Hosted by Slow Motion Records · EN

CLUB CUTS - Pornopolis by Slow Motion Records

CLUB CUTS - A series of sets from our parties and takeovers. Hara Katsiki recorded live at Karmen Camina for Club Tonic 26.12.2025

CLUB CUTS - A series of sets from our parties and takeovers. Radondo recorded live at Club RSO, Berlin, 17th January 2025.

' Next in our 'A UFO' free edit series is Karassimeon’s masterful rendition of ‘Los Niños Del Parque’ by the legendary wave group Liaisons Dangereuses. Renowned for his consistently slick productions, the Parisian artist captures the essence of the city’s iconic sound from the 2000s, infused with his signature mind-bending modern flair. Combining the original commanding vocals with a unique electro twist, Karassimeon elevates ‘Los Niños Del Parque’ to exhilarating heights. Lasers whip throughout the edit, punctuating each bar while the arrangement slices through beautifully detailed, intoxicating spaces. This unstoppable dancefloor gem encapsulates the irresistible energy of the seminal 1982 release whilst bringing 2025 a refreshing tone. '

The prolific Karolina Bnv returns to Wrong Era with 'Yet To Come' an industrial-infused, masterful exploration deeper into her ever unfolding sound. The sophisticated follow-up to 'Lessons On Good Behaviour' further enrichens our experience of her world. Opening with 'Unforgivable Decisions, ' an aptly named track that holds its own amongst the industrial greats. Shimmering mechanisms and pulsating arps intertwine, building to harmonic swells and a ghostly vocal from the captivating tones of Karina Jilaz. 'Germany Calling' opens Karolina's new beat intrigue with focused arps circling beneath a commanding vocal loop chanting the track's title. Soft acid lines flutter across the mix, perfectly sitting on either side of the punctual snare. 'Context Abuse' bursts open the second half of the EP with defined bass and the distinct clattering of rimshots. A powerful homage to the sound of Belgium with refreshing flair. Karolina Bnv's sophisticated palette is in full force, with her unmistakably ear-pricking melodics and vocal lines. 'Yet to Come' closes with '1988' an infectious Acid House anthem that weaves between New-Beat and Detroit House. Karolina Bnv brings her sophisticated sounds and undeniable strengths to Wrong Era once again, broadening her horizons with skillful taste.

The prolific Karolina Bnv returns to Wrong Era with 'Yet To Come' an industrial-infused, masterful exploration deeper into her ever unfolding sound. The sophisticated follow-up to 'Lessons On Good Behaviour' further enrichens our experience of her world. Opening with 'Unforgivable Decisions, ' an aptly named track that holds its own amongst the industrial greats. Shimmering mechanisms and pulsating arps intertwine, building to harmonic swells and a ghostly vocal from the captivating tones of Karina Jilaz. 'Germany Calling' opens Karolina's new beat intrigue with focused arps circling beneath a commanding vocal loop chanting the track's title. Soft acid lines flutter across the mix, perfectly sitting on either side of the punctual snare. 'Context Abuse' bursts open the second half of the EP with defined bass and the distinct clattering of rimshots. A powerful homage to the sound of Belgium with refreshing flair. Karolina Bnv's sophisticated palette is in full force, with her unmistakably ear-pricking melodics and vocal lines. 'Yet to Come' closes with '1988' an infectious Acid House anthem that weaves between New-Beat and Detroit House. Karolina Bnv brings her sophisticated sounds and undeniable strengths to Wrong Era once again, broadening her horizons with skillful taste.

The prolific Karolina Bnv returns to Wrong Era with 'Yet To Come' an industrial-infused, masterful exploration deeper into her ever unfolding sound. The sophisticated follow-up to 'Lessons On Good Behaviour' further enrichens our experience of her world. Opening with 'Unforgivable Decisions, ' an aptly named track that holds its own amongst the industrial greats. Shimmering mechanisms and pulsating arps intertwine, building to harmonic swells and a ghostly vocal from the captivating tones of Karina Jilaz. 'Germany Calling' opens Karolina's new beat intrigue with focused arps circling beneath a commanding vocal loop chanting the track's title. Soft acid lines flutter across the mix, perfectly sitting on either side of the punctual snare. 'Context Abuse' bursts open the second half of the EP with defined bass and the distinct clattering of rimshots. A powerful homage to the sound of Belgium with refreshing flair. Karolina Bnv's sophisticated palette is in full force, with her unmistakably ear-pricking melodics and vocal lines. 'Yet to Come' closes with '1988' an infectious Acid House anthem that weaves between New-Beat and Detroit House. Karolina Bnv brings her sophisticated sounds and undeniable strengths to Wrong Era once again, broadening her horizons with skillful taste.

The prolific Karolina Bnv returns to Wrong Era with 'Yet To Come' an industrial-infused, masterful exploration deeper into her ever unfolding sound. The sophisticated follow-up to 'Lessons On Good Behaviour' further enrichens our experience of her world. Opening with 'Unforgivable Decisions, ' an aptly named track that holds its own amongst the industrial greats. Shimmering mechanisms and pulsating arps intertwine, building to harmonic swells and a ghostly vocal from the captivating tones of Karina Jilaz. 'Germany Calling' opens Karolina's new beat intrigue with focused arps circling beneath a commanding vocal loop chanting the track's title. Soft acid lines flutter across the mix, perfectly sitting on either side of the punctual snare. 'Context Abuse' bursts open the second half of the EP with defined bass and the distinct clattering of rimshots. A powerful homage to the sound of Belgium with refreshing flair. Karolina Bnv's sophisticated palette is in full force, with her unmistakably ear-pricking melodics and vocal lines. 'Yet to Come' closes with '1988' an infectious Acid House anthem that weaves between New-Beat and Detroit House. Karolina Bnv brings her sophisticated sounds and undeniable strengths to Wrong Era once again, broadening her horizons with skillful taste.

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo. Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination. 'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions. Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement. 'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm. Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger. credits

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo. Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination. 'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions. Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement. 'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm. Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger. credits