (0:16)
And Carrie Solomon. Welcome.
C (0:19)
Thank you for having us.
A (0:21)
Now, gentlemen, you have produced a motion picture. This Making Waves, I must say. And Mondo, between us, we have here quite an adventure. The movie is called Nefarious. And let's just start by defining the word nefarious. What does that mean?
B (0:41)
Well, wicked, really. Effectively. Just wicked. Wicked, yeah. And it's actually the name of the primary character of the piece. He's called Nefarious. It's the name of a demon.
A (0:56)
In this piece, the name of a demon. He says Nefarious. I say Nefarious. We'll get it together somehow. But this movie has. Has made waves because it raises a number of questions, as questions like, can. Could the situation in this movie really happen in real life? Does it happen? Mondo, you've seen the movie?
D (1:19)
I have, many times. And to me, this is an incredible movie because it. I think it opens up a window that we all believe as Christians, we all read the Gospels, right? We read that Jesus is going around, he's confronted by the enemy. And yet sometimes I think we sanitize that and keep it in the church. When reality, when we look out the world, we say, oh, that currently isn't happening. That was back in Bible days. And so what I thought was fabulous about the movie is, you know, there's a plot. Let's maybe. Let's. Let's establish maybe some of the plot and how it comes to. To be in a movie, because oftentimes people might say, well, I don't just want to watch a movie about demons, because that's not really what it's about. But let's talk about how it came to be a motion picture here.
B (2:00)
Sure. Well, Steve Dase, who is a political commentator who is unique in the field in that he approaches things from a theological perspective. That's his whole thrust and mission. He was moved, I think, in the shower about 10 years ago to write a book. He wanted to do something along the lines of the screwtape letters. And the first line that came to him was words along the lines of the demons saying to the world at large, I'd like to thank all the useful idiots that made this possible for basically just not believing in us. And so he wrote the book, which was sort of a stream of consciousness, sort of manifesto from a demon about how he took down Western civilization. And we were fans of Steve and fans of the book, but we just said when we spoke with Steve, you know, we'd like to make this a movie, but we're going to need a story here. He's going to need somebody to talk to and he's going to need a set of circumstances, the imaginary circumstances surrounding this for a story to work. And so what we framed was we worked with Steve and he came to visit and we spent a few days. We said, okay, how about we do this? How about we set up that there is a condemned man in prison. Ironically, here in Oklahoma, we used Granite State Reformatory. And this condemned serial killer, his prison psychiatrist, has just committed suicide, calling all of his recent findings into question. And the state will not execute you unless you're sane. So they need a last minute evaluation. They bring in a progress, socially progressive atheist, brilliant psychiatrist who is going to analyze this criminal and determine whether he's sane. And the warden warns the shrink on the way in, this guy's gonna get in your head. If you listen to him, you're going to think you're the killer, not him. And very quickly, as the psychiatrist meets the condemned, the condemned says, basically, you got this all wrong. I want to be executed. I am a demon in full possession of a human being. And we're done with him. It's time for him to go to hell. And so the question becomes, is this all an act to avoid being executed? Or is the prisoner legitimately insane? Or is it a demon in full possession of the human being?
