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A
But, yeah, honestly, best. I also feel like everyone has this, like, collective amnesia about the super bowl halftime show. Or conservators do this, like, hysteric song and dance, like, every year about how it's too, like, gay and woke, but it's been, like, a good decade again.
B
More than that. Yeah.
A
Forever. And then. Yeah. There's just people. People kind of forget. Like, they get their, like, memories wiped at some point. And then the super bowl rolls around again.
B
Yeah.
A
And there's like, the same predictable discourse.
B
Yeah. Of, like, conservators getting a pop. Apoplectic. Am I saying that correctly? And then, like, leftoids being like. No, what are you talking about? This is fine. This is great.
A
But it was the best halftime show I can remember. I think not remembering basically any of them, but, like, Kendrick. And then I was like. So I look. Yeah. Kendrick Lamar last year, which I was. Don't remember.
B
Yeah.
A
Year before that. Who even knows?
B
Let's look this up. I'm curious. Did Lana Del Rey ever do the Super Bowl?
A
Never.
B
Because, you know, it would have been great to have, like, her featuring Addison Rae doing, like, their version of Americana, I think.
A
Lon is obviously a huge star, but she's a little too. Not. Niche isn't the word.
B
Yeah.
A
But she doesn't have exactly that, like, populist.
B
Broader.
A
Yeah.
B
And he's, like, incredibly famous and successful. I had no idea.
A
Yeah. The super bowl is a big, big star. He.
B
Yeah.
A
And also, Lana's not, like, a show girl.
B
Yeah.
A
You know, she's a little, like.
B
She's a prom queen.
A
Not that she can't put on a show, but she's like. She's not a dancer, you know?
B
Yeah. Well, okay, so wait. Was 2024 before I hit go, was it the weekend?
A
Weekend was 2020. Oh, yeah. Usher. It was Usher weekend was 2021. And he had kind of like a fascistic post Covid concept that he did. Rihanna.
B
Oh, right.
A
She also did, like, they have been. I actually watched Shakira. Huh. 2020 with Shakira and Jlo.
B
Okay.
A
And I watched some of that one because I was like, those are, like, Latinx stars.
B
Yeah.
A
But they did a super, like, banal milk toast, like, and it was a less political. I mean, none of, like. Yeah, it's not. I feel like. Yeah. There's always some, like, political charge.
B
Yeah. And I think, like, they know it going into it, obviously, and they anticipate now with social media that it'll create, like, a viral discourse. But I. I guess if there's, like, anything critical to say about it, it's that he did most of it in Spanish and only paused to say, like, God bless America, which could be, like, anti American, I guess.
A
Sounds pro American to me.
B
Like, I guess, historically, a lot of the halftime show performers are people of color. It's like black and Latino people, because they're, like, at the top of the charts. And, like, the. The players, like, I don't know, like, half of them are black. Three quarters of them.
A
Literally, most of them. Like, that's who plays football.
B
Yeah.
A
Except for quarterbacks, I guess. Yeah.
B
Steve Saylor talking about that. But.
A
Yeah, like, when Matt Walsh is, like, spinning his wheels about how there's a white, white man performing at the super bowl, like, I'm like, name a white celeb that's up for the task. Yeah, I can't think of one.
B
Yeah. And you can, like, make the case that that's because the Strokes. Yeah. Like, you can say, like, oh, well, that's because pop culture is so heavily, like, black and Latino, and that's a deeper symptom of the decline of Western civilization or whatever, but it seems like that's a normal and standard thing.
A
Who do they want to sing and dance at this halftime show?
B
Yeah.
A
Who's a big white star? Well, then. Yeah. Then there was.
B
Yeah. Like, Morgan Wallen, Jelly Roll.
Episode Title: Slop-er Bowl TEASER
Podcast: Red Scare
Date: February 12, 2026
Hosts: Anna Khachiyan and Dasha Nekrasova
In this episode, Anna and Dasha riff on the familiar discourse surrounding the Super Bowl halftime show—particularly, the cyclical complaints from conservative commentators and the general tendency of the public to forget past performances. With their trademark blend of irony and pop culture savvy, the hosts discuss the recent halftime shows, the politics of performer selection, and the racial and cultural dynamics at play in both the NFL and the broader music landscape.
Anna: “Everyone has this, like, collective amnesia about the super bowl halftime show. Or conservatives do this, like, hysteric song and dance, like, every year about how it's too, like, gay and woke, but it's been, like, a good decade again.” [00:01]
Dasha: “More than that. Yeah.” [00:20]
Anna: “People kind of forget. Like, they get their, like, memories wiped at some point. And then the super bowl rolls around again.” [00:21]
The discourse seems to repeat: Conservatives express outrage, others defend the performance, and the cycle starts anew.
Memory and Impact
Who’s Never Performed? The Case of Lana Del Rey
The hosts ponder whether Lana Del Rey has ever performed and imagine a hypothetical set featuring her and Addison Rae.
Anna describes Lana as too niche for the role—she’s popular, but not “populist” or showgirl enough.
The hosts list recent acts—The Weeknd, Usher, Rihanna, Shakira/J.Lo—highlighting the tendency for relatively safe, mainstream, and often politicized content.
Dasha comments on how performances are crafted to spark viral discourse, especially in the social media era.
The prevalence of Black and Latino performers is discussed as reflective of both chart dominance and the NFL's own player demographics.
The hosts mock conservative figures (e.g., Matt Walsh, Steve Sailer) for lamenting the lack of "white men" performing or headlining the halftime show.
They joke that the only plausible options left are niche or uninspiring mainstream acts.
On collective amnesia and discourse cycle:
On social media and 'viral discourse':
On the demographics of halftime acts and the NFL:
On conservative complaints and mainstream pop:
The conversation maintains the hosts’ signature blend of dry wit, skepticism about mainstream discourse, and pop culture expertise. Anna and Dasha oscillate between sincere observation and detached irony, treating the subject with both mockery and a genuine curiosity about its cultural implications. Their banter is light but wry, never shying away from both pointing out the repetitive nature of the controversy and questioning the underlying racial and cultural complaints that surface annually.
This summary captures the lively, sardonic, and insightful conversation typical of Red Scare, offering newcomers and fans alike a clear view of the episode's key themes and moments—without the noise of ads or filler.