Podcast Summary: "An Architecture Mystery from Antiques Roadshow"
Introduction
In the episode titled "An Architecture Mystery from Antiques Roadshow," hosts Adam Monahan and Marcia Bemko delve into a fascinating story that intertwines art appraisal, architectural history, and a personal bidding adventure. This episode not only explores the intricacies of correctly dating a painting but also highlights the collaborative efforts required to ensure accuracy in historical documentation.
Overview of the Mystery
The episode begins with Adam introducing the topic of lottery tickets, setting a lighthearted tone before transitioning to the main story involving a William Klusman painting featured on Antiques Roadshow. Marcia Bemko, the executive producer of the long-running GBH television series, shares her enthusiasm for lottery tickets, adding a personal touch to the narrative.
Key Quote:
Adam Monahan [00:34]: “Since we are here in a show that is all about gambling, I feel like we have to kick it off by talking about scratch tickets.”
The William Klusman Painting
Betty Krulick, an appraiser for Antiques Roadshow specializing in American art, discusses a William Klusman painting that appeared on the show in 2022. The artwork, an impressionistic oil on canvas depicting a vibrant Chicago scene from the steps of the Art Institute of Chicago, was initially appraised with an estimated value between $30,000 and $50,000.
Key Details:
- Artist: William Klusman, born in Indiana in 1859.
- Style: Primarily a landscape painter associated with the Hoosier School.
- Date of Painting: Initially dated to circa 1910 based on stylistic analysis and comparison with contemporaneous works.
Key Quote:
Marcia Bemko [00:46]: “I'm convinced that I'm gonna win the lottery in a life changing money way.”
The Discovery of the Anachronism
Bob Levy, a docent with the Chicago Architecture Center and an avid Antiques Roadshow fan, identifies a discrepancy in the painting's date. He notices that the Wrigley Building, visible in the background of the artwork, was not completed until 1921. Additionally, he spots an addition to the building completed in 1924, which contradicts the initially appraised date of 1910.
Key Quote:
Bob Levy [07:38]: “I could see the Wrigley Building, and I knew immediately that the Wrigley Building wasn't completed until 1921.” [07:47]
Fact-Checking and Corrections
Upon receiving Bob's insights, Betty Krulick promptly updates the painting's date on the show's website, initially adjusting it to 1927 based on Bob's analysis. However, the correction isn't the final word. Jeffrey Baer, a seasoned television host and producer at WTTW and a docent for the Chicago Architecture Center, reevaluates the evidence and suggests a more accurate dating between 1924 and 1927.
Key Developments:
- Jeffrey Baer's Analysis: Identifies that the building depicted is likely the Old Republic Building from 1924, not the 333 North Michigan Avenue building, which was still under construction at the time.
- Revised Date: The painting is now believed to have been created between 1924 and 1927.
Key Quote:
Jeffrey Baer [13:38]: “Chicago is, I like to say, America's first city of architecture. The skyscraper was invented here.” [13:57]
The Auction Adventure
With the painting's corrected date, an auction house in Tennessee approaches Betty Krulick to consign the artwork. Seizing the opportunity, Bob Levy decides to bid on the painting. The episode narrates the intense bidding process, culminating in Bob successfully securing the painting for $22,000, plus a 22% buyer's premium, totaling $26,800.
Key Quote:
Bob Levy [24:08]: “It was so intense. … There were eight bids and a grand total of 37 seconds. I couldn't even get a bid in.” [24:08]
Reflections and Revelations
Post-auction, Adam Monahan humorously acknowledges a mishap in the fact-checking process, revealing that he was responsible for the initial oversight. Marcia Bemko offers supportive and sage advice, emphasizing growth from mistakes.
Key Quote:
Marcia Bemko [28:19]: “You know what's good about that kind of mistake, though, Adam? Next time you make a mistake, it'll be very different from that one.” [28:19]
Conclusion
The episode encapsulates the meticulous nature of art appraisal and the importance of collaborative fact-checking. From identifying historical inaccuracies to the personal thrill of acquiring a piece of art, listeners are taken on a journey that underscores the value of attention to detail and the unforeseen adventures that can arise from a simple observation.
Final Thoughts:
- The corrected dating of the painting enhances its historical accuracy and value.
- Bob Levy's successful bid adds a personal triumph to the narrative.
- The episode serves as a testament to the dedication of Antiques Roadshow's team in preserving and accurately representing art history.
Closing Quote:
Adam Monahan [28:43]: “Just one question remained. … It was me.” [27:19]
Credits
- Host and Scriptwriter: Ian Coss
- Executive Producer: Devin Maverick Robins
- Producers: Isabel Hibbard and Ian Coss
- Story Editor: Lacy Roberts
- Editorial Advisor: Jen McKim
- Fact Checkers: Ryan Alderman and Isabel Hibbard
- Scoring and Music Supervision: Ian Coss
- Graphic Design: Bill Miller
- Project Manager: Meiqian He
“Scratch & Win” is produced by the Peabody Award-winning team behind “The Big Dig,” brought to you by GBH News and distributed by PRX.
This episode not only entertains but also educates listeners on the complexities of art appraisal and the significance of accurate historical documentation. Whether you're an art enthusiast, history buff, or simply enjoy a good mystery, "An Architecture Mystery from Antiques Roadshow" offers a compelling narrative that highlights the intersection of art, architecture, and personal passion.