
Tom Rosenthal talks to strangers on park benches, often leading to surprising revelations.
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Tom
Hello. Sorry to bother you. Can I ask you a slightly odd question? I'm making a podcast called Strangers on a Bench where essentially I talk to people I don't know on benches for 10 or 15 minutes. Are you up for that? Do you want to give it a. We're flying, we're brand new, so me and you on the bench is only going to happen once. Just.
Sarah
I know.
Tom
Isn't it funny?
Sarah
Yeah.
Tom
The chances of anyone meeting is just insane, really. But then if you think about too much, it's kind of maybe too much weight.
Sarah
And it's nice because I was just relaxing and then obviously, like, you come and approach me. I thought, oh, that's really nice. That is.
Tom
Well, let's hope so.
Sarah
Good.
Tom
Well, let's hope you feel like that at the end as well.
Sarah
I know with a bit of luck.
Tom
You will be all right. Okay, so first question is, do you have a favourite day of the week?
Sarah
Yep. I'd say it was a Wednesday.
Tom
Nice. You're very certain about a Wednesday. Tell me why.
Sarah
Because I'm usually in work and I always have a Wednesday off. And then just to de stress, I come and sit here and it's the best place ever.
Tom
Oh, that's wonderful.
Sarah
Yeah, I love it.
Tom
Now tell me, with these special Wednesdays off, take me through what, for you is a. Is a day really well lived in the world?
Sarah
Well, usually I think when I get off, I don't plan my day.
Tom
Yeah.
Sarah
Today was like a spontaneous one. Like just walking around, getting me steps in. And because it was, like, really nice, I thought, you know what? I'm just gonna sit and chill and think things that I could change in my life and stuff like that.
Tom
So can I ask what you've been thinking about? Let's go straight into it.
Sarah
Because I graduated from uni last year in creative writing and media and I started writing like a suspense time type book.
Tom
Yeah.
Sarah
But I had to put it down because my lecture says, like, to make a good writer, you've got to be able to leave it and come back to it.
Tom
Okay.
Sarah
So being out here gives me thoughts and things, like the next bit to write. And it's gonna take a while, but it gives me ideas. Sometimes I take notes down, down to, like, noises and, oh, amazing people. And because I like people watching.
Tom
Oh, people watching is good, isn't it?
Sarah
Yeah. But because you get like. You wonder, like, what their story is.
Tom
Yeah.
Sarah
People sitting on a bench.
Tom
Well, this is what this podcast is about, in a sense. You know, wondering and then also finding out.
Sarah
Yeah. It's interesting.
Tom
Oh, always, yeah. When you're people watching.
Sarah
Yeah.
Tom
What are you looking out for?
Sarah
I guess, like the feeling, you know, are they lonely? Do they only come here just to escape the loneliness? Because, like, obviously you've got all these people around you.
Tom
Yeah.
Sarah
Hence why I do that as well. Because, like, sometimes you feel so alone. But I'll come out and then I feel like I'm not even down to ducks and geese. You're not alone, of course. And that's what I think when I see people, you know, are they happy? Are they come out the same reason as I have?
Tom
Yeah.
Sarah
Yeah.
Tom
If you had to. This is a funny question, but if you had to, kind of, if you were people watching yourself.
Sarah
Yeah.
Tom
What do you think you would think about yourself?
Sarah
I'd feel. I don't know. If someone was watching me, I think they'd think I was alone, I suppose, like, sometimes I can give off that vibe, though. Like, I was down there before.
Tom
Yeah.
Sarah
And then someone sat on the bench next to me and I just thought.
Tom
Oh, you weren't having it?
Sarah
No, I wanted to just be on my own, type thing.
Tom
You're gonna start wandering off any minute.
Sarah
No, no, no, no, no. It was. Yeah. So I just come up and sat. It was just peaceful. It's not very often I'll get that because usually in work, so it's. It's nice to do that.
Tom
Is work stressful for you?
Sarah
Yeah, at the moment, yeah. To renovate in. So I normally do sort of a few nights and then days and that, so.
Tom
So you do nights, renovating?
Sarah
Yeah. All the builders are in, so we're having to take stuff off, move stuff, and it's like, unreal.
Tom
Have you formed any relationships or any builders that fun?
Sarah
I just, like. They laugh at me because I keep setting the alarms off. They're like, what, you're nicking?
Tom
How are you? Oh, of course. They like scaffolding and stuff.
Sarah
Yeah, yeah. So they're doing all that. I mean, they're lovely. Don't get me wr. They have more breaks than Soft Joe, though, but Soft Joe? Just a saying.
Tom
Oh, sorry, It's a saying. I've not heard that.
Sarah
Yeah, it's a Scouse saying.
Tom
That's a new one to me. More breaks than Soft Joe. Yeah, but who was Soft Joe?
Sarah
I don't know. I used. I've always said it for years.
Tom
Just someone who's soft. Probably breaks.
Sarah
Yeah, probably.
Tom
So let's plot a bit of a. Bit of a life story for you. You obviously got a job and then on the side you've been studying. Yeah, as a last year, Creative writing.
Sarah
Yeah.
Tom
But that's. That was very new endeavor.
Sarah
Yeah. Because I. I was like a more mature student, obviously, and I'd done like four years, and it was, like, hard. Like, I enjoyed the subjects I was doing. I learned so much. And then obviously, like, I graduated, which was a big thing at my age anyway. But it was my grandson. It was because I wrote, like a kid's story. And I read it to him and he goes, nana, he goes, you really need to write for children. That's right. And you need to go, big school. I went, I have been big school. And he goes, you know, it's a big one.
Tom
Really big one.
Sarah
Yeah. And I went, you mean uni? And he goes, yeah, that's it.
Tom
Oh, that's so cool.
Sarah
So as hard as it was and the challenges I faced, I kept thinking of him and I thought, I've got to do it for myself. But for him. And he come on my graduation day. So. Yeah.
Tom
That is so sweet.
Sarah
Best feeling ever.
Tom
Tell me what made you do a go to uni.
Sarah
Yeah.
Tom
But what was that moment where you decided? How did you decide?
Sarah
It was just like years ago. I'd had the kids, and I sort of, like, put myself on a back burner. It was working the kids and stuff like that. Like, the kids were my biggest accomplish. But I wanted something for me that I could say I did this, but by myself. Because people thought I wouldn't see it through. Because I'm like, that I'll start something.
Tom
Yeah.
Sarah
Yeah. Where? I don't know.
Tom
And you show it and you prove them wrong.
Sarah
I proved them wrong.
Tom
So well done. I think it takes an extra special courage.
Sarah
Yeah.
Tom
To start things later.
Sarah
It was scary. Yeah. I mean, I was like 55 when I started. Do you know what I mean? So it was a big thing for me. I'm like, oh, geez. I was like, the mum.
Tom
Yeah.
Sarah
I've had to come up to her problems. I'm like, oh, geez, what's that like? But it's lovely. I'm like that in work now.
Tom
Yeah.
Sarah
Yeah. I get hugs every time I walk in. Or they're like, where have you been? I hug everyone in work. I'm terrible.
Tom
Do you think people don't hug enough?
Sarah
Yeah, that's true. That. Yeah, some. A little bit. But like, there was like, one, and I sort of broke her barriers down. Cause she was just like, yeah. You know, and now every time she sees me now, she's like, well done straight away.
Tom
Well, that is very good of you.
Sarah
I think it's important because I didn't have it when I was younger.
Tom
Okay. What you mean your parents didn't have.
Sarah
Yeah, yeah, yeah.
Tom
So now indicative of like just generally how they approach.
Sarah
Just how they approached. Yeah. But I wanted to break that where I could give that.
Tom
Yeah.
Sarah
You know. Well, I used to do like the childline counseling and everything.
Tom
Amazing.
Sarah
Yeah. So I really enjoyed that. But I moved where it was heart wrenching.
Tom
Them just get it. So we're on the right footing. Child line is basically you're on the end of a phone.
Sarah
Yeah.
Tom
And a child's phoning up saying they've got a. They've got a problem or they're being.
Sarah
Yeah. You can't sympathize with them. You've just got to have empathy because we have to have training on it, how to be that person. So they don't want sympathy, they just want someone to listen to them and to show them empathy, which is different from obviously simply. And it's hard because you hear them and what they're going through. It's like, it's so hard. But when you can make that difference to that one person, it's the most rewarding thing ever. So when you have that shift, I mean, I think I got about 30 phone calls in, in the space of four hours.
Tom
Wow.
Sarah
And that's, it's, it's gut wrenching because you, you see it, you know, you hear it type thing and it's like. Yeah, it's one of the, I think the hardest things ever anyone can do. But you just got to be there.
Tom
Is it kind of quite kind of difficult to kind of say goodbye to these people? I mean, they want to come off the phone.
Sarah
Yeah, I know. And then you have to like write everything on a computer down, even though I hate computers. But you have to write everything on there.
Tom
Yeah.
Sarah
Everything that was said. And then the minute you put your thing on, the phone's ringing again and it's like. And weekends were the worst.
Tom
Can you remember a particular call that stayed with you?
Sarah
Yeah, but I don't really want. It's too close to home to me.
Tom
That's fine.
Sarah
And that's what made me come away from that Childline Council for that reason. It really affected me. Yeah.
Tom
Oh, God. Do you mean it reminded you of your situation?
Sarah
Yeah. So it was. Yeah, it was tough.
Tom
So from what you said. But I obviously want to try because it seems like a. Obviously a sensitive thing, but, you know, difficult childhood is what you're hinting at here, how did you kind of overcome.
Sarah
I didn't. I have never really come it. No, but I had.
Tom
You must have overcome it to a sense that it for some people would turn inwards and you.
Sarah
And you turn out. Because I suffer with anxiety really bad and obviously like depression and stuff like that. But I pushed everything to the back of my head.
Tom
Yeah.
Sarah
And then I learn how to love people and hug people and stuff like that. I had to learn that. But I have like days where I'm like, it's just horrible. It's like each day is different and I do suffer. I'm really anxious all the time. So this does me good. Coming out like in the sun, winter. I feel like lost. I'm still lost, but eventually, you know, I mean, who knows, you know, things might change, I don't know. But I just try my hardest to try and get through a day. It's not overcome it, but I've learned to deal with things and how to work with things. So even though it's there, it's like a light, isn't it? You switch it off.
Tom
Yeah.
Sarah
And I mask everything. Like people in work don't know. Like I suffer with depression now this woman, she said, oh God, you're always smiling all the time. She said, that does my head in there. And I used to. If only you knew. And then I told her then I suffered with depression. She said, you would never know. I said, no, because I mask it.
Tom
Do you think that's a good thing?
Sarah
No, probably not, but it's the only way I can deal with stuff.
Tom
Do you think if people knew more they would probably help you?
Sarah
Probably, yeah.
Tom
I suppose it's difficult to kind of. You can't really announce.
Sarah
No. No. So a lot of the time I just mask it and put front on.
Tom
But does that take its toll kind of later?
Sarah
It does sometimes like you have like rough days where you just feel proper rough and you just. This is just rubbish.
Tom
Yeah.
Sarah
And then other days I'm like, oh, I'm having a good day today. So it's great. You know what I mean?
Tom
When you wake up, can you just know.
Sarah
I know what you're doing.
Tom
It's just a feeling.
Sarah
Yeah.
Tom
And it's not related to.
Sarah
And it can swap just like that. Some days I can be great and then within the afternoon, some. Anything can just knock me. But I try and like deal with it as best as I can. So. Yeah. It's just hard going.
Tom
Oh, it's really difficult.
Sarah
Yeah.
Tom
You know what you'd be amazed. So many people, I mean, it's like a really large number who I've spoken to on benches.
Sarah
Yeah.
Tom
Have had kind of similar sounding childhoods. And you just. And you just. And you then. Well, maybe they did more. More people had difficult. Tried to sit on benches for. I know, but from the people I spoke to, I've just had. And it makes you just feel kind of, you know, I think so many people complain about their parents being.
Sarah
Oh.
Tom
And it kind of makes you completely kind of reconsider like how lucky you are just to have to Fairly normal parents. You've won the lottery, basically.
Sarah
Yeah.
Tom
Given that you could have got, you know, you can get any.
Sarah
Yeah.
Tom
So I mean with everyone to blame in your childhood, was any. Was there anyone that wasn't one particular one. Okay.
Sarah
Yeah.
Tom
But the one that wasn't to blame. Did you have any kind of relationship?
Sarah
The other one sort of disappeared from my life.
Tom
Right.
Sarah
And then eventually come back. Bit tough, but then we got through it, mended a few bridges.
Tom
Did you talk about stuff?
Sarah
Not the stuff, no. But we spoke about why they did what they did.
Tom
Okay.
Sarah
You know, like up and leaving and then eventually we had like a bit of a breakthrough then.
Tom
Okay.
Sarah
Yeah. So obviously when they passed it was like. It was gut wrenching and I don't think I've really grieved over them.
Tom
Really.
Sarah
Yeah. Yeah. That's my mum. I've never.
Tom
Yeah.
Sarah
You know, and I do miss her loads, I think, because we got a lot closer than what we'd ever been, which was nice.
Tom
That was really good.
Sarah
It was lovely. Do you know what I mean?
Tom
There's not, you know, there's not that regret that you didn't have those conversations.
Sarah
No. I'm glad. Like we did. I sort of put my foot down type thing and sort of. And then obviously they understood then why I was like angry at different things.
Tom
Yeah. How has it affected you as a parent?
Sarah
I don't know. It was like hard because I had barriers up all the time and as a parent. Yeah. Do you know what I mean? It's like it was hard to like show love even though I did. Do you know what I mean? It was just. I didn't know how to hug, how to love or anything. Like now, like we're just all so close.
Tom
The hugs of frying sensor now.
Sarah
Now it's. Yeah. So. But at the time, like, it was like, it was difficult.
Tom
How do you. How you. How did you get from one state?
Sarah
Because I don't know, like I had A bad breakdown, mental breakdown. And I realized like, you know, I felt like I wasn't a good parent. Even though like they tell me I was, but I didn't feel a while.
Tom
When was that? When did that happen?
Sarah
Oh, years ago, cuz mine are all grown up now. But it was just obviously like a marriage breakdown as well.
Tom
Okay.
Sarah
So that didn't help. And then obviously I got help, like medication, stuff like that. And then it sort of put me on an evening keel because we all went through a lot because of like obviously the relationship with the kid's dad. But we had talks and stuff like that and sort of like got through things that way because I think talking is like really important and I think that's what it was. Like we sort of had that breakthrough. So now we're all close.
Tom
So after that time you all sat down to talk about.
Sarah
Yeah, yeah. Even we still do. Even like now, like if they need me, they know I'm at the end of a phone call. Or like when my son had the breakup from his marriage, he was with me, come and stay with me then it's like that. My home's like. They just saw the light. Little flies keep coming back. Or was it a boomerang? Honestly, it really is. And it's funny. But when we're all together, they all take the mick out of me, which is you. But then I just give it back. But that's how it is and it's really funny. Do you know what I mean?
Tom
So, so over the years you basically kind of, you've learned kind of communication methods that work for you.
Sarah
Because there was no communication when I was brought up where now I know that communication is the key.
Tom
Yeah, it's wonderful.
Emily
Yeah.
Tom
I mean, this may be a bit of a big question, but talk me through what a breakdown looks like as opposed to say just, you know, your average, your average day of depression or.
Sarah
Moment, you just literally lose the person you are. It's hard to explain. You're very vulnerable. It can push you to do stupid things. It's in a blink of an eye, you've just completely lost it. You're at rock bottom. And to get it back up again is like really hard. It's like suffocating. Yeah, yeah.
Tom
So you kind of just block out memories from that time.
Sarah
Yeah.
Tom
So you just remember.
Sarah
I block out a lot.
Tom
So you just remember it being just. It's just awful, awful time. There's nothing that kind of. And it's just one big blur, basically.
Sarah
Yeah, some of it is, but there it's always there. Like, I was talking to the doctor, he said you can have like a. Not a memory loss, but it's like in your head is like it chooses to block out certain parts until it's resurfaced again. So obviously that's what I must do. Yeah. But it literally your. It's your brain blocking out some of those things, so it doesn't always resurface all the time, but something might all trigger that off the memory and then it'll just come flooding to your head. Or even with dreams and stuff like that, you know, I wake up and I'm. I'm physically sick because the anxiety, whatever was in the dream, I'll wake up and then I'll be sick. Yeah.
Tom
Oh, that's awful.
Sarah
Yeah, it's. You know what I mean? But I mean, like, I have a laugh and I love. I love having a laugh and stuff, like. Yeah. And go like with my daughters. I'll go out with them.
Tom
Oh, lovely.
Sarah
Their friends will say, we're taking your mum out with us.
Tom
What does going out look like?
Sarah
It was great. Well, we'll say, like, right, on Saturday we're going to go out and we've got this thing about going in the photo booth. We'll go in there, take really funny photos, adorable memories.
Tom
At what point do you get in the photo booth?
Sarah
In the beginning, Because I know obviously.
Tom
Once I'm gone, you get there. That's almost like before. It's almost like before the first drink in the photo booth. Love it.
Sarah
Yeah.
Tom
Have a go to, like, face.
Sarah
Oh, yes. Like, things like.
Tom
That's perfect for audio.
Sarah
That is, but it is. It's like, peace out. Do you know what I mean? So, yeah, we just have a laugh. It's funny because, like, I don't get, like, Blossom, where I can't walk in a straight line, but I will be merry. And they always say to me, go in the photo booth first, because otherwise, once you've had a few drinks, you go around robbing people's hats. I've got this thing about hats I did on New Year.
Tom
You're a hat robber?
Sarah
Yeah.
Tom
Love it.
Sarah
Yeah.
Tom
How many hats can you take at one guy?
Sarah
I've given them back.
Tom
I'll give them back.
Sarah
Oh, sorry.
Tom
I thought maybe they collected them up.
Sarah
No, because we went to a house party. I was a nun. It was a Halloween one.
Tom
Yes.
Sarah
And then that come off. The habit stuff come off. Then I had. For some reason, I had someone's red wig on. And then I had this other thing, a Hat. I had something else on. And then when we went out on New Year's Eve, there was a couple and they had these parts. Yes. I went, oh. So I put it on and everyone keeps saying, what is a bastard? I said, it's wigs, hats, scarfs, you name it. That's what I'm like.
Tom
That's amazing. I think if any. You're going to be any type of robbery. Hat rubber.
Sarah
Yeah, hat rubber. I just think it's because it makes you, like, look different. You know, you got the thing.
Tom
It's an instant look change, isn't it?
Sarah
Yeah.
Tom
It's the quickest way you can change your look.
Sarah
Yeah. My daughters are like, oh, God, she's off, she's doing it again.
Tom
We know we're in that zone.
Sarah
It's so funny, though. It is funny.
Tom
What's it like to go out with your. With your kids?
Sarah
They love it. I take them out.
Tom
Oh, brilliant. So you bring the party.
Sarah
Yeah.
Tom
Do people look at that and go, oh, that's so. You know. Do they think it's strange?
Sarah
No, they think it's dead nice.
Tom
Like, it is dead nice. But I just wonder what, like the.
Sarah
No, they go at, like, the friends, but the friends invite me as well.
Tom
Oh, my gosh. You're like. You're just like the cool one, basically.
Sarah
Yeah. I love it. I just like. I like where you can just laugh.
Tom
Are we dancing as well?
Sarah
Oh, God. You're on the bar.
Tom
Yes. As in, like, literally standing on the bar.
Sarah
Yeah, because there's other women dancing on the bar, you see. So we get up.
Tom
Oh, incredible.
Sarah
Yeah.
Tom
How many moves can you do if you're just on the bar? How wide is this bar?
Sarah
Just, like, don't know. A bit wider than this, but all very wide. No. Oh, I'm all right.
Tom
You're pretty good.
Sarah
Yeah.
Tom
Maybe.
Sarah
See, years ago, I used to. When I lived in Runcorn, I used to get on the windowsill and dance all the time. Yeah. In the bank chambers in the 90s.
Tom
Hang on, let's take it one sec, one sec. You used to get used to get on the windowsill.
Sarah
Yeah, there's the. Yeah.
Tom
And then just. What? And then what? The other side was.
Sarah
They were just dancing. Everyone's dancing on the window.
Tom
As in. Was there any. Was it. We're not windows. Not open, I guess.
Sarah
No, no, no, no, no. Because it been blocked in with wood and I just. I just said to offend. Should we go from the windowsill? Should you have gone? So we did. And then everyone was doing it, then you're pioneer.
Tom
Windowsill pioneer. They all follow. They all followed you.
Sarah
Yeah.
Tom
What do you feel like when you're dancing?
Sarah
Oh, I love it. Absolutely. It's. I don't know, it's just like. It's like a release. But you feel really happy. Like I have. When I go for a walk, I have my music on all the time and I feel like I can conquer anything when I've got music on.
Tom
That's lovely.
Sarah
Yeah. When I'm going, the boss, if I'm a bit anxious going into work, even though love work. Anxious music goes on and I. I have so many ideas going through my head. Yeah. I'm going to do this. This. This do you mean. But it gives me that boost, so it's. Yeah.
Tom
Are you ever tempted just to kind of just dance everywhere?
Sarah
I'd love to. I do it in the shops, but my daughters go mad at me in the shops. Yeah. Messing about. A song comes on. I'm like, oh, look, here we go, let's do it. Yeah. And they're like packing in now.
Tom
Yeah. I have to admit, I've also embarrassed my children trying to do that. It's great. It's too fun. It's too fun not to.
Sarah
Yeah. I said, it has to be done or I'll sing and I'll. Please.
Tom
Yeah. Good to get to dance also. And then also see their faces. It's a double whammy.
Sarah
I said, anyway, a mum has to. Or a dad, whatever. Has to embarrass the kids at least once. Yeah. But you do it every time we go in the shop.
Tom
It strengthens them.
Sarah
Yeah.
Tom
Do you think there's. I mean, is it a Scouse Liverpool thing where it's cool for your mum to be in a bar?
Sarah
Yeah.
Tom
Or is it a youth? Is it just a youth?
Sarah
No, I think Scousers are all the same.
Tom
Yeah.
Sarah
Yeah. They just know how to have fun.
Tom
Yes.
Sarah
Yes.
Tom
That's a great thing to have.
Sarah
Yeah. And very friendly as well. It is a scousing. They're like your best friend. You meet them, you get on with them and that's how it is, you know.
Tom
And you're straight off dancing.
Sarah
Yeah.
Tom
That's just so. That's just so lovely.
Sarah
And talking. That's my favorite pastime.
Tom
Yeah.
Sarah
Yeah.
Tom
You're very good at it.
Sarah
Yeah, I. I absolutely love it.
Tom
You're so well practiced. I'm very much enjoying talking to you. Can I ask you about your tattoos? Or is that a bit boring?
Sarah
No, no, no. Everyone's got a meaning. But Mainly it is for. I lost two boys at 26 weeks pregnant and my. One of my daughters was born at 25 weeks, but she was a twin. She was £1 6 born and her brother was £1 14 and he only lived five days. But I got tattoos in memory of them, so that's. In memory all that. My legs are some like the. That one and they're the lines on the side of there for me grandkids.
Tom
That's lovely. If it's not too painful to ask what I mean, I mean, how did you get through losing the.
Sarah
Oh, God. I didn't at first. It just. That was horrendous. The first one, obviously. And to go to your child's funeral and seeing that little coffin, it was just. I was distraught, literally. I was like, it was horrible. I just. But then obviously a while after I got like, I had another son and that was. Everything was. Well, he, he had problems but like now he's. He's okay. And then I had the others and then I had the twins and had them at 25 weeks. There was no stopping them type thing. And it was on the Boxing Day and I knew that when I went to see them both, I knew that he wasn't going to make it. And the kid's dad was saying to me, well, how do you know you're being stupid? I went, nah, I said. And sure enough, we got a phone call at quarter six so we had to get up to the hospital. And he hung on, he worked on him for 45 minutes and he put him in my arms and I felt his last breath. But I had to focus on the other daughter. She was really poorly. She needed like me, the kids needed me. Do you know what I mean? So it was like, yeah, it was hard going and even now it's. One would have been 28 now and the other one would have been 25. It like doesn't go a day when I don't think about them at all, you know. So when I feel sometimes like really low and I'm thinking about them or the anniversary and what have you, I'll get a tattoo. You know, I'll even like sometimes I haven't brought a book today, but I'll sometimes write in a book. It's like therapeutic. Writing in a book.
Tom
Yes.
Sarah
I think that's writing your thoughts down, little journal. And then I'll do like a negative and a positive and I think, oh, I've had more positive days this week. I had one negative day, so I think that helps as well. You know, for anyone, if they're going through things like that, is always have a journal and write in it and what you want. What's your goals? Even for me in, like, my age, I think what's your goals? Yeah. So that's how I do it. Yeah.
Tom
Well, yeah, considering what you've gone through to see.
Sarah
Yeah.
Tom
Immense courage to get to where you are. And it seems like still standing you are. Or sitting.
Sarah
Well, that's a different story then. This is me, one of my daughters.
Tom
Hello, I'm Tom.
Sarah
Yeah. He come approached me and said, do you want to go do the podcast? I want to do that. Imagine going up to people on the bench.
Tom
I'm very lucky. I get to hear people's stories. Do you want to say anything about your mum?
Sarah
She's a great person. I feel like she's very ambitious and wants, like, a lot out of life, which inspires, obviously, all of us. But, no, she's very. Someone who's, like, very driven and stuff like that. So, like, that is definitely inspiring. And, like, nothing's unachievable, which I feel like is definitely.
Tom
Yeah, I'm really getting. I'm really getting that sense from.
Sarah
Yeah.
Tom
Talking to her.
Sarah
Yeah.
Tom
Nothing is unachievable.
Sarah
Yeah. Nope. I say that to you, Stone.
Tom
I. I really like that because she.
Sarah
Graduated the same time as me last year.
Tom
Fantastic.
Sarah
And my other daughter.
Tom
Did you graduate together?
Sarah
No, she was down London. And my other daughter's doing acting, so she graduates this year.
Tom
Is she gonna pop up next?
Sarah
No, no, she's actually in work. Imagine she was the twin.
Tom
Oh, amazing.
Sarah
The £1 6 1.
Tom
Amazing.
Sarah
And now look at her.
Tom
This is the first time a child has come to a mother on a bench.
Sarah
I know. It's my cat, isn't it? Actually, no, it's the new one, actually. It was down there, but decided to move up here. I'm glad I did because you came along.
Tom
Yeah, absolutely. Perfect.
Sarah
Yeah. So it must have been meant to be here.
Tom
This is so good. Can I ask you three more questions before, while I've got you?
Sarah
Yeah.
Tom
Because I've. Obviously, you might want to do something with your doorstep. Do you. You mentioned goals and still having them and wanting them. What. What are yours?
Sarah
Well, obviously, is having a book actually using my. My. My creative side, because I love creativity.
Tom
Yeah.
Sarah
And making stuff. And I always remember my mum said, you're very creative. Do this, do this. But now my goal is to actually finish what I'm doing.
Tom
Yeah.
Sarah
Do you know what I mean? I have ideas, but, like, you know, Start and finish it. Do you know what I mean? So. And that's what I want to do.
Tom
That's the name of what, this book.
Sarah
What was that story I was doing? What was the. No, I've done the Tree. Oh, God. The Cave. The Cave, Yeah, the Cave. I might change the title, though, because the way the story's going, it's like. It's like. Keeps you on your toes. It's really good. It is fantastic because my lecturer said you, you're very good with your imagination.
Tom
Yeah.
Sarah
Did. Your imagination is off the scale.
Tom
Fantastic. I was like, yeah, that's so lovely.
Sarah
Yeah.
Tom
Is there a question you would like to ask yourself and then answer it?
Sarah
I'd say, why did I put up with the amount of rubbish I put up with? Why didn't I do something earlier? Do you know what I mean? But obviously I can answer it because I wasn't strong. But I wish, like, that's my question. Why did I put up with stuff as long as I did? I'm not as weak now.
Tom
No, that's it. You got there. Which I think is. I think some people may put up for stuff for their whole life and never have a breakthrough. So just to get there, I think is a wonderful, important thing.
Sarah
Think. Yeah. Well, my main priority was.
Tom
Yeah.
Sarah
To. To get out the situation for them.
Tom
Them over there.
Sarah
Yeah, them over there.
Tom
Fantastic. Well, thank you. So. Thank you so much for talking to me.
Sarah
Oh, no, it's been brilliant. I've loved it.
Tom
Yeah. I've really enjoyed it. And the last question is one that everyone gets.
Sarah
Yeah.
Tom
You can either answer it in a today way or a big way.
Sarah
Okay.
Tom
However you want to do it. What are you going to do next?
Sarah
Don't know. Like, do what I said set out to do. But also when we get home, she's making me a brew. She doesn't drink hot drinks. I make her have a brew.
Tom
But you don't drink. That's quite funny.
Sarah
She doesn't drink hot drinks, but, yeah, that's how it is. Yeah. So she's my brew mate. Yeah.
Tom
It seems only fair and it's easy.
Sarah
Because it's only green tea.
Tom
Yeah. You can't. You can't go. You can't go too badly wrong.
Sarah
No, just watering. Honestly, like, that's it. As I said, it's not as if you're making a bloody cake or something.
Tom
Well, I hope you have a great brew.
Sarah
Oh, thank you, I'm sure. Can I ask you a question? What made you get into this? What made you want to do this. Did you find it daunting to start off with, though?
Tom
Approaching a little bit? I think it's always daunting every time you do it. I mean, just, you know, you're about to kind of slightly shock someone on the whole. Most would approach people just with a, with a weird request. So it's kind of, there's always that butterfly. But what made me do this? I've always been interested in breaking down the barriers, these kind of invisible barriers, but between us.
Sarah
Yeah.
Tom
And I, you know, I do think it's kind of wild that we all walk around each other.
Sarah
Yeah.
Tom
All the time. And like you were saying earlier about looking at these people and imagining stories and wondering.
Sarah
Yeah.
Tom
And actually it's possible just to find out. I mean, it's.
Sarah
Right.
Tom
And when you find out, you realize that obviously we have more in common. Obviously. Obviously that we're all got struggles.
Sarah
Yeah.
Tom
And we've all got hardships. Almost. Regardless, Regardless of your situation in life where you are, there's always, there's all. And, and as you kind of meaningfully put earlier, you know, you know, there's lots of things that are invisible at people.
Sarah
Yeah.
Tom
And I think that's a shame. So I'm better off just, you know, even if we weren't recording this, I'm so much better off for having spoken to you.
Sarah
Yeah. Yeah.
Tom
So just to kind of break that down.
Sarah
Yeah.
Tom
For me, that's, that, that's been the, always been the plan, the idea.
Sarah
I think it's nice because you're making someone's day. Yeah.
Tom
And then it's, it's obviously extra that, you know, people get to hear it.
Sarah
Yeah.
Tom
And to get something from it as well.
Sarah
Yeah.
Tom
But on the whole, I just, I, I, I, I just have an intense highs.
Sarah
Yeah.
Tom
Walking away from people and knowing that like, you know, we've had, we've had a moment.
Sarah
Yeah.
Tom
There's two people just randomly come together.
Sarah
Really nice. Yeah.
Tom
So thank you so much for being part of that.
Sarah
I've enjoyed it.
Tom
Good.
Sarah
Thank you.
Tom
I've enjoyed it too. Yeah. And good luck.
Sarah
Oh, thank you.
Emily
Black clouds on the seafront today in Liverpool Too fast to be visible out there Then your book is filled with solitary scribbles from you to me to them oh, the first time when and grabs your palm and shakes you from your light sleep through all of the years and after again you'll feel the warmth of those little bare feet.
Sarah
How.
Emily
Writing calmed you and the children that you have I know there's nothing they can do so you sleepwalk back to your car to find out she's put on on a kettle for Sam.
Host: Tom Rosenthal
Guest: Sarah (anonymous)
Release Date: June 30, 2025
In Episode 42 of "Strangers on a Bench," host Tom Rosenthal engages in a deeply personal and heartfelt conversation with Sarah, an anonymous guest who shares her life journey, challenges, and triumphs. Through their 30-minute dialogue, Sarah opens up about her creative pursuits, mental health struggles, familial relationships, and the coping mechanisms that have guided her through life's adversities.
The episode begins with Tom approaching Sarah on a London park bench, introducing his podcast concept of connecting with strangers to uncover their hidden stories.
Tom [00:04]: "Can I ask you a slightly odd question? I'm making a podcast called Strangers on a Bench where essentially I talk to people I don't know on benches for 10 or 15 minutes."
Sarah [00:58]: "It's nice because I was just relaxing and then obviously, like, you come and approach me. I thought, oh, that's really nice."
This initial interaction sets a tone of spontaneity and openness, laying the foundation for an intimate conversation.
Sarah reveals her favorite day of the week and discusses her current work situation, providing insight into her daily life.
She explains that Wednesdays are her day off from work, which she uses to de-stress by sitting on the bench, reflecting a balance between her professional responsibilities and personal well-being.
Tom [01:34]: "With these special Wednesdays off, take me through what, for you is a day really well lived in the world?"
Sarah [01:41]: "Well, usually I think when I get off, I don't plan my day. Today was like a spontaneous one."
A significant portion of the conversation centers around Sarah's passion for creative writing. She discusses her journey in pursuing a suspense-time type book and the challenges she faces in balancing creativity with professional life.
Sarah [02:05]: "I graduated from uni last year in creative writing and media and I started writing like a suspense time type book."
Tom [02:38]: "People watching is good, isn't it?"
Sarah elaborates on how observing people provides her with inspiration and ideas for her writing, highlighting the symbiotic relationship between her environment and creative output.
One of the most poignant segments of the episode delves into Sarah's struggles with anxiety and depression. She candidly discusses her experiences working with Childline and the emotional toll it took on her.
Sarah [08:00]: "I have to write everything on there, even though I hate computers."
Tom [16:29]: "What does a breakdown look like as opposed to just your average day of depression?"
Sarah [16:40]: "Moment, you just literally lose the person you are. It's hard to explain. You're very vulnerable."
Sarah describes the intense vulnerability and rock-bottom moments associated with a mental health breakdown, contrasting them with her daily battles with anxiety. She emphasizes the importance of masking her struggles to maintain her professional facade.
Sarah [11:02]: "I mask everything. Like people in work don't know. I suffer with depression."
Tom [11:19]: "Do you think that's a good thing?"
Sarah [11:27]: "No, probably not, but it's the only way I can deal with stuff."
The dialogue shifts to Sarah's familial relationships, particularly her relationship with her mother and her role as a parent. She shares touching anecdotes about overcoming past barriers to build stronger bonds with her children.
Sarah [13:00]: "The other one sort of disappeared from my life and then eventually came back."
Tom [14:06]: "How has it affected you as a parent?"
Sarah [14:09]: "It was hard because I had barriers up all the time, and as a parent, it's like it was difficult to show love."
Sarah recounts her efforts to mend relationships and the emotional breakthroughs that allowed her to become a more affectionate and present parent.
Sarah discusses various strategies she employs to cope with her mental health challenges and the loss of her children. Writing and creative expression play crucial roles in her healing process.
Sarah [25:46]: "I have a negative and a positive each day... I think that helps as well."
Tom [28:13]: "What are your goals?"
Sarah [28:13]: "Using my creative side... and making stuff. I always remember my mum said, you're very creative."
She emphasizes the therapeutic benefits of journaling and setting achievable goals, which provide structure and positivity amidst her struggles.
Towards the end of the conversation, Sarah shares her aspirations to complete her creative projects, particularly her novel titled "The Cave." She highlights the encouragement she receives from her lecturer regarding her vivid imagination.
Sarah [28:36]: "My creative side... finishing what I'm doing."
Tom [28:41]: "What was the story you were doing?"
Sarah [28:41]: "The Cave. It keeps you on your toes. It's really good."
Sarah's determination to see her creative endeavors through to completion underscores her resilience and commitment to personal growth.
As the conversation wraps up, Sarah reflects on her mother's influence and the importance of empathy and communication in overcoming personal challenges.
Sarah [27:07]: "She's a great person... nothing's unachievable."
Tom [32:15]: "And, as you kind of meaningfully put earlier, you know, there are lots of things that are invisible at people."
Tom shares his appreciation for the meaningful exchange, emphasizing the universal nature of hidden struggles and the value of human connection.
Sarah concurs, acknowledging the serendipitous and enriching nature of their meeting on the bench.
Human Connection: The episode underscores the profound impact of casual human interactions in uncovering shared experiences and fostering empathy.
Mental Health Awareness: Sarah's candid discussion highlights the importance of recognizing and addressing mental health issues, as well as the challenges of masking one's struggles.
Resilience and Creativity: Despite facing significant personal losses and mental health challenges, Sarah's dedication to creative pursuits serves as a testament to her resilience and determination to find solace and purpose through art.
Family Bonds: The evolution of Sarah's relationships with her family members illustrates the healing power of communication and the importance of breaking down emotional barriers.
Notable Quotes:
Sarah [11:02]: "I mask everything. Like people in work don't know. I suffer with depression."
Sarah [25:46]: "I have a negative and a positive each day... I think that helps as well."
Sarah [28:38]: "What are your goals?"
"Using my creative side... and making stuff."
Conclusion:
Episode 42 of "Strangers on a Bench" offers listeners an intimate glimpse into Sarah's life, marked by creativity, resilience, and the continual pursuit of healing. Through her honest reflections and shared experiences, the episode emphasizes the universal nature of human struggles and the enduring strength found in vulnerability and connection.