
Hosted by Saturday Night Freak Show · EN
Hosted on Acast. See acast.com/privacy for more information.

Freddy Krueger gets the John Waters treatment just in time for his cinematic comeuppance in Freddy's Dead: The Final Nightmare (1991). Tank Girl director Rachel Talalay brings an offbeat, surrealist take to the origin story of the screen's most famous dream demon. Listen as we find ourselves playing with power ups, Q-tip nightmares, and go out in a big 3-D finale on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

Listen as we get all misty eyed as we look back over the Best & Worst of 2025 on our epic year end recommendations, combing over the highest highs and the lowest lows of a year of cinematic (and in the case of Sean, televised) entertainment. Hosted on Acast. See acast.com/privacy for more information.

Holly pulls the dirt over her grave herself to make sure she's Dead & Buried (1981) after a visit to the seaside town of Potter's Bluff, where recently dead folks seem to have a strange habit of sticking around, stymying the investigations of a well intentioned but in-over-his-head small town sheriff. Listen as we debate black magic rituals, laud the outstanding fx work of Stan Winston, and mourn the dearth of gas station attendants on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

Sean survives the Night of the Comet (1984) with a pair of machine gun packing badass Valley Girls after the aforementioned celestial phenomena wipes out all life on earth, save for a few flesh hungry zombies. Listen as we debate the film's cult classic status, the necessity of a shopping montage in a zombie film, and willingly hire ourselves out as script doctors for explosion sequences in this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

Colin shotguns 100 giant rats who fed on H.G. Wells' The Food of the Gods (1976). From the 70s cycle of ecological horror movies comes this entry from veteran monstersploitation producer Bert I. Gordon, pitting former child evangelist Marjoe Gortner against giant rats, roosters, wasps, and maggots. Listen as we mourn the rodent actors who were sacrificed for our entertainment on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

Michaela wonders how long it would take a man to have sex with his domestic housebot if it looked like Megan Fox in Subservience (2024). During his wife's extended hospital stay, awaiting a heart transplant, a blue collar dad buys a seductive fembot to "help out around the house", if you know what we mean. Listen as we wriggle under technological anxiety, wield dubious erasure commands, and hope for a Terminator ending on this week's exciting show! Hosted on Acast. See acast.com/privacy for more information.

Holly returns to an age undreamed of, of loincloths, bare bosoms, swords and sorcery with Deathstalker (1983), a Roger Corman produced Conan the Barbarian ripoff with a musclebound hero out to save a princess and reclaim three magical objects from an evil sorcerer. Listen as we discuss barbarian mating rituals, sock puppet monsters, escort side quests, and literal pig-headed antagonists on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

Sean leaves the main road in the Nevada desert and discovers The Hills Have Eyes (1977), Wes Craven's shocking follow up to Last House on the Left, which locks an American nuclear family in life-or-death combat with an inbred clan of cannibals, inspired by the legend of Sawney Bean. Listen as we talk 70's roughness, parakeet juiceboxes, and name the movie Death Wishbone for its revenge plot involving a German Shepard named Beast. Hosted on Acast. See acast.com/privacy for more information.

Colin questions the sanity of sociopathic amateur filmmaker Neil Breen with Twisted Pair (2018), a nearly incomprehensible howler that has the meme-worthy director-writer-producer casting himself as a messianic figure, imbued with alien superpowers, who must save the world, and maybe his twin brother, from "programmable virtual reality." Or something. Listen as we question what constitutes a movie and discover something surprising about ourselves on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

Michaela gets trapped with both insufferable theater artistes and an owl-headed mental patient on the loose with Stagefright (1987), an Italian made attempt at an American-style slasher flick. Listen as we make sure the cat survives, grade the body count splatter effects, imagine a use for a prop 'bang flag' gun, make damn sure we "shoot him right between the eyes," and more on this weekend's exciting episode! Hosted on Acast. See acast.com/privacy for more information.