Transcript
A (0:00)
Foreign.
B (0:08)
Welcome back everybody to Religion on the Mind, a patron exclusive episode of Religion on the Mind. It is part four of our four part series, the final part of reading and discussing C.S. lewis's the Great Divorce. And who am I joined by other podcast co hosts are puny lizards. But she is a mighty steed. It is Kristen Tiedman.
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Hey Kristen, that's my name on the streets. Mighty Steed.
B (0:41)
So, Kristin Mighty Steed Tiedemann. I did have a little hard time because the the stallion as it's named in the text is male. Stallions are male. But I think it's tricky.
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It's tricky with my.
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Can steed go either way?
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You know, who knows?
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Female horses can carry like can be in cavalry. It's not only male horses, right?
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I wouldn't be.
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Imagine it's not like a bull cow thing where cows just have udders and make milk and bulls will gore people with their horns. I think horses are more kind of gender fluid.
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We should ask old George McDonald how.
B (1:21)
Yeah, maybe he has something to say.
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So.
B (1:24)
All right, we're gonna go continuing through. We've got chapters here and we've got some more significant exposition from St. George MacDonald like we had last week. I'll do 10 and 11 narrative and then let's talk about some of the ideas in there. So chapter 10, the narrator witnesses a ghostly woman who had spent her earthly life trying to fix or train her husband Reginald. Now in heaven, she is pleaded with to let go of her controlling nature and embrace joy. But she insists she only ever acted out of duty and refuses to see that her love was manipulative. And unable to surrender control, she chooses misery over transformation. This may be the height of the latent sexism in the book, chapter 11. Two encounters occur in this chapter. First, the narrator observes another ghostly woman desperate to see her son Michael. But her maternal love has become possessive and idolatrous. We'll probably talk about that idolatry. A bright spirit tells her she must first learn to love God more than her son. But she refuses, demanding her rights as a mother. In fact, she, I'll say parenthetically, she demands that Michael return with her to hell. That's sort of the narrative height of that, of that interaction. And then another ghost wrestles with letting go of a red lizard on his shoulder, which is symbolizing lust. And after a dramatic inner struggle, he allows the spirit to kill the lizard, which is then transformed into a glorious horse. Kristen, like you might say a lot of Narnia vibes in that story. By the way, I felt like, that was like the most Narnia I felt. The ghost becomes solid and rides the horse joyfully into the mountains. It's the first instance of actual post mortem surrender and redemption that we've seen in the entire book. So I got a few things in these two chapters. Where do you want to start?
