The ladies discuss their trip to Mexico City, the emerging USAID drama and DOGE's racism scandal. Read Rob Henderson's review of Sadly, Porn mentioned on the episode .
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John
And it's funny, he's vindicated again and again for his most hyperbolic statements which turn out to be like totally true.
Sarah
Actually like more reasonable than what's actually going on. Yeah, that at least makes sense I guess if you are trying to like chemically castrate people to spread a leftist agenda and like.
John
Yeah, the other thing is like when you Google usa you don't even get that ticker of recent headlines.
Sarah
It's just like nothing to see here.
John
Yeah, it's crazy because you know, you Google anything and there's like the latest news. If you Google like Kanye west or Nick Fuentes immediately news headlines and then later you get to the official website and the Wikipedia entry and so on with here.
Sarah
It's just directly that I was looking through. I was manic after seeing Our lady of Guadalupe and I in Mexico was like looking through the USAFunding.gov like filtering by recipients. Like I was going to get to the bottom of something, you know. But yeah, I did find like there's a company called like I think I wanted to see like I wanted to know about film and obviously it's all filtered through like I wanted to know what like media, you know, and there's like some company called like Red Carrot Inc. Or something and it's like you go on their website and it's the most. Just like it's women owned business like that finds solutions like non speak. It's so like mind blowing.
John
Yeah. And the way, yeah. The way the, that these organizations or their mouthpieces describe it is like, yeah, finding creative solutions.
Sarah
People think we're grifters.
John
Cultural development. Yeah. USAID funding leftists to call us ugly grifters. There was a good funny tweet by Doug Mackey AKA Ricky Vaughn, JD Vance now wrong.
Sarah
I saw him speaking out in defense of the. The Doge employee who was fired.
John
Oh yeah. But oh, the whole concept of girl boss was manufactured with billions of federal dollars. So true. But here's, here's a cute little list of all the things they may or may not have done. Like the big revelation obviously was that 90% of Ukrainian media is funded by USAID, which we already kind of suspected, but it's not surprising. Yeah, they were funding gain of function research leading up to the pandemic. They obviously fund regime change and color revolutions across the globe. They were censoring media outlets and corporate advertisers that failed to express sufficiently progressive views. They were doing things like inventing a Cuban Twitter and astroturfing Ecuadorian rap groups to like foment unrest. They're funding Bill Kristol. They're probably funding Crystal Ball.
Sarah
I was searching when I was looking up, I was doing some research into USAID and Belarus which is another kind of obvious one. But one of the only news articles that came up was a press release from USAID about how they were opening an embassy in Lithuania where the political opposition is based.
John
Well, yeah. And Victor Orban was saying how like as it turns out USAID is funding virtually all of the progressive left wing opposition to him. In Hungary.
Sarah
They did a coup in.
John
Romania, they were definitely behind Russia gate. I would not be surprised if they were behind. And there's still, I don't think Summer of Floyd.
Sarah
I know. I think it's. I, I know Ben Stiller. I mean probably didn't get. There's there people are saying that all celebrities got money to personally go to Ukraine and shake Sunsky's hand. I don't believe that. I believe that they did pay for it. You know, Sean Pen for sure, like just loves doing like they just are doing it, you know, for the love of the game.
John
Yeah.
Sarah
But he released a statement being like this is Russian propaganda.
John
Yeah. I mean that's historically how they're.
Sarah
So there's still, there's still doubling down on Russia and when they made up Russia.
John
Yeah.
Release Date: February 21, 2025
Host: Anna Khachiyan and Dasha Nekrasova
Podcast: Red Scare
Episode: USAIDS TEASER
In the USAIDS TEASER* episode of Red Scare, hosts Anna Khachiyan and Dasha Nekrasova embark on an incisive exploration of USAID's covert operations and its purported influence on global political and cultural landscapes. This episode serves as a provocative introduction to the series, setting the tone for the critical discussions that follow.
Anna and Dasha begin by addressing the difficulty in finding substantial information about USAID through standard online searches. They highlight the absence of recent headlines and comprehensive data, suggesting a deliberate obfuscation of USAID’s activities.
Quote:
John: "When you Google USA you don't even get that ticker of recent headlines." [00:19]
Dasha shares her personal investigative journey, detailing her attempts to uncover the depth of USAID's funding mechanisms. She mentions digging through USAFunding.gov, filtering by recipients to identify entities influenced by USAID.
Quote:
Sarah: "I was looking through the USAFunding.gov like filtering by recipients... I did find like there's a company called like Red Carrot Inc. Or something... it's a women-owned business..." [00:42]
The hosts critique how USAID-funded organizations present themselves as creators of "creative solutions," arguing that this rhetoric masks a more insidious agenda of promoting leftist ideologies.
Quote:
John: "Cultural development. Yeah. USAID funding leftists to call us ugly grifters." [01:27]
They reference public figures and social media reactions to underscore skepticism towards USAID’s initiatives, highlighting how such funding is often dismissed as mere grifting by its critics.
Quote:
John: "USAID funding leftists to call us ugly grifters." [01:27]
Anna and Dasha delve into specific instances where USAID is purported to have influenced political movements and media across various countries. They discuss USAID's involvement in Ukraine, Belarus, Hungary, and Romania, suggesting a pattern of funding opposition groups and fostering unrest.
Quote:
John: "There was the big revelation... 90% of Ukrainian media is funded by USAID... they were funding gain of function research leading up to the pandemic... etc." [02:03]
The conversation extends to USAID’s role in media censorship and the promotion of progressive narratives, including the creation of fake social media platforms and manipulation of local music scenes to foment dissent.
Quote:
John: "They were doing things like inventing a Cuban Twitter and astroturfing Ecuadorian rap groups to… foment unrest." [02:03]
The hosts speculate on the authenticity of celebrity involvement in politically charged activities, suggesting that some may be funded by USAID to promote specific agendas.
Quote:
Sarah: "People are saying that all celebrities got money to personally go to Ukraine and shake Sunsky's hand. I don't believe that. I believe that they did pay for it." [03:44]
Anna and Dasha discuss the perpetuation of pro-Russian propaganda narratives, emphasizing how USAID's strategies reinforce certain geopolitical stances.
Quote:
Sarah: "But he released a statement being like this is Russian propaganda." [04:05]
The episode underscores the need for greater transparency regarding USAID's funding and operations. The hosts call for accountability, urging listeners to question the sources and motives behind international aid and its impact on global politics.
Anna and Dasha advocate for a more critical approach to consuming information, especially concerning government-funded initiatives. They highlight the importance of uncovering the underlying motivations behind seemingly benign programs.
In this teaser episode, Red Scare sets the stage for a deep dive into the opaque world of USAID-funded operations and their broader implications. Hosts Anna Khachiyan and Dasha Nekrasova invite listeners to critically assess the influence of international aid on political and cultural dynamics, urging a reevaluation of commonly accepted narratives. This episode promises a compelling examination of power, propaganda, and the hidden motives behind global interventions.