Transcript
Maria Hinojosa (0:00)
So when I was a little girl, I used to watch the evening news every single night with my family.
Unknown (0:07)
They called it the march on Washington for jobs and freedom.
Maria Hinojosa (0:11)
We would all be getting ready to have dinner. It was six of us on the south side of Chicago. Mom was always making a meal for us. And I loved watching the news, the television news.
Unknown (0:23)
The message to the country is, free yourself by freeing us.
Maria Hinojosa (0:27)
So much was happening.
Unknown (0:29)
Man finally has visited the moon after all the ages of wishing and waiting.
Maria Hinojosa (0:34)
And we watched all the time. But the thing is, is that I never saw anyone who looked like me or my family. I never saw people like us in all of the television news that I was consuming. And of course, that made me think, like, how many other people are out there whose stories aren't being told right? I kind of planted a seed in my head. So fast forward from that to getting to New York, going to Barnard College, and becoming a part of the college radio station, creating my own show called Nueva Cancion y de mas esta cancion.
Unknown (1:13)
Del pueblo Pretende hace rum recorrido a trave.
Maria Hinojosa (1:20)
We would play Silvio Rodriguez, Pablo Milanese, all the protest music from Latin America. We talked Latin American politics. And I was a kid behind a microphone right here in New York City, and I was reaching into people's homes with my voice on the radio. And it always made me think, like, am I reaching a little kid just like me? Like, is that little kid gonna hear me on the radio and say, wow, she sounds like me? She's telling stories about people that I know. So I did stick with this notion of becoming a journalist. And I got to some pretty incredible networks. I worked with npr. I worked with cbs. I worked with cnn, wnyc, wnbc. And when I was in those newsrooms, I got a chance to see what they operated like. But I also got a chance to think about what kind of newsroom that I would have if I had my own newsroom. And I wanted to have a newsroom where it was like the journalism was 100% researched, fact checked. But I wanted to create storytelling and journalism that touched people's hearts. Hearts, Right. I wanted to make people feel something. Now, when I reported at many of these networks, I was very clear about the fact that part of my responsibility was to bring these stories into the newsroom. And what was interesting was that even though I was bringing this kind of new perspective, remember, I was the first Latina in these newsrooms. Oftentimes what it felt like was fellow journalists saying, oh, you're coming into Our newsroom. And you have a bias because you care about these stories. And I was like, no, I'm just telling you these stories because these are communities that I know, and you're seeing this as a bias. Okay, I pushed ahead, and the show Latino usa, which was founded by the founding executive producer, Maria Martin, she tapped me to become the founding anchor of Latino usa. Wow, what a moment. This is Latino usa, the radio journal of news and culture. Well, you fast forward from there to the year 2010, and that's the year when I decided to create Futuro Media. I wanted to get Futuro Media to be a place where a show like Latino USA could be housed and grow, make this into a newsroom for other journalists of conscience like me. I wanted to create a newsroom with journalism that had a heart, that wasn't afraid to show emotion or actually care for the people that we were covering. It was a journalism with radical transparency, a journalism of conscience, a journalism that was transparent about who we are, where we come from, and that really stood in the face of this kind of faux objectivity of a lot of traditional newsrooms. It was a journalism where we understood our role in the question of power in the United States of America. So here we are 15 years later. Oh, my God. The vision of Futuro has absolutely grown. You know, Latino USA has been on the year for more than 30 years, and it has launched the careers of so many amazing journalists and storytellers. And then Futuro Media, we created Futuro Studios. Right. To grow, we wanted to create a space for beautiful podcast series and audio documentaries unlike anything else out there. So we created Anything for Selena. I saw a completely new way of being. I discovered Selena. We created the history of reggaeton. Oh, my God. La Brega.
