
Tom Rosenthal talks to strangers on park benches, often leading to surprising revelations.
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Interviewer
Hello. Sorry to bother you. Can I ask you a slightly odd question? I'm making a podcast called Strangers on a Bench, where essentially I talk to people I don't know on benches for 10 or 15 minutes. Are you up for that? Do you want to give it a. Do you have a favorite day of the week?
Michelangelo
I do. I do.
Interviewer
It's only got a good one.
Michelangelo
I'd say a Saturday. It's the middle of your weekend, so you can still go Central Point with me personally. I'll go out with the boys through the day, or if I'm out of
Interviewer
the day with the boys, you've got
Michelangelo
the drinks, or we'll just.
Interviewer
How many boys are we talking?
Michelangelo
We're talking two of them. Mostly one of them drives because I don't drive me, myself. So it sounds like I'm using him for his call, but I promise I'm not. So we'll just sit and gamble. Or we'll sit another couple of paints
Interviewer
and just in the car.
Michelangelo
I'm not painting the car. Go to the pub. Sorry. But if we're gambling, we'll sit in the car.
Interviewer
Gambling. Love it. Do you ever win?
Michelangelo
I do. I won this morning. I played a really good movie. You went straight?
Interviewer
What did he. What did he bet on?
Michelangelo
So I had. I had 16 pound left in the bank. I just had a feeling. So literally, as soon as I opened my eyes, I put a tenner on, won 40 pound, took 20 pound out, kept 20 pound on, and then won 180 pound on. On slots. But it's like, just on all of my phone.
Interviewer
Oh, wow. So you just had a good feeling?
Michelangelo
I did. And it paid off. I couldn't believe it.
Interviewer
How often does it not pay off?
Michelangelo
A lot. You've got to make a lot, like, silly amounts.
Interviewer
So if you win big, the idea is you put some back on to see what else you can get.
Michelangelo
Yours, like. I won 190. I took 180 out and kept 10 on. Didn't win anything with the 10, but.
Interviewer
Okay. What are you gonna do with 180?
Michelangelo
Good question. It is the weekend tomorrow, and it's payday tomorrow, so it's like, big day. It's like a bonus on me pay.
Interviewer
What's it like where you work?
Michelangelo
It's great, you know, like, it's my first time in hospitality, but I'm quite good at, like, talking to people. So the. The hospital. The customer service side of things is. It's great, you know, it is. Like.
Interviewer
Has anyone been difficult?
Michelangelo
Oh, I do. I've got One story of a customer. Every customer I've had when I've been working has been absolutely like just lovely people in general. There was this one person, this big, massive like six, four tattooed, roid freak came in with his missus. He just jumped out of like 70 grand Range Rover. He'd ordered his meal, but he ordered two separate things that weren't included in a deal. So it was £15 for the two extras and then he came to get his bill. Why is me bill next for 15 pound? Because you ordered two things that you didn't that weren't in the meal. No. Well, you did, it's on your bill. Otherwise if you didn't order it, it wouldn't be on your bill, mate.
Interviewer
So that wasn't when you were there?
Michelangelo
No, I was in a deal with him.
Interviewer
How did he do it?
Michelangelo
Well, I had someone else working at the time and she like caved in and went, I'll just take it off your bill. And I was like, if it's me, I'm like, I'm sorry, but you, you've asked for the food, you've ate the food, pay your bill, mate.
Interviewer
Would you squared up to him. That have been your job.
Michelangelo
Do you know what it is? I'm all for standing, I am standing on business. But at that time when he stood up out his chair, I was like looking up at him like, what?
Interviewer
Maybe not today, business, tomorrow, this aftermorrow.
Michelangelo
So that's the only encounter I've had really.
Interviewer
Any like romantic encounters, Any little moments?
Michelangelo
Well, the questions, yeah. Right. So yesterday there was two girls, I think there were like the, it must have been a family, cuz there was two like older women and two older men and then two daughters. And there was this one girl, blonde hair, she looked really nice and she kept looking at us and I was at the bar, I was working with a lad at the time, it could be looking at him, I didn't know which one. So I was like. So I went, oh yeah, I'm gonna write my number down and give her it. You went, no, no, you can't do that.
Interviewer
Oh, I went, what?
Michelangelo
You went, no, like the boss doesn't let you do that. I went, eh? So then the girl I'm working with now, I went, am I not allowed to like give customers me number? She went, what are you on about? I went, what? Yeah, of course you are. Why wouldn't you be? Like, as long as it's not like, like you're not like in the middle of eating food. And I go, yeah, there's me number check on. She was about to leave, she was at the back of the queue and I was like, oh, that's me perfect chances. God's timing. And then he didn't let us do it. He took the took me number offers. But I think as well, it was sort of like a. If I can't get the number, I want to get the number. So I think it was one of them. So like he fancied her and he just didn't want me to give her.
Interviewer
That sounds rotten.
Michelangelo
Yeah. I don't know.
Interviewer
Will she come back?
Michelangelo
I hope so, mate. I'll count down the days of us for extra shifts, everyone.
Interviewer
But maybe, I mean, maybe. Actually this probably gets lobbying. They might have booking information.
Michelangelo
Oh, do you know what it is? He didn't leave his number and it was the dad that booked it.
Interviewer
Called the dad.
Michelangelo
Excuse me, I'll get your daughter's number.
Interviewer
Would you do that though? If it's a send out, those numbers there, would you call that number?
Michelangelo
Yeah, 100%. Imagine calling up if I felt really strongly. Aye, aye. I'd simply feel like, oh, so you came in the restaurant. I just thought you were really attractive. I just thought I'd try my chances
Interviewer
to the dad,
Michelangelo
but I could work, I could work. So you've got to sweeten the dad up though, I suppose, don't you? So I'd say you are very good looking. The other day when you came in the shop, mate, you looked smart as a door. Yeah, I would as well. Yeah, sure was beautiful, you know, like beautiful.
Interviewer
Are you the kind of person that grabs. Obviously you were about to grab the moment.
Michelangelo
Yeah.
Interviewer
And then you were denied. Never let anyone deny you. Let that be the last time.
Michelangelo
Oh, if there's ever a reason, that was it to a T. Are you
Interviewer
the kind of guy that makes the big moves?
Michelangelo
I'm like, not, not necessarily the big moves, but I'm like, I'm confident in myself.
Interviewer
Have you always been confident?
Michelangelo
Yeah, I feel like I have. It's always been one of me, one of my traits. Yeah, I suppose you could see.
Interviewer
Do you know where it comes from at all? Does it come from? Peggy's got it.
Michelangelo
I don't know. Well, my mom's quite like. Me mom's quite boisterous. Like, if. If something's annoyed me mom, she's gonna. She'll tell you.
Interviewer
Get on well with your mum.
Michelangelo
Yeah. Oh, it should be best friend. Oh, that's truly best for him though.
Interviewer
If I ask you to think of like a kind of mundane moment with your mum, but like a little gentle moment.
Michelangelo
Yeah.
Interviewer
Anything that stands out of your time with her.
Michelangelo
Yeah. Oh, there's a lot actually, you know, like me mom, I was me mom's first, so there's a lot of like responsibility and sort of like, I wouldn't say pressure because obviously I've got younger siblings now. But it's a lot of like whatever I do, she'll be like, that's reflecting on your little brother. But there's been a lot of moments like I would went for food, I took her for food. It was just me and her and it's just good. I like just have that little bonding because we don't necessarily get to like really sit down and talk to each other like one on one because it's just got a newborn now as well.
Interviewer
Oh, whoa.
Michelangelo
Yeah, I know, a little one, little one. Fresh, fresh, fresh mate. Oh God, he's lushing out, bless him. But he's hard work.
Interviewer
Like, do you have to get.
Michelangelo
No, it's not mate. I live with me grand. Out the minute.
Interviewer
With your granddad?
Michelangelo
Yeah. Yeah.
Interviewer
That's sweet.
Michelangelo
He's just down the road as well.
Interviewer
What's that like?
Michelangelo
Amazing. It's. It's mad as well because it's not like living with your granddad. It's just like living with a really old friend. If you heard us say that, he'd kill us as well. But.
Interviewer
Well, you like the friend bit?
Michelangelo
Ah, yeah, yeah, I'd like to think so. But yeah, like me granddad's bond is poor. He's looked after since I was about 3.
Interviewer
Oh, beautiful.
Michelangelo
Because when I was younger, like about 5 to 15, I was the worst child on the planet.
Interviewer
Really.
Michelangelo
Like the person you say now was a totally different person than the person that you would have seen 10 years ago.
Interviewer
So hang on, so what was 5 to 15 you doing?
Michelangelo
Just not having that far that role, I feel like. And then just taking all my anger out on everyone else because I felt like the world owed us a favor. So I'd take that aggression and the sadness and the built up emotions out on mostly my mom at the time, to be honest with you.
Interviewer
Poor mom.
Michelangelo
And then it was whenever I was naughty, it was, right, go to your grandma's. So then my granddad be like, I wrote me grandma's. You go, what you done now? And then I'll tell him and he'll go, well, you know, you can stay here. And I'll be like, right. So I felt I'll eat there.
Interviewer
So he's always been looking after you?
Michelangelo
Oh, always since I was about three. Three. Like it's. It's lush eye.
Interviewer
What would you like to do together? What's your. What's your thing?
Michelangelo
He can't. He's restricted at the moment because he's had an operation now, but would walk into timeout, go for a couple of pints or we'd take the dog out for a walk. Just little chill vibes, to be honest. But it's been. It's been amazing. Yeah, it's good.
Interviewer
It's so lovely. What is? Living together now. Do you have any little rituals you do together?
Michelangelo
I. We've always got. We've got tea at 9 o'. Clock.
Interviewer
When you say tea, is that right?
Michelangelo
Correct. Sorry. And my granddad drinks shandies throughout the day. Throughout the day. Just poor, about 13, 14 cans. But he needs to. He's been drinking for about 40 years.
Interviewer
Oh wow.
Michelangelo
So if he stopped it, it just
Interviewer
wipe him out, I suppose Shandy's, you
Michelangelo
know, could be like whiskey. He always says, he goes, I'm not an alcoholic, I'm alcohol dependent. I'll go away. I grand. Whatever makes you feel better.
Interviewer
He's still going, ice.
Michelangelo
You'll be drinking as we speak.
Interviewer
You get together at 9 o'.
Michelangelo
Clock. So you sit down, have a supper and that's the only time I'll have a drink just with me granddad. Nine o'.
Interviewer
Clock. And so you're talking about the day, you're talking about life.
Michelangelo
Yeah, just talking about work. And then he'll talk about his work. He used to work on the shipyards. Like he was a sprayer. Like every day is a different story.
Interviewer
Really.
Michelangelo
Honestly, it's so fascinating.
Interviewer
How do you activate each story? Like, how does each one start?
Michelangelo
So we'll be see something on the telly because he likes watching Deadliest Couch. The. What is that like the crab fishing in like it's like near the Antarctic. I'm gonna say.
Interviewer
Okay. It's deadly because it's.
Michelangelo
It's like the SEAs are like 30, 40, 50 foot waves. Like it's honestly, it's insanity. And he'll go directly. You could do that. Not a chance. I'd love to do that, me. I'd love to do that. I'd be a piece doing that, me. I'm like, I bet you rolling him out. And then you'll go on a tangent like from like a random story from work. I'm like, it's just, it's fascinating to think like Alex, obviously I've known him all my life and I'm still getting new stories.
Interviewer
That's beautiful.
Michelangelo
It's unreal, honestly, it's mint. And then I feel like these moments now as well with me granddad, he's just turned 60. I know it's quite young like for a granddad, but I'm just trying to cherish all the moments now because these are like the moments I'll remember, like the stories that. That's what I want to hold on to.
Interviewer
So there's been some young parents in your family?
Michelangelo
Yeah. Yeah.
Interviewer
How can I ask you, how old was your mom when you had you?
Michelangelo
Me mum was 16 when she had hers and my dad was 17. Yeah. And she was 40 this year, which to me is insanity. Like she's really old to me, but then to me little siblings, she's like this young. Like, how are you? Get up. Ready for school. But then for me when I was in school it was right, get up now, get to school, get ready. Like it was just two totally different moms.
Interviewer
I mean, this is the first time I've had someone that's had a 16 year old mum.
Michelangelo
Yeah. Is it on a bench?
Interviewer
When did you first dawn on you that you had like a really young mum?
Michelangelo
I remember my mum's 24th birthday. I know that sounds like mad and I'm 22 now. I mean that's just crazy to me. Like she had me like at my age. I just thought like, I don't know how she done it and like she was a single parent.
Interviewer
What do you remember about his birthday?
Michelangelo
I just remember the balloons being up and all of our friends being around. And then I got shipped in my grandma, so forget. I remember the most of that.
Interviewer
That was during your difficult five to 15 days.
Michelangelo
Oh, 100%.
Interviewer
How many, how many children she's got four, including me.
Michelangelo
I've got, I've got two brothers on my dad. On my dad's side too. Yeah. But I don't, I don't really see them as much.
Interviewer
You see your mom's done well.
Michelangelo
Yeah. Oh, honestly, unbelievably the definition of strong, independent woman. Like, I swear I don't know how she done it. Especially with me. I feel like that would put anyone off having another thing. But she's, honestly, she's done amazing. I don't know how she's done it.
Interviewer
When you're kind of out and about like now, what would you know?
Michelangelo
What would, what would someone else think? Yeah, we've had ours at your girlfriend, I've had ours at your sister. And then me mum just takes them all as a compliment. But we've had. Honestly, we've had everything. Sister is probably the most common one. Yeah. Because I feel like I've got my mom's facial features, I've just got my dad's skin tone. Yeah.
Interviewer
So that's beautiful. Right. It sounds like it's really been lovely.
Michelangelo
It is, it is.
Interviewer
And now you're just this good mate and you're not that far away in age.
Michelangelo
I am not mad.
Interviewer
But she. She still tells you what's what.
Michelangelo
Oh, 100. Still puts us in me place. The only woman, I'd say that can put us in me place.
Interviewer
You know, how often do you do something that. To piss her off? I mean, what's. Well, what's it. Right.
Michelangelo
It'll be on the rare occasion I do go out with the boys. I do take the 2 4. Yeah. Going over, stepping the mark on the drink and then I'll end up rocking up at the house like 7 o' clock in the morning and then that's when the domestic starts. But it's a very valid. Yeah, very, very valid excuse because why are you rocking up at 7 o' clock in the morning, like. Yeah. So. But that's genuinely sends you straight to granddad's. Yeah. Oh, tell us about it, mate. It's literally go get a shower, get your clothes and go. I'm like, wait, yeah, fair enough.
Interviewer
Yeah.
Michelangelo
But it used to be a lot heavier like on the arguments just over stupid petty stuff and I feel like that's when we're living with each other cuz we're so alike, we're just. But heads massively so then I moved to my grand as the start of this year and me. Maybe mom's had a stronger bond now that I've moved away.
Interviewer
That's a bit distance, isn't it?
Michelangelo
It's really important, 100%. But like she's got the kids now. Like she's got. I'd rather like just bail the wage, you know what I mean? Like she's got a. She's got a new boyfriend now. But I'm just like, I'll just.
Interviewer
Do you approve?
Michelangelo
I do, I do. He's a. He's a lovely lady. Really is. She used to be with him before she got me dad. All right.
Interviewer
She was pre 16.
Michelangelo
Yeah. About 14, 15 I think she used to be with him and then circle the block, circle of life and came around. But he's lushing. He's not. Honestly, he's not got a bad bone in his body, like.
Interviewer
He's.
Michelangelo
He's a lovely lad, he is. If him and me mom have an argument, he's like, sorry, I'm so sorry. Because my mom would be like, you, you. There was one time my mom went out on the drink with our friend.
Interviewer
Yeah.
Michelangelo
And me mom's boyfriend, he had went to the shop and he'd went, oh, do you want anything from the shop? And she went, yeah, get us a Lucas Aid for the morning, like. So when I'm rough. So he went out, blah, blah. And then he went to the shop, dropped her off. My mom wakes up the next morning and then goes against that Lucas Aid out the fridge. Oh, I didn't get you.
Interviewer
You know.
Michelangelo
So that was World War 3, that. Me mam doesn't have a Lucas Aids in the morning, mate. It's hell on. It's hell on. Honestly, she didn't speak with him for, like, three days, you know. Oh, she'll hold a grudge, like. Oh, it's bad.
Interviewer
I didn't know Lucozade in the morning was a good hangover.
Michelangelo
Oh, it's a jolly hangover. Curly.
Interviewer
Is it you back it?
Michelangelo
I do, massively. Me mom's an original Lucasade. I'm more of an orange. It's got to be fizzy, though. It can't be lucazade, sport. It's got to be.
Interviewer
You just down it.
Michelangelo
Aye. If you're that rough, you will just neck it all in one and try not to regurgitate.
Interviewer
So your big drinking nights Friday, Saturday, we didn't get. We're still on what you do on the Saturday, by the way, this favorite Saturday. Well, you're with your two. Your two main friends.
Michelangelo
Two main friends.
Interviewer
So the three of you are a group?
Michelangelo
We're a group of five.
Interviewer
Oh, okay.
Michelangelo
But two of them have got girlfriends, so they're gone. It's more like a. Are you allowed out tonight? Which is just. I'm talking to a man, do you know, like, I can't wrap your head around it. But yeah, on the Saturday. So this Saturday, for example, we're going to the pub in timeout. We'll have a couple of drinks here, might go to the Salutation, which is a bar across the road, have a couple of drinks in and just see where the night takes them.
Interviewer
Do you think. Do you think girlfriends ruin everything?
Michelangelo
In terms. In. In what way? What would you say? What would you mean? What do you mean by ruin everything? I need to be careful. Yeah.
Interviewer
No, I say. I mean it annoys you. They kind of they get in the way of friendships.
Michelangelo
110%.
Interviewer
Yeah.
Michelangelo
Like, absolutely.
Interviewer
So what happens?
Michelangelo
I mean, have you had a girlfriend half before? Yeah. Not at the minutes. It's not for me. It's just too like. It's having a girlfriend or like being in a relationship.
Interviewer
You don't like it?
Michelangelo
Nah, it's not.
Interviewer
Why not?
Michelangelo
Well, this early stage of my 20s, I've still got that. I feel like when I get like 25, 26, then maybe it's like sort of take it a bit more serious. But it's just like the demands and the. Just really high maintenance and I'm too like, laid back and nonchalant.
Interviewer
Yeah.
Michelangelo
So they don't like that I'm laid back.
Interviewer
Well, you could find someone who.
Michelangelo
I could. I could.
Interviewer
There's got to be someone.
Michelangelo
I'm just looking. It could have been. It could have been that girl. I tried to give me number but we'll never know.
Interviewer
The only one.
Michelangelo
We'll never know.
Interviewer
You'll be 90. I never loved again. So you. Do you think you've been in love yet?
Michelangelo
I have. 100, yeah. Yeah.
Interviewer
But that wasn't enough to stay together.
Michelangelo
It wasn't. And then I had like an on and off sort of situationship for about two, three years.
Interviewer
Oh, wow. That's a long time.
Michelangelo
Yeah. I think in the, like, now that if I look back at it, I liked her more than she liked me. And then that's what I don't like. So I put my guard up massively. But she was genuinely. I'd say now, and it sounds mad, me seeing it, but she was genuinely probably the love of me. Like I'd see myself spending the rest of my life 100%.
Interviewer
Could it be. Could it flip? I mean, obviously it flips them different ways, but could it flip back the other way?
Michelangelo
I would love it to, to be honest, but I'm not going to force anything that's.
Interviewer
Yeah.
Michelangelo
Not there. Like, if she was to reach out to me, I'm all ears.
Interviewer
When it. When you're doing the flip, you know, on and off. Who was doing the reaching?
Michelangelo
Mostly me. I like. For me, I feel like as a. In, like my generation of lads, you don't chase girls or like women. But like this one, I couldn't. I just couldn't help it.
Interviewer
Why wouldn't you do that? Why is there.
Michelangelo
I feel like it's sort of. Not like sort of a stigma, but like chasing a last. Like, you don't.
Interviewer
Don't do it.
Michelangelo
Yeah. Like, just let.
Interviewer
How do you do it. I mean, I feel like you gotta do a bit of chasing to work. Yeah.
Michelangelo
Not 100%, but I feel like it's more just like of a pride thing. Like you've gotta drop your pride and drop your ego and just do it. Which is what I've done with her at the time. Now when I look back at it, I'd never felt so fragile in my life.
Interviewer
If you're not supposed to chase them, does that mean that they have to chase you? Like, traditionally, Is that what happens culturally? Who's doing what? I mean, is anyone getting on anybody?
Michelangelo
It's.
Interviewer
No one's chasing anybody.
Michelangelo
It's just a free for all, like, to be honest with you, genuinely, if you know what I mean.
Interviewer
What are your general methods? If you did. If you do like someone, what are the general methods then? If you can't really chase, what are your moves?
Michelangelo
If I'm in person.
Interviewer
Yeah.
Michelangelo
I'm gonna use the salutation and time off as an example. Like, there's a smoking area a bit outside, and if I like someone and I see her go out, then I might follow myself. Take my friend with me so I don't look like I'm on the. Suddenly start smoking, then suddenly just start smoking. And then I'll be like, do you want a tab? No, I don't smoke. All right. No bar. What's your name, anyway? And then it just goes from there.
Interviewer
Very good. What if they're not a smoker?
Michelangelo
If they're not a smoker and just ask for the name. It's a human at the end of the day. Hello, you already. What's your name? I don't know. I don't know why I was going to say Wendy.
Interviewer
You can say Wendy if you want. It's definitely a name.
Michelangelo
Or. What's her name? Wendy. Oh, you're right. Wendy. It's nice to meet you. I thought. You look really nice tonight. Oh, thank you. You do too.
Interviewer
Lovely shoes, Wendy.
Michelangelo
Nice. I love that. I'm loving that. I'm loving the cardi. And then I'd go like, oh, is there any chance I could get you. I'll get your number.
Interviewer
Talk about the cardigan again.
Michelangelo
Talk about the cardigan. We could talk about the cardigan all night long. Yeah, exactly.
Interviewer
Don't tell me your name. But how do you feel about it?
Michelangelo
Don't tell my name. Oh, Lovis. Yeah, I got my name from my grana.
Interviewer
Oh, so you got the same name as your granddad?
Michelangelo
Yeah, yeah. So I got me granddad's first name. And I got.
Interviewer
What is the boom bus?
Michelangelo
It's just a massive rave. Loads of people on that bus. And it just drives around the coast. You've got to rent it, obviously, but.
Interviewer
All right. I thought you.
Michelangelo
500.
Interviewer
So I get, like, the number 17. Get out of the bus stop. That'd be so fun.
Michelangelo
You're rocking out, bouncing. I got. I got me granddad's first name, and then I've got my dad's first name and my dad's second name.
Interviewer
Hang on. That's. Okay, let's. Let's rewind.
Michelangelo
Let's rewind.
Interviewer
You've got your dad, you've got your granddad's first name, first name, Right? Okay. And then your dad's.
Michelangelo
My dad's first and second name.
Interviewer
Right.
Michelangelo
That's my middle and second name.
Interviewer
Okay, Got it, yeah. So let's. For instance, let's imagine your grandfather's called Bob.
Michelangelo
Yeah, Right.
Interviewer
Then you're called Bob.
Michelangelo
Yeah.
Interviewer
And then let's imagine your father's called Michelangelo. Michelangelo. You're Bob. Michelangelo.
Michelangelo
Yeah, yeah, yeah, yeah.
Interviewer
Which is your name?
Michelangelo
Exactly.
Interviewer
Brilliant.
Michelangelo
Exactly.
Interviewer
That'd be amazing. He could change it after today.
Michelangelo
Michelangelo.
Interviewer
Oh, so this is. This is the ferry? Is this the ferry?
Michelangelo
It's the Amsterdam ferry.
Interviewer
Oh, it's big, is it?
Michelangelo
I hate when people stand on the back and wave. You know, like if I'm at work and I'm standing at the door at work and people are on the back waving.
Interviewer
So you just turn around.
Michelangelo
Just turn around and go back in the shop.
Interviewer
It's the King. King Seaways.
Michelangelo
Yeah. Dfds. It's the main one. Newcastle. Amsterdam. Amsterdam at Newcastle.
Interviewer
Have you ever done it?
Michelangelo
I haven't. I'm doing it for my birthday next month. Yeah, yeah, yeah.
Interviewer
Are you gonna be. I hope you'll wave back to you. Anyway, you'll be finally waving, waiting.
Michelangelo
No.
Interviewer
Oh, look, these kids are running along. That's like a scene from something.
Michelangelo
Oh, me. It's. It's unbelievable. See? Look at him waving.
Interviewer
Who's waving there?
Michelangelo
Them two at the boat.
Interviewer
Oh, yes. Let's do it. Let's do it. Do they know that we're waving? Do they know we're waving to them? Do they know we're waving back? Let's keep going.
Michelangelo
You might have a knee. Look. Yarn.
Interviewer
Yes. That could be a Wendy.
Michelangelo
It could. Exactly.
Interviewer
I was the one you were waving at. It was me.
Michelangelo
Black top.
Interviewer
Black top. I felt a connection.
Michelangelo
Oh, yes.
Interviewer
What is the furthest you felt a connection from in terms of distance? You know, in terms of like looking for someone a long way.
Michelangelo
Probably just in a ball though, to be honest. But just like across the room. But then I feel like if they sat with like a family, I don't like, I feel like that's not the time. But then yesterday, probably yesterday, yesterday, yesterday was the time because. Oh, honestly, she was absolutely stunning.
Interviewer
Ah, well, you know what, what do you think? You, you chime with personality wise? You know what?
Michelangelo
You. Me?
Interviewer
Yeah.
Michelangelo
I don't know. I feel like I'm quite, I'm quite bubbly. I feel like talking to a girl now as well. Confidence is a massive thing.
Interviewer
Yeah.
Michelangelo
Confident in themselves.
Interviewer
But why, why the bubbly?
Michelangelo
Just so like, so I can have a laugh. I feel like if I can't.
Interviewer
Oh, you need to have a. I
Michelangelo
need to have like, I need to have a laugh myself because I don't want to sound like big headed. Yeah. And it's not the way I'm intending this to come across. But people say that I like, I'm, I'm funny and I do like if I feel comfortable around people, I'll do like stupid accents in there. So I feel like if I can sit with a girl and do a stupid accent and then she does it back, I'm like, pop, it's meant to be.
Interviewer
That's what you'd be doing the next smokey area. Now let me do my stupid accent. What is the first one you go to accent wise?
Michelangelo
I've got. Do you know what it is? I've got, I've got a long list of accents.
Interviewer
Oh, really?
Michelangelo
I've got.
Interviewer
Okay, well let's imagine, let's imagine I was this guy as Wendy. Okay, what one are you? What's your, like your safest bet? You know what would be your kind of.
Michelangelo
I've got like. Oh, yeah. I say I'm on the spot now, see, So I crumble, I crumble when I'm on the spot. But I've got Gordon Ramsay. But Gordon Ramsay's just saying the F word after every line, so it doesn't really count.
Interviewer
In your own accent.
Michelangelo
Yeah. No, like in a Gordon Ramsay accent. I wouldn't just say it in my own eye. No, no.
Interviewer
Okay.
Michelangelo
You've got Gordon Ramsay. I've got Gordon Ramsay. I've got David Umbra range. I've got Scotland.
Interviewer
Oh, sorry, that's not a person.
Michelangelo
Scottish. Sorry. I could do it.
Interviewer
I thought Scottish isn't too far away from Jordy. Do you call yourself a Jordy?
Michelangelo
Yeah, 100%. 100% north side of the water.
Interviewer
If you're. If you were to swim across there, though, is that still.
Michelangelo
That's not Jordy Land over there.
Interviewer
So we're like, what. How far is that? Like 200 meters away from not being a Geordie.
Michelangelo
I mean, there's like. They still call themselves Geordies in some parts, but I feel like on that side, all of them, like, from what we can see.
Interviewer
So what are they? Makams?
Michelangelo
Sand dancers?
Interviewer
Yeah, sand dancers. Was that because it was like.
Michelangelo
I don't know the exact.
Interviewer
Is that a derogatory term for them?
Michelangelo
It's like an old Geordie sort of.
Interviewer
Oh, okay. See, so that's what you call them.
Michelangelo
Yeah, that's not what they call themselves.
Interviewer
What do they call themselves?
Michelangelo
Muckams.
Interviewer
Okay. Right.
Michelangelo
Yeah, I saw you on Ray Eye.
Interviewer
Okay.
Michelangelo
Sorry, I just.
Interviewer
I just ventured off sat. Is that because they like the sand?
Michelangelo
No, I think. Right. No, I think. Right. Don't quote us on this, but from what I remember being told, it's because of when loads of Arabs and Middle Eastern people all moved over there.
Interviewer
Okay.
Michelangelo
And it's Middle Eastern quite a long time ago. Sand.
Interviewer
When, though? Recently.
Michelangelo
Finale years. That's how you taking all jewelries, taking all Jordy. So lang in it. So.
Interviewer
Okay.
Michelangelo
That's what my guana calls them in anyway.
Interviewer
Okay, fantastic. And would you like. I mean, let's imagine someone rocks up and they're like a macum or whatever. First off, how quickly can you tell spider accent? Like straight away? Yeah, like, can you do a precision of them?
Michelangelo
I.
Interviewer
Was that not allowed?
Michelangelo
I can't.
Interviewer
Let's start with that.
Michelangelo
Come on, Shannon. Right, so you be like. So I'd say, me and my sister was going for fish and chips tomorrow. That's how I'd say. Normal voice. And if it was a matter, we'd be like, me and my sister's going for fish and chips tomorrow. It's just. I hate the way they talk, me and my sister like cheesy chips and that. Just speak horrible, mate. I hate. I'm not doing it anymore.
Interviewer
Do the impression. Is it even. Is it.
Michelangelo
Even if I do it, it is to mock them. I'm not gonna lie. Like, whenever I'm talking like that, I am, like, taking the piss out of them.
Interviewer
Got a new question yesterday. Woman in the. In the restaurant comes in. You know, we know we're going now. And you do get chatting straight away. She's across the river. What are we saying?
Michelangelo
It depends if it talks how I've just talked. I can't do it.
Interviewer
You just be flat. No. Flat no.
Michelangelo
Flat no. Even if she supported Newcastle but she still talk like that. I couldn't do it.
Interviewer
Does that exist you could potentially talk like that and support Newcastle?
Michelangelo
Yeah. I just. Me personally, I could not. I hate a great around it. It's like nails on a chalkboard. Honestly, I despise it.
Interviewer
Does it do. Is that just you or is that a lot of. A lot of fellow George?
Michelangelo
It might be. I feel like it is a lot of fellow. Like when you go. If you go to Newcastle city center, a lot of like the older generation of men would be the same but like for me personally, I feel like I'm the only one that genuinely. I don't want to say hate because hate's a really strong word but really dislikes that accent. To be fair though, you get lots of people come over from South Shields come to the shop on the ferry of course, so. But they, they're lovely people. Well, just had a couple in earlier with the dog. Yeah, it's lush. Chill vibe. Right.
Interviewer
I mean do you think you. Someone said, listen to me the other day that when they're talking to London, I'm a Londoner.
Michelangelo
Yeah, yeah.
Interviewer
When they're talking to Londoners they're like, oh well it may be warm in London temperature wise, but we've got the
Michelangelo
warm people up here 100%. I've been to London myself. I went for the Carabao cup final.
Interviewer
The big one?
Michelangelo
Yeah, the big one.
Interviewer
The one that.
Michelangelo
The one that you won.
Interviewer
First trophy for 70 years.
Michelangelo
Unbelievable. Honestly. Cried my eyes out.
Interviewer
Did you? Oh, are you a crier?
Michelangelo
I am. I'm very, very emotional.
Interviewer
Oh, that's lovely.
Michelangelo
I am, I'm very emotional. I get that from your mother as well.
Interviewer
It's important to let it out 100%.
Michelangelo
But I feel like as a man as well, the worst thing to do is keep that sort of stuff bottled in because a lot of people, a lot of people don't speak about it and then that's when the worst things happen for sure.
Interviewer
Is that your first time in London?
Michelangelo
Yeah, it was.
Interviewer
Oh, you don't need to go back after that. It's not going to be better than.
Michelangelo
I know but I feel like the people to want to walk down the street here and you see someone else and you look up and they give you like a nod like just like a little or an eyebrow raise or something go oh yeah. And then in London everyone's like stone faced. That's the experience I had in. Anyway, everyone's like very cold and just stuck to the phone, walking. I mean, it's fair enough. Is it like I'm not like saying that's a bad thing, but everyone up here loves everyone. Especially if the sun's only.
Interviewer
Do you find. What is that like? If you can imagine a world without it. What does it mean for your good general spirit that people are like that? Do you think for you a lot.
Michelangelo
I go a lot off the energy I receive. Like I just love, I love being happy, like, if that makes sense. I just love like good positivity. Like I'm a very positive person. So I love getting that energy back and being able to give it out as well. Because life's too way too short.
Interviewer
So, so true. So true. The thing about it in London, I think the thing to remember is that people are people everywhere.
Michelangelo
Yeah, right.
Interviewer
So what makes it possible for people to be cheery here is in everybody within reason. It's just that people just don't do it in London. But if I, you know, if I, if I walk past 20 people in London, I say good morning, they'll say good morning back to me.
Poet/Performer
Yeah.
Interviewer
It's just that no one's doing it. Yeah, that's the problem. It's not embedded in the culture.
Michelangelo
Yeah. Ah, yell at me.
Interviewer
So it's like you can, they're there to be activated. Like you can get it out.
Michelangelo
It's just not instilled, but it's just
Interviewer
not instilled to do it off the bat.
Michelangelo
Yeah.
Interviewer
You know, they need it. But it's beautiful, so beautiful that it would be the case here that, you know.
Michelangelo
Yeah.
Interviewer
You would have that and you could just. And you get that little bit of. Yeah, I just think you get so much. But those, those conversations are just so important for just for your mental well being, for your. Just a general health. I think the comedy of it doesn't actually need to be anything like that dramatic. Sometimes even just people acknowledging you, you feel like you're in the world and not this kind of like solitary beast,
Michelangelo
you know what I mean? If I'm like in the house by myself, I've got nothing to do. You've just got like a thousand thoughts going in your head. And me being at work now, nothing. Not like, not a thing.
Interviewer
So when you're in the house at a thousand thoughts, what are you thinking about? What goes through your mind?
Michelangelo
I'd say for me personally it'd just be bills. How can I do this better? How can I do that better? How can I.
Interviewer
What do you Want to do better,
Michelangelo
just develop myself as a person. But I feel like. But then at the same time, how
Interviewer
are we doing that? How are we doing it? What are we doing?
Michelangelo
I don't know. I don't know.
Interviewer
So you want to develop yourself as
Michelangelo
a person, but I've got absolutely nothing else in there.
Interviewer
Okay, well, okay, let's. Let's re. Let's rewind. Let's rewind the development stage. I mean, say, say more.
Michelangelo
Basically, what I want to do, like, in terms of development is sort of like, I'm only 22. I've still got a hell of a lot to learn. Like, insane amounts to learn.
Interviewer
Yeah.
Michelangelo
But like.
Interviewer
And what would you like to learn?
Michelangelo
Anything, like, more like, about the actual reality of like, sort of life and like what comes with it. Because I feel like looking back at it, like, I might be 22, but I feel like mentally I'm still 16, 18. I don't feel like I've not fully grown up to how I want to be. Like, be comfortable in myself. Like, I still, obviously, I love the person I am. Don't get us wrong, like, but I just feel like I could do that a little bit better. And that's all, like, that's what I look for all the time is just develop myself more. I want to work abroad, so be like a holiday rep. So I feel like obviously the hospitality in here and the pulling paints and making coffees, blah, blah, blah, will help us in the future.
Interviewer
So what about language?
Michelangelo
I want to learn Spanish.
Interviewer
There we go.
Michelangelo
Yeah, that's. That's part of my character.
Interviewer
So you just got to get. Just get on it.
Michelangelo
I do. I know. Nor tame like the present.
Interviewer
Here's what I would say, like, set yourself a challenge.
Michelangelo
Yeah.
Interviewer
Find some. A simple job. You can do it there where you don't know anybody.
Michelangelo
Yeah.
Interviewer
And just force yourself to do it.
Michelangelo
Yeah, 100%.
Interviewer
And then after three months, or you know, even a couple of months, you're going to have a good grasp of it and then you go from there and that's just a basis. Then you just, you go, you know.
Michelangelo
Yeah, well, that would dose.
Interviewer
So language could be one.
Michelangelo
Yeah, language is definitely one. I just, I don't know. I just don't feel like I'm not where I want to be right now. I feel like with, with lads my age as well, we'll put a lot of pressure on ourselves and we've got a lot of pressure coming from, like, not me personally, but coming from parents to being like, you need to do this you need to be this. And it's like we don't even know what we want to be ourselves. Like we've got absolutely no idea. Like for me personally, I left school and it was just race. There you go, there's the real world. And then you sort of stood there. I'm 16 year old, I'm going, hold on a second.
Interviewer
What was your first job?
Michelangelo
I was doing roofing. It was really good actually. I really enjoyed it. Especially in the summer.
Interviewer
Yeah.
Michelangelo
Unbelievable. That lasted three months and then I was at AE in a call center for about six months and then Covid hit. Oh yeah. And then I didn't guess. Nothing.
Interviewer
Yeah.
Michelangelo
For like a couple of years and then it was just in and I've probably had about 30 jobs and I'm 22.
Interviewer
Oh wow.
Michelangelo
It's not a good achievement.
Interviewer
Yeah, no worries. No, no bash. I think it's really good to try, like.
Michelangelo
Yeah.
Interviewer
Have experiences to see what you like.
Michelangelo
Yeah.
Interviewer
I think having a job in a restaurant.
Michelangelo
Yeah.
Interviewer
Having like a person facing job.
Michelangelo
Yeah.
Interviewer
Is really great.
Michelangelo
100.
Interviewer
I think every, every one of the interactions.
Michelangelo
Yeah.
Interviewer
You're learning, you know, every single one stuff's going in. You're probably much further ahead than you think you are. But also I'm with you. Like it was. Don't worry too much about the parents. There's loads of time.
Michelangelo
Yeah. Yeah. No 100%. It's just, I don't know, I just feel like with lads my age, the rails there genuinely is. There's so much pressure on. You need to do this, you need this, you need a house and kids by the time you're 25 now do
Interviewer
you think it's a different. If you're a 22 year old woman, does there any difference in your opinion would.
Michelangelo
In, in my personal opinion, I'd say there's a lot more leeway. Well lasses like girls my age or like they're all either dentists or beauticians. Like, like genuinely the orchestrated like they left school and went straight into beauty. Like they had something to go straight into. And then with lads like. I mean me, I, I didn't get any GCSEs at all. Not one, not, not a single one. Did you turn up? I missed one of them.
Interviewer
So you're in the exam hall.
Michelangelo
Yeah.
Interviewer
What did he write down?
Michelangelo
Like? Nothing.
Interviewer
Were you trying at all?
Michelangelo
No, not in the slightest.
Interviewer
Do you think if you did try it would have been different?
Michelangelo
110% because like all the teachers used to say you've got so much Potential, you just don't use it. So I feel like the main reason was with the jcses in school. For me personally, it was understanding this stupid test. Like you don't realize the actual importance of it for when you leave school.
Interviewer
When did that moment. So you're five for 15. When did that. What tips you over the edge back into being a. Whatever, you know, just.
Michelangelo
I think it was genuinely me mom. Like I'm having these arguments with my mom more or less every day and it's getting absolutely nowhere. She's riled up and stressed when she doesn't need to be and it's, it's stressing me and not like, well I'm stressing there for any reason.
Interviewer
Was there any kind of flip moments you like it dawned on you that I don't do.
Michelangelo
There was a. There was police involved when I was younger that was doing stuff obviously I shouldn't have been doing. I mean mama caught wind of it and then rang the police. Like the police picked us up and took us to the station. And then that was when I was like, whoa, this is actually real. Like I cannot do this. Like this is not okay.
Interviewer
Can I ask you what you're doing?
Michelangelo
It was so. I was young, I was. I'm very easily influenced by other people. So it was, oh, do you want to take this drug? I go on then, I go on then and then I take it, go back home and I'm off my face and my mom says, obviously panics because she doesn't know what I've talked. I don't know what I've talked. So then I'm rocking up my home literally. And then she rang me dad at the time and my dad came down. I remember my dad raggling is about like my dad's 6 foot 7. Like he's like built like a brick house. Like he's huge. The next time something had happened, I can't remember off the top of my head exactly. And my mom had rang me dad and me dad went, look, I'm not going to shout at you cuz I get to know why, but I'm going to sit and talk you how my dad talked to me. And he went this. And it's going to sink in your head ten times more. And I'll never forget the conversation ever sat around his circular kitchen table, just me and him. He went, if you're going to keep on doing this, you're not going to be living with your mom. You went, you can stay with me. And he knew that I didn't want to stay with him. Like it's just, it's facts.
Interviewer
Yeah.
Michelangelo
But that conversation was like a switch straight away was like, I'm more scared that you've just sat and talked to us rather than you sitting and shouting at us. Cuz if he was sitting and shouting at us, I would have shouted back cuz I didn't care. But then he sat and talked to us and I was like, oh, like this is real. Like this is serious.
Interviewer
So he. So he did a good bit of parenting there.
Michelangelo
Yeah, 100%. Yeah.
Interviewer
But you gave the impression this earlier in the conversation that he wasn't.
Michelangelo
That he hasn't been that active from what I remember and from what I remember my mom saying, he left me mom when I was about three. So then it was just me mom and it was. That's why I took all my anger out me mom, because I always blame me mom for it. I was like, it's your fault now I look back at it now and I just think, you doing. But then I was, I was only a kid. Isn't that like I didn't have a Scooby Doo? Yes.
Interviewer
Have you ever told your dad, have you ever said like, I wish you were around more?
Michelangelo
Nah, genuinely I haven't because I feel like I. I feel like it's not going to change anything in any way. Like it would probably be a massive weight off my shoulders, to be honest. More than anything. But it's just, it's. We're both accepted, like. But that's our relationship now is we're still texting that like all the time. Go to pitch house every now and then. But.
Interviewer
So that, That's a pub.
Michelangelo
The pitchers.
Interviewer
Oh, sorry. No, no, no, sorry. At least at the pitch house. So the pictures. Sorry, the cinema, the pictures you go to pictures with.
Michelangelo
Yeah, we'll go every now and then. We'll go next week.
Interviewer
That's sweet. I mean, look, I mean, I don't want to make your life harder.
Michelangelo
No, definitely not.
Interviewer
But like, how old's your dad?
Michelangelo
40. 40?
Interviewer
Yeah. I'm gonna be 14 in a few months time. That's a weird thought. I feel like I'm more on your side than your dad's side. You see what I mean? But it's weird to think. Really weird to think.
Michelangelo
Yeah.
Interviewer
But you know, there's still so much time ahead. All being well with your dad.
Michelangelo
Yeah.
Interviewer
Just because it has been one way, like, doesn't mean it can't be the best. It can like could be.
Michelangelo
Right. Yeah.
Interviewer
Obviously it seems like you get on. It seems like you get on, like a household that's lovely.
Michelangelo
Like. Like my dad's part, like, the street accents. Like, we'll sit and do Conor McGregor accents for, like, 20 minutes and then forget, like, how we're actually speak. Hey, it's. It's man. Like, whenever. Whenever I'm with him, it's always. I'll forget everything that's going on. And it's just me and him, and we're always in tears by the end of the day, like, just laughing, like, that's great. It's good vibes. It is really good vibes.
Interviewer
But I think. I think he would. I think also he would take it as like a kind of. Yeah. This is me just guessing, but as a sign of, like, of your maturity. I'm not saying do this. I'm not saying. I'm just saying maybe when you're. Obviously when you're ready.
Michelangelo
I'm not saying tomorrow.
Interviewer
But, like, you know, the fact that you feel that he wasn't there.
Michelangelo
Yeah.
Interviewer
And you feel a bit hard done by in that respect. And, like, that's something that's clearly, like, on you.
Michelangelo
Yeah.
Interviewer
And you've lived through. You know, I think he would appreciate you just, like, you just take him aside and go, look, I feel like I'm old enough now to say it was a big thing that was missing. Yeah. I just want you to know how I feel about that. Yeah.
Michelangelo
100%. 100%.
Interviewer
And, like, you know, he. Sure, he would have his own things to say, and then you might have a little conversation about it, but then you'd be more free to have a good relationship. You know, it's probably worth it.
Michelangelo
It is.
Interviewer
You know, Where were we saying goes to pictures. Oh, yeah, that was it. I wanted to ask about the football.
Michelangelo
The football.
Interviewer
I know. I also want to do your accents.
Michelangelo
Yeah.
Interviewer
I feel like you're talking a good game. You're talking to Gordon Ramsay, you know, like, we can't not hear Gordon Ramsay.
Michelangelo
I do got Ramsay, but it's swearing after every sentence.
Interviewer
That's okay. This. This is.
Michelangelo
This is the swear for his own.
Interviewer
It's worth a swear.
Michelangelo
Oh, is it explicit, innit? Ah, yeah.
Interviewer
So it needs it. People don't expect it.
Michelangelo
Right. So I've got. There's a one where you get something on Hell's Kitchen. Right.
Interviewer
There we go. Don't worry if it doesn't work. It's okay.
Michelangelo
No, right.
Interviewer
You're safe space.
Michelangelo
He gets these fish over. Oh, what's he sees, man. Right. He Gets his fish and he goes, me. Mary, come here. Come here, will you? Mary. Fuck me.
Interviewer
Look.
Michelangelo
Look at this fish. It's so raw. It's telling SpongeBob to fuck off. Fuck me. And then he smashes this, smashes the
Interviewer
fish with his hand. That was really good. See you. That was genuinely good. You know, I was expecting it to be all right. I was expecting. I didn't think. I thought if he's got the confidence to this in front of his mate, it's got to be okay. That was a good. That was a solid nine. Nine.
Michelangelo
Yeah. That far off. I'll take a nine all day for gold, I expect. So I feel like David one's the best, you know?
Interviewer
Come on, Nevada.
Michelangelo
Oh, mate, class. So we've got weight there, right? So I need a look at the wilderness.
Interviewer
Yeah, yeah, Try and if you can see the bit of wilderness we can
Michelangelo
see just through the gap in the clouds. As we can see, we have a seagull flying in the sky. We have the waves from the ocean. Very blue, Very, very vibrant colors, I'd say. See, you know what I mean? Me, me, David one's me best one. I'm. I'm holding that one.
Interviewer
He's about to be 100 as well.
Poet/Performer
Nah.
Michelangelo
Mad. What a guy, man, honestly. Legend. I'm glad I could do his accent as well. I can just keep his legacy going. I'll be the new.
Interviewer
You're never going to die, David.
Michelangelo
I'll be the new NAR for BBC.
Interviewer
So, football time. Am I right in thinking, like, if you're from Newcastle, like, everybody loves Newcastle, you just have to. Have to know the football team.
Michelangelo
If. If you're born in Newcastle, I feel it's inevitable it's going to get instilled in you.
Interviewer
So what. What does, like, the team mean to you?
Michelangelo
Generally genuinely like it sounds.
Interviewer
Do you have to say this, though? I feel like this is like North Korea or something. You know what I mean? If you were kind of. Could you legit say to me, I'm not that bothered and your mates heard it, they would kill you know what I mean?
Michelangelo
Yeah. Oh, no, I am.
Interviewer
But you are really bothered.
Michelangelo
Football is like me now is calm. When I'm watching the football or the football's on, I'm a totally different person going mad, like, very serious.
Interviewer
Oh, you're okay.
Michelangelo
Serious as can be. But it's like football to me personally is everything. Like. I'm genuinely not even seeing it. See it like being brought up. I remember having Newcastle box set DVDs, DVDs that's how long ago it was. There was one time I was a ball boy for a Newcastle match. It was when we still had colochini in Gutierrez while playing Wolves. And I remember my dad recorded the. The match on his sky. He's still got it on his sky this day. Because there's one clip where it pans right. It pans to Gutierrez on the sideline. And there's me just sat there and like a good trench course Newcastle Trench Court just sat there. He's still got it on his skybox. I know. But I love me. I love a football me.
Interviewer
I love the phrase pan to Gutierrez. Great, great player.
Michelangelo
It's lush.
Interviewer
So can you think of the most emotional. You've been watching a football match?
Michelangelo
Would it be the Carboy Cup Final?
Interviewer
So were you in the stadium or just.
Michelangelo
No, I was just in a fan zone.
Interviewer
You went down just to literally so. Because people listening. A they might not be a football fan. B, they might know about football but not even know about this. Okay. So let's get. Let's give a bit of a rundown of the situation. So Newcastle, your team, the team you're passionate about. They haven't won anything for a long time. They've got a Cup final playing. They're playing Liverpool in London in Wembley. Okay, you must be dedicated then because you've gone down not to be in the stadium, just to be near them.
Michelangelo
Yeah. 100%.
Interviewer
Talk me through that occasion.
Michelangelo
So we'd booked the Travelodge, right. But the Travelodge I booked was right, the total other side of London. So I had to get like a 40 pound taxi to the fan zone. Takes out the fan zone. He's only took the Liverpool fan zone. So me and my friends stood outside. Newcastle tops. Loads of Liverpool fans walking about where like oh like we're done for here. Rang another taxi. Can you take with a Newcastle fan zone, right. Took around and it's just literally a mob of just black and white shirts everywhere. Up and down the whole street. And then we finally got in because we're 20 minutes late. And you literally like shoulder to shoulder. Like you're scrunching your shoulders or trying to get past people. And then it's just the massive monitor at the front and everyone's standing on chairs. And then when we scored it was just carnage. There's paint everywhere. It's like a waterfall coming.
Interviewer
I say it's a lot of money G for the air.
Michelangelo
Oh mate. And then that. It's like that's one of their moments. Where everyone loves everyone, all Jordies and we're all together and everyone like you feel more like warmer cuz you're speaking to a Jordy sort of thing. Like in a place where you don't really know. It was just. Honestly, the vibes are unbelievable. It was immense. Immense.
Interviewer
One of the great moments of your life.
Michelangelo
Oh, 100%. It's something I'll tell me kids, like, and me grandkids.
Interviewer
And you cried at the end or each crying during.
Michelangelo
Cried at the end. As soon as that final whistle went. Waterworks, mate.
Interviewer
How long were you crying?
Michelangelo
Solid 15 minutes.
Interviewer
Oh, wow.
Michelangelo
And then the celebration started and then that's when I started getting like, yes. Like, yes, fuck it, go on.
Interviewer
When you take a 15 minutes of crying, which is really sweet, by the way, it's beautiful. Were you just like crying on a friend's shoulder? Were you in the corner somewhere? Were you on the toilet?
Michelangelo
It was like long, like. Like boofs. Sort of like bench, table, bench.
Interviewer
Got it.
Michelangelo
Someone just sat there, my head in my hands, like. And me, mate, mate, like, I felt his hand on me back. He was like, aries. No, I'm not Harry. I'm not Harry. No. Just continued crying for another 10 minutes. But it was. Honestly, man, it was unreal.
Interviewer
Do you think you would cry because there's so much. Yeah, I mean, maybe this is a bit getting too deep here. But like, if you think. Can you think of the reasons why you were crying for so long? Like, if you really think about it, what are they?
Michelangelo
Probably everything that I had built up for ages. Then seeing that was like happy tears, obviously, and then sad tears at the same time.
Interviewer
You mean build up in terms of just like in your life?
Michelangelo
Yeah, just like miserable everything. Ah, yeah. Just like different emotions. But it would have just been everything piled up and then saying that and saying everyone around is so happy and like. Like my dad. My dad's never seen a trophy lifted me granddad's never seen a Newcastle lifter trophy. And I'm like, they've never seen this. And I get to see it in my lifetime. Like, it just. It felt so surreal and aw. Honestly, it was like something out with Disney film.
Interviewer
How long did that high last?
Michelangelo
Oh, I mean, like solid three, four days. We didn't. We got to London on the Friday and we didn't go home till the Wednesday.
Interviewer
Oh, amazing.
Michelangelo
Yeah, I just stayed and just partied for like three days straight. It was the best time of my life.
Interviewer
That's incredible. Favorite Newcastle player. While we're here, of all time.
Michelangelo
Of all time.
Interviewer
Yeah.
Michelangelo
All time. I've got to see Shira.
Interviewer
I mean again. Is that a North Korea moment though? You don't have.
Michelangelo
No.
Interviewer
You don't have to say she Ra.
Michelangelo
It's got to be Shira for me personally. Just like me growing up. I got that from my dad. Like she ra Shira this and then great shy kid. I've got she Ra and it's a mad show but color Chini just because of his mad hair and there was a mad song about him as well. Did it? I heard the song.
Interviewer
No.
Michelangelo
What's the song or color Cheney, you're the love of me life for color Cheney I'd let you shag me away for color Cheney.
Interviewer
Talk to me about. We mentioned it earlier a bit about crying.
Michelangelo
Yeah.
Interviewer
You say you cry quite happily quite readily.
Michelangelo
I cry a lot.
Interviewer
Have. That has always been the case and like. Have you.
Michelangelo
Have you.
Interviewer
You know obviously the classic is, you know that the lads don't cry. You know we're not supposed to cry all that.
Michelangelo
I hate that. I hate that stuff. Stuff like that.
Interviewer
How have you always been comfortable with crying?
Michelangelo
Yeah. 100 like I feel like part of that reason is being raised by a single mom. Like I got. I've seen her at our lowest and I've seen her at our highest. Like I cry happy tails, cry sad. I never keep me emotions and like if I need someone to talk to, I've got me mates. I never. I don't talk to me mom about like personal stuff. I never, never do. I never have. I just don't feel comfortable doing it. I'll always go to the boys straight away if I'm feeling like really down, really down. I'll probably speak my dart to be honest.
Interviewer
So you could cry but can you feel like you can cry in front of.
Michelangelo
Yeah, I don't care who I cry in front of. If you don't like seeing us cry, you're a horrible person.
Interviewer
Yeah. Totally agree.
Michelangelo
I remember when I was younger Mimi mama in the old house while watching the film and I just grabbed a little cushion off his over did hold it up face. I was keep crying my eyes I wasn't sure and then I looked at her and she was crying. I was there. I know who I get it from now then. But like just like films like I'll sit and cry off I watch a tick tock I'll sit and cry the tick tock. I'm like it's a two minute video and I'm sorry I'm bawling my eyes out.
Interviewer
That's the power of communication, isn't it?
Michelangelo
Exactly.
Interviewer
Are you on TikTok yourself?
Michelangelo
I am, I.
Interviewer
What kind of things do you poke?
Michelangelo
I don't post now. I don't post. No. I'm a serial reposter.
Interviewer
You should do your own.
Michelangelo
Do you know what all that.
Interviewer
No. You could do it. I mean, you got a bouncy character.
Michelangelo
I do, but I don't know, like. I don't know what content.
Interviewer
Talk about football.
Michelangelo
Aye, true. I feel like if I'm just being myself, like if I've done a day in the life of Michelangelo, give Bob.
Interviewer
Michelangelo. You should do it.
Michelangelo
Give it a go.
Interviewer
Yeah.
Michelangelo
Do you know what it is? This might be me calling to do it, actually. So if I'm not bothered about crying, I can't be bothered about the TikTok.
Interviewer
Cry on TikTok, Jordan.
Michelangelo
You do that.
Interviewer
The crying.
Michelangelo
I genuinely probably would
Interviewer
every time.
Michelangelo
Mental. Mental debut.
Interviewer
You've got a, you know, really engaging personality. You know, I think you would be a good bet. Give yourself a chance.
Michelangelo
Especially Newcastle as well. I feel like you don't, like. You don't really get many Newcastle. Geordie. Content creators.
Interviewer
You can do this. I mean, I know quite a lot of content creator. You people.
Michelangelo
Yeah.
Interviewer
You know, if you do want and send it to me, I'll be happy to send it off.
Michelangelo
I owe me 100% on, you know, so maybe.
Interviewer
Maybe I could be a gate.
Michelangelo
Yes man. Oh, what a fellow.
Interviewer
Do you want to know how many followers I've got on Tik Tok? Guess.
Michelangelo
Ooh, I'd say two. 200,000 more. More on Tik Tok.
Interviewer
Three more.
Michelangelo
Five.
Interviewer
Keep going.
Michelangelo
A mil.
Interviewer
Keep going.
Michelangelo
Shouldn't mind. Shouldn't matter. A mil and a half.
Interviewer
1.7 mid. Last time I said I haven't posed anything for like three years, though.
Michelangelo
What?
Interviewer
Because it was an absolute pain.
Michelangelo
That's mad shit. That blew me, manger. I didn't even know who I'm sat next to either.
Interviewer
You just said next to a guy.
Michelangelo
Very true, very true.
Interviewer
That's another guy. I think he said next it. Yeah, you should do it.
Michelangelo
Ah. You know, you might open the. Open the.
Interviewer
I think there's something there.
Michelangelo
All right, I may try.
Interviewer
What I'm going to do, I'm going to ask you three more questions. I'm going to leave you alone.
Michelangelo
Yeah, yeah, of course.
Interviewer
Do you want a heavy question? Heavy is 10, light is 1. What do you want? Give me a number. Oh, straight in there. Straight in there. With the heaviest, of course. If I asked you what you think was the toughest day of your life, can you think of what it might have been? Oh, that's suitably heavy, isn't it?
Michelangelo
That is very heavy.
Interviewer
You literally asked for it.
Michelangelo
It's a fucking good question to me. Toughest day of my life. Oh, I need to go into the vault for this, I think probably right. And I'm gonna go really deep. I wouldn't say necessarily tough. Can I change? Tough facade.
Interviewer
Yeah.
Michelangelo
When I was younger, obviously, from what I was explaining, when I was a bit of a. Bit of a knob head, there was a time me mum had a massive argument and it was sort of along the lines of, I hate you and I wish you weren't me mom. And I was launching toys on her from the top of the stairs and she's come running up like, bear hugged us to stop me. And then I've hit, like, I've hit her. And then like her lad at the times come running up the stairs. Keep what you're doing, what you done. And then I've looked at my mom, my mom's holding her face, crying her eyes out. And then I look back and thinking now. And it makes us actually want to burst into tears. But I'm like, why? Like how? I don't get how I was such, like such a horrible person. I don't get why I was wired that way.
Interviewer
But the thing is, you clearly weren't a horrible person. The thing about all behaviors, they all come from somewhere. No one wakes up and wants to be a horrible person. Right. So just going off what you've told me already, there are probably emotions and communication and feelings you didn't know how to express.
Michelangelo
Yeah.
Interviewer
And so they came out in other ways. That's just what happens. Like if you, if you don't know where to channel your anger and your feeling, it will come up in the, in the nearest possible person. The closest person will be a punch.
Michelangelo
Yeah, true.
Interviewer
You know, because it's like that's the safest bet is to hit your mum. It's the safest bet, you know? And also, you didn't, you know, you hit her as a small child, didn't you?
Michelangelo
Yeah.
Interviewer
Or me at normal. So it's like, it's a horrible thing to have happened, but it's not, you know, you were never horrible. You just didn't have the avenues to express yourself.
Michelangelo
Yeah. I just wish I could have been better for me mom when I was younger.
Interviewer
You're clearly a really good person now.
Michelangelo
Yeah.
Interviewer
But what she'll care about is that you're all right. Yeah.
Michelangelo
Yeah.
Interviewer
100%, you know? So what you can do for her now is to be all right.
Michelangelo
Yeah.
Interviewer
So, like, you can make it good. You already are making it.
Michelangelo
Oh, I do. Honestly, like, no, like, I couldn't think of nothing worse than arguing with me mom. You only get one mom. And I look back at it now and I think I would be a shell of who I am now without me mom. Like.
Interviewer
And also, I mean, amazing, obviously, she's done it at, like, such a young age.
Michelangelo
By herself as well.
Interviewer
I mean, like, by herself at a young age.
Michelangelo
I don't know how she done it.
Interviewer
Fair play to your mom.
Michelangelo
Well, the. She's an absolute soldier. Absolute solder.
Interviewer
Yeah. I mean, do you. I mean, I guess. Do you ever talk about this stuff with your mum now, is it.
Michelangelo
No, no, no. We're both emotional. Other things, but each other.
Interviewer
Yeah. But I don't know, like, what would you, like, look, if she was. I mean, if she listens to the podcast, she will hear you say that. But if you did say that to your mum or you just told me.
Michelangelo
Yeah.
Interviewer
How do you think that would go? I mean, do you think she actually was, like, welcome you saying that?
Michelangelo
Oh, yeah. I think we'd both sit and cry for hours on end.
Interviewer
Yeah. I don't know. Look, I just think these kind of things happen when people get ill or this kind of stuff. I just don't know. I just think, like, with your dad, you know, you're saying it now. You said it when I asked you about stuff. Is it clearly, like, in your system?
Michelangelo
Yeah, yeah. 100% is holding you.
Interviewer
I just think, like, your mum would be so proud to hear you be, like, really thoughtful, you know, like, genuine remorse for that moment and those times. And also because respect for what she's done.
Michelangelo
Yeah.
Interviewer
Like, that would only be positive, surely, that she would hear you say that, because famously, with parents, right. Like, the thing, the classic is like, as soon as I have my kids, you know, like, within days, basically, you're like, oh, my God, I've now seen my mother in a totally different light. I totally now realize, like, how hard this is. Not that long after my first child was born, I was like, mom, actually, thanks, mate. A proper, like, you know, genuine, like, this is really hard. Like, thanks for doing this. And she was a single mom.
Michelangelo
Yeah.
Interviewer
She did it on her own, so. So it's like, you know, you don't know when this is going to be. And you. I Mean you could.
Michelangelo
Tomorrow's never promised as well. That's a thing that plays on the back of my head, like if I don't see it or. Yeah, well, there you go.
Interviewer
That's. Well, that's your heavy question. Do you.
Michelangelo
A light one. Yeah. How are.
Interviewer
What is the most joyous sight you have seen recently? Not on a screen. Just. Could it to be a passing thing. It could just be a street. Something. The street walking about could be a small. Didn't have to be like a big thing.
Michelangelo
It's. I feel like it's. It's. I feel like it is quite cliche. But old couples.
Interviewer
When old couples come into work particular
Michelangelo
I'd say about 70s. They're in the 70s. Then you sit and get a talk to them and they've been married for like 40, 50 years and they just go like, what's the key? And they just go. Just as long as you're happy with the other person. And then. But you just see how genuinely happy they are, like to be with another person like that. And I'm like, oh, I did. That just brings like. It makes us feel giddy in that. I'm like, oh, it's lush, man. Old couples.
Interviewer
That is always a lovely sight, isn't it? That was a beautiful sight. Let's do. Because our view here is quite funny because we're like. We've basically got some cars. But through the gaps of the cars we can see the water and then across the water we can see the favor. South Shield slash.
Michelangelo
Where the sand dancer.
Interviewer
Where the sand dancers live. Are we gonna get in trouble? If anyone.
Michelangelo
Am I gonna get in trouble?
Interviewer
It's okay. They're not gonna be like, cancel that guy.
Michelangelo
No, no.
Interviewer
For saying that.
Michelangelo
That's just a slang term for people from social.
Interviewer
So that's what we can see. I sometimes get to describe what we can see, but we've kind of done that. Right. So we're going to do a slightly different game. I'm going to ask you and I'm going to do it too. To close eyes. You ready? I'm closing mine. You can close yours.
Michelangelo
Whatever you want.
Interviewer
You never close yours yet. Whatever you want. So what I'm going to get you to do is to think back to a scene in your life. Doesn't have to be like a big moment. It just has to be a moment you can remember really well. Like meaning something. You know, it could be from any point in your life. Recent, long time ago. Is there something that kind of comes into your head when I say that. Can you think of what that is?
Michelangelo
The first one I'd say would probably be me first holiday with me mate. It just turned me birthday and me mom said, what do you want for your birthday? And I went, odd. Love to go on holiday. I'm trying to write. I've booked you and your friend to go to Tenerife for seven days. And I went. It's genuinely the happiest I've been in the ages. I remember going and just being. Being abroad and thinking I'm by myself on my first holiday without me mom. I was like, what do I do? Feel like I've been chucked in the deep end. Fair enough, yeah. I'm with me friend, but I'm also by myself in a foreign country with. Without me right hand. So I just. I didn't really know how to deal with it. But the whole holiday was an absolute experience in itself. Like, I had the best time and then it was, I think, without any shade on my friend. The best part was coming back and seeing me mom 100%. I'd miss me mom too much. Seven days without me mom was too long. Way too long. Lovely.
Interviewer
Oh, amazing. How have you found the experience of talking to a stranger on a bench?
Michelangelo
Absolutely amazing.
Interviewer
I mean, you're a pro because you talk to change all the time.
Michelangelo
I know, but, no, it's. It's been. It's been really refreshing. I'm glad I went out for a tab when I did, otherwise I would have never seen you. And that's an absolutely mental thought to me. That solidifies that everything happens for a reason.
Interviewer
Yeah. I've done today, I've done Whitney Bay. When I did a than timeout. Then at Time Mouth, I was like, oh, should I go to South Shields? Should I not? Should I go to North Shields? And I was like, on the fence, came here. Not really. People on benches, nothing much is happening. And then you're like, where do I go now? Like, you know, it's a bit windy. Should I now go South Shields? But will people be sitting on the bench to South Shields? And so I was like, so basically I'm an Ari, not know what I'm doing. I'm wasting the time thinking about. I'm not making it decision. So I just thought, I'll walk down there towards the ferry, Happy Deers. And then see it.
Michelangelo
It was.
Interviewer
I mean, it's a lot to think about in a way, but it's like. It's layers of miracle.
Michelangelo
Yeah.
Interviewer
You know, whoever you was, it was your. Your person could have Said, you're not allowed that.
Michelangelo
She's lost. She's lost. You know, cuz I went in, I was like, so I've been asked to do this, like, this podcast. I was like, I can promote the business though. She was like, yeah, yeah.
Interviewer
Oh, yeah. We've got to mention it.
Michelangelo
It's dodging's yard on the fish key. We do drink and we do the best food on the whole of the fish key. I promise you.
Interviewer
Fantastic.
Michelangelo
It will not let you down. Best dish, Best dish for me personally, Cod and chips. It's the crispiest, goldest butter. Like, honestly, my mouths water and think of it. And we've got massive homemade chunky chips. Or if you don't want the homemade chunky chips, you can't get fries. Comes with a side of mushy peasant. Tall, tall sauce. You know, I mean, genuinely is the best fish and chips I've had in 22 years on this planet.
Interviewer
Love it. That's. You did. You've done very well there.
Michelangelo
I have.
Interviewer
Get that on tik tok as well.
Michelangelo
Do a little tik tok.
Interviewer
Do a little. That can be first TikTok. Big it up on TikTok. Great.
Michelangelo
Yeah.
Interviewer
Well, mate, it's so nice to talk to you.
Michelangelo
It has. You too. I've had an absolute pleasure.
Interviewer
Been a privilege and an honor.
Michelangelo
Wait, I appreciate this. You too.
Interviewer
Miss, what do we do to end it? How do we end this?
Michelangelo
Oh, do you end.
Interviewer
You want to end it with an accent?
Michelangelo
Should I end it with an accent? Which one? What do you want?
Interviewer
Maybe let's. Okay, let it be Attenborough. Right. Right. Okay. But do Dave Atman and you're sign. And you're signing out of the. Of the program. This is your sign. This is your sign off. But for this. But for this podcast raise. And he's saying goodbye to the TV audience. You've now got to say goodbye to the podcast audience in the atom of the voice. Right. Good luck.
Michelangelo
Knee pressure. F me. So today we've had a blast on the bench talking about life, talking about reality with spectacular views and the DFDS ferry going from Newcastle to Amsterdam. But this is David Attenborough signing off. And I will be back with you in the next episode. Thank you. What was hitting? I was good. It's good that I'm taking that me. I'm taking it. Beautiful.
Poet/Performer
Talking, drinking like a Birkin man. Laughing, shouting. North and south different limbs but do the best they can. Fists and fingers no more stained by coal or wet with shipyard rain the hungry young must earn their crumbs by faster food and lucky numbers Time out there time of day Older days flow faster, so they say Life dancing
Michelangelo
take
Poet/Performer
a chance, say rough romancing that's the only way but the final whistle of life's gay tears are shed and show no change Old men grow weaker women stronger Mothers just get younger by the day. Tying mouth fair. Time mouth fair Dying mouth fair Dying mouth fair Sam.
“Lads, Crying, and David Attenborough” (Released June 8, 2026)
Host: Tom Rosenthal
Guest: Anonymous (Pseudonym: Michelangelo)
In this episode, Tom Rosenthal sits down with a young, charismatic “lad” in the North East of England, capturing a candid, often touching conversation on a park bench overlooking the river and Newcastle’s famed ferry. Topics meander through friendship, growing up with a young single mum, generational masculinity, lessons from life’s mistakes, and the unique magic of being Geordie. The episode is full of humor, nostalgia, and Michelangelo’s spot-on impressions—from Gordon Ramsay to David Attenborough. At its core, it’s about vulnerability, family bonds, masculine pride, and the beauty in opening up to strangers.
“This big, massive like six, four tattooed, roid freak…” (02:33)
“Me mum’s quite boisterous…Oh, should be best friends. Oh, that’s truly best for him though.”
“She’s really old to me, but then to me little siblings, she’s like this young…”
“I am, I’m very emotional. I get that from your mother as well.”
“With lads my age, we put a lot of pressure on ourselves…” (32:56, 34:49)
“We’ve got the warm people up here, 100%.” (28:42)
“It was just carnage. There’s paint everywhere. It’s like a waterfall coming.” (46:34)
“My dad’s never seen a trophy lifted, me granddad’s never seen Newcastle lift a trophy. And I’m like, they’ve never seen this…and I get to see it in my lifetime.” (48:08)
“I just wish I could have been better for me mum when I was younger…You only get one mum.”
“Been married for like 40, 50 years…you just see how genuinely happy they are.”
On Confidence:
“I’m like, not necessarily the big moves, but I’m confident in myself.” — Michelangelo (06:20)
On Geordie Life:
“We’ve got the warm people up here, 100%.” — Michelangelo (28:42)
On Men Crying:
“The worst thing to do is keep that sort of stuff bottled in…that’s when the worst things happen.” — Michelangelo (29:05)
On Regret:
“I just wish I could have been better for me mum when I was younger…You only get one mum.” — Michelangelo (55:51)
On Football Passion:
“Football to me personally is everything…my dad’s never seen a trophy lifted, me granddad’s never seen Newcastle lift a trophy. And I’m like, they’ve never seen this…and I get to see it in my lifetime.” (48:08)
Attenborough Impression Sign-off:
“But this is David Attenborough signing off. And I will be back with you in the next episode. Thank you.” — Michelangelo in character (64:14)
This conversation exemplifies the power of anonymity: Michelangelo’s openness about regrets, masculinity and vulnerability, deep love for his mum and granddad, and desire for growth feels universal and intensely personal. Through laughter, confessions, and spot-on impressions, we see the making of a young man finding his footing. As Tom concludes, sometimes the most beautiful revelations come from opening up to a stranger on a bench.
Sign-off:
“So today we’ve had a blast on the bench talking about life, talking about reality with spectacular views and the DFDS ferry going from Newcastle to Amsterdam. But this is David Attenborough signing off… Thank you.” — Michelangelo as Attenborough (64:14)