B (25:13)
I became a slave. Yeah. And in my mind, you know, I'm in Vancouver, my master is in New York, so I'm like, I'm not really a slave. This is like a. An exercise. I've never been in a sorority, but I've since done episodes on our podcast where people are like, yeah, there's the person above you, and you're like getting haze and you're, like, going to do these ridiculous, demeaning things. You know, it's like a shtick. It's not like you're really the person's subordinate for life, but that's just sort of what you do in a sorority. It felt like that. In fact, they called it a sorority, the top secret sorority. So now I have a master, I'm a slave, and I was supposed to get a tattoo as a part of a initiation ceremony. Keep in mind, and like I said, there's a lot of steps that led to this and why people go, like, wait, what? Like, what'd you do? Like, how could you let that. If you don't understand coercive control and how 12 years of indoctrination can work on somebody, it's very difficult. So actually, why I wrote my memoir, because I wanted to get it all out in step by step so people could go along that journey with me and understand why I said yes at the end. But, yeah, just to join the group, I had to give collateral, which is a term that nxivm used early on for years before Keith set it up that way. So that when I was asked to give collateral to keep it secret, it was like, not a big deal, because everyone gave collateral as, like, proof that you were committed. And if you strayed off the path, your collateral would be like, $200. We are going to go to the Salvation Army. Because I didn't complete my goals. Like, people were putting their money where their mouth was in that sense. So I'd given collateral, but then that was used against me in the moment of me being like, yeah, I don't really actually want a tattoo. I have no tattoos. And my master is saying, well, you committed to. Part of the being in the sorority is it was a vow of obedience. So I had to do whatever she said, and I even asked her before signing up, but what is that? Like, rob a bank? What if you tell me to rob a bank? I don't want to rob a bank. She's like, no, it's going to be things that are good for your growth. I'm not going to ask you to do something illegal or unethical. It's going to be like, you know, these are some things you can do. And in fact, some of the initial activities and assignments were great and helpful in my life. But the night of the ceremony, I found out that it was a brand, which I didn't even know people did to humans. I thought that was something that animals got, like a farmer gives to their cattle. To say, like, this cattle belongs on this pasture as mine. And I'm not gonna go into the details of that. Cause even eight years later, it's still kind of triggering for me. But it was a very painful. It was without anesthetic. It was under my bathing suit line, so, like, you couldn't see it with, like, under underwear. That was filmed and that was given as more collateral so that now I understand. I didn't understand the time. It's just to make sure everyone feels, like, thoroughly ashamed to never say anything about it and to keep you quiet. Actually, it wasn't the branding specifically that snapped me out of the 12 year Kool Aid dream, but it was finding out that the symbol in my body was a mashup of Keith Renieri, the leader of NXIVM's initials on my body. And so that's what pulled me back to reality. So when you said, what woke you up or what? How'd you figure it out? That moment was very specifically key. People had called us a cult for many years. And I always joked it off, you know, laughed it off, saying, well, this is a cult. It's happy, successful people. And I'm. Look at my life. It's great. And now all of those accusations came to the fore of, like, okay, well, those are true. Even actually in the night of the branding, I said, guys, like, people think we're a call already. Like, this is terrible marketing. Like, this is not a good idea. I did voice that, even though I was going along with it, that in conjunction with having very forthright conversations with other people who were waking up and leaving. Mark, the filmmaker I told you about, who got me in, he was one of those people. He was actually living in Albany at the time and started to see that things were getting very weird with a lot of the women and didn't know what it was. So he broached that with me. And then I was able to kind of fill him in. And he revealed to me that some women had come to him and told him about a secret group and that sex was involved. So that was really like the. The period of time when I figured out that, like, Keith was not a celibate renunciate, which is what we'd been told about him, which is, I cannot believe that we ever thought that he was a celibate monk. That was just part of his facade. When that cover was blown, I knew about the branding, Mark knew about the sex. And then we were able to put together actually what was going on behind closed doors, which is why we decided to become whistleblowers with a group of others, my husband Mark, Crescente's wife. And that was what we brought to the authorities. And ultimately what we were whistleblowing on was terrible. But there was way worse that we didn't even know about.