Tyler Glenn (Neon Trees) has lived a version of the Utah story a lot of people only whisper about: growing up Mormon, feeling out of place, and using music as the safest room in the house. We talk about what it’s like to build an identity when your faith, your family culture, and your sexuality all pull in different directions, and why “fitting in” can feel like disappearing.

We also rewind the Neon Trees timeline the way it actually happened: busking and garage practice, writing songs on a mission with whatever gear was available, then moving to Provo and finding a real launchpad in the local scene. Tyler breaks down the years of regional touring, early internet momentum, and the moment the band finally got in front of the right people. We get into songwriting craft, collaboration, and why co-writing isn’t a dirty word when you’re trying to make your best work.

Then the story turns personal and public. Tyler shares what it meant to be framed as “still gay but still Mormon,” what cracked during his faith crisis, and how he poured that pain into a solo record that continues to help ex-Mormon and LGBTQ listeners feel less alone. We also dig into LoveLoud Festival with Dan Reynolds, why LGBTQ support inside faith-heavy communities still matters, and why funding and corporate allyship feel tougher right now.

If you care about the Utah music scene, the reality of the music industry, or the messy middle of deconstruction and healing, this one goes there. Subscribe for more conversations like this, share it with someone who needs it, and leave a review with your biggest takeaway.

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