
Rameen knows Gettysburg — the battles, the history. But when he picks up a night shift on the ghost tour, everything goes haywire. A strange message crackles over the radio from an unknown frequency, filled with urgency and desperation that feel all too real.
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Who can steal the sunrise and wipe away your grin make you wish that you could scrub away your darker skin the Shadow man the Shadow mankind the Shadow man can cause he cheats out everyone and makes the world not good. You've almost arrived at the crossroads. Stay tuned.
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For the ones who get it done. Clarksdale, Ms. 1921 Little Bobby was just 8 years old when he discovered that sometimes with the grown folk, if you're quiet, if you stay in a corner, if you look really close at the floor or the wall, even your own shoes, they will talk like you're not even there. Invisible. And this evening, when his mama sinks her voice down low, that's when Bobby's hearing leans in. Mama tells Hattie, don't you go out there. Not for love, not for money, not for nothing. But baby, baby, if you do go, don't you be late. Don't touch nothing he give you let's him be exactly what you want Only thing he want is whatever you can't give. Bobby's still invisible still as a secret don't you go there Hattie, don't do it. Hattie's face set and that look you get when you ain't gonna cry no more Cause crying time is over. Howdy, you hear me? Bobby bumped a fork off the table and it tinkled on the floor. Mama's head snapped back Invisible no more Boy care your black behind Outside. Stop sneaking round. Yes'm. Papa walks real slow toward the door. Still listening now, Hattie gotta bring him something. Something nice. Make him think it's the most important thing you got. Bobby never asked why Hattie didn't come around no more for his 15th birthday, running back home from Mr. Cooper's field. There wasn't a cake, no wrapping paper, and just when the grin was leaving his face he looked at his pallet on the floor. And right on top, still in the not new Montgomery Ward box, lay a wooden six string guitar saying one had been sitting in the display case at the Jones General Store for over two years now. Shocked, he turned toward his mother to see her smiling back at him. Gon be your ticket, Bobby. I know it. Every night he plucked and picked and strummed and slapped and knocked until one night the G string snap. He tied it back together as best he could till it broke again and again. Then he just started over, learning to play with five strings, then four, three fingers sliding up and down till three strings wailed like six. Figured once harvest time come, he could purchase more. Mama loved hearing him play. She'd stomp her feet, clap her hands. That's your ticket. When she took sick he played for her, sometimes pressing wet towels on her burning forehead, sometimes strumming a song she might like. First she snapped her fingers to hiss time. Then she didn't. Two strings left. On the third night Bobby made himself look at her full on, shrunken, tiny, shivering. Underneath every blanket they own eyes squeezed shut, mumbling to someone he couldn't see and he couldn't figure another way. Bobby kissed her on the forehead, set his jaw like Hattie'd done all those years back and took the only thing he owned beside the clothes on his back, a guitar bought with long hours under the Mississippi sun. She said it was his ticket off the plantation because her dreams were always bigger than his. The dreamtime was over. He stepped out into the night and pressed the door closed behind his walk turned into a run. Can't be late. The way looked different at night. Moon shadows swept the gravel road past row after row of devil's weed. He ran and ran and finally came to the place where his road intersected with the other. There he stood, right in the middle, the center, like he'd heard her tell person after person to never do. Then he whispered the words she told person after person to never say. Starlight shone bright enough to read by no one for miles down either stretch of the road. Then hello. Bobby spun round to see the Shadow man walking toward him. Only thing kept him from screaming was his mission. Yes. Yes, sir. Yes, sir. Said my mama's sick. Doctor might have some medicine for to make it better. Baba kept his head down. Don't look in his eyes, only take what you come for. I brought you my guitar and trade. It's a fine guitar. It's real fine. Real fine. Bobby lifted the instrument out of the cardboard box he still carried it in, held it out to the man. Just ain't sprangin, is all. Thought maybe he might have some medicine and trade. Bobby felt the instrument lifted from his hands. Then the man, like he was testing the quality, like he was weighing the terms. He beat on the guitar like a drum. Pow, pow, pow, pow, pow, pow, pow pow. Started tuning it to a scale that Bobby didn't know, tapping in strange stretching notes. High, low, low, high, high, low. Wails, screeches, grinds. I thought you might have some medicine. The man played wild, frenetic, howling, shrieks. Bobby's guitar calling angels and demons and sorrow and pain and mercy and lashes and cotton and chains and fire and the man stopped. He held the guitar out. Bobby snatched it back. It wasn't till he saw the man's eyes did the horror come. A million times she'd said it don't touch nothing he give you. This is what you came for. The man smiled. No, sir. I come from medicine. The man turned away. I need medicine for my mama. The road sat empty, quiet except for the buzz of the crickets, and they grew silent as well. He looked down and stumbled back. Six gleaming red strings shown fire from the guitar. And even as he wanted to throw it down, he held it close. Back down the road, past the field to the shack where he'd left her, shivering just a few hours before and terrified, he cracked open her door. Darkness. Stillness. Then boy. Mama boy. But what did you do? He saw her, both upright on the side of her bed, desperate, searching for his eyes. Then horrified when she saw him clutching the guitar. He touched it, didn't he? He touched it. Bobby couldn't answer, couldn't even look at her yet. Take it back, boy. Take it back. He just strung it from his all. He just gimme the strings. He don't give nothing, baby. He takes. He saw her, dude, cheeks flushed, eyes bright. Medicine. That's what he called a guitar now. Medicine. He knew the price. She did too. Smash it, baby. It's gonna kill you. Smash it. But Bobby couldn't do that because that would kill her instead, there in the dark, it called to him and he reached for it and he played as she wept, his fingers sliding up and down the blood red strings. It growled low and hungry like a living thing, breathing, laughing, spitting some of his life for hers. Tasted like a pretty good deal. Please, please smash it baby. It will kill you. Even as he felt the darkness like a drug, he felt too, the thrill, the magic, the herd, the growl, the wolf. Don't worry, Mama, Bobby smiled, fingers dancing down the glimmering strings. Worry cause I ain't dead yet. Tis the season today. The very first step of a spook journey like no other. The Crossroads. Be careful what you ask for, because the crossroads. Start now.
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This is the story of the One.
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As a custodial supervisor at a high school, he knows that during cold and flu season, germs spread fast. It's why he partners with Granger to stay focused, fully stocked on the products and supplies he needs, from tissues to disinfectants to floor scrubbers, all so that he can help students, staff and teachers stay healthy and focused. Call 1-800-GRAINGER Click grainger.com or just stop by Grainger for the ones who get it done. A story today come from Ramin. He's an apprentice violin maker in a tiny Pennsylvania town. Ramin is working for free. So he starts looking for a night gig. Something to keep the lights on. And one day, as he wanders around the nearby town of Gettysburg, he spots a sidewalk sign reading tour guides wanted normal enough. But when he takes a closer look at the sign, he learns the company's actually looking for someone to lead ghost tours. Now, Ramin, he's not really in that kind of stuff. You know, the spirits, the hauntings, everything. But a job is a job, right? So he signs up to be a Gettysburg ghost tour guide. Spooked Sam.
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My first tour ever. I introduced myself as Ramin and some snarky little 8 year old boy looked at me and said, ramin, that's not a Civil War name. And everyone laughed and I was a little bit embarrassed. On the one hand, I knew that he was right. And on the other hand, I felt kind of bad, actually. It was like I can't be myself and give an authentic experience. But if this 8 year old is having his suspension of disbelief just because of my name, that's a problem. So from there on out, I decided that I would conduct these tours under my alter ego of Charles. I'd bring my violin along and I would play spooky songs as I was walking around town telling these ghost stories. I'm a terrible violin player, by the way. Like, really? Cat strangling bad. Tonight, my name is Charles. I'm dressed as a soldier from the 10th Virginia infantry, wearing gray wool clothing. My guests will be following my small candle that I have in my lantern. We'll go up the hill, past the national cemetery, and we'll go up to the abandoned orphanage where after the war, children found only horrors at the hands of a terrible woman named Rosa Carmichael. She kept the children in the basement in pits, in chains. Eventually the townsfolk found out she was run out of town, never to be heard from again. The guests, they are horrified. They're shaking their heads in sadness and disbelief. Some of them who have children with them, reach down and squeeze their kids shoulders to comfort them, maybe to reassure themselves a little bit. But it's a true story and it's absolutely horrifying. But then at the end of the story, in order to make it paranormal, then I'm saying they say to this day, some of the children that met their end at this orphanage still haunt the grounds. They may tug on your dress, you may hear them pattering around across the street. And if you listen very carefully, you can still hear their chains jangling from the basement windows where they were kept under horrific conditions. And is this true? Like, no, I don't think it's true. But it ties the true history into the paranormal experience in such a way that I'm sort of covering my bases now. When I first found this opportunity to work as a tour guide, I was so excited to combine my interests in history and military history in particular, and to tell the guests the reality of life in the 1860s. That, to me at least, are terrifying even without a paranormal component. But these were not the stories that people expected. And then I kind of got a talking to from my boss who very gently told me that I need you to spook things up a little bit here, dumb down the history and amp up the paranormal. I myself am not a hardcore believer in the paranormal. I'm ambivalent agnostic. But I recognize that this is the job. This is what people expect. And who am I to say whether a paranormal experience that someone else has is or isn't real? Now I incorporate some of the more terrifying paranormal stories that I've heard from other tour guides. Our next stop will be the old creek bed at Weinbrenner's Run. This creek used to meander its way all the way around the battlefield. And at the time of the battle, it was the site of terrible horrors. The battle of Gettysburg occurred between the 1st of July and the 3rd of July, 1863. And then on the 4th of July, there was a torrential downpour. All of the creeks were swelled up, there was flooding throughout. And in this particular little area of Weinbrenner's Run, the story goes that there was this wooden grate that had been placed there right where the creek sort of meets the edge of the town to catch tree limbs and other things that would naturally fall into the creek or be swept up if the cross creek got really full. Unfortunately, there had been established during the battle a couple field hospitals on the banks of this creek. And so when the medical staff were doing amputations, they were piling up these limbs. They were working as quickly as they could to try to save lives. And the carnage was just sort of laying on the side of the creek. In the aftermath of this rainstorm, Hundreds of limbs and many dozens of bodies of men who had become wounded and had sought shelter in the creeks get swept up in the engorged creek until they encounter this wooden grateful. And you've got this dense mass of just horrible stuff that has blocked the flow of water going through the town. So at the end of the tour, this older gentleman comes up to me and he's got a beard and a hat and he has a walking stick with him. And he says, look, look, I've captured something here. You need to take a look at this. I'm looking at this picture and he says, you can see between the spokes of the cannon's wheel there's a boot. And sure enough, I'm looking at this picture and there's a knee height leather boot. And he says, I think this might be the boot of a cavalryman. And I smile and nod and I say, wow, that's, that's really something. I've never seen anything like this before. And meanwhile, out of the side of my peripheral vision, I'm looking at the footwear of everyone that is along on this tour. And of course there's a woman wearing riding boots, and of course these are her shoes in the Picture. But I'm not going to burst his bubble. I encourage him to email it to the company email address and we'll take a look and maybe we'll add it to our own archives. And that, that seems to quite satisfy him. It is a normal afternoon at the ghost tour company. It's too early to be taking guests out, so I'm getting some hours in on desk duty helping people with their reservations and advanced bookings. And my co worker, who is one of the Paranor investigators, comes up to me and says, hey, we are short staffed for a ghost hunt later this week. Do you want to do it? And at this point, I have never done a ghost hunt for a few reasons. Number one, it's really not my bag. Number two, the hours are rough. I'm not going to be done until 4 o' clock in the morning. My coworker says, look, the money's really good. And it turns out that the pay for conducting these ghost hunts is like four times as much money as I'm going to make from giving tours that night. So I'm convinced. All right, I agree to go on my first ever ghost hunt this evening. There are three of us from the tour company that are in charge of the ghost hunt. And our guests, who number about 10, are gathered around in the gravel parking lot of this building. And it is a hulking old mansion. We're all decked out with vests and ball caps and flashlights and this, you know, tactical equipment. Looking like a bunch of mall cops, but conducting a ghost hunt. And the people on the hunt love it. They are so into it. This house is a prime location for a paid ghost hunt. My two co hosts are doing a great job of setting the scene. They are being cryptic about things that have happened in the house. And it turns out bad things did happen in this house. A young woman hanged herself in the attic of this house. The home was used as a field hospital during the civil war. With limbs piling up to the window sills that floorboards had to be replaced due to blood soaking them, we start distributing equipment and the first thing we have to do is conduct a demo to demonstrate to them how do they use the equipment. We have EMF detectors. That stands for electromagnetic frequency. It basically looks like a gun and you point it in the direction of where you think a spirit is. Now, my co worker, who's a very industrious young guy, he's making these devices. He's going to Radio Shack. He's getting bits and bobs, he's buying paintball guns and taking them apart to create this really tactical looking device. And then there's this other device we have called the spirit box. It's like a pocket radio. It's got an antenna and it doesn't have a microphone on it. It's got a very primitive LCD screen. And essentially what the spirit box does is that it cycles through radio frequencies and you hear snippets of words where it might say s rat. But every so often it's going to pick up a word or it's going to pick up a snippet of sound and that if you are an imaginative person, you're going to hear what the spirit box is telling you and thus interact with a spirit. I believe that it is utter garbage. Frankly, I feel guilty. I feel like I'm participating in a scam. Not because I was worried about people finding ghosts, but because I was so certain that they were not going to and that I was selling them a false dream. My co worker, the same one who is making EMF detectors, is leading tonight's ghost hunting expedition. He is like a drill sergeant of fear. He is completely deadpan, saying that the energies that inhabit this space are very unsettled and that bad things have happened in various areas of the house. And we want you to go in there and see what you can feel. And then at the end of the tour, you can tell us where you found evidence and where you felt energies. And I'm just sort of taking it all in at this point, thinking that these are fools who are paying for the privilege of terrifying themselves in a building with no electricity, no running water, and God forbid one of them has to go to the bathroom in the next four hours.
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Once we make our way through telling people the ground rules, we basically cut them loose. And our job is not to helicopter over them so much, but to allow them to spend time within their groups and allow their group dynamic to play out however it's supposed to play out. So the groups are out investigating and there's a group cycling in and out of the attic where this death by hanging took place. Myself and the other two guides. We meet up outside. We're smoking some cigarettes, we're chatting. And then every 15 minutes or so, we think, okay, it's time to go check on the groups, see how everybody's doing. So it's most of the way through the evening. It's, oh, probably 2:30, 3:00 clock in the morning at this point. And I'm doing my little walk through. I'm walking toward the parlor. This room has some windows and a radiator that is looking like it's got leprosy. Just paint falling off of this thing. Then I get summoned by one of the groups. They say, hey, we're having trouble with our spirit box. It's telling us that the battery's dead. It's saying, battery dead through the speaker. And this is unusual because there is a battery indicator on the box, and I can see that the battery is full. But if they're telling me that the battery's dead, very well. I have a pocket full of AA batteries. So I go ahead, I pop the back off the spirit box, put some new batteries in there. I can see still that the battery indicator says that it's full. And I hand it back to them, and I turn to walk away. No sooner have I done so, then they call me straight back and they say, the batteries are dead again. And I just got this weird feeling. I know that these batteries are not dead. I know they're good. And sure enough, the. The radio scanner, which is really all that this device is, says clear as day. Battery dead. The voice coming through the machine, it's a male voice, is clear, it's strong. It is not like the snippets of speech that sometimes we hear from this device as it's cycling through radio frequencies. There is an urgency to the words. I am still highly skeptical about the prospects of speaking to a spirit through a broken radio. But I have a role to play, which is to help these guests get their money's worth. And I don't know what has come over me exactly, but I get this feeling that I ought to see if the box is going to tell us anything else. So without thinking, I said, is there someone there? The box says in the same voice.
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Yes.
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All of the people that I'm with, this group of three or four people, they're, like, giddy with excitement. The thought crosses my mind that maybe someone is listening and manipulating the local radio channels to try to fake this out. And I realized that it's not possible through a device that I know full well has no microphone on it. So I go ahead and ask a follow up question. Are you a soldier? And the box says yes. I am feeling like my entire insides are made of ice. This voice, it sounds like it's coming from far away. It is really freaky. And at this point my guests, they are discussing amongst themselves very excitedly what types of follow up questions they should ask. And one of them says, are you a Union soldier or a Confederate soldier? And the box says blue. This of course, we interpret it to be a reference to the Union uniform, which is blue as opposed to a Confederate uniform of gray. This carries on for a little while and they're asking yes or no questions. Are you cavalry? No. Are you artillery? And the box says yes. Battery dead. Battery E dead. Now at this point, my stomach is down in my shoes. I have managed thus far to not allow myself to believe in the legitimacy of any of this technology. And here I am. I'm supposed to be the one that is playing it cool. I am so shaken, I cannot stay inside the house. I need to get out. I make my way out of the mansion as quickly as I can and I'm back out into the gravel parking area where my co workers are hanging around waiting for things to wrap up. There's only a couple minutes left before our folks are going to be coming outside and I tell them what has just happened. One of them says, are you okay? And I said, yeah, I don't know, I think so. They were pretty understanding about my being freaked out and not wanting to go back into the building. Neither of them are particularly shocked. This was something that they expected almost. They said, yeah, well, that's what happens. My co workers congratulate me on my first ghost hunt job well done. And I decided that I was never coming back to that spot ever again. Later on that week, it's a sunny day. I'm walking the battlefield. I wasn't working that night. This day I just felt compelled to go walking. And as I'm walking along the road near this house, I come across a memorial marker. It's a 7 and a half foot tall granite monument with a cannon parked right in front of it. And I'm reading Rhode island Light Artillery. Three killed, 12 wounded. Battery E. I just stand there speechless. So we're hearing battery dead, battery dead. And we were thinking, oh, okay, time to go grab some more AA batteries. But a battery is also a term that would refer to a group of guns, horses, carriages full of ammunition. All the men that were part of the battery and as I looked at this monument and read 3 killed, 12 wounded, thinking to myself, is it possible that I actually encountered one of the men who fought in this unit? It really to me brought the whole experience full circle. I'm upset. I feel as though we have disturbed a spirit. This is an entity, if you believe that, that is stuck in a moment of great distress and is trying to communicate a message of great urgency that there has been death in their military unit, Battery E De I continued working at the tour company on a part time basis for the next probably year. My attitude toward tours definitely changed. I think my storytelling became a lot more somber. When I told people to pay attention to their surroundings, I really meant it. One of the things that I told my groups regularly was that the men who fought and died here were young men by and large that they had more life to live, they had more things to do.
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And.
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Now I wonder if the energy, that desire to stay is something that sticks around in a place and that just maybe if you go out looking for it, you might be able to interact with that energy. When Johnny comes marching home again Hurrah, hurrah When Johnny comes marching home again Hurrah, hurrah When Johnny comes marching home again we'll give him a mighty welcome that will all come marching.
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Thank you, Ramin, for sharing your story at the Spooked. Now, Ramin, he works full time currently as a guitar maker and musician in Nazareth, Pennsylvania. But occasionally Ramin does lead tours at the Guitar factory. That original score was by Nicholas Marx, was produced by Casey Georgie. Now then, what you've just experienced is but the first foray through that liminal space that connects necks and bars the gate long. It's been known across time, across cultures that some entities routinely pass through the shadow side and this world and on the next the crossroads. We're chasing after creatures straight from native Blackfoot lore. And one young person who always wondered starts to question what he wished for on the next crossroads. The Goat Man. And no, you've never walked this way before. The Crossroads is brought to you by the spook team who, wherever they go, always sign up for the haunted house tours. Except for Mr. Mark Ristich. He just likes to pop out of closets from people least expecting notice. David Kim, Zoe Ferrigno, Eric Yanez, Taylo Da Cott, Marissa Dodge, Miles Lassie, Elliot Lightfoot, Su Yi Chu, Evan Stern, Eve's Jeff Coat, Ishell Lopez, Jack Darrow, Doug Stewart. The spook theme song is by Pat Messini Miller Transgressors. Both here and in the shadow should know that no SNAP Studios content may be used for training, testing or developing machine learning or AI systems without prior written permission. Take that Skynet on Team Spooked the union represented producers, artists, editors and engineers are members of the national association of Broadcast Employees and Technicians Communications works of America AFL CIL Local 51 My name is Glenn Washington and it's long been understood that what you put into something or someone is reflected in what comes out. We treat children with love and kindness because we want to nurture the goodness that lies within. We first tend the flocks to harvest the wool. We paint the pictures to expand the beauty. We write the books to share the knowledge. Because care and intention are seeds. We know this. Why then are we surprised that when we drench a land with blood that it bears a very strange fruit from the poplar trees? We call forth monsters and wonder why they answer no. We are holders of the sacred gift, the power of intention. The ability to construct our angels and our demons alike. There is no horror we cannot manifest and no joy we cannot sing to life. The shadow cannot move its own volition. We must light the pyre. We must sacrifice the lamb, the ground. And no. They will unleash abominations in your name. They are doing so right now. Terrors. So ask yourself, what will you unleash? What will you call forth? Always remember to never ever, never, never ever. Never, never ever. Never Turn out your light.
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Magic. The Gathering and Marvel team up for a magic set featuring your friendly neighborhood Spider Man. Add iconic superheroes and Supervillains from over 60 years of Spider man comics to your magic game. This set gives you the power of Spider Man. But remember, with great power comes great responsibility. Visit magic.wizards.com to learn more about how to suit up with Spider Man. That's magic.wizards.com to learn more about the Gathering. Marvel's Spider Man Swing into the game.
Spooked – “Dead Battery: The Crossroads”
Host: Glynn Washington
Date: October 3, 2025
Theme: Firsthand supernatural stories; the haunted price of crossing paths at the mysterious crossroads; the ways in which intentions can conjure the extraordinary or the terrifying.
This episode of Spooked dives deep into the mythos of the “crossroads,” where desperate people seek deals with shadowy forces, blending family legends with firsthand experiences. Glynn Washington narrates a haunting Southern tale of bargains and spectral cost, while apprentice violin maker Ramin recounts his skeptical journey from ghost tour guide to a chilling ghost hunt in historic Gettysburg, culminating in an unsettling encounter with a Civil War spirit.
"Who can steal the sunrise and wipe away your grin... the Shadow Man can. 'Cause he cheats out everyone and makes the world not good. You’ve almost arrived at the crossroads. Stay tuned."
Setting: Clarksdale, Mississippi, 1921
Narrated by Glynn Washington – A story of young Bobby, whose mother warns about making deals at the crossroads with the “Shadow Man.”
“Don’t touch nothing he gives you. Let him be exactly what you want—only thing he want is whatever you can’t give. Gon’ be your ticket, Bobby. I know it.” (04:19)
Bobby’s Desperation:
With his mother dying and no money for medicine, Bobby sneaks out at night, carrying his battered guitar—a symbol of his hopes, his mother’s dreams, and his only possession of value.
The Crossroads Encounter:
Bobby arrives at the crossroads, encountering the Shadow Man, and tries to trade his guitar for medicine.
“Only thing kept him from screaming was his mission. ‘Yes, sir. My mama’s sick. Doctor might have some medicine…’”
“Bobby saw… six gleaming red strings shone fire from the guitar… he held it close” (10:29)
The Devastating Bargain:
Bobby realizes too late that he’s broken his mother’s cardinal rule—don’t accept the Shadow Man’s gifts. But “medicine” comes at a price—the guitar now saps Bobby’s life, giving vitality to his mother.
"He don’t give nothing, baby. He takes. Smash it, baby. It’s gonna kill you."
“Don’t worry, Mama… Worry ’cause I ain’t dead yet.” (12:44)
Thematic Insight:
The story embodies the central tension of the crossroads: what do we risk, what are we willing to give for love, and what follows when we tamper with shadows?
Ramin’s Story:
A violin-making apprentice in Pennsylvania, Ramin signs up to guide Gettysburg ghost tours—despite being a skeptic drawn more by necessity than belief.
“Some snarky little 8-year-old boy looked at me and said, ‘Ramin, that’s not a Civil War name.’”
“I need you to spook things up a little bit here—dumb down the history and amp up the paranormal.” (19:01)
“I feel guilty. I feel like I’m participating in a scam.” (25:42)
Pivotal Event:
A guest’s spirit box repeatedly says “battery dead”—despite fresh, full batteries. Ramin investigates:
“I am feeling like my entire insides are made of ice… I am so shaken, I cannot stay inside the house.”
“3 killed, 12 wounded. Battery E. …Is it possible I actually encountered one of the men who fought in this unit?”
Thematic Insight:
What begins as performance and play becomes a haunting echo of war—the line between skepticism and experience blurs at the crossroads of history and the supernatural.
Glynn Washington closes with poetic musings on the crossroads:
“What you put into something or someone is reflected in what comes out… We are holders of the sacred gift, the power of intention. …There is no horror we cannot manifest, and no joy we cannot sing to life.”
“Always remember to never ever, never, never ever, never, never ever, never turn out your light.” (47:00)
| Time | Speaker | Quote | |------|---------|-------| | 00:07 | Glynn Washington | “Who can steal the sunrise and wipe away your grin... The Shadow Man can.” | | 04:19 | Glynn Washington (narrating mother) | “Don’t touch nothing he give you. Let him be exactly what you want—only thing he want is whatever you can’t give.” | | 11:29 | Glynn Washington (narrating mother) | “He don’t give nothing, baby. He takes. Smash it, baby. It’s gonna kill you.” | | 16:46 | Ramin | “Some snarky little 8-year-old boy looked at me and said, ‘Ramin, that’s not a Civil War name.’” | | 25:42 | Ramin | “I feel guilty. I feel like I’m participating in a scam.” | | 34:25 | Ramin | “Is there someone there?” Spirit Box: “Yes.” | | 34:28 | Ramin | “I am feeling like my entire insides are made of ice… I am so shaken, I cannot stay inside the house.” | | 40:11 | Ramin | “I think my storytelling became a lot more somber. When I told people to pay attention to their surroundings, I really meant it.” | | 47:00 | Glynn Washington | “Always remember to never ever, never, never ever, never, never ever, never turn out your light.” |
Spooked’s “Dead Battery: The Crossroads” mixes Southern gothic storytelling and real-life ghost hunting, balancing empathy, skepticism, and awe for the mysteries that haunt both history and the personal. Through regret, duty, and curiosity, the episode explores the price of what we wish for, and the lingering ghosts we all encounter—at the crossroads, and in ourselves.