
After the movie “Free Willy” became a hit, word got out that the star of the film, a killer whale named Keiko, was sick and living in a tiny pool at a Mexican amusement park. Fans were outraged and pleaded for his release. “The Good Whale” tells the story of the wildly ambitious science experiment to return Keiko to the ocean — while the world watched. An epic tale that starts in Mexico and ends in Norway, the six-episode series follows Keiko as he’s transported from country to country, each time landing in the hands of well-intentioned people who believe they know what’s best for him – people who still disagree, decades later, about whether they did the right thing.
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Sarah Koenig
Hello, Serial listeners. Sarah Koenig here recording this on Tuesday, election day with the good news that we have a new show that has nothing to do with the election or politics. That's a relief to me. Maybe it is to you too. The show is called the Good Whale and it's about a captive orca named Keiko who became famous after starring in the kids movie Free Willy. Our story, the Good Whale, is six beautiful episodes about what happened to the real killer whale who played the Hollywood killer whale. And it's so good, it's emotional in the best way. Not sappy, but it gets you right in the solar plexus. And you're going to be newly fascinated by marine science. And it's a little genre bending, which you'll see as the story rolls out. Daniel L.R. cohn is the host. He's a New Yorker writer and a novelist and the host of the Spanish language podcast Radio Ambulante. The Good Whale comes out next week on Thursday, November 14th. And we've got a trailer here for you. But first I wanna tell you about something else new and good that's going on over here at Serial, which is that if you subscribe to the New York Times, either an audio subscription or an all access subscription. Either way, if you subscribe, you can listen to the Goodwill all at once, no waiting week to week. And I don't think you're gonna wanna wait on this one. To be clear, you don't have to subscribe to hear the Good Whale. You can still catch new episodes every Thursday like always. But if you do subscribe to the Times, you get the whole show right away. And you'll be able to into Serial's entire archive. All the past seasons of the Serial podcast, all the other shows that Serial's produced. Plus when you subscribe, you get the archive of all the Times shows too. It's a pretty good deal. You can subscribe through Spotify or Apple Podcasts, or if you're already a time subscriber, just link your account and you're done. You can also go to nytimes.com podcasts and find everything there or find the link in our show notes. So please sign up. The fact is, we need you. Your subscription makes our work possible. Okay, business complete. Over and out. Here's the trailer for the Good Whale. We cannot wait for you to hear this show.
Daniel Alarcon
His name was Keiko and everyone agreed he was a good whale.
Unnamed Speaker
Keiko was one of a kind that Keiko had like this personality, completely different from any other orca.
I Mean, everybody that worked with him called him the one in a million whales. Because no matter how far my career stretches and how long I work with marine mammals, there will never be another whale like that.
Daniel Alarcon
Keiko was good at performing. Beloved by the crowds at the Mexican amusement park where he lived for more than a decade, most of his life since he was captured as a calf. He was good with his trainers and with the kids who came to visit.
Unnamed Speaker
I would have taken my one year old daughter and put him on his back without a care or concern in the world. He was that gentle.
Daniel Alarcon
And Keiko was good. When he was cast in the movie Free Willy, he played the part of Willy, of course, a captive killer whale who's befriended by a 12 year old boy and then set free.
Unnamed Speaker
Very good.
Daniel Alarcon
Afterwards, when the world decided Keiko himself should be set free, that he should learn how to be a wild whale, how to hold his breath and hunt for his own food and live in the ocean. Keiko, like always, was eager to please his humans. So everyone agreed he was good. But there were some things no one seemed to agree on. Like can good whales be wild whales?
Unnamed Speaker
It felt like ringing your pet dog out to the forest and then running away. And the dog being hungry and scared and wanted to go home.
I was furious because I could see what we had done to him.
Sarah Koenig
We played God at that point.
Daniel Alarcon
Was wildness even something Keiko wanted? Or was it something we needed from him? A chance to redeem ourselves for the harms we'd caused. Not just to Keiko, but to all captive whales. I always ask people that are the detractors. Where would you have stopped it? This is the story of a high profile, high stakes science experiment whose goal seemed almost impossible to teach a captive orca to be wild. At the center of it all was Keiko, an orca with fears and limitations that no human could ever hope to interpret with any certainty. Not that they wouldn't try. We wanted to see how far he could go from serial productions in the New York Times. I'm Daniel Alarcon and this is the good whale, coming November 14th. Wherever you get your podcasts, search for.
Sarah Koenig
The Good Whale on your podcast app. Follow the show and you'll be notified the minute new episodes come out.
Title: The Good Whale - Trailer
Podcast: Serial
Host/Author: Serial Productions & The New York Times
Release Date: November 14th
In the trailer for The Good Whale, host Sarah Koenig introduces a poignant new series that diverges from the usual political narratives. Instead, it delves into the life of Keiko, the orca famously portrayed in the beloved children's movie Free Willy. Koenig describes the series as "six beautiful episodes about what happened to the real killer whale who played the Hollywood killer whale," promising an emotionally resonant and scientifically intriguing journey into marine life.
The series centers on Keiko, an orca who captured the hearts of millions through his role in Free Willy. Daniel Alarcón, the host of The Good Whale and a renowned writer, provides an intimate portrayal of Keiko's unique personality and his exceptional relationship with humans.
Daniel Alarcón [02:08]: "His name was Keiko and everyone agreed he was a good whale."
Experts and trainers who worked with Keiko emphasize his unparalleled nature:
Unnamed Trainer [02:11]: "Keiko was one of a kind... completely different from any other orca."
Another speaker highlights Keiko's exceptional grace and gentleness:
Unnamed Speaker [02:18]: "Everybody that worked with him called him the one in a million whales. Because no matter how far my career stretches and how long I work with marine mammals, there will never be another whale like that."
Keiko spent over a decade in captivity, performing at a Mexican amusement park where he became a beloved figure among visitors, particularly children. His ability to connect with people and perform complex behaviors made him a standout among captive orcas.
Unnamed Trainer [02:31]: "I would have taken my one year old daughter and put him on his back without a care or concern in the world. He was that gentle."
His starring role in Free Willy not only elevated his fame but also set the stage for a significant turning point in his life. Keiko portrayed Willy, the captive orca striving for freedom, a narrative that resonated deeply with audiences worldwide.
Daniel Alarcón [02:53]: "Keiko was good. When he was cast in the movie Free Willy, he played the part of Willy, of course, a captive killer whale who's befriended by a 12-year-old boy and then set free."
Following his portrayal of Willy, there was a global movement to set Keiko free, aiming to transition him from captivity to the wild. This endeavor was not merely an act of liberation but a complex scientific experiment intended to reintegrate a captive orca into its natural habitat.
Daniel Alarcón raises critical questions about this ambitious project:
Daniel Alarcón [03:45]: "Was wildness even something Keiko wanted? Or was it something we needed from him? A chance to redeem ourselves for the harms we'd caused."
The series explores the ethical and practical challenges of rewilding a captive marine mammal. Experts involved in the project express mixed emotions, acknowledging Keiko's gentle nature while grappling with the uncertainties of his potential return to the wild.
Unnamed Speaker [03:30]: "It felt like ringing your pet dog out to the forest and then running away. And the dog being hungry and scared and wanted to go home."
Unnamed Speaker [03:38]: "I was furious because I could see what we had done to him."
Koenig encapsulates the profound ethical dilemma:
Sarah Koenig [03:42]: "We played God at that point."
At the heart of The Good Whale is Keiko's role in a high-profile scientific experiment aimed at understanding the capabilities and desires of a captive orca when faced with the prospect of returning to the wild. The series delves into the meticulous efforts to teach Keiko essential survival skills, such as holding his breath and hunting for food independently.
Daniel Alarcón [03:04]: "Not just to Keiko, but to all captive whales. I always ask people that are the detractors. Where would you have stopped it?"
The narrative examines whether Keiko's eagerness to please his human caretakers translated into a genuine desire for wildness, or if the project was more about human redemption than Keiko's well-being.
As the trailer concludes, listeners are invited to embark on this emotionally charged and scientifically rich journey with Daniel Alarcón. The Good Whale promises to offer a deep dive into Keiko's story, blending marine science with ethical contemplation and narrative storytelling.
Sarah Koenig [04:34]: "The Good Whale comes out next week on Thursday, November 14th. Wherever you get your podcasts, search for The Good Whale on your podcast app. Follow the show and you'll be notified the minute new episodes come out."
Notable Quotes:
The Good Whale promises to be a compelling exploration of Keiko's legacy, the complexities of marine mammal captivity, and the broader implications for animal welfare and scientific endeavors. It invites listeners to reflect on the intersection of human intentions and animal agency, making it a must-listen for those interested in heartfelt storytelling and ethical discourse.