SLAM! Radio Podcast Summary

Episode: Unger The Radar Episode 73 – Filmmaker Brandon Bassham
Host: Randy Unger
Release Date: March 21, 2025

Introduction

In Episode 73 of Unger The Radar, host Randy Unger sits down with Brandon Bassham, an acclaimed filmmaker and esteemed member of the Troma Entertainment family. The episode delves into Bassham's journey from his early days in Florida to his current role as a multifaceted creator in the independent film scene. Throughout the conversation, Bassham shares insights into his creative process, challenges in low-budget filmmaking, and his evolving relationship with Troma.

Early Beginnings and Passion for Comedy

Brandon Bassham's foray into the world of filmmaking was deeply rooted in his passion for comedy. Originating from Florida, Bassham recounts his initial inspiration drawn from sketch comedy shows like Mr. Show and The Simpsons. Despite his enthusiasm, he initially doubted his ability to write or produce comedy content.

Brandon Bassham [02:14]: "I loved it [Mr. Show], but it never felt like me. That was the first time I realized what I would do with my writing."

Determined to pursue his creative ambitions, Bassham and his friends invested in early digital cameras like the GL and XL1s, pioneering the creation of short sketch videos in the pre-YouTube era. This grassroots approach not only honed his skills but also connected him with like-minded individuals passionate about comedy and filmmaking.

Transition to Filmmaking and Struggles in Orlando

Despite early attempts to establish himself in Florida's burgeoning film scene, Bassham faced significant challenges. The local industry struggled to attract sustained production due to high costs, leading to inconsistent opportunities. Frustrated by unreliable collaborators and the fickle nature of film projects, Bassham contemplated abandoning his aspirations.

The turning point came when Bassham moved to New York in the early to mid-2000s with his wife. This relocation rekindled his passion as he immersed himself in the dynamic scene at the Upright Citizens Brigade (UCB), where he not only took sketch classes but also formed enduring collaborations.

Brandon Bassam [07:54]: "My wife gave me the gift of a gift certificate to UCB. It opened so many doors."

Collaboration with Troma Entertainment

Bassham's persistent efforts to produce content eventually led him to Troma Entertainment, a renowned studio known for its cult classic films. After submitting his early works, including Fear Town USA and its sequel, Bassham received a positive response from Troma's team. This partnership proved pivotal, providing him with the necessary support and distribution channels to showcase his films to a broader audience.

Brandon Bassam [14:49]: "Troma distributed the first two movies for me. That's how I got involved."

Through Troma, Bassham was introduced to Lloyd, a key figure in the company, who became a mentor and collaborator. This relationship facilitated Bassham's transition from writer to a comprehensive filmmaker, taking on roles such as director, producer, and editor.

Creating "Bring on the Damned"

One of Bassham's significant projects with Troma is Bring on the Damned, an anthology horror-comedy film comprising five distinct segments. This format allowed Bassham to explore various styles and narratives, keeping the creative process fresh and engaging.

Brandon Bassam [20:13]: "Each segment tells a very unique story. It's like a creep show. Tales from the Dark Side the movie type of way."

The anthology approach not only showcased Bassham's versatility but also provided flexibility in production, enabling the team to adapt and innovate with each segment. Despite budget constraints, Bassham emphasized the importance of maintaining high-quality storytelling and creative integrity.

Filmmaking Philosophy and Challenges

Bassham's approach to filmmaking is characterized by a commitment to completing projects irrespective of budget limitations. He highlights the rewarding yet stressful nature of production, likening his experience to the intense performance required of characters in Full Metal Jacket.

Brandon Bassam [25:42]: "I have to be miserable. It's part of my process. I'm a miserable wreck the days leading up to a shoot, but once we're on set, I feel like I'm where I need to be."

This philosophy underscores his dedication to the craft, where the challenges of production fuel his creativity and drive to deliver compelling films.

Future Projects and Aspirations

Looking ahead, Bassham is actively pitching new ideas and exploring projects that blend genres and push creative boundaries. Among his upcoming ventures are:

1. A Punk Rock Themed Segment for Bring on the Damned 2
   A gritty, dark narrative inspired by William Lustig's Maniac, set against a New York punk rock backdrop.

2. A Lovecraftian Feature Film
   An ambitious project tapping into cosmic horror, slated for production in late summer pending funding.

Brandon Bassam [27:17]: "We're trying to find funding for it and a legitimate budget, but if we get a budget, we'll do it. If we don't, we'll make it up and figure out a way to do it for cheap."

Bassham's commitment to low-budget filmmaking remains steadfast, as he values creative freedom over financial gain, aiming to produce art that resonates with audiences without compromising his artistic vision.

Conclusion

Brandon Bassham's journey epitomizes the resilience and passion inherent in independent filmmaking. From his early days experimenting with sketch comedy to his collaborative efforts with Troma Entertainment, Bassham has consistently demonstrated a commitment to storytelling and creative expression. As he continues to navigate the challenges of low-budget production, his forthcoming projects promise to further cement his position as a dynamic and innovative filmmaker in the horror-comedy genre.

Brandon Bassam [29:25]: "The Storm is not false advertising."

This episode of Unger The Radar offers an inspiring glimpse into the life of an artist dedicated to his craft, highlighting the interplay between passion, perseverance, and creative collaboration in the ever-evolving landscape of independent cinema.

Notable Quotes:

• Brandon Bassam [02:14]: "I loved it [Mr. Show], but it never felt like me. That was the first time I realized what I would do with my writing."
• Brandon Bassam [07:54]: "My wife gave me the gift of a gift certificate to UCB. It opened so many doors."
• Brandon Bassam [14:49]: "Troma distributed the first two movies for me. That's how I got involved."
• Brandon Bassam [20:13]: "Each segment tells a very unique story. It's like a creep show. Tales from the Dark Side the movie type of way."
• Brandon Bassam [25:42]: "I have to be miserable. It's part of my process. I'm a miserable wreck the days leading up to a shoot, but once we're on set, I feel like I'm where I need to be."
• Brandon Bassam [27:17]: "We're trying to find funding for it and a legitimate budget, but if we get a budget, we'll do it. If we don't, we'll make it up and figure out a way to do it for cheap."
• Brandon Bassam [29:25]: "The Storm is not false advertising."

Follow-Up:
To stay updated on Brandon Bassham's latest projects and screenings of Bring on the Damned, listeners are encouraged to follow his social media channels and attend upcoming festival tours, including the Hands Across America tour with dates in Ohio, Florida, Texas, and beyond.