Welcome to the age of AI slopaganda, where the sy…
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Jake Rockatansky
Sa.
Liv Agar
If you're hearing this, well done. You found a way to connect to the Internet welcome to the QAA podcast Premium episode 338 AI Shlopaganda as always, we are your host, Jake Rockatansky, Liv
Julian Fields
Agar, Julian Fields, and Travis View A
Jake Rockatansky
couple days ago, I was scrolling Instagram reels, as I typically do, and I stumbled across a humorous video of a reporter attempting to get the attention of student protesters in Germany. I chuckled, liked the post. Then, before moving on to the next mildly funny video, I decided to go to the comment section. It's there that I came to a horrible realization that in 2026 I am no longer better than the tech illiterate boomers I had been so fond of looking down on for the past few years. This is because that video actually turned out to be AI. And despite this, I had come very close to watching it, perceiving it as real, and then moving on with my life. I'd come this close to having a sliver of the total amalgamation of things that my brain has processed as having really happened in the world, being instead a product of AI Slop. And however small and insignificant that sliver may have been, it still disturbed me greatly. Then I was hit with an even more disturbing realization that the obvious AI Slop videos that used to very occasionally populate my various social media feeds had seemed to recently, in the past year or so, completely disappear. Now in my brain, I had come to think that this was because we as a society had become sick and tired of AI slop. That this specific, awful, uncanny brand of videos and photos had become tiresome to anyone except the most boomerist, a boomer on Facebook. Because surely in 2026, if you haven't become accustomed to what AI looks like, you must be a complete moron. It was then I realized that what had instead happened was that I had become the Facebook boomer, that this fake AI video was surely not the only one that had come across my feed in recent times. And given that I have not thoroughly checked the comment sections of literally every reel I've come across in the past year, there was Almost certainly a non zero number of AI slot videos that I had falsely ID'd as real, I realized that in the murky subconscious of my mind deep in there somewhere, I had memories of things actually happening that were in fact instead generated by a hastily constructed data center in some poor American rural town whose future ruins will mark an arrogance rivaled only by Ozymandias. That AI Slop had successfully tore a hole in the fabric of my reality, a hole that, however likely insignificant, could at this point, never be purged completely. We are now in the age of AI slope, where it is becoming increasingly hard to distinguish these fake videos and photos from the real world. And while it was so easy for years to see this as a scale issue that wouldn't affect the more aware online younger population, it seems we must now begin to contend with an age of politics where anyone can potentially be fooled by artificial intelligence. And so, for part three of my AI is ruining the World series, I've decided to delve into the world of AI slop as political propaganda. The many cases where fake photos and videos have been used, sometimes shockingly successfully, by politicians, either as a means of depicting their opponents as the soy Wojak and them as the chad, or to overtly trick their constituents into believing something that is not real.
Julian Fields
This is awesome because it's like I was tricked. Well, looks like the whole world's AI now. It looks like we're fucked if you got me. Looks like society's in real trouble.
Jake Rockatansky
The most enlightened and intelligent individual on these apps.
Julian Fields
Well, some of our faves.
Liv Agar
I am the touring test. Once I'm tricked, that's it. No, this was me live like eight months ago probably where there was some TikTok I saw and it was like, can you detect which of the following videos are AI? And it would show two at once. One was a real video, one was an AI video and I picked wrong. I mean, half the time.
Julian Fields
Yeah, this is just like when I found out Spider man wasn't real.
Jake Rockatansky
It's like when Santa, my mom told me Santa wasn't real last year.
Julian Fields
What the fuck?
Jake Rockatansky
It's really hard for me. As we'll see. I mean, most AI videos are still pretty easy to detect if you're aware, but the well produced ones are getting a lot more convincing, particularly the ones where it's like someone has a voiceover and they have real human intonation and then they make another voice onto that voice as opposed to just like reading from a script. Like, it's starting to become a lot more difficult for like the game is on.
Julian Fields
The game is on.
Jake Rockatansky
And it's only. The problem is with how much absurd amount of money is being pumped into these things. Like, it's only gonna get worse. It used to be it was so easy two years ago when, you know, like the video of Will Smith eating spaghetti, he's like, oh, you have to be a fucking idiot.
Julian Fields
I think the biggest tragedy for me is that when I See a cool insect or a cool animal that looks like it shouldn't exist. It's possible now that it does not actually exist.
Liv Agar
Yeah, I know.
Travis View
That sucks.
Julian Fields
They're stealing our fucking insects. They're stealing our fucking pets. They're stealing our dogs and our cats and our beautiful. What do they call them? Atarchs? Atrax.
Jake Rockatansky
No.
Julian Fields
I don't know.
Liv Agar
If I had found out when I was in like third grade that the giant squid, like my favorite animal of all time, was actually just like a computer creation, I would have been. I would have been heartbroken.
Jake Rockatansky
Yeah. It turns out that Captain Ab actually got fooled by Facebook. AI Sloth Spring Whale was not real.
Liv Agar
He wasted his life.
Julian Fields
I just can't wait for there to be so much AI content that the AI is training itself on AI content that was generated by some other LLM and they're all like cross referencing each other into oblivion into like some new form of visual or auditory media.
Liv Agar
There was a great Michael Keaton movie about this called. What was it called? Come on. Come on.
Jake Rockatansky
Oh, boy.
Liv Agar
Come on, baby.
Julian Fields
Dig.
Liv Agar
Dig.
Julian Fields
It's like starting a lawnmower.
Liv Agar
Access files films. 1990 movies potentially watched with a babysitter. Multiplicity. Multiplicity. Multiplicity. Multiplicity with Michael Keaton is very good example of this. A copy of a copy of a copy of a copy never ends up good here.
Jake Rockatansky
Recursion does seem like it is an issue for the large language models, particularly like the text based language stuff because they're trained on AI slot. But I think video and photo production doesn't have the same issue, unfortunately, as far as I'm aware.
Julian Fields
Oh, that's too bad.
Jake Rockatansky
That would be awesome.
Julian Fields
I was just looking forward to like the mutant up babies, like coming out of the laboratory.
Jake Rockatansky
Yeah. My favorite is like, there's a recent chat GBT where they had to specifically like OpenAI. Had to specifically instruct it to stop talking about like ghouls and Goblins.
Julian Fields
Yeah. Stop being so spooky because it would
Jake Rockatansky
bring it up completely out of context.
Julian Fields
It's getting super obsessive.
Jake Rockatansky
Yeah.
Julian Fields
You know ghouls and Goblins about this.
Liv Agar
It's like. But millennial women ages 34 to 39. I love spooky shit.
Julian Fields
And Halloween, which is Jeff finding out that like every girlfriend in the Pacific Northwest is AI.
Liv Agar
I don't know about you guys, but I just assume now every commercial that I see on TV is all AI actors. I just assume because that is what they would do. That's what commercial people would do.
Travis View
I've seen A sh. Shocking. A number of, like, commercials on television that use AI. There's one for a grocery store near me that for Memorial Day, it was just obvious AI slop videos of, like, barbecues and pool parties and, like, patriotic scenes. And it's like, I guess I was. I was a little shocked to see how quickly, you know, marketers took up this technology to make commercials cheaply.
Julian Fields
Yeah, they usually have such high standards of ethics.
Liv Agar
Well, that's what I'm saying about the. Exactly.
Travis View
Well, just. Just as a. Just as a marketing signal. You think it was like, yo, it's like. I feel like. I feel like I was like. I obviously can tell that this cheaply made AI is kind of, like. It's kind of, like, ugly. I thought maybe other people would do that, too. It would maybe. Maybe not be as quite as convincing as, like, you know, authentically filmed scene of a barbecue in the backyard.
Julian Fields
Rats devour day Old Corpse News at 11.
Liv Agar
You've been listening to a sample of a premium episode of the QAA podcast. For access to the full episode, as well as all past premium episodes and all of our podcast miniseries, go to patreon.com qaa Travis, why is that such a good deal?
Travis View
Well, Jake, you get hundreds of additional episodes of the QAA podcast for just $5 per month. For that very low price, you get access to over 200 premium episodes, plus all of our miniseries. That includes 10 episodes of Man Plan with Julian the Nanny, 10 episodes of Perverts with Julian and Liv, 10 episodes of the Spectral Voyager with Jake and Brad, plus 20 episodes of Trickle down with Me Travis View. It's a bounty of content and the best deal in podcasting.
Julian Fields
Travis, for once, I agree with you. And I also agree that people could subscribe by going to patreon.comqaa well, that's
Liv Agar
not an opinion, it's a fact.
Julian Fields
You're so right, Jake.
Liv Agar
We love and appreciate all of our listeners.
Julian Fields
Yes, we do. And Travis is actually crying right now, I think out of gratitude.
Travis View
Maybe that's not true. The part about me crying. Not. Not me being grateful.
Jake Rockatansky
I'm very grateful, Sam.
Released: May 30, 2026
Hosts: Jake Rockatansky, Julian Feeld, Travis View, Liv Agar
In this Premium episode sample of QAA (formerly QAnon Anonymous), the hosts tackle the topic of "AI Slopaganda," focusing on the proliferation of low-quality, AI-generated media—termed “AI slop”—and its rising influence as political propaganda and cultural noise. The conversation is a sharp, funny, and self-reflexive look at the blurring lines between reality and digital fabrication, discussing personal experiences, societal ramifications, and the psychological impact of not knowing what’s real anymore.
“...in the murky subconscious of my mind deep in there somewhere, I had memories of things actually happening that were in fact instead generated by a hastily constructed data center in some poor American rural town whose future ruins will mark an arrogance rivaled only by Ozymandias.” – Jake
“Yeah, this is just like when I found out Spider man wasn't real.” – Julian
“...with how much absurd amount of money is being pumped into these things. Like, it's only gonna get worse.” – Jake
“They're stealing our fucking insects. They're stealing our fucking pets. They're stealing our dogs and our cats and our beautiful...” – Julian
Differentiating Text vs. Visual AI Pitfalls (06:27 – 06:40):
Absurd AI Outputs (06:40 – 07:05):
“Yeah. Stop being so spooky...” – Julian
“I've seen A sh. Shocking. A number of, like, commercials on television that use AI...I was a little shocked to see how quickly, you know, marketers took up this technology to make commercials cheaply.” – Travis
“I came to a horrible realization that in 2026 I am no longer better than the tech illiterate boomers I had been so fond of looking down on...”
— Jake Rockatansky (00:50)
“I am the touring test. Once I'm tricked, that's it.”
— Liv Agar (03:54)
“My favorite is like, there's a recent chat GBT where they had to specifically... instruct it to stop talking about like ghouls and Goblins.”
— Jake Rockatansky (06:46)
“I just can't wait for there to be so much AI content that the AI is training itself on AI content... cross referencing each other into oblivion...”
— Julian Feeld (05:41)
The episode is a blend of wry self-awareness, dark comedy, and incisive social commentary. The hosts riff off each other with banter, peppering the sometimes-dire analysis with jokes and pop culture references. It’s intimate, irreverent, and self-deprecating—a hallmark of the QAA style.
Summary Verdict:
This sample episode uses personal anecdotes and cultural criticism to explore the psychological, social, and political costs of an internet awash in AI-generated “slopaganda.” With humor and urgency, the hosts warn that no one is truly immune to being fooled—and that the consequences for memory, trust, and public discourse have only just begun.