Transcript
A (0:04)
Hey there, agile adventurer, just a quick question. What if, for the price of a fancy coffee or half a pizza, you could unlock over 700 hours of the best agile content on the planet? That's audio, video, E courses, books, presentations, all that you can think of. But you can also join live calls with world class practitioners and hang out in a flame warfree and AI slop clean slack with the sharpest minds in the game. Oh, and yes, you get direct access to me, Vasko, your Scrum Master Toolbox podcast. No, this is not a drill. It's the Scrum Master Toolbox membership. And it's your unfair advantage in the agile world. So if you want to know more, go check out scrummastertoolbox.org membership. That's scrummastertoolbox.org Membership. And check out all the goodies we have for you. Do it now. But if you're not doing it now, let's listen to the podcast.
B (1:11)
Hello everybody. Welcome to our success. Thursday, the big question of the week. This week with Nigel Baker. Hey Nigel, welcome back.
C (1:19)
I'm back again and my cup of tea's got cold after four days of doing this.
B (1:24)
Yeah, we should have stopped at the end of every day to warm up
C (1:28)
a cup of tea, coffee. Definitely, definitely should have done.
B (1:31)
All right, so we'll talk about success for Scrum Masters in a minute. But Nigel, share with us first, what's your favorite agile retrospective format and why?
C (1:40)
Okay, I'm going to be so controversial here. This is deep controversy, right? I've got in fact two favorite formats, right? Both are not formats, right, but they are different. And why? Okay, so my key thing is, here's the problem with the Scrum Master, right? You find a format you really like. Maybe it's doing silent writing, maybe it's post its on a wal the four quarters. But the trouble is, if you use it more than a few times, these things age like milk. You know, as a Scrum Master, your team are like, oh yeah, what should we do differently? And then Sprint 2, they're like, yeah, what should we do differently? Sprint 3, Sprint 4, Sprint 107. Oh, what should we do differently? This. So my key thing is different. I like different retrospective techniques each time, right? I like different ones each time. Something new, something different. Novelty factor. Scrum is a product like any other. And like any other product, people get bored with it, right? Unless you keep it interesting and engaged, right? So in a computer game that means dlc, adding new content. You know, in TV shows it's new episodes. In Scrum it's about changing the retrospective format. I change it every single sprint. Something new, something, something different to keep people engaged, interested. Sometimes they fall flat, sometimes they go, well. But the key thing is it's. People don't know what to expect. Something different and unusual. It gets energy in the room, it gets excitement in the room. I sometimes get the team to write them themselves. Come up with your own retrospective formula. You know, that's a great trick because they invent the most. I've had some teams invent retrospectives that were almost forensic in their intensity, of course, forgetting they're going to turn it on themselves. If you ever seen a bat, any film where there's some villain creating a super weapon, you know that super weapon's being used on the villain before the end of the film. That's what they do. This is really, oh my God, we're doing it to ourselves. Oh no. So that's what I really like. I vary what I would say is. And again, this is personal preference. I love theming on topics I like. Oh, we're gonna focus on billing or focus on this. Right. What I don't like, and I know a lot of people do them toe curlingly awful, is theming it on a, like a. Oh, we're gonna do one based on Super Mario Brothers or we're gonna do a Top Gun retro. And I just like, if you do that to me, I die inside. I'm like, do you know what? I don't really want to discuss who the maverick and who the goose is of this team. I like, I can't. I'm a great believer in fun. But fake frivolity, anything fake, any facade, anything that feels less than authentic, I get set off on. Right.
