Podcast
Sonic Cinema Podcast
Hosted by Brian Skutle · EN
Discussing movies and filmmaking with fans, critics and filmmakers. Whether it's modern movies or classics, the biggest hits or some of the worst movies of all-time, host Brian Skutle is passionate about looking at the breadth of movie history. You can read my written reviews and commentary on www.sonic-cinema.com.
12episodes
Episodes
Newest firstAll episodes
Movie Theatre Etiquette in the Modern Age
5d ago01:59:13Tap to summarizeThis is less a discussion about movies as it is a commentary on moviegoing in general. One of the most common complaints I've seen about why people don't go to movies nowadays is constant disruptions during movies. In all honesty, that was the case before COVID, but it's only accelerated in the age of streaming. Joining me in the discussion is film critic Austin Belzer, and we share stories of our times working in movie theatres, as well as some of our favorite moviewatching experiences, and some of our favorite movie theatres. I hope you enjoy!Oh, and we forgot to mention it, but STOP RECORDING THE SCREEN!!!
Transcribe →"Established Classics" - "Not to Be," "Gaslight" and "Beautiful"
3w ago01:10:01Tap to summarizeWe are taking a break from one series to return to another. It's been a few years, but my "Established Classics" series is back. For those who may not remember, this is a series where we look at movies from Hollywood's Golden Age- from the late '30s to 1960- and look at whether they hold up now, and why they do. Returning is actor Timothy J. Cox, and after we catch up with him, we begin discussing our next set of films. Here we look at Ernst Lubitsch's "To Be or Not to Be", George Cukor's "Gaslight" and Vincente Minnelli's "The Bad and the Beautiful". I hope you enjoy!Established Classics SeriesEpisode 81 - "Kane," "Wrath" and "Casablanca"Episode 91 - "Mr. Smith," "Sunset" and "Angry Men"Episode 109 - "Baby," "Sierra Madre" and "Singin'"Episode 125 - "Travels," "Waterfront" and "Success"
Transcribe →Fascism in Cinema: Control Through Spectacle
Jun 2601:32:30Tap to summarizeAs we've gone through this series, many of the topics have been more inspired by the larger atmosphere around the United States during Trump Administration II. This episode, however, had a very specific inspiration in the recent UFC cage fight on President Trump's birthday- and part of his celebrations for America's 250th anniversary. The idea of a UFC fight in front of the White House made me think of films that depict past, and futuristic, examples of state-sanctioned violent spectacle as a way of exerting control over its population. Joining me on the episode is Chris Scalzo of The First Run podcast as we look at Norman Jewison's "Rollerball", Ridley Scott's "Gladiator" and Gary Ross's "The Hunger Games". I hope you enjoy!You can read my blog outlining my thoughts after the 2024 election here.In July 2025, I wrote about my dive into conspiracy theories here.Fascism in Cinema SeriesEpisode 162 - Resistance to Fascism in CinemaEpisode 166 - Fascism in Cinema: CopagandaEpisode 170 - Fascism in Cinema: Bad FaithEpisode 175 - Fascism in Cinema: The Fourth EstateEpisode 176 - Fascism in Cinema: Action NationalismEpisode 183 - Fascism in Cinema: Past Future Present
Transcribe →Fascism in Cinema: Into a World of Conspiracy
May 2602:19:13Tap to summarizeIn the discussion of fascism and authoritarianism in cinema (and in real life), it's impossible to not discuss conspiracy theories. Over the past few years, conspiratorial ideas is almost hat in hand with the politics of the time. In our latest exploration of fascism in cinema, come down the rabbit hole with my guest, Ben Friedman of Ben Talks Film, and I as we look at how three films take their characters, and the audience, down the rabbit hole. Our films this episode are Oliver Stone's "JFK", Stanley Kubrick's "Eyes Wide Shut" and Ari Asher's "Eddington". I hope you enjoy, and don't get too lost!The end credits track is my composition, "Minimalist Suspense".You can read more of my thoughts regarding "Eyes Wide Shut" and its connections to Jeffrey Epstein here.You can read my blog outlining my thoughts after the 2024 election here.In July 2025, I wrote about my dive into conspiracy theories here.Fascism in Cinema SeriesEpisode 162 - Resistance to Fascism in CinemaEpisode 166 - Fascism in Cinema: CopagandaEpisode 170 - Fascism in Cinema: Bad FaithEpisode 175 - Fascism in Cinema: The Fourth EstateEpisode 176 - Fascism in Cinema: Action NationalismEpisode 183 - Fascism in Cinema: Past Future Present
Transcribe →Atlanta Film Festival 2026
May 1500:45:06Tap to summarizeEarlier this week, the 2026 Atlanta Film Festival wrapped up its 50th iteration with its virtual festival. What was great? What was noteworthy? What was the experience. All will be discussed in this episode, and for the topper, I present an interview with filmmaker Costa Karalis, who made one of my favorite films of the festival, "Frogtown". I hope you enjoy!My curtain raiser piece, along with all the reviews published during the festival, can be found here.
Transcribe →Fascism in Cinema: Past Future Present
Apr 2703:05:35Tap to summarizeAs I started to look to 2026, I knew there was still more to cover in this series beyond what we hit upon in the five episodes last year in discussing authoritarianism in cinema. One of the richest genres doing that was science fiction which, coincidentally, is what led to my emphasis on the genre this year. With such a vast subject, there was only one choice to join me on this episode- the person who started this series with me, Jason from Binge Movies and The Slashers. This is probably the most obvious lineup we've had yet, but when you have movies like Fritz Lang's "Metropolis", John Carpenter's "They Live" and Paul Verhoeven's "Starship Troopers", you already have not just compelling films to watch, but a wealth of depth to cover. I hope you enjoy!
Transcribe →Why Sci-Fi?
Mar 2700:14:34Tap to summarizeIn this mini-episode of the podcast, I thought I'd talk briefly about my favorite genre of all-time- science fiction. My history with the genre, why my love has only deepened, and why it's being covered so heavily this year on Sonic Cinema. I hope you enjoy!The end piece is "Weightless Waltz in F," from my 2010 album, "Beyond the Infinite: A Musical Odyssey".Listen to me talk about some of the films mentioned:"2001: A Space Odyssey""Strange Days" (on Female Gaze: The Film Club)"12 Monkeys" (on NostalgiaCast)"Dark City""2050""A.I. Artificial Intelligence"
Transcribe →Oscar Thoughts with Amanda Spears and Brian's Top 10 of 2025
Mar 1401:52:38Tap to summarizeIt is that time of year again- the Oscars. This episode features the things you've come to expect over the years- a category by category breakdown with awards watcher Amanda Spears, followed by my 10 Best Films of the year. I hope you enjoy!My retrospective on 2025 can be read here.Read Brian's Thoughts on the 2025 Atlanta Film Critics Circle Winners here.Read Brian's Thoughts on the 2025 Southeastern Film Critics Association Winners here. Read Brian's Thoughts on the 2025 Georgia Film Critics Association Nominees and Winners here.I also joined the Piecing It Together podcast to discuss the best film scores of 2025 here.
Transcribe →Discussing "Network" at 50
Feb 2501:34:12Tap to summarizeA few months ago, we discussed three films about the press speaking truth to power. What happens when the powerful pervert media for profits? As it enters The Criterion Collection this week, Sidney Lumet's satirical look at television news- 1976's "Network"- feels like a documentary of the times we live in now. Joining me to discuss the legacy of this film is Jason from Binge Movies and The Slashers and Joan Amenn from In Their Own League. I hope you enjoy!
Transcribe →Discussing "To Catch a Thief"
Feb 1300:55:15Tap to summarizeWhat could be more romantic than two Gen X white guys talking about Alfred Hitchcock's most romantic film before Valentine's Day? I'm sure plenty of things, but this is what you get from the Sonic Cinema Podcast this year. My frequent guest, Phil Fasso, returns for the third time in five months to discuss Cary Grant and Grace Kelly being two of the most drop-dead gorgeous people in movie history in Hitchcock's 1955 light and entertaining caper, "To Catch a Thief". I hope you enjoy!
Transcribe →