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So Supernatural
CONSPIRACY: The Vatican's Chronovisor
00:37:39
In the 1950s, a priest named Father Ernetti supposedly built a secret device for the Vatican known as the Chronovisor. The machine worked like a television set, allowing its audience to view any event in history. Some think Ernetti’s invention is a work of fiction, but others say it remains dismantled in the Vatican’s archives, protected from enemies who might use it for their own gains.
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- [00:00]
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- [01:29]
Rasha Pecorero
Good prices and participation may vary. Sometimes, after a long day of reading about a lot of really dark stuff, all I want to do is sit on my couch, cuddle with my dog Lilo, and watch some reality tv. It's sort of like a mental palette cleanser for me. I mean, nothing says hard reset like watching the drama unfold when a bunch of women yell at each other over something they said three months ago. Now I'll admit, I have been a fan of reality TV forever. Hello, I was even a reality TV star myself circa 2006 when I was on the Biggest Loser. But I just find other people who live in totally different worlds so fascinating. The only thing that could make it even more interesting is if you could dial back the clock hundreds of years. What I would give for a Real Housewives of Ancient Rome. But as we were doing some research for this show, Yvette and I stumbled upon something and it made us realize maybe that's not as far fetched as it sounds.
- [02:40]
Yvette Gentile
That's right. According to some sources, the Vatican actually has a thing called the chronovisor. Basically a TV that was built in the 1950s that allowed priests to see into the past. And we're talking full blown real scenes of actual events. Cicero giving a speech in Rome, Quintus Aeneas writing his famous poems. Even the real crucifixion of Jesus Christ. And the man who was in charge of running it, Father Ernetti, insisted for decades the device was real, which, if true, would make this one of the most powerful TV sets on the face of the earth. And if you could watch, would you? I'm Yvette Gentile.
- [03:33]
Rasha Pecorero
And I'm her sister, Racha Pecorero. This is so supernatural.
- [04:10]
Yvette Gentile
There are some people in this world who just seem destined for greatness practically from birth. And that was the case for Marcello Pellegrino Ernetti. He was born in 1925 in a small medieval village called Rocca Santo Stefano, east of Rome. It's in the province of Lazio, Italy. And by the time he was a teenager, he was well known in his community for being gifted. He had a knack for learning new languages and for musical theory, meaning he understood rhythm, chord, structure and harmony. On a deeper level, Ernetti was also really good at science. He could easily grasp complicated topics that most people struggled with. On top of all of that, Ernetti was very religious, too. He grew up in a Catholic household and. And from a young age, he had this sense that God had a plan for him, that his gifts were meant to serve a divine purpose. So instead of becoming a pianist, a physicist, or a linguist, Ernetti took his vows on October 28, 1941. He was just 16 years old when he became what is called a postulant or a candidate at a Benedictine monastery. It was the first step on his path to becoming a priest, and he used his skills in music, science and language to help the church.
- [05:48]
Rasha Pecorero
In 1952, when Ernetti is 27 years old, he gets assigned to a special project. High ranking Vatican officials want to figure out the best way to design their churches so choirs can sound as angelic as possible when they perform. So basically, great acoustics. So Ernetti joins a team that's supposed to study the science of sound. They track things like their frequency, pitch and volume. Then he and his team plan to use that data to create the perfect church layout. On September 15th of that year, he and a colleague are trying to record a Gregorian chant. But it isn't going very well. The equipment keeps glitching and its wires keep coming unhooked. Ernetti is at his wit's end when this thought crosses his mind. If his dad was here, he'd know what to do. Ernetti's dad was never interested in sound or in engineering, but he was always good at keeping Ernetti calm and making him feel supported all the way up until his death. So he says a quick prayer, asking his dad for help in this very trying moment. Almost immediately, one of his sound recording devices crackles to life, and his dad's voice supposedly booms through, saying, quote, of course I shall help you. I'm always with you. Ernetti can hardly believe what he's hearing until a few seconds later, when the voice speaks again. It says, zucchini. It is clear, don't you know it is I. So, for context, Zucchini is Ernetti's childhood nickname, one only he and his close family members knew about. As soon as Ernetti hears the word Zucchini, he realizes this has to be his dad.
- [07:49]
Yvette Gentile
So straight away, Ernetti mentions the experience to a high ranking church official, namely Pope Pius xii. And apparently they are close enough for Ernetti to open up to him about this situation. And the Pope comforts Ernetti by telling him there's a scientific explanation for what just happened. The physics are a bit complicated, but the idea is that sound is just a wave of energy, a vibration that travels through the air until it hits our ears and we perceive it as noise. Scientists believe these waves can be blocked, like how you can close a door to shut out sounds in the next room. And when they travel across long distances, the vibrations lose energy and fade away, which is why you have a hard time hearing someone who's talking to you from across the street. Right? But Pope Pius tells Ernetti that maybe sound doesn't actually fade or dissipate into nothing. Instead, maybe those vibrations exist forever. They're just too faint for most of us to hear. So when Ernetti heard his father's voice, he wasn't actually talking to his ghost. Perhaps his very sensitive equipment was just picking up phrases that his dad had said years ago, back when he was alive? They just coincidentally seemed like real time responses to the things Ernetti was thinking. And Ernetti gets an idea from this. He thinks, what if he used very delicate recording equipment, like what he had in church, to listen to other conversations from the past. So for the next few weeks, Ernetti continually finds himself thinking about how to build a machine like that. He talks to his friends who are skilled at physics and engineering, and they even help him brainstorm some ideas. And some of Them say he may not be limited to audio recordings of the past. With video equipment, he might be able to see historical events, too. That sounds like a real life time machine to me.
- [10:13]
Rasha Pecorero
Definitely. Well, eventually, Ernetti decides to put these theories to the test. He wants to build a machine that will let him look through time. His hope is that a device like this will actually benefit the church, maybe even inspire people to be better Catholics, because they'll be able to hear Jesus teachings from his own mouth and watch biblical stories play out before their eyes. He even has a name picked out for the machine, the Chronovisor. In the immediate aftermath of World War II, he recruits some of the best physicists, mechanics, and researchers that he can find. Unfortunately, we still don't know everyone who joined Ernetti's project. The information is supposedly top secret, but Ernetti himself claims there were 12 scientists on his team. Nine of those researchers names are still anonymous, but the other three include Ernetti and a pair of scientists named Enrico Fermi and Werner von Braun.
- [11:22]
Yvette Gentile
Fermi is an Italian scientist who's technically Catholic. On paper, he grew up in a religious family and went to church as a child. But in his adulthood, he wasn't devout. He wasn't even sure God existed. But that probably didn't matter to Ernetti. All he cared about was that Fermi was a damn good physicist. And after Fermi fled to the United States during World War II, he. He played a key role in developing the atomic bomb. By the time Ernetti's working on his chronovisor, Fermi is a Nobel Prize winner. As for Wernher von Braun, he's a much more, let's just say, controversial physicist. He wasn't a Catholic either, and he spent World War II helping the Nazis develop rockets. After the allies won in 1945, von Braun immigrated to the United States and accepted a job working for the space program. For the record, the Americans knew von Braun was a Nazi collaborator, but they hired him anyway because they wanted his expertise. And from the sound of things, Ernetti was also willing to look the other way because he supposedly recruits him too.
- [12:42]
Rasha Pecorero
The team has never spoken publicly about what methods they used to build the Chronovisor, but I do know it involved a lot of guesswork. Nothing like this had ever been created before, so there was a ton of trial and error. And at some point in the early 1950s, although it's hard to nail down an exact year, they finally finished building the device. It looked a bit like a television set with a screen and antennas, and when the team turned it on for the first time, they were excited to find it actually offered a window into the past.
- [13:26]
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- [13:41]
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- [14:16]
Rasha Pecorero
In the early 1950s, a Catholic priest named Marcello Pellegrino Ernetti allegedly worked with a dozen scientists to develop a window through time known as the chronovisor. It could show a viewer any moment from history.
- [14:33]
Yvette Gentile
And to be clear, the machine's not interactive. It's not like the viewers can actually change history. All they can do is watch and listen. They also can't see anything from the present or future because the chronovisor is just picking up old pre existing vibrations. From what I can tell, though, it sounds like the team can turn the chronovisor's dials and knobs to decide when and where they want to see into the past.
- [15:01]
Rasha Pecorero
So the very first time they use it, Ernetti and his friends look at a moment from the recent past. Specifically, they want to pick up a speech the Italian dictator Benito Mussolini once gave, and after a bit of tuning and scanning, they actually find it. By this time, Mussolini's been dead for roughly a decade, give or take, so they know they're not picking up a current television broadcast. But to test it further, Ernetti's team decides to look a little farther back at something that happened before any of them were ever born, before cameras were even invented. So they set the chronovisor to show footage of Napoleon Bonaparte. Ernetti and the others have all seen paintings of the famous French general, so they recognize him easily enough, and they listen in astonishment as Napoleon talks about his vision for Europe.
- [16:02]
Yvette Gentile
Eventually, Ernetti decides to dial back even further to ancient Roman times, because, remember, he built The Chronovisor with hopes of convincing more people to become Catholics, especially after they witnessed real biblical events. Which is why his team looks for footage of the life and death of Jesus Christ. They want to confirm firsthand how he died, where he was buried, and if he truly did come back to life. The problem is nobody knows the exact date Jesus was born, when he gave his teachings, or when he was crucified. There are a lot of historians who with many theories about when these things actually happen. But Ernetti and his team have a hard time pinpointing these moments with accuracy. And Ernetti and his team just can't tell the Chronovisor, hey, show me Jesus giving the sermon on the Mount, or I want to see Jesus, you know, turn water into wine. They need to give the device a specific date or even a year to, to hone in on. So they hop around through Roman history more or less at random. Just take for instance, how your radio might scan for frequencies when it can't pick up a station. Apparently they see things like a shopper and a vendor haggling over prices in an ancient marketplace. And they watch and listen to a speech given by a famous philosopher, Cicero. They even catch a millennia old play that has since been lost to time. At some point in mid January of 1956, Ernetti and his colleagues find what they're looking for. The Chronovisor zeroes in on an event from 33 CE, the Last Supper. Ernetti supposedly watches as Jesus goes into the garden to pray. Then his disciple Judas betrays him before he sees him get arrested, convicted, and nailed to a cross.
- [18:21]
Rasha Pecorero
Most of these events play out just like he expects them to, with some minor exceptions. The Bible says a man named Simon helped Jesus carry his cross through town before his crucifixion. But the Chronovisor shows Roman soldiers forcing Simon to do it. There are also legends of a woman named Veronica comforting Jesus in his final hours by wiping blood and sweat off of his face. But Ernetti and his colleagues never see her caring for him. However, the story of Veronica is not in the Bible. And everything Ernetti sees is is consistent with the Gospels, including Jesus final hours. After watching the crucifixion play out in what seems like real time, Ernetti knows he will never be the same. In fact, he thinks more people need to see them. The good news is the team makes films of what the Chronovisor shows. So he copies the crucifixion so he can Share the footage later. He also captures clips of what happens after Jesus death, namely his burial and resurrection. Now, Ernetti hasn't spoken much about this footage, so it's hard to say exactly what he saw or what the resurrection actually looked like. But he's adamant he watched it happen, and he shows the footage to the Pope so he can watch it too.
- [19:52]
Yvette Gentile
Then Ernetti and his colleagues do something strange. After dedicating years of their life to making this thing, they take the chronovisor apart piece by piece. They say the technology is too dangerous to leave intact, because even though Ernetti and his colleagues have been using it to view ancient events, people could use it to spy on more recent developments, like, say, a Pentagon meeting that ended five minutes ago, or private conversations that can influence the stock market. Basically, the Pope and his supporters don't want the Chronovisor to fall into the wrong hands, so they lock its pieces in the archives, which is the vault underneath the Vatican, with a restricted library full of all the materials the Vatican doesn't want the public to see.
- [20:47]
Rasha Pecorero
We don't know exactly what the Vatican keeps in its archives, but there are a lot of theories, enough so that we could probably do an entire episode on them. So if you want that episode, just let us know. Some people say the archives hold letters written by the Virgin Mary. Even alien technology is supposed to be in there. Also magical objects and the text of unfulfilled prophecies, even the remains of the saints. And of course, now the chronovisor.
- [21:24]
Yvette Gentile
Yeah, I believe all of that. You know, Gino and I go to Italy every single year, and we've been to the Vatican many times, and we've actually gone underneath where you can see the saints and the Popes. And I know there's a whole nother vault with all of that stuff that you just mentioned. I'm certain of it, you know, so it would be fascinating to know more about it. Right after the Church seizes the device, they forbid Ernetti and his team from building another one or from telling anyone how it works. At one point, they even say that if any Catholic is caught constructing or using a Chronovisor or anything similar, they'll be excommunicated from the Church. In other words, Ernetti's life work is being hidden away and treated like a massive secret. I mean, I gotta imagine he is devastated, and it's safe to say the COVID up weighs heavily on him, especially given what happens a decade later in the early 1960s.
- [22:33]
Rasha Pecorero
By this point, Ernetti is in his late 30s and he's living in an abbey in Ve. At one point, he decides to visit the mainland of Italy. So he walks out to the docks to catch a ferry, and he spots another priest there, a French man named Father Francois Brune. Francois has been studying theology at a biblical institute in Rome, but he recently graduated and is now doing some sightseeing before returning home. He and Ernetti strike up a conversation while they wait for the boat. Eventually, Francois mentions his frustrations with a growing movement inside the Catholic Church and how they are treating many biblical stories as metaphors rather than literal descriptions of real historic events. Francois doesn't like that this movement is also being taught in schools. Ernetti then tells Francois he can prove all of his teachers wrong. Evidence exists that the Bible is true. Ernetti invites Francois to come to the abbey the following day so they can discuss it further. And the next afternoon, Ernetti tells him everything about the chronovisor.
- [23:49]
Yvette Gentile
As you can imagine, afterwards, Francois doesn't know what to think. He doesn't think Ernetti would lie. I mean, he's a sincere man of God. So Francois figures if Ernetti says he built a chronovisor, it must be true. And if he witnessed the crucifixion and the Resurrection for himself, the world needs to know about it. That way people can believe the truth and stop thinking the Bible is a metaphor. So for years, Ernetti thinks about the conversations and debates over what he should do. Should he tell the world about this? Or should he keep the Vatican secret? Finally, in 1972, Ernetti decides he's going to share what he knows.
- [24:40]
Rasha Pecorero
That year, he gives his first interview with an Italian newspaper. Translated into English, the headline reads, A machine that photographs the past past has finally been invented. The rest of the article describes Olivernetti's claims about the historical events he watched on the chronovisor. And after this publication comes out, he talks to even more Italian reporters to spread the word.
- [25:06]
Yvette Gentile
However, each time Ernetti speaks to the press, he's careful not to say too much about how the chronovisor works. He still doesn't want anyone to build one for themselves. I mean, for example, he says the chronovisor had antennas and a so called direction finder to help it tune into specific moments from history. But he won't describe how the direction finder worked or what it looked like. He also claims the chronovisor was made of and this is a quote. Mysterious metals. But he doesn't explain what the metals are or what makes them so mysterious.
- [25:47]
Rasha Pecorero
Of course, this also means there's no way for anyone to verify Ernetti's claims. Other researchers can't check his science to see if it holds up. And with the chronovisor locked away, there's also no way to test it. Which is why people suggest Ernetti is lying and this is all just a big hoax. So, to disprove the skeptics, Ernetti offers some tangible proof. Apparently, when he made that recording of the crucifixion, he saved stills of a few key moments. So he now has a photo of Jesus face shortly before he died. And Ernetti releases this picture to the press.
- [26:34]
Yvette Gentile
And remember how he supposedly watched an ancient Roman play? Well, the play in question is called Thyestes, written by Quintus Aeneas. Historians know for a fact that Aeneas was a real person. And he really did write a play called Thyestes. The plot is based on a famous Roman legend. It's a story of two brothers, Atreus and Thyestes. And they hate each other, basically. So one day, Atreus murders two of Thyestes three sons, butchers them, and makes a meal out of their bodies. Then he feeds it to Thyestes, who has no idea he's eating human flesh, let alone his own family members. So once Thyestes realizes the truth, he places a curse on Atreus. So then his third son, the one who wasn't murdered, gets his revenge by killing his uncle. And that is the play in a nutshell.
- [27:39]
Rasha Pecorero
Yeah, I wouldn't want to watch that play. That's way too much to intake. So. So dark.
- [27:46]
Yvette Gentile
Okay. But nobody knows much more detail beyond that because the script has been lost to time.
- [27:52]
Rasha Pecorero
Or at least it was lost until Ernetti and his colleagues watched it. They didn't think to record it at the time, but they did, did write down every word each actor said. So Ernetti has the transcript published so everyone can read Thyestes for themselves and to prove the chronovisor is real.
- [28:15]
Yvette Gentile
But of course, the skeptics still have their doubts. They say the photo and the play might be forgeries. Meanwhile, true believers insist Ernetti didn't faked the evidence and wouldn't have, because he's an honest man with no motive to lie. It seems like the matter might never be settled until 1994, when a deathbed confession reshapes the entire story.
- [28:50]
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Rasha Pecorero
What do I do?
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- [29:00]
Yvette Gentile
I'm freaking out.
- [29:01]
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Rasha Pecorero
I'm so relieved.
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- [29:21]
Yvette Gentile
There was evidence in the house and
- [29:23]
Rasha Pecorero
they would not listen to me.
- [29:26]
Proof Podcast Narrator
The Proof podcast is back with a new case and a new season. And this time the stakes are higher than ever before.
- [29:33]
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The letter from the doctor said I have six months or less to live. I'm scared shitless right now.
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A dying man is serving a life sentence for a murder he says he didn't commit.
- [29:44]
Rasha Pecorero
Did you ever question if they got the right person? I don't think I believed it at the time. I don't think I believe it now. I'm scared to be sitting here in this damn chair talking about this shit.
- [29:55]
Proof Podcast Interviewee
How many other cold cases were going to come forward and go, hey, man, we need to look at my shit because I didn't do it. How many more do we have?
- [30:02]
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- [30:11]
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- [30:24]
Yvette Gentile
Father Marcello Pellegrino Ernetti spent his whole life insisting he built something called a chronovisor for the Vatican. But he was never able to prove his claims were real. The device was supposedly dismantled and locked away in their archives, and the evidence he gave to reporters has been heavily disputed.
- [30:48]
Rasha Pecorero
Take the alleged photo of Jesus at the crucifixion. It's an extreme close up, so you can only see Jesus from the chin to the top of his head. You can't see any of his entire body. He's frowning and looking up with a distressed expression on his face. And if you're an admirer of art, you might think the image looks a bit familiar because it's very similar to a famous statue of Jesus in a church in central Italy. If someone were to take a grainy black and white photo of that statue's face, it would look an awful lot like Ernetti's picture. Others say the image reminds them of a postcard that a different Italian church sells. Again, it's not an exact match, but if someone made a copy of that postcard and doctored it, they'd end up with something very similar to Ernetti's photo. Basically, nobody can prove that Ernetti's picture is a forgery because it's not an exact match for any other work of art. But it is possible that it's a hoax.
- [31:54]
Yvette Gentile
I mean, I just have to say we both looked at this picture.
- [31:57]
Rasha Pecorero
Yes.
- [31:58]
Yvette Gentile
And it definitely looks like a copy of a painting. I mean, I've spent many, many, many, many, many hours in Italy going to several museos, and I'm just saying it didn't look real to me.
- [32:12]
Rasha Pecorero
It looks like a copy of a copy of a copy of a copy.
- [32:15]
Yvette Gentile
Yeah, yeah, yeah. But experts have also examined his alleged transcription from Thyestes, and they say it has its own set of problems. For starters, it's really short, roughly a tenth as long as a typical play from this time period. And the plot seems wrong in Ernetti's transcript, Thieste's brother Atreus never murders his sons. There's no cannibalism. Everything is different from what the historians say should be included in the play. Aside from the plot, Ernetti's transcript is written very simply, with basic words that are reused over and over again. Professional linguists think it sounds like it was written by someone who doesn't speak much Latin, which would make sense if Ernetti wrote the script himself. He knows some Latin, but he wasn't fluent. So once again, the experts say this is evidence of a hoax. But Ernetti insists it's all real. He isn't lying. It's a stance he maintained until 1994.
- [33:30]
Rasha Pecorero
That year, Ernetti was 68 years old, and his health was failing. He knew he didn't have much longer to live, so at one point in the spring, he called a distant relative who he considered a friend. Now, we don't know this person's identity because it hasn't been made public, but we'll just call him Mario. Ernetti asked Mario to come visit him, and Mario rushed to Venice. When he arrived, Ernetti told him he felt like he was going to die any day, and before he passed away, he needed to make a confession. Then Ernetti said he never built a working chronovisor. His transcript of Thyestes was a hoax. He wrote it himself to trick his critics. And all of his claims about watching the crucifixion and viewing the past were a lie. But Ernetti also said some parts of the story were true. He really tried to build a chronovisor, but he couldn't make it work. And he didn't have a team of 11 scientists helping him. He only had one assistant, a student who eventually became a priest. But here's where it gets wild. During this deathbed confession, Ernetti also said he'd been reincarnated multiple times, and he could remember all of his past lives. Ernetti claimed in one lifetime, he was a scientist who worked closely with Nostradamus. Even back then, they understood that it was possible to detect and and listen to sound waves from the past. And he and Nostradamus tried to make their own version of a chronovisor. However, they weren't successful because they didn't have access to advanced equipment. But on his deathbed, Ernetti felt like he was incredibly close to finally figuring out what went wrong. And he was worried that he might die again without finishing the machine. Unfortunately, that seemed to be the case. On April 8, 1994, he died at the age of 68. Afterward, Mario anonymously published Ernetti's confession, revealing the chronovisor was never real.
- [36:02]
Yvette Gentile
So you would think that that would settle it, right? Well, Ernetti came flat out and admitted the chronovisor was a hoax. Except nobody can verify if this confession is authentic. We don't know Mario's real identity. So it's impossible to say if he spoke to Ernetti in the days before his death, or if the two of them even knew each other. Mario could have made the whole thing up, for all we know. And here's where things get tricky. You'd assume that if Mario or Ernetti were lying, the Vatican would clear everything up with a public statement. They could say something like, nobody listened to this priest's wild claims about a television that they can see in the past. He's not telling the truth. Like, they would be very specific in coming out and saying that. The problem is, the Vatican has never confirmed or denied Ernetti's claims about the coronavirus, and their silence speaks volumes. It could be evidence the story is real, after all.
- [37:15]
Rasha Pecorero
One rumor says the conspiracy actually goes all the way up to the top. To Catholic officials, including the Pope and his supporters, who never told Ernetti to take the chronovisor apart. The theory says that high ranking Vatican leaders have a working chronovisor to this day, and they may use it to keep tabs on world events. They listen in on meetings between political leaders and high ranking executives. Then they use that information to serve the interests of the Catholic Church. But the problem with that theory is it doesn't explain why Ernetti would have released fake evidence. Which may be why author Peter Kressa suggests a different theory in his book Father Ernetti's Chronovisor. It was published in 1997. And in his book, Peter said Ernetti faked the Thyestes text and the photo of Jesus to hide hidden messages in them.
- [38:20]
Yvette Gentile
According to Peter, both the crucifixion and Ernetti's version of Thyestes are stories of people suffering horribly and then becoming better versions of themselves. So there's a nice message there that anyone can overcome adversity and improve themselves. I mean, Peter also noted that Ernetti had believed in other spiritual concepts that weren't exactly approved by the Catholic Church. His works included references to astrology, reincarnation, astral projection, magic, and one of our favorite words, fate. He even implied that people could become gods, which isn't exactly a Pope approved message. Peter believes that at some point during Ernetti's lifetime, he rejected the Catholic teachings and instead came to believe in something more occult, more New Age, even more supernatural. And he may have used the Chronovisor as a cover story to talk about his new faith without drawing the wrath of the Church.
- [39:32]
Rasha Pecorero
But what if the Chronovisor gave Ernetti information that directly contradicted Catholic teachings? Maybe he had proof that the world doesn't work the way the Church says it does. And maybe the Church brushed it under the rug because they knew the truth was just too dangerous.
- [39:53]
Yvette Gentile
This is all just a theory. But I gotta say, it's fascinating to think about. And it just makes me wonder, as y' all know, someone who is often suspicious about the government. What if we've been looking at the wrong people? Maybe the answers to humanity's biggest questions aren't hidden in those Pentagon files or the FBI vaults. Maybe they've been tucked away in the Vatican archives this entire time.
- [40:26]
Rasha Pecorero
If that's the case, I'd give just about anything to peek inside that vault or to even have a chronovisor of my very own. Because as much as I love reality tv, we all know it's a lot of Hollywood smoke and mirrors. But there is nothing like learning the real truth.
- [41:00]
Yvette Gentile
This is so Supernatural an Audio Chuck original produced by Crime House. You can connect with us on Instagram @sosupernatural pod and visit our website at sosupernaturalpodcast.com join Rash and me next Friday for an all new episode. I think Chuck would approve.
- [41:26]
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- [41:55]
Josh Dean
Hi everyone, Josh Dean Here on our show Chameleon, we dig into real world deceptions that are just plain mind boggling cons, coverups, and the people who stop at nothing to hide the truth. But sometimes certain events simply defy explanation. If you're drawn to stories that go beyond the explainable, check out so Supernatural. Each week, hosts and sisters Rasha and Yvette extended explore strange encounters larger than life legends and stories that defy logic, and they unravel every possibility along the way. If you're ready to dive into the unknown, listen to so Supernatural. Wherever you get your podcasts.