B (4:21)

It's my absolute pleasure. I love nothing more than engaging with and supporting my authors. So I feel pretty grown up too, Stacy, that I get to have authors like you. It's pretty fantastic. And if you don't mind, I'm just gonna say hooray. I'm holding her brand new, not yet launched book at this moment, while we're were recording in my hands and never gets old to unbox a new book. So congratulations.

A (4:47)

Yes. So this will be live about a week before. So we're recording this a little before that. But this will be when this episode drops and goes live. The book will be out like a week later. So it's like the countdown is on. Like we were, we were talking about this before we hit record and it was one of those things that you're like so excited and, and sew over it all at the same time.

B (5:10)

Classic. Classic. So true.

A (5:13)

Oh no, it's funny. Like when we did the. So I've got the book back there in the corner, but we did the unboxing or whatever. I remember I asked one of my kids, I was like, so you think you're going to read the book? And they literally looked at me like I had 14 heads. They're like, mom, we don't even listen when you talk about business. So why would we ever consider reading your book?

B (5:33)

Also classic.

A (5:34)

Yes.

B (5:34)

My kids say the equivalent for sure.

A (5:36)

Yeah. And I told my husband, I was like, should I go ahead and just put a copy in the bathroom? Because that may be where you're gonna. He would kill me if you hear me say that. But I don't think he listens to this podcast, so it doesn't matter.

B (5:48)

So good.

A (5:50)

Okay. So I'm so glad that we're doing this. We've been on this journey now for, I don't know, 18 months. I mean, I think that's kind of maybe, maybe longer from the moment that we actually were connected. So in true Stacy form, I was actually referred to, which is always a fun way for, I'm sure, for you to have clients like me show up to be referred to you. It's always nice, in my opinion, of being the client in this scenario of being referred in. So that is always great. So I guess we probably not quite two years, but I feel like it's been. I mean, it was like the beginning of 24, I think, when we were first kind of connected. And then I think we like inked the deal in 20. April ish. Or something like that. Yeah. So 18 months. It's a journey.

B (6:35)

It really is. Yeah.

A (6:36)

Okay, so I know one question. So I'm sure some of my listeners are going to be listening to this episode just with curiosity because they're like, oh, cool. We've never really paid attention to publishing a book. I haven't thought about publishing book. And then others will be listening to this because they're like, actually, this is something I'm interested in doing and maybe in the short term future for them or the long term future for them is to publish a book.

B (6:59)

So.

A (7:00)

So I know one question that's typically going to be like the top of their head and the top of their mind is really like, what do publishers, and particularly for you guys at Page two, like, what do you look for when you're saying yes to authors? Because you don't say yes to everyone.

B (7:15)

No. In fact, our list is really carefully curated. We do that deliberately because we want that high touch Experience where we really get to know our authors now. You know, Stacy, the partnership is, it's meaningful, you know, and it takes time. It's beautiful that way in a very fast paced world to have this kind of partnership where we're working together to craft something of such high integrity and quality over time. So what are we looking for? You know, I can't speak to all the publishers because different mandates can be very different. But I think many publishers have in common with page two that we look for authors who are really changing the conversation in their field. So people who are at the top of their game professionally, they're usually growing and building stuff and they know how to frame things in a way that their audience immediately understands. You're solving real problems for your audience and you do it with such elegance that sometimes you make it look easy. So I knew that about you from your first book and it's certainly played out in this book. The way that you frame the client experience, the way that you anchor us in referability, that's something we've always aspired to at page two and continue to do so. So let me tell you that we were more than a little bit daunted working with you, thinking we have to create a client experience for Stacey Brown Randall that, you know, she can write about us as like a positive case study in the next book. Right. So people like it very much like you, who are not only contributing to the dialog, but you're actually changing the way we think about it. That's what we look for.

A (9:02)

That's really awesome because you're right. I'm sure every publisher kind of has what they're, what they're looking for with their authors and really paying. And it's different. Right. And understanding, kind of like where you fit in. And there's so many forms of publishing now that authors can like, you know, decide to go down the path of, you know, from self publishing to hybrid publishing to traditional publishing. And I have found a very happy place in hybrid publishing. My first book was, was published by a hybrid publisher. You guys are a hybrid publisher for my second book. And you know, this, this model works for me for a lot of different reasons. I would say, you know, my first book came out seven years ago this month. Like, it makes me feel really old to say that.

B (9:49)

So young.

A (9:50)

I know, but it feels so old. And for it to have taken so stinking long for me to finally get around to doing the second book. And I have lots of like, I have all the reasons in the world for what none of them probably should be true, but they all were, as to why it took so long for me to write this book. But I think also the industry has changed just in those seven years, just from my limited viewpoint as an author of kind of like what that looks like. So I do think it may be beneficial for the listeners to kind of just get an understanding of the difference from your perspective of traditional hybrid self. Because there's a right fit for everybody.

B (10:29)

Yeah.

A (10:30)

And so, like, for me, going traditional wasn't the right fit with my first book. Hybrid was. And then I was like, I kind of like this. So I just kind of stayed the course with it moving forward. But again, for some folks, self publishing is right. Can you give the publisher's perspective on the breakdown of those three models?

B (10:48)

Absolutely. And know that at page two, we launched 12 years ago. That was at a time when the hybrid category wasn't even really a thing yet. So for us, the question was, how do we better serve the authors we really want to work with with? And that's why we created what now ultimately is defined as a hybrid publishing company. But that sort of situates the difference in the three kind of different points in the spectrum. So on the one hand, you have traditional publishing, which. The easiest way to think about it, I think, is that it's a license agreement. So, you know, you can work with big publishers, small publishers. It's not just about, you know, the idea of it being corporate or not. There are small independence, there's everything in between. But the point is the publisher is licensing your publication rights, so they're in charge, whatever that might look like. That means that they get to decide. So. So they front the cost to produce the book, but they get to decide everything else, like what, when is it going to launch, what does the COVID look like, you know, how long is it going to be? All these kinds of things are out of your control as an author. That's what you're agreeing to, literally in the contract, you are signing that stuff away. And that's on the one hand, the traditional. On the full other end of the spectrum, self publishing is when it's. It's totally diy. And maybe you're hiring a partner here and there to do certain things like a freelance editor or what have you. But generally it's authors who are maybe writing your book and uploading it to an online platform where you can distribute it or printing a bunch of copies for friends and family or your networks in the middle. And there's like all kinds of things in the middle, including page two, is Hybrid. In. Typically, in hybrid publishing, it's a bit of a mix, just like it sounds like. So typically, hybrid publishers do not license your rights. And that was something foundational to page two. We thought if we take that out of the equation, ultimately we are in service to our authors. So, Stacy, you're my author. You're also my client. That doesn't mean I just say, like, oh, yeah, let's take your daughter's, like, you know, pink crayon, you know, cover and stick it on. Nope, it's not vanity publishing. That's a whole other thing.

A (13:07)

Right.

B (13:08)

But this is about a professional, such as yourself engaging a team to support you in. In the process. So you invest in us, you pay us to do the work, and then the lion's share of the earnings belong to the authority. That's kind of generally, with some variation, what hybrid is like. And it may be there might be some inklings in there to indicate to your audience why that felt like the right model for you. Maybe I could put that question to you. Yeah. What made it feel right?

A (13:38)

It's a great question. And if those who know me really well, so it may not be every listener of this show, they know I don't really play well in the sandbox. I kind of like to control and own my own world and make my own decisions. This is why I own a business. And I'm not someone's employee. Like, I just like to have that control factor. But, I mean, for me, I did not want to go it alone.

B (14:02)

That's right.

A (14:02)

And that's kind of where I felt in Hybrid is like, I wanted control. And I would say, like, things that I could do in my first book. I know in traditional publishing, more authors would say that they can do that. Now, this was not the case seven years ago, or I guess maybe it was even eight years ago when I signed my publishing agreement before, because then it took, you know, over a year. Year for the book to come out. But there were some things that, like, you couldn't have control over that you could. And I think some things have shifted a little bit, maybe. But for me, it was like, I didn't want to be told how to tell what I was trying to teach, particularly that many years ago, because what I taught, this whole concept of that you can generate referrals and you shouldn't have to ask for them, and you. You really don't need to ask for them. And I would tell you, stop asking for them if you are. That was different. And It's a great hook, right? People are like, oh, referrals without asking. Like, that's a great hook for presentations and things like that. But sometimes when you're dealing with things in a more traditional sense, they fall back on, like, old school advice and more traditional advice. And it's, you know, this is an entirely different type of thing that I was working through. And so for me, I liked the control factor, but I did not want to go it alone. And when I picked you guys for the second book, it was. I also, though there were moments, I'm going to be honest, I kind of regretted it. I wanted to become a better writer. And then you gave me four editors, and I was like, I'm just kidding. They're fabulous. I love them all. But there were moments where I, like, I don't want to talk to them again.

B (15:35)

That's totally fair. It is rigorous, shall we say? Yeah, it is. Yeah.

A (15:41)

Yeah. It was just, you know, I look at my first book and, you know, it's. It's awesome at one awards, and I'm really proud of it. And it continues to sell to this day. Like, I'll get my statements. It'll be like, hey, you sold 200 something books this month. And I'm like, that's pretty incredible. That's amazing. For seven years, eight years later, whatever it is. So I love that. But I look at that book and I'm like, oh, God. But it could be so much better now that I know, right? Now that I. Now that I'm better at my own craft, now that I'm better at what I teach, now that I feel like I'm a better writer, I still, obviously, I feel like there's room for improvement. Like, I was doing the audio recording for this book and there were parts, and I was like, I probably would have written that differently now that I have, like this much space from it. But, yeah, I mean, but you can do that all day long. Like, yes. Finding the imperfections.

B (16:24)

An author would absolutely do that all day long. But there's a degree, right? There is a degree of like, I really need to make a whole bunch of changes versus I might have said that differently, but I would like to say about you, what I remember too, Stacy, is that you came in saying you were looking for that rigor, and I hear you that also.

A (16:42)

I was. It's.

B (16:43)

It's tiring. But I love that about you. And that is also common to authors who, who come to page two. It's that question of, I really want to amplify my message. And I want the best possible team to help me do it in the best possible way. So it's that level of partnership. The fact is, you came in with so much market intelligence and you were saying, you know, no matter what kind of partner you have, really, it's not just about traditional publishers versus self or otherwise, but it's about a partner that is going to honor your level of market intelligence. Given that you're immersed in this world every single day. You know that it is a conversation changing idea to talk about generating referrals without asking. Like, people have not framed it that way before. That's why everyone kind of sits up and says like, oh, I need that and I want that. And if a publisher is feeling, oh, that's too niche or that's too this or that, they should talk to you for a few more minutes and really lean into what you're seeing. I think that's the most important thing in choosing a publishing partner. It's not just buying into a vision wholesale. You always want that kind of a degree of challenge and engagement. At the same time, you want to start from a place of believing that your publisher really honors and respects your expertise. And then you honor and respect our expertise in our areas too. And that's very much how it felt working with you in collaboration.

A (18:14)

Yeah, it was definitely rigorous. And there were moments where I was like, this is great. And then there were moments where like, this is awful because I don't know how else to say this. And they told me, this doesn't work, like, but it was what I asked for. I mean, I invited it into my life. Right. Like that's, I mean, at the end of the day, it's right, it's in service. Like, you guys are in service to the authors and the authors. We are in service to the people who buy the book and read it. So it's got to work for the reader. And so, yeah, but there are definitely moments I was like, oh my gosh. Yeah. So.

B (18:46)

Well, because you are not, maybe you're a glutton for punishment because you can't get enough of content creation. I think your listeners are going to want to know about your workbook as well. You, you know, you are in service to your, to your audience. We've really learned that to what degree you are. And so all the way along you've been saying, I really need the workbook as well. Because it's not enough to just leave the ideas. You need people to be able to implement them. So I don't Know, maybe you could talk about that a little bit.

A (19:16)

Yeah, that's new, right? For this book. I didn't have it with the first book. I'm sure it could have used a workbook. It didn't even, like, scratch. I mean, it didn't even come into, like, my mindset in terms of, like, an option with the first book. But with this book, I don't know if you probably remember, like, the very first version of the manuscript you guys got when I was first first referred into you. The book was written like the workbook was included in it. And then we had some, you know, editorial conversations and kind of working through, like, is that the right format or should it be different? And it should be a standalone workbook. And we landed on the idea that it really should be a standalone workbook. And, you know, my workbook isn't one of those where you can, like, buy it and then be like, oh, I can get what I need from this without reading the book. That just wasn't what I was going to write from a workbook perspective. So if you're reading the book and you're like, okay, yeah, here we go, another exercise. Just tell me to do something else. Like, I think having that one place that you can go and be like, yes, I can digitally, or I can print it. Like, I can go in and I can do this exercise and do this work, I think is really important. I think it lends itself really well to this message. I'm not married to the idea that every book I ever write will need a workbook, but I think this one, because we're so close to our client experience, we're so close to what we think it is and what we think our clients feel that. I think from that perspective, this workbook, like I. Like I say in the book, I'm like, okay, you gotta pause and you gotta do the workbook work or get a piece of paper if you don't want the workbook. But you gotta do the activities that I lay out in the book because they help you think about your client experience differently, and they help you frame what your clients may be experiencing, which sometimes is very different from what we think they're experiencing.

B (21:01)

True.

A (21:01)

Yeah.

B (21:02)

So true. For example, we thought all of our authors have a great time in the editorial process, and now I've learned that.

A (21:11)

Let me talk to you about your client experience there. Well, we can have that conversation offline. No, Just kidding.

B (21:16)

Well, I have told you, and I'll tell all of your. All of your audience that, you know, for Us. This. This has become required reading for our team. And the Workbook Companion is going to offer such a great way to just really allow ourselves, our team, to see themselves in it directly. It's that extra step and layer of engagement you can facilitate with your readers. And I'm pretty excited about it, I have to say. Thank you for that masterclass and experience. It's really nice being a publisher. Right. We get to learn from all the experts and just share this wisdom on our team.

A (21:56)

Yeah, it's funny, too, because I was looking back, like, as you, like, you know, you get to the point where the book's almost done and then you're doing the audio recording, and then you're like, it's done. And like, okay, it's going to get it out there to the world. I started going back to all this stuff, and I was like, well, what didn't make it to the book? And then I was like, oh, my gosh, I had forgotten all the things that we cut and trimmed and shortened. And like, I remember there's. There's one paragraph in the book where I was like, that needs to be a chapter. And the editor's like, no, it doesn't. It needs to be a paragraph. And I was like, no, I want that to be a chapter. Like, no, like. And like, it's. It's always bringing you to that place of getting better at what you do and seeing it from that reader's perspective.

B (22:34)

And.

A (22:34)

Yeah. And I think the workbook was just really a part of that. I think it'll be instrumental for the person who wants to do the work. There's plenty of people we know who'll pick up the book, read it, take one or two nuggets, and that'll be great. That's what they want. And then there'll be others who are like, okay, let me dig into what this looks like. And obviously that's. The workbook is perfect for them in that regards, too. Yeah.

B (22:52)

So good.

A (22:53)

Well, I enjoyed, despite anything. I may also say to the contrary, I really did enjoy working with you guys. I thought that you did bring to the table what I was looking for and really that ability to just become a better writer and just to kind of take that, the way I think about my knowledge, to the next level. And I know we're having conversations about, you know, the second. The first book and second editions and how it fits into my body of work with other books that I may. May has a big asterisk by it. Right. I'm not locking myself into anything Yet. But you know, and I think that's really important too is like, you know, for me it's. It wasn't just finding a publishing partner that was going to help me publish this book, but I knew there was that ability to have do. I feel like I've got a strategic partner who can help me think about this and the, like the whole part of how this fits into my business and my body of work and you know what I want to be able to produce coming from that. So I do appreciate everything that you guys and your team are. It was, it was a wonderful long, but a wonderful process.

B (23:58)

It's an honor and, and we appreciate you so much. You're someone, I suspect, like a lot of your audience, someone who really, you know yourself, you know your audience, you know what you need and want, including what you need out of a partnership. And I can't stress enough in any publishing arrangement, no matter what the model is that you're in, to really make sure that you're putting on the table what's important to you, being clear about that all the way through so that people can step up and do their best work for you. That's what it's all about. And we have experienced that all the way through. So let's do it again.

A (24:36)

Not right now.

B (24:40)

Let's get this baby launched first.

A (24:42)

Yes, most definitely. Well, thank you for taking the time to just have this chat with me. I just thought it was such a different kind of opportunity for my listeners to kind of listen into a little behind the scenes understanding a little bit about it. Granted, I know this is a short episode. We probably could have talked for hours and still probably wouldn't have hit on all the things that we could talk about from a publishing perspective or from like my book being published from that perspective too. But I do want to make sure if any of my listeners are like, hey, I actually want to learn more about page two. Where should they find you?

B (25:12)

Yeah, page two dot com. We also have a submission form on the website which anyone is welcome to fill out. It actually will bring a lot of rigor to your own exploration process. We've been told it takes a while to fill out, but please feel free to fill it out and inquire with us. We're really responsive to those inquiries. And put Stacy Brown Randall on the forum, for goodness sakes. That's the referable experience we're trying to generate. See, I've learned a thing or two.

A (25:41)

You're getting it there. That's. Yes, definitely. It's funny, I'VE had conversations with folks over time and, you know, they'll talk to me about their book and I'll be like, oh, maybe you should talk to Jesse at Page two. And a lot of times I'll hear that I'm not ready yet. And I'm like, yeah, well, that's okay. When you are ready, like, you know, I can certainly make that connection. But I do think you're. That form you fill out, it's a lot of questions. It's not like, you know, why do you want to write this book and who's it for? Like it really. But if you're going to take writing a book seriously, you should want that type of form that have you thinking about the questions. Right. Of what the book is that you want to ultimately write. That's important.

B (26:18)

Thanks, Stacy. I think it is too. I really appreciate this opportunity to connect with your audience and to connect with you. Thank you.

A (26:27)

Well, thank you so much. I appreciate it. Appreciate it. I hope you enjoyed this conversation that I had with Jesse. When I had her, when I asked her to come on the podcast, I was like, I don't really want this to be where I'm just asking you a bunch of questions. I really wanted it to be where she could ask questions too. Anything that we thought would be beneficial for you guys listening to this podcast. And of course, for those who also be readers of my new book, the Referable Client Experience. If you are interested in connecting with Jesse or you want to actually learn more about page two or of course we put all of the links in the Show Notes page for this episode, including the transcripts. You can also download the transcripts for this episode as well and find a link for the book website where you can get that free copy or start paying attention to all the free bonuses or cool bonuses that we are offering. You can find all of that on the Show Notes page for this episode@staceybrownrandall.com 383 all right, thanks for making it to the end. Until next week my friend. You know what to do. Take control of your referrals and build a referable business. Bye for now.