Transcript
A (0:02)
Hello and welcome to the Storytime for Grown Ups Christmas Spectacular. I'm Faith Moore and for the months of November and December, we'll be reading A Little Princess by Frances Hodgson Burnett. Each episode I'll read one chapter from the book, pausing from time to time to give brief explanations so it's easier to follow along. It's like an audiobook with built in notes. So gather your family together, brew a pot of tea or a mug of hot chocolate, find a cozy chair and settle in. It's story time.
A (0:48)
Hi, everyone. Welcome back. Wow, that was a bombshell in the last episode, wasn't it? We're going to talk about that. I've got some great questions and we're have a lot to say and we have a lot to read and find out about. Because what is going to happen now with the Indian gentleman now that we know that he's looking for Sara, Right? And he's got a fortune to give her. But will he find her? So now things are getting very real here on Storytime for Grownups. But before we do that, I have a couple of reminders mostly and I have a special announcement. This is a birthday announcement. I would like to wish a very happy birthday to, to Sophia, who will be turning 4 tomorrow on December 9th. And this is very, very special because Sophia and I actually share a birthday. I also was born on December 9, so we are birthday twins, Sophia. And so I hope you have a wonderful, wonderful day tomorrow on your birthday and it's very exciting to be four. So congratulations, Sophia, and happy birthday. Okay, Sophia, so I just have reminders today. There's nothing new to announce, but these are important reminders. So the first is don't forget that there is a prize drawing going on and the prize currently is a membership in the drawing room, our online community at the landed gentry level. That is currently the highest level. And it entitles you to everything that's going on in the drawing room, chatting with all your friends over there and more monthly tea times, monthly voice chats with me and other friends over there in the drawing room. So if you win this time, that's what you'll win. I will announce the winner of that on December 11th, that is this Thursday. So stay tuned for that. And after that there will be one more prize. And I will announce that on December 15th. The way to enter the drawing is to buy a copy of my novel Christmas Carol, that's Carol with a King, using the link in the show notes or you can just find it wherever you want. But there is a link in the show notes, if you would like. And once you've bought that, you can go back into the show notes and click on the link that is clearly labeled there to the instructions for how to enter the drawing. You can also request a signed book plate. That's like a little sticker. I write the name of the person who's getting the book and a little message and I sign it. And then I mail that to you. And you can stick that into the front of your book and turn your book into a signed copy. It's particularly fun if you're giving the book as a gift, but it's also great if you want to just get the book and have a signed copy from me and you can have that. If you buy the book, you don't have to enter anything or win it. You buy a book, get a book plate, but you do have to let me know you want one. And the directions to do that are on that same page. And also on that page are the directions for how to join us for our Victorian Christmas Sing along. So if you missed this, we are singing together as our final Victorian Christmas activity. And the way that we're doing that is by following the directions on the site that is clearly really labeled in the show notes. You click on that link, I'm starting to get people's recordings. So if you want to do it, you will not be alone. I promise. I will not be playing anyone's individual singing voice on the show. It will sound just like a bunch of us singing all together around the piano in our drawing room. So please, seriously, even if you cannot carry a tune, it doesn't matter. The point is to just be a part of this community and make music together. It doesn't matter what it sounds like, I promise. We are not trying to put on a Christmas concert. We are just trying to sing together as part of our Victorian Christmas. So I hope that you'll check out the directions. It's very simple. You can do it. You can email me if anything feels unclear about the directions. I'll be happy to help you. And those recordings are due to me by December 18th, so I need them by December 18th, otherwise I won't be able to put them all together for you and make the final product which you will hear in our final episode, which will be our conclusion episode on December 2022. And the last thing is, make sure that you are subscribed to the show because this Friday, December 12, the trailer for our January book is going to drop into your feed. If you're subscribed. If you're not subscribed, you're going to have to go looking for it and you might miss it. So please make sure you're subscribed while you're in there hitting the subscribe button. Please also give the show five stars. If you've been enjoying it, please give it a five star rating. And if you have a couple of extra seconds, please leave a positive review of all of those things really help people to find the show. When they're just sort of scrolling through their podcast players looking for something, it starts to pop up if it has more ratings and reviews. So if you could please do that, that would be a wonderful way to help the show. And if you're looking for other ways to help the show, you can buy my book, you can make a donation, there's a link in the show notes to do that, and you can do some Christmas shopping in the merch store. So those are all wonderful ways to help the show. And tell a friend. That's the best way. Tell a friend. Get more people to listen. The more the merrier. And I hope that we have lots more people listening in January. I'm really excited for you to find out the book and I think you're going to have some questions, so we're going to talk about that as well once the trailer drops. So I'm really looking forward to your reactions. Don't forget to write in to me when you hear what book it is. Okay, so last time we read chapters 11 and 12. Today we're reading two chapters again, so we're reading chapters 13 and 14. So let's first remind ourselves of what happened last time. Here is the recap. Alright, so where we left off. One day when Sara is looking out of her skylight, a man appears at the skylight next door. He's an Indian servant and he's holding a little monkey who then escapes and runs into Sara's room. Sara speaks to the man in his own language and he asks to come over to get the monkey. He's very kind and very respectful and he catches the monkey and he says that the monkey belongs to the Indian gentleman who is very ill. Sara sees that the servant notices how bare and dilapidated her room is, but he doesn't say anything and he just goes back to his own house. Things are getting harder for Sara and it's getting colder, so she consoles herself by continuing to think that she is a princess. Down in the kitchen she learns that the Indian gentleman next door is a man who became ill after thinking he lost all his money in diamond mines just like Sara's father did. Sara takes a liking to the Indian gentleman and wishes she could help him to feel less sad. Later, we learn that in fact, the Indian gentleman is actually the friend who Sara's father gave all of his fortune to to invest in the diamond mines. His name is Mr. Carrisford, and he's been searching all this time for Sara because the money wasn't actually lost. And he wants to give it to her, but he doesn't know Sara's first name and he thinks that she's at a school in Paris rather than in London. And it's torturing him that he can't find the child because he's wracked with guilt about Zara's father losing his money and then dying. We also learn that Mr. Carmichael, the father of the large family, is trying to help him to find the lost girl. All right, I'm going to read two questions today. The first one comes from Karen Lee. Karen writes, I read A Little Princess when I was a girl, and since that was so long ago, I wasn't sure if I completely remembered the story. As we progress through the story and I recall the plot, and it's getting really good now, I'm realizing how this story impacted me as a child. My understanding is enhanced by your recent discussions about fairy tales and how their basic purpose was to teach morals and character. As I listen to the story, I'm aware of its lessons that I absorbed as a child and again as an adult. For instance, Sara's decision to respond to difficulty and mistreatment with strength, resolve and kindness rather than self pity and anger makes these character traits tangible and shows us how we might live out these values. I especially appreciated the self control that Sara exhibited in the way she responded to Ms. Minchin after she balked Sara's ears. Honestly, I'm not sure I would have responded so well. And this other one comes from Kelly. Kelly writes, after the last session, I thought the sick man would be associated with Sara's father and she would be restored to having money. Today's reading makes me more certain. Hmm. Okay. So, yes, a lot was revealed in the last couple of chapters, and I think it sort of stuck. Sets the book on a new trajectory. Right before I was saying that the chapter where Sara learns that her father is dead and she'll have to live in the garret and all this, that was kind of where we learn what sort of book we're in. Right. We're not in a book about rich Little girls at boarding school, making friends. We are in a Cinderella story, essentially. But now we get another sort of bend in the road, another course correction in the trajectory of this narrative. Because remember, if this is Cinderella, then something's going to have to happen to get Cinderella or Sara out of this situation. Cinderella is the story of a girl who is highborn, right? Born, wealthy and cared for and loved, who is brought low and then raised up again, right? Now, of course, this isn't Cinderella. This is a little princess. And things may not work out in this book the way that they do in the various versions of Cinderella that we are most familiar with. But if this book were to continue to be a Cinderella story, then what would it need? It would need some kind of reversal of fortune, or I guess a re reversal of fortune, because Sarah had already one reversal when she became poor. But if she's Cinderella, then she needs to return to her former state. And at the end of the last chapter, as Kelly points out in her letter, we learned that the Indian gentleman is actually desperately trying to do that for her, right? But of course, he doesn't know where she is or how to find her. And that's the drama of the narrative. Now, will he realize that that Sara is the girl he's looking for and be able to give her the fortune that is rightfully hers? Or will he never learn where she is, since he seems to think that she was sent to a school in France and not in England? And then the other question is, even if he does find her and is able to give her the money, will he or will anyone else be able to give Sara what she actually wants and needs, which is love, Right? Remember when the little boy gave Sara the sixpence? The hard thing about that was that it wasn't actually what she needed. She wanted to love him and be loved by him and be a part of this big, beautiful family that he comes from. But all he had to offer her was his money. So will that be the same with the Indian gentleman? Will he give her all this money so that she's provided for? But will she still have no family to care for her and love her? Right. So how will her Cinderella story end? Essentially, now we have a bit of an inkling, but we still don't have any details at all. And we don't know if it'll work out or if it'll be the satisfying conclusion that we're hoping for. But I think that Karen is right to bring up Sara's princess qualities again here, because Sara also brings them up for us again. And she reminds us that she's just like Cinderella. For a while there, it seemed like she was kind of losing hope, losing faith in her ability to be a princess and the ability for her pretends to help make things better. But in the last couple of chapters, we see her kind of clinging on to that sense of herself as a princess. And like Karen says, we see. See how that sense of herself really offers us, the reader, a picture of what it means to be mentally strong, to live by your principles and all of this. I think Sara's situation now is sort of precarious. She's balancing right on the edge of hitting rock bottom. She's still clinging to her princessness, still using it to deal with Ms. Minchin and the other girls, but she's also having these moments of despair, these moments of feeling like a. All the pretending in the world can't stop her from being a totally friendless, cold, hungry little girl. But it's Sara who reminds us that she's Cinderella, even though she doesn't say that in as many words. She remembers when she encounters Ram Dass, this Indian servant, right? She remembers that she used to be a literal princess, or at least a very wealthy little girl. Here is what it says. It seemed a strange thing to remember that she, the drudge whom the cook had said insulting things to an hour ago, had only a few years ago been surrounded by people who all treated her as Ram Dass had treated her, who salaamed when she went by, whose foreheads almost touched the ground when she spoke to them, who were her servants and her slaves. Okay, so that's Cinderella, right? A girl who used to be a kind of literal princess, or at least a rich little girl who falls so low that she's now a kind of kitchen drudge. So I think, and this is just my opinion, but I think that Burnett is sort of reminding us here that Sara is Cinderella, because the next chapter is essentially there to set up the fact that if it can all work out somehow, the ending of the Cinderella story is sort of there on the horizon. You know, we've only got three more episodes after this one, plus the conclusion episode on the 22nd. So we're actually starting to enter the final stretch of the story. So I think Burnett is telling us here, remember, Sara is Cinderella, so start thinking about how a Cinderella story ends, right? And she also gives us all this stuff that Karin was talking about about the ways in which Sara has never stopped being a princess, even in rags, which is exactly what the Story of Cinderella is about. You know, I talked a lot about this over the summer, and I talk about it in my book, Saving Cinderella as well. But the whole idea of the Cinderella story, the whole concept of the princess who becomes a drudge but is still a princess on the inside and then is transformed via magic into a princess again, it's all. All about being a fairy tale princess, about being a princess on the inside, no matter what, right? The beautiful ball gown that Cinderella gets in the fairy tale version, it represents Cinderella's inner beauty made manifest on the outside. It's not a story about a girl who gets a pretty dress. It's a story about a girl who stays true to herself no matter what and is rewarded by having her inner self, that inner goodness made manifest on the outside for. For all to see. So in the last couple of chapters, that inner goodness, that princessness, is on display to us, the reader, even though the people around Sara can't see it. Here's what Sara if I am a princess in rags and tatters, I can be a princess inside. It would be easy to be a princess if I were dressed in cloth of gold. But it is a great deal more of a triumph to be one all the time when no one knows it. I mean, that's basically the story of Cinderella in a nutshell, right? And then we get this further explanation of what it means to be a fairy tale princess. Here's another quote. It says, while the thought held possession of her, she could not be made rude and malicious by the rudeness and malice of those about her. Meaning, while she thinks of herself as a princess, even in rags and tatters, she will maintain those good qualities that Karen was talking about, no matter what happens, which is exactly what Cinderella does as well. Okay, so at this point in the story, we've got our Cinderella being very much our Cinderella, right? Acting exactly the way we'd expect our Cinderella to act. And as Kelly pointed out, we've got at least a sort of hope that there might be a rescue at the end of all of this. We've got Ram Dass, who is a really interesting character, I think, because in a way, he is a bit like Sara. He's a servant. He has to do whatever he's told and bow and be super respectful and all of this. But he's also very clever and quick to understand things. He doesn't seem to be a sort of uneducated, but lovable, underservant kind of like Becky. He seems to be a highly intelligent, observant person who is Also completely subservient to the people around him, which is a lot like Sara. Listen to this quote. This is from when Ram Dass comes into Sara's room to get the monkey back, right? It says she had seen that his quick native eyes had taken in at a glance all the bare shabbiness of the room. But he spoke to her as if he were speaking to the little daughter of a raja and pretended that he observed nothing. So Ram Dass sees what poverty Sara is living in, but he treats her like a princess. So there's something about Ram Dass that allows him to see what Sara really is. A princess in disguise. Somehow he sees that Sara is both a poor drudge and someone who deserves his complete and utter respect. So in the same way that Sara is protecting. Pens have a kind of magic because they change people's lives. It seems like Ram Dass may have a kind of magic about him too. Not a real magic, but a sort of perceptiveness that's almost like magic that allows him to see past Sara's exterior into her princess ness within. Just like Becky does and just like Ermengarde does, although they knew her before. So what Ram Dass is doing is sort of even more impressive in a way. So we've got Ram Dass as someone who might potentially help Sara. And we've got the Indian gentleman who, if we'd thought about him at all before this, we would have said was a bad guy, right? In the sense that he took all of Sara's father's money and then ran away when things went wrong. But now we're learning that actually he was delirious with some sort of horrible fever. And that when he got better, Captain Crew was already dead. And he's now trying to make amends and it's eating him up inside. So actually we can feel that he is a good guy now, I think, not a bad guy. And he's desperate to find Sarah. And what's interesting is without even knowing who he is, Sarah has taken a liking to him and has associated him with her father, right? She stands at his window and she says, here is a quote. I wish you had a little misses who could pet you as I used to pet Papa when he had a headache. I should like to be your little misses myself. Poor dear. Good night. Good night. God bless you. Okay, so Sara is wishing that she could love the Indian gentleman. And the Indian gentleman is wanting to give Sara money. It's the same issue of the sixpence again, right? But the question is, will the Indian Gentleman be able to give Sara more than money? Or will she have to look somewhere else for the love that she craves? And will the Indian Gentleman even find her at all? Right? Well, there is only one way to find out and that is to keep reading. So we're going to do that. Don't forget to Write in. It's faith k.moore.com Click on Contact or scroll into the show notes and click the link that's there. Kids, you can write in too. Just let me know how old you are and please get in your singing recordings. I really, really am excited about this. So don't be shy, don't be afraid, just do it. No one will hear your individual voice, so get those to me by December 18th please. And check out all the other links in the show notes. There's lots going on there, so click the links. And don't forget to buy my book and enter the drawings and get a book plate and everything. I would love to send those to you and I would love to give you a prize. So check out the show notes. All right, let's get started with chapters 13 and 14 of A Little Princess by Frances Hodgson Burnett. It's story Time.
