The Good Whale - Ep. 5

Summary

Summary of "The Good Whale - Ep. 5" by Serial Productions & The New York Times

Episode Title: The Good Whale - Ep. 5
Release Date: January 2, 2025
Host: Daniel Alarcon
Produced by: Serial Productions & The New York Times

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Introduction: Revisiting Keiko's Legacy

In the fifth episode of "The Good Whale," Daniel Alarcon delves into the enigmatic journey of Keiko, the orca famously portrayed in the movie "Free Willy." This episode explores the aftermath of Keiko's release back into the wild, examining the uncertain fate of a whale that transitioned from captivity to freedom.

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The Final Journey: Keiko's Return to the Wild

Daniel Alarcon sets the stage by recounting Keiko's last known sighting. After years in captivity and rehabilitation efforts in Oregon and Iceland, Keiko was released into the ocean. The initial hope was that he would reintegrate with wild orca pods and live freely in his natural habitat.

Daniel Alarcon (00:33): "Keiko was last seen with a pod of wild whales as a storm was rolling in. But when the weather cleared and his care team returned, he was gone."

Despite these efforts, Keiko's subsequent whereabouts remain a mystery. For four weeks, he traveled east, eventually resurfacing off the coast of Norway, where he was seen swimming with children. This unexpected reunion raised questions about his reasons for returning to human proximity.

Daniel Alarcon (00:45): "Why? What did this mean? Did he come back to us humans because he couldn't make it in the wild? Or was it something else because he missed us?"

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The Mystery of Keiko's Return

The core mystery revolves around Keiko's motivations during his four-week journey post-release. Several theories are proposed:

• Struggle with Wildness: Was Keiko unable to adapt to the wild after years of captivity?
• Human Affection: Did he seek out human interaction due to nostalgia or attachment?
• Natural Instincts: Was his movement influenced by natural ocean currents or migratory patterns?
• Personal Quest: Could Keiko have been on a personal journey, akin to a "teenage runaway keen on adventure"?

Alarcon emphasizes the lack of concrete information about Keiko's experiences during this period, making it challenging to assess the success of his reintegration.

Daniel Alarcon (01:15): "Anything we say about this period of time is much closer to make believe than to reporting."

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Imagining Keiko's Perspective: "The Ballad of Keiko"

To bridge the knowledge gap regarding Keiko's thoughts and experiences, the team collaborates with renowned musical composers Benj Pasek and Justin Paul to create an imaginative song titled "The Ballad of Keiko." This creative endeavor aims to personify Keiko's internal journey during his final weeks.

Song Highlights and Their Significance

1. Integration with Wild Pods [05:16]:

   Host (05:16): "So much water, so much sky... I belong here."

   • Insight: Reflects Keiko's initial attempts to assimilate with wild orca pods, finding a sense of belonging and strength within the group.

2. Encounter with Human Presence [06:09]:

   Host (06:09): "One day I get distracted... Goodbye."

   • Insight: Illustrates the moment Keiko is drawn back by human presence, leading to his departure from the pod.

3. Struggles with Wild Life [07:34]:

   Host (07:34): "I try to find a song that they might know... I'm not quick enough when they swim away."

   • Insight: Depicts Keiko's challenges in mimicking wild behaviors and the difficulties he faces in fully integrating.

4. Reflection on Fame and Solitude [09:28]:

   Host (09:28): "Cause for days upon days... I'm nameless."

   • Insight: Contrasts Keiko's former fame with his current state of isolation, highlighting the emotional toll of his journey.

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Reflections on Rewilding Captive Orcas

The episode uses Keiko's story as a case study to ponder the broader implications of releasing captive orcas back into the wild. It raises critical questions about the feasibility and ethics of such endeavors:

• Adaptation Challenges: Can orcas accustomed to human interaction successfully adapt to wild life?
• Social Integration: Do captive orcas find acceptance within wild pods, or do they remain outliers?
• Emotional Well-being: How does the mental state of former captive orcas influence their ability to survive and thrive in the wild?

These reflections underscore the complexities involved in rewilding efforts and the need for more comprehensive understanding and support systems for released orcas.

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Conclusion: The Unresolved Fate of Keiko

As the episode draws to a close, Alarcon acknowledges the lingering uncertainties surrounding Keiko's final days. Despite the detailed imagination through music and narrative, the true events of those four weeks remain elusive.

Daniel Alarcon (12:14): "For four weeks he traveled until he bumped his nose on the edge of this giant pool called the ocean. That's on the next and final episode of The Good Whale."

This unresolved narrative sets the stage for the subsequent episode, promising further exploration into Keiko's legacy and the enduring questions about his life after captivity.

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Notable Quotes

• Daniel Alarcon (00:15): "When I can finish a hard puzzle without pins, I feel like the smartest person in the world."

  (Note: This quote reflects the podcast's initial promotional segment and is not directly related to Keiko's story.)

• Daniel Alarcon (04:21): "Only a whale knows the words to his song and can sing what is true."

• Host 2 (05:16): "I belong here."

• Host 2 (09:28): "I'm nameless. I miss the children who would play. I miss belly rubs all day."

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Production Notes

• Music: "The Ballad of Keiko" composed by Benj Pasek, Justin Paul, and Mark Sonnenblick.
• Performance: Jordan Fisher voices Keiko, adding depth to the imagined perspective.
• Direction: Music video directed by Carlos Lopez Estrada, featuring puppets and Broadway star Jordan Fisher.
• Team Credits: Produced by Katie and Alyssa Shipp, with sound design by Phoebe Wang and research by Jane Ackerman.

For fans interested in the creative aspects, the episode includes a music video available on Serial's Instagram page, enhancing the auditory experience with visual storytelling.

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Final Thoughts

"The Good Whale - Ep. 5" offers a poignant exploration of Keiko's journey, blending factual recounting with artistic imagination to shed light on the emotional and existential challenges faced by a once-captive orca reintroduced to the wild. Through music and narrative, the episode invites listeners to empathize with Keiko's plight and reflect on the broader implications of human intervention in the lives of these majestic creatures.

Transcript

[Host 1]

New York Times games make me feel like I'm amazing.

[Host 2]

Wordle makes me feel things that I don't feel from anyone else.

[Host 1]

I absolutely love spelling bee.

[Daniel Alarcon]

The Times crossword puzzle is a companion that I've had longer than anyone outside of my immediate family.

[Host 1]

When I can finish a hard puzzle without pins, I feel like the smartest person in the world.

[Host 2]

When I have to look up a clue to help me, I'm learning something new.

[Daniel Alarcon]

It gives me joy every single day.

[Host 2]

Join us and play all New York.

[Host 1]

Times [e-mail] Games.

[Daniel Alarcon]

From Serial Productions in the New York Times. This is the good whale. I'm Daniel Alarcon. And so it was, in a strange way, what everyone had always hoped for. The moviegoers, the children, the fans, the trainers, the activists, the hangers on Keiko out at sea, away from humans for the first time since he was a calf. A Hollywood ending of sorts. Keiko was last seen with a pod of wild whales as a storm was rolling in. But when the weather cleared and his care team returned, he was gone. And what happened next is a bit of a mystery. We know the broad outline that for four weeks he traveled east until he resurfaced off the coast of Norway, swimming with kids. But why? What did this mean? Did he come back to us humans because he couldn't make it in the wild? Or was it something else because he missed us? We don't know. Was his journey based on a memory of a childhood migration, however dimly recalled, or something more banal, like the ocean current? Was he a pilgrim on a mission? A kid lost at the mall? Or a teenage runaway keen on adventure? We don't know. We don't know how long he stayed with that pod of whales he was seen with at the start of his journey. Whether he swam with them for an hour or a day or a week, whether he chased after them or begged for their attention was accepted or ignored. Everything Keiko had gone through was leading to this. All the rehab and training in Oregon and Iceland for this four weeks of swimming east in an almost straight line. If only we knew what he experienced. We'd know if this long, grand experiment to restore wildness to a captive orca had succeeded. We'd know whether it was possible for a whale that had been captive for so long to live like a wild whale does with other whales in a pod, even for a little while. But those four weeks are essentially a black box. Anything we say about this period of time is much closer to make believe than to reporting. So to get Inside those mysterious weeks, we're going to have to leave journalism behind just for a little bit, I promise. Just for this one short episode, we're going to do something different. We're going to take what we do know and. And think through what might have happened, how those four weeks might have gone. It's such an important chapter in our story and we wanted to do it justice and imagine it as vividly as possible. We talked about different ways we could do that. A radio play, a piece of fiction. But then we decided, you know what? Screw it. Let's just do the most out there version of this. Like Keiko, let's just go as far as we can possibly go. We decided to imagine these four weeks as a musical. What if Keiko was a killer whale in some animated film? And what if we could see his experiences and know his thoughts, his fears, his hopes for this critical month of his life? Let's try to imagine the story for the first time from the one perspective we've been missing through this whole series. Keiko's. I know, I know this sounds crazy. It sounded crazy to me when it was first floated, but trust me, there's a logic to all this. We enlisted professionals, people who do this for a living. Benj Pasek and Justin Paul. They write musicals, big, fantastical stories for kids, but also stuff for adults. Dear Evan Hansen, La La Land we asked them to take the little we know about where Keiko started and how he ended up, and for one song, imagine what might have happened to Keiko in that time in between and how it felt to him. So here it is. And the song begins in the only place it can in the dark briny blue.

[Narrator]

Many have mused on the old mystery where went the whale that the world had set free? Somewhere the answers are lost to the sea in the dark briny blue Weeks beneath waves as you journeyed along we'll tell you three tales but the tales could be wrong for only a whale knows the words to his song and can sing what is true what did he do? In the dark briny blue.

[Host 2]

So much water, so much sky Giant shadows pass me by I join the pod we're fin to fin they circle round and take me in we're weaving through the waves Soaring through the space they sing a set of songs that sound like mine we roughhouse and we race through herring that we chase we slap our tails and splash along the coastline Now I'm part of a pack in a SW White and black and we're flying free Three in back, four in Front they help me to hunt like a family and I spend days upon days upon days upon days Growing strong here I spend days upon days upon days upon days I belong here.

[Narrator]

But then.

[Host 2]

One day I get distracted A familiar sort of sound an engine hums I go to chase it But I get turned around and when I try to circle back can't find the swirl of white and black and now my back is nowhere to be found so much water, so much sky Goodbye.

[Narrator]

Just for a bit did he finally belong we told you a tale but the the tale could be wrong for only a whale knows the words to his song and can sing what is true One tale was told Let a second unfold there's more to behold in the dark briny blue.

[Host 2]

So much water, so much sky Giant shadows pass me by Black and white they're big and broad Just like me Is this my pod? I'm swimming to their side Hoping I can stay I try to find a song that they might know But I can't get it right I've never sung that I fumble and I never find the flow and there's head and despair but they don't want to share they refuse to play and they're rowdy and rough and I'm not quick enough when they swim away and I try to stun a fish but I stumble I'm hungry and my stomach starts to rumble and for days upon days upon days upon days isolation and for days upon days upon Some days I have no.

[Narrator]

Destination.

[Host 2]

And my mind goes blank.

[Narrator]

And.

[Host 2]

I miss my tank so much water, so much sky.

[Narrator]

Two different tales of our whales Diamond Sea Was he embraced or exiled? How did he cope Free from captivity? How did he fare in the wild? Oh, two different tales that washed up on the shore. And if you listen the dark briny blue holds one more.

[Host 2]

So much water so much sky Now I'm here I'm not sure why Such an endless blue abyss they felt fought to set me free for this I'm swimming with a pod they're nice enough I guess and every day we keep the same routine we swim and sleep and hunt it's pleasant more or less but there's another world they've never seen. Cause they don't know the thrill when you show off a brilliant daring dive and the kids clap their hands as they scream from the stands and you feel alive. Cause for days upon days upon days upon days I was famous now it's days upon days upon days upon days and I'm nameless, Nameless. I miss the children who would play I miss belly rubs all day Packs of people swimming at my side they hold onto my fin and we would ride and ride Gave the wild a real try. It's too much water, too much sky Goodbye.

[Narrator]

Many have mused on the old mystery so much unknown but on this we agree he journeyed those long thousand miles Crossed the sea till he reached somewhere new that much is true but what did he do? What did he do?

[Host 2]

In the dark.

[Narrator]

Briny blue?

[Daniel Alarcon]

For four weeks he traveled until he bumped his nose on the edge of this giant pool called the ocean. That's on the next and final episode of the Good Whale.

[Guest]

He was out in these little islands off the coast, just rubbing himself in the kelp fronds.

[Daniel Alarcon]

It was surprisingly good. How, how good he was looking. Also the. The way he was swimming and somebody.

[Guest]

Called us and says, are you. You better turn on the tv.

[Narrator]

People were trying to go and swim with him, trying to pet him.

[Guest]

I was. I mean, I was beyond piss.

[Daniel Alarcon]

Okay, so we have one more really cool thing to share with you. We made a music video for this incredible song you just heard, and it has puppets and features Broadway star Jordan Fisher. The video was directed by Carlos Lopez Estrada, who happens not just to be a contributing editor on the series, but also a real life Hollywood director. Carlos has done music videos for people like Billie Eilish and the Thundercats and the rap group Clipping, and now us. So go to our Instagram serial podcasts or sign up to our [e-mail] serialnewsletter. You don't want to miss it. The Good Whales written by me, Daniel Alarcon and reported by me and Katie Mingle. The show is produced by Katie and Alyssa Shipp. Jen Guerra is our editor. Additional editing from Julie Snyder and Ira Glass. Sound design, music supervision and mixing by Phoebe Wang. Research and fact checking by Jane Ackerman with help from Ben Phelan. A truly talented team of people helped us put together this specific episode today. The song the Ballad of Keiko was written by Benj Pasek and Justin Paul and Mark Sonnenblick. Produced by Pasek and Paul, Ian Eisendrath and August Ericksman, with help from me, Ira Glass and Jen Guerra. It was engineered and mixed by Derek Lee, mastering by Oscar Zambrano. The song features Jordan Fisher as Keiko, Quentin Earl Darrington, Brian Darcy James and Paul Alexander Nolan as the fisherman, with Adam Rothenberg on piano. Our music video, which again you must check out on our Instagram page, erielpodcast, was directed by Carlos Lopez Estrada and Anna Moskowitz. Produced by Ali Keasley with help from Melissa Shipp, Inde Chubu and Mac Miller. Additional cinematography by Joshua Echeverria puppets by Vivala Puppet and puppet Captain Michelle Zamora edited by Meiki Rupert VFX by Justin Nguyen Special thanks on this episode to Joshua Freed, Anna Speer, Danielle Pearlman, Matthew Sullivan and Frances Swanson. The Good Whale is from Serial Productions and the New York.

[Host 1]

For a limited time, you can listen to all episodes of the Good Whale right here, right now. But it won't be free forever. So if you want full access to this show and to all serial shows, you gotta be a New York Times subscriber. Learn more about the New York Times audio [e-mail] podcasts.