A (2:06)

Yes. I am so excited to Mary Kate, because. Yeah, so my background is in fashion, merchandising, and marketing. So I've known about the Met Gala for a long time. I am super excited about kind of diving into the supply chain aspects of it. So, yeah, like Mary Kate said, let's go through a couple of announcements. First for the month, of May. The Buzz is powered by our friends at Optologic. We had a great webinar last week with Vic and Gavin From OptoLogic on AI First Supply chain design and it's on demand now, so if you missed it last week, no problem. We've got a link that we'll drop in the comments and you can check that out. And then the reason that Mary Kate and I are hosting the Buzz today is the rest of our team is in Orlando at our Supply Chain Symposium this week. So we have kind of a light week this week, but no problem because we are jam packed full of great stuff. On Monday we have the Buzz. Scott will be back for the Buzz. Seamus from Return Pro will be the guest on that show. And then Tuesday we'll have the US Bank Q1 2026 Freight Payment Index Analysis. So we're super excited about that. Wednesday we have a great new webinar with easypost how almost right shipping decisions turn into six figures figure losses. So Scott and Tevin Taylor will be hosting that one. And then next Friday we will have Regine Valon and Billy Ray Taylor on with Scott for a new webinar in the Bridge series. There's no finish line in leadership tips to optimize your strategy and execution and Billy Ray and Regine both have wonderful, amazing careers. They'll be sharing lots of leadership tips and information for that webinar. So we're super excited about that.

B (3:44)

And I can't see Billy Ray Taylor without mentioning National Supply Chain Day last week. Well, if you missed it, check it out. Billy Ray Taylor was our keynote speaker. We announced two awards. We had a ton of attendees. It was a great day to take a step back and celebrate the people of Supply Chain. So thanks again to Billy Ray Taylor. Certainly was in addition to all of our upcoming program. And also make sure like Amanda said, if you are at Gartner, go ahead and find Scott and Katherine and our team members. But we also had a new addition of with that said, so that's our weekly newsletter. We touched on a bunch of news stories, a few of our recent episodes and some upcoming events. So that's a great place to get all the information. Clickable links, watch something you missed, see what's coming up. That's a great place. Make sure you sign up. You can find that on LinkedIn. So we will get back to the Met Gala and it is always Amanda. Correct me if I'm wrong, it's always the first Monday in May, right?

A (4:40)

I think that's right. Yeah.

B (4:41)

First Monday in May is the Met Gala. It's a little bit of a who's who, if you will, with, you know, invites being given away to, I would say mostly A list celebrities. A few B list celebrities in there, too. Right? Up and coming celebrities in there, too. It's about 400 guests every year. So it's a big event. But it's also, I think what makes it so enticing is that, you know, it's not thousands of people. So you have to really be chosen to come to this event. It does have millions of people watching globally. Some people may not watch live, they may watch later. Or I think all of us certainly, you know, look up, I shouldn't say all of us. A lot of us look up the looks later on Instagram or TikTok or what have you. And, you know, it kind of brings us to this theme that we've seen at Supply Chain now that every great brand moment, so these big brand moments that we have, you know, in super bowl ads, everything is really brought to you by a connected supply chain. And you're going to see that here today. We kind of have these three themes that will keep coming up. The first is artistry. So you're going to see this is not, you know, fast fashion that's happening at the Met Gala. This is a much longer thought out supply chain that sources from multiple places and it relies very heavily on craftsmanship, which is an art that is, you know, hard to come by. I'm sure we all experience that in our personal lives. If you need something hemmed, I feel like, you know, you're on a waiting list now that it's not something that's easy to come by. And the second theme is precision. So there's a lot of, you know, insurance involved with moving these pieces. Sourcing ethically, people pay attention right to the supply chain now. And these we're talking about multimillion dollar assets, the dresses and suits that people are wearing on this day of the event. So you can imagine there's a really quick turnaround with very precise measurements that need to be taken into account. And then also the third thing that you're going to see, and this is kind of on the marketing sign, is the velocity. So we've got a slide later that's going to talk a little bit about how much quicker the supply chain reaction is in the fashion world now and how you'll see a Met Gala look this Monday is going to be really responded to immediately and in stores in the next few weeks, which is really crazy to Think about. There's been major changes, and obviously, the fast fashion has a lot of cons associated with it that we'll talk about too. But those are the themes you'll see weaved in today as we talk about the Met Gala. And Amanda, if you have anything to add to that, but also kind of give us a little bit about what the Met Gala is, that would be great.

A (7:17)

Yeah, you really covered everything. If you don't know what the Met Gala is or what in the world we're even talking about, it's an event hosted by Anna Windtower. She's the former editor, actually. I think this is. Is this her first Met Gala as not being the editor?

B (7:31)

I think it is. Because it was the big transition this year, right?

A (7:35)

Yep. So she was the former editor of Vogue magazine. And if you didn't know the inspiration behind Miranda Priestley and the Devil Wears Prada, they just put out the Devil Wears Prada too. I think this weekend it just went out.

B (7:46)

Yep.

A (7:47)

But she has hosted met gala since 1995. It's a fundraiser for the Metropolitan Museum of Art's Costume Institute. And brands pay over $50,000 per ticket, probably much more than that if they're buying tables or, you know, they are having multiple celebrities there. But it's not just an event. It really is a global brand stage. So, like, if New York, Paris and Milan Fashion Weeks are the playoffs, the Met Gala is like the super bowl of fashion. It's. Everybody is looking. They're looking at new trends. They're looking to see how the brands and the celebrities are interpreting the theme and the dress code of the night. But it's absolutely, like, equivalent to the super bowl as far as advertising and the Oscars when it comes to celebrity placement. Because, like, Mary Kate said, like, the hottest celebrities. Yes. Will be there, but also like the young up and comers that are just like, on the precipice.

B (8:42)

TikTok famous, but not mainstream famous. Yeah.

A (8:45)

They can be influential in lots of different ways. So lots of really influential people there.

B (8:50)

Yeah. And I, you know, it's always interesting to see who gets invited and who doesn't get invited back. I think that is a little bit of the lore of it. Right. And wanting to be at the table. And some people take 10 years off and then they come back and it's exciting. So it is very much a marketing ploy. There's viral moments. Those viral moments do not happen on accident. Right. There's a lot of money behind this and a lot of times political messaging. Right. Or other Messaging that is associated with the event for good or bad. Right. But that's just always how it's been. And the theme this year is actually one that is at least easy for me to wrap my head around. There's been a few themes in the last few years where, you know, even being into fashion, I'm like, I don't really know what that means. But this one, the overall theme is costume art. Right. So this is inspired, obviously by the costumes in the Met right now. And it's the intersection of fashion, art, and the body over 5,000 years. So there's a lot to see in the actual exhibition area there. But then the dress code. So they have a theme and then a dress code. The dress code is fashion is art. So this really, I feel like, could go a lot of different ways. In the green room, we were talking about probably likely a lot of paintings on fabrics. I'm going to guess we're going to see, like different types of murals or I'm sure the beading intricacy will be even greater this year. But I think that theme, Amanda, is really a fun one.

A (10:16)

I think it's a great one because I know some of the ones in the past have been very difficult to interpret, but this one, I mean, I think there's really no argument that fashion is art.

B (10:28)

Exactly.

A (10:29)

It's an art form already.

B (10:30)

Yeah.

A (10:30)

But if you want to take it, you know, very literally and think painting and think, you know, sculpture, and I think we'll see a lot. That's so true. Things like that incorporated in the designs tonight. But I think it's always really interesting to see how the brands and the celebrities do interpret the theme. And then, you know how some people are just lazy and just show up in a tux or show up in a pretty dress. Don't even go, I don't want to see that.

B (10:57)

The rest of your, you know, 364 days of a year don't have to be a theme, but today the theme exists, right?

A (11:04)

Yes. Your theme is for a reason. Let's respect it.

B (11:07)

Yeah.

A (11:07)

So I want to see art. I want to see real art.

B (11:09)

100 agree. So, you know, if people aren't following the theme tonight, Amanda and I will be rapid texting each other like, no. And by the way, I want to say we're looking at your comments live here. So, Jeremy, I love your comments. You say you have style. I love that. And you have an interest in startup and fashion, too, so that's awesome. That is definitely an area that we're seeing. More startups kind of get their hands in the fashion world obviously, has been typically harder to enter, and now it's with fast fashion and other technologies available. There is definitely new ways to enter as people's shopping styles continue to change too. So. So we love the live comments. Keep em coming. Okay, so let's dive right into the hidden supply chain. What people don't see going on behind the Met Gala, and like we said, there's probably gonna be pain points that you experience in your business too, in your own supply chain. So, Amanda, what do people not see in supply chain?

A (12:05)

This is true for the Met Gala. It's true for haute couture fashion industry.

B (12:10)

I'm happy you had to say that word.

A (12:13)

That's one I do know. I cannot spe French except for a couple of things.

B (12:18)

Yeah.

A (12:19)

And that might be about it, but the custom garments that we'll see tonight have been designed months, if not, you know, a year. Yeah. And can literally take thousands of hours and, you know, maybe not hundreds of people, but lots and lots of people to create.

B (12:37)

Yes.

A (12:38)

They're very, very labor intensive. And it's impactful because there is a really a shrinking pool of artisans that can really continually create these designs. It's very, very complicated.

B (12:51)

Yeah.

A (12:52)

Very complicated. Yes. It takes years and years to become, you know, a level of, I don't even think seamstress. That's not even a good enough word.

B (13:00)

They're right.

A (13:01)

They're masters of their craft.

B (13:03)

Right.

A (13:03)

And it takes years for them to be at the level that it takes.

B (13:06)

That's required for this. Yeah.

A (13:08)

Hundreds of thousands of beads can be sewn by hand into some of these gowns. Literally takes weeks and weeks to create. So if you think, you know, back when women used to gather together and quilt together, it's like, this is the modern version.

B (13:22)

This is the modern version. Yeah. With a lot more money behind it. Yeah.

A (13:25)

Yes. Yeah. A lot more money behind it. But the fashion, it's an industry in which manual precision and craftsmanship is so highly regarded. Instead of, you know, these designs being optimized for fast fashion, for, you know, mass production, these are unique, one of a kind, I think, literal pieces of art, which is so great this year. But the creativity and the artistry of the pieces are the primary goal. These pieces will be worn by celebrities tonight as one of a kind pieces.

B (13:55)

Yeah. They're not.

A (13:57)

And I'm so excited about the theme too, because like I said, you know, my background is in fashion merchandising. When I was in school, our major was Pretty heavy design focused. So I was in design classes.

B (14:11)

Yeah. How fun.

A (14:13)

Illustration. And I'm kind of an art history nerd. Anyway.

B (14:16)

So this is a good intersection of your background and interests. Yes.

A (14:21)

Yeah. And supply chain, too. Who'd have thought, right?

B (14:24)

I know, yeah.

A (14:26)

But a lot of the materials, too. This is. I think one of the really interesting things is some of the fabrics, some of the beadings and the closures and the different parts. Parts of the garments are literally sourced globally.

B (14:37)

Yes.

A (14:38)

You know, here, like French silk and Italian textiles sourced all over the world. Italy, Middle East, Asia. All of the pieces that go into these garments, they're literal global garments created by people all over the world.

B (14:52)

The best of the best. Yeah.

A (14:54)

Yep. It's a very complicated supplier network that goes into the design and the execution of the garments.

B (15:01)

Yeah. And I think, you know, when I was thinking about this, seeing procurement as part of the art, I'm sure if you're in procurement, you don't feel like you're part of the art in the day to day, but you really, truly are sourcing the best materials to create your end product. Right. Whatever that is in your organization. And thinking about it, with the Met Gala, this example supplier network, obviously it's, you know, much larger than this. Just. But just to give you a sense, these are all the different places that people are sourcing materials from to create that gown or that suit, whatever they're creating. Right. And I think a lot of times with this, something this high end, a lot of it is about the relationships you have and who you are connected to in these different places. And that goes the same with our day to day business. Right. When you're sourcing and who you can trust and the suppliers of your suppliers and making sure your supplier knows them. So it is this interconnected supplier network that makes the Met Gala truly happen. And you just think of the levels and layers of complication that go into that. Because like you said, you know, the beading, think about, when is the beading made? Who makes that? When do they start? Do they have the right colors? Do they have the right shapes? All of that stuff is just incredibly intricate and detailed going into this day.

A (16:15)

Designers, they're not heading up to the local hobby lobby to pick up a bunch of fabric.

B (16:19)

We're ordering it on Amazon. Right. Like, this is very, very different.

A (16:23)

Specially manufactured, you know, specially designed. If it's printed, if it's woven, all of the thought that goes into it, it's not just, you know, like me, I used to make kids clothes you know, it's not just me going up to Hobby Lobby, getting some cute fabrics

B (16:37)

and some ribbons and stuff that she just used to make kids clothes right here. So it's like the woman can do it all. That's amazing. But you're totally right. This is, you know, like, so complicated in a different way. It's just really cool to see it come together. And I think our next slide might have. Yes. So the supply chain roadmap of what this all looks like. So again, the design and sourcing. So think about not only are you putting these sketches together, right. And you're. It's like working with your prospect. Right. But imagine your prospect is someone like Kim Kardashian who's going to have a few opinions, right. On what she's going to look like. And then you go into sourcing, which I saw some comments in our live talk about ethical sourcing. That's huge. And that's never going to go away. Right. And when you have a stage like the Met Gala, people are going to ask where you sourced from, was it ethical? Right. What's the story behind your materials? Sustainability aspects. Those are questions that brands now need to answer. We feel that in business, the Met Gala brands also feel that day to day. And then couture production. Right. As Amanda said, can take thousands of hours. Finding the right people to do it, making those tweaks to fulfill the customer needs. Like we said, these customers are pretty demanding people. So I can't imagine that back and forth process being super smooth. And then we have the global logistics side. So this is. We're going to talk a little bit, actually about Kim Kardashian's dress in a couple slides too. But think about the insurance and the asset protection on some of these dresses. And how do you make sure. Yes. And I. We were reading even about some like temperature control, transportation, similar to some food logistics. Right. And making sure everything is so precise, pristine. I mean, absolutely. There's gotta be a lot of attempts of theft on this day or near this day, before, after this day. So you can imagine the insurance and security that goes behind every step away. And then we have the day of ops. And if you've ever been a girl that's been a bridesmaid in the wedding in a wedding, or a bride on your wedding day, you know a little bit about this and how everybody needs to get hair and makeup and be on a schedule and times that by a thousand. Right. You gotta be ready for the red carpet. I know some people show up late and it's always kind of that's reserved for the people that are like a list to show up late. But there's a whole process to this. As we all know. New York isn't, you know, you don't have a ton of space, so you gotta make sure people are in our in and out at the right time. It's secure, photographers are lined up and all that. So you can think about. It's like a major, major event that is largely about the red carpet, which is open. Like, you can see it. Right. It's right outside of the museum.

A (19:19)

The Met, I think. Another thing. I mean, I guess this kind of goes into global logistics. But if you've ever seen some of these gowns and some of these truly, like, costumes that folks are wearing, you can't just squeeze into the back seat

B (19:31)

of a car you can't fit. Yeah.

A (19:35)

I mean, literally, maybe some of them are standing in the back of a U Haul, you know, holding some stuff. But, you know, just getting to the gala itself with these maybe hundreds of yards of fabric in some of these designs, just thinking about the transportation to and from and securing, making sure everything,

B (19:53)

you know, that'd be stressful.

A (19:56)

Yeah, it's really amazing to think about everything that goes into it. Yeah.

B (19:59)

It's just very complex. And actually, if we pull up the next slide, this is actually an interesting one because this is actually Marilyn Monroe's original dress that is on Kim Kardashian, kind of a controversial move, I think, that some people loved and some hated. Right. But that's actually the whole point of the Met Gala. And this was a little different because this wasn't a dress that was made. But in order to secure this dress, it was on display at a museum, I believe, and she had to be able to get it to fit into it. And then she had to take it off right after she was on the red carpet because they wouldn't let her wear it inside. So then they had a replica made of this dress so she could wear it for the rest of the evening. There was no body makeup allowed. She was not allowed to wear that. Nothing was allowed to touch this dress. So you can imagine, like, she's not even allowed to trip in this dress. Right. So this is weighing out this risk management that a lot of us deal with in our day to day supply chain of taking on these risks. Asset protection. How are you going to manage what people need to be there on the day? When she was done walking up the stairs, they created a little box around her so she could change into the replica and then she had security take the Dr. Away. Right. So making all this happen for this viral moment, you know, this happened in 2022 and we still remember it. We're still talking about it today. So that's to say I think she was. I didn't love the dress, but I think she was. Or I didn't love this whole move, but safe to say she was successful in her approach.

A (21:26)

Well, that's exactly what I was just thinking. You know, all of that. I would be terrified. I would never be able to do this. Oh, my gosh. So afraid something. The strap's gonna break or something. I don't know that the someone's gonna

B (21:38)

step on the back of it.

A (21:39)

Yeah. So I would really struggle with doing something like that. But like you said, you know, it's four years later and people are still talking about it. And that's kind of the whole point.

B (21:50)

Yeah, it's really. If you think about this, this is a just in time, zero failure supply chain. Right. That's really what you're delivering on this day.

A (21:59)

There is no second chance.

B (22:00)

No second chance. And the sourcing of this was very unique. You know, negotiating with the Mus museum that it was at in order to get it for what, two hours? Right. Is really crazy. But to that end, we're going to talk a little bit about the overlap in marketing with the Met Gala. So, Amanda, if you can talk us a little bit about what you're observing in marketing as it pertains to the Met Gala.

A (22:26)

In a fast moving industry, your material handling systems can't fall behind. Hytrol designs and manufacturers. Conveyor systems built to keep operations running at full strength, increasing throughput, reducing downtime, supporting growth at every stage. With more than 75 years of proven performance and a reputation for reliability, Hytrol continues to set the standard in material handling. If you're ready to move smarter, visit hytrol.com and see why industry leaders choose Hytrol. Yeah, it's no longer just a red carpet. It's no longer just getting your picture snapped. You know, before you go into the awards, you go into the gala. It's truly, it's leading up. It's weeks leading up in TikTok breakdowns, in news stories about who's going, who's invited, who's not invited. You know, the whole lead up to everything. But then the day of, it's TikTok breakdowns, who's wearing what, what's the inspiration, you know, lots of thought behind it. Get ready with me. Content behind the scenes, drops and brand. They design outfits for going viral. Right. Not just for beauty, not just for artistry. Not just the moment, but to carry the brand and the chit, chat about the brand and about the people wearing the brand. You know, kind of continuing that going on after the event. What they want to see are memes. They want to see shares, want to see conversation and engagement. Just like, you know, any brand wants

B (24:00)

something or they have this much money on it. Yeah, commercial.

A (24:03)

Exactly. They want this to. To go to. They want to take this as far as they can.

B (24:07)

Yeah.

A (24:08)

One look can generate millions of dollars in earned media overnight. It can create fashion darlings overnight. Zendaya will see a couple of pictures of her in a bit. Let's see, who else? Rihanna, Beyonce, Blake Lively. They're all famous in their respective artistic genres, but they've become fashion icons now, too.

B (24:26)

Absolutely.

A (24:27)

So it's big for the brands. It's big for the people wearing the brands.

B (24:31)

Yes.

A (24:31)

Other Met Gala favorites. Colman Domingo, Timothee Chalamet, Sarah Jessica Parker, Kendall Jenner, Elle Fanning. This is influencer marketing at the highest level. Kylie Jenner, all these big names that are already big influencer marketers. The brands want these folks in their designs. And let's see, there's this.

B (24:52)

Yeah. And as you're talking, Amanda, I'm thinking about. Think about these relationships between the designer and the influencer or, you know, whatever. We want a famous person and how that develops over time, and that's securing a prospect, really. It's not. Just can't imagine how many someone like Zendaya, how many people want to work with Zendaya and dress Zendaya. You know, this is a relationship over time that needs to continue to be developed. And, you know, depending on the discourse afterwards, I'm sure that determines if they'll work with them again or if they'll switch it up.

A (25:25)

Yeah, absolutely. You know, you hear about stylists, you know, celebrities having stylists for years, but now, you know, celebrities have brand deals with the designers. Like, I think Zendaya has been working with Louis Vuitton for a while. There's several. Margot Robbie works with Chanel or used to work with Chanel. So there's a lot of these brand relationships that you associate with that person. 100%. Yep.

B (25:47)

Very much part of their brand. You know, that's just what I was going to say.

A (25:51)

It's definitely part of their personal brand and it's who the brand, you know, wants to inspire, wants to use that look, wants to Use that same perception, you know, for. For all of their marketing and their messaging going forward. But this actually is one of my very favorite Met Gala looks. This was in 2019, Zendaya wore. I don't remember the theme, what this was, what the theme was. Yeah, I don't remember either, but this was a very wearable, tech viral moment. But she was dressed. The dress looks like a Cinderella dress. It was LED lit. It was Tommy Hilfiger design.

B (26:28)

Oh. It was that year that it was camp. Oh, right.

A (26:32)

That was a confusing one for me.

B (26:33)

It was. But the one good thing about that one was people did crazy things like this.

A (26:37)

Yeah, they went all out. So this was LED lit, had complex hardware assembly all underneath. It had integrated circuitry and custom power packs, remote triggered light sequences. And the cool thing is this guy on the right side of the picture there, that is her stylist. And he's the one that kind of put the fairy godmother wand or whatever down, I guess hit a remote or something. And then her whole dress lit up and it turned into like, I think it was gray to start with. And it lit up into the blue Cinderella dress. Right. When she was on the big staircase, like, going into the gala, it was like a pretty unbelievable moment.

B (27:17)

I was just gonna say it was such a moment that I didn't realize it was this many years ago, because I really remember it.

A (27:23)

I didn't either. Yeah. But real time transformation logistics right there on the stairs. It was just a pretty, I don't know, an amazing moment of trust.

B (27:30)

Yeah. And I'm sure kind of scary one to try and pull off.

A (27:33)

Right.

B (27:33)

I mean, if you simply just signed in for a meeting and then your Internet goes out, you know, it's like, what if that happens that day?

A (27:42)

That battery pack was, what, in charge or something?

B (27:45)

Yeah, right.

A (27:45)

Yeah.

B (27:46)

You have to have everything so precise. And I'm sure they have backup plans as well, as many of us do in supply chain.

A (27:52)

Yeah, I would hope so. But yeah, every moment like that is planned out months in advance. So there's so much planning that goes into this. It's not just spur of the moment decisions. It's really, really thought out and planned for four months.

B (28:05)

Yeah. And that kind of is the next theme is the planning that goes into it and then the planning that comes after it. Right. So this is about kind of this ripple effect we see in the supply chain. So now these viral social media signals are inputs for manufacturing schedules, believe it or not. Right. Because you have places like we used to always talk about Zara. Right. Being the fast fashion in 21 days. Right. They can turn it around. I think the sheen one got cut off, but I think that's six days. Actually. It's very. It's crazy. I want to say it's six or seven days. Maybe it's eight. Somewhere between six and eight days. The turnaround time, which there's a whole nother conversation we can do a whole nother show about. We all know, unfortunately, what fast fashion is doing when it comes to waste. Right. That's a whole nother thing. But just talking about what seriously happens after the Met Gala is that manufacturers will be affected about designers moving quickly, producing these products, really predicting demand spikes. Right. Of what are people going to want to buy based on what went viral on the Met Gala. Right. So that's crazy to think about how one event could have this manufacturing and supply chain effect downstream. But, Amanda, I'm sure you get hit with ads where you're like, I think I saw a dress that looked just like that on the carpet all the time. All the time. A little bit scary how fast it is now. Right. Like, I remember after Kim Kardashian's look with the whole. She had that like black and simple. Yeah. That started to be produced in different formats. Right. But I kept trying to think of where I would wear it to, but couldn't find a spot. But nonetheless, it was manufactured and it was made. Right. The. Your sourcing and demand spikes all have to adjust based on that. If you're in this in the fashion industry.

A (29:55)

Exactly. I just saw a comment that I've got to add in here. You'll get a kick out of this. Mary Kate, Mark says hi, Mark. It's good to see you, too. I was going to wear my rattlesnake hunt jacket, but wasn't invited.

B (30:07)

Mark, you should be invited. We'll reach out to Anna Wintour.

A (30:12)

I would love to see a rattlesnake jacket. That might be interesting.

B (30:15)

I actually think so. See, it's like you never know what's going to be. It feels rattlesnake is very. It's art. Right. It's a form of art. I love it. Yeah. And I think, you know, bringing this all back to. In our. As we were talking about in preparing for this conversation is we had a few key takeaways. We've hit on some of this. But one being logistics is unsung hero of the day. That is so common. That's actually we talked about that on National Supply Chain Day last week. Is thinking about these kind of last mile or the detailed logistics like this white glove transport, things needing to be temperature controlled. Right. All of this, this whole event doesn't happen. Right. If the logistics are not there.

A (30:58)

Yeah.

B (30:58)

And then this data being the new fabric that weaves us all together. Right. The input, these viral moments being the input for manufacturing people being prepared to respond to these viral moments, I think is huge. Again, that timeline for response is shortening and shortening, for better or for worse. It just is. But now you see something you like, you start to go and look for it right away, because you can't right away. You don't have to go to a store. Right. You can just do it from your couch. And then also we talked a lot about this. The high value assets that are being created on that day. And then the Runway to reality speed. So seeing this dress on the Runway is this big marketing moment. And you, as someone watching it, think that a form of it is attainable to you, and they're trying to sell to you that, yes, you can wear something like this. However, we know you're probably not likely going to be wearing a gown that took thousands of hours to create. But you can be inspired by it. Right. And get something that is a little bit more realistic. But it is about you seeing something beautiful. Right. And then you wanting it is really what it comes down to.

A (32:06)

I think it can be the fashion, I think it can be the accessories. It can be the theme itself. You know, maybe we see more art, you know, representation in, you know, seasons coming up. It can be in the hairstyles and shoes.

B (32:20)

Make sure that's so true.

A (32:22)

You name it. It's just from head to toe, literally the inspiration that can come from.

B (32:26)

Yeah. And you don't have to be in fashion or feel confident about fashion in order to actually be affected by this. We were talking about this too, before that in the Devil Wears Prada. They sort of talk about we're all affected by the decisions that are made in fashion. It's, you know, the color you're wearing is that season's color for whatever reason, whether you like it or not, or you care about it or not. We're all kind of affected by these decisions and these marketing moments, if you will, affect what we buy, even if that's just a pair of socks. Right. So. Or your rattlesnake jacket, whatever it is. Right. You know, it just is affected by it no matter what way you look at it. Which is pretty cool to think about. Yeah.

A (33:10)

I think it's very interesting, and I think it's amazing to see how something that feels so far away and something that can feel so far removed can really be impactful in your day to day.

B (33:20)

It's true. And I think that that is supply chain in general.

A (33:23)

Right.

B (33:23)

It is something that impacts your day to day as well in your personal. And obviously, if you're listening to this, likely your professional life as well. And there are just so many moving pieces at any given moment. And what I loved about this story today was just looking at just singularly one day and all of the pieces that go into making that one day happen within the supply chain is such a great story about supply chain and really the people working in supply chain about how you have to think big picture and little picture basically every day.

A (33:57)

Absolutely. Totally agree.

B (34:00)

Well, yeah, that was kind of the Met Gala overview, but we couldn't end this without talking about we have to share our favorite looks from over the years. So, Amanda, do you want to start us off with. And for the people that aren't into fashion, we won't talk about it too long.

A (34:13)

Okay.

B (34:13)

But you just need to see what some of these looks are. Love this.

A (34:17)

So before I even read the run of show to see that Mary Kate had mentioned Zendaya. I thought that was so.

B (34:24)

That was so iconic. Yeah.

A (34:26)

Iconic moment. I think it's so cool. I also, I'm not a huge fan of Blake Lively, but I think at the Met Gala, he has to amazing selections. I don't know if it's, you know, a lot of what. What she wants that goes into it or if it's the designers that comes around. This one was like American fashion or something like that was the theme. And it was meant to look like the Statue of Liberty. I remember that bronze and then the kind of patina from the statue. But when you saw her on the stairs, it really was amazing.

B (34:57)

Yeah.

A (34:58)

This is Colman Domingo. And one of my pet peeves, we touched on it a second ago, is if you're going to the Met Gala, do something cool. Don't show up in a basic tux or an evening gown or whatever this is.

B (35:09)

So. Yeah. Cool.

A (35:10)

Yeah. Get a little funky. Get into the, you know, take a risk. Yes. Do something fun with the theme. And so he always, I mean, this was a great look, but he has some other amazing looks. And I always am looking to see what he's wearing because I think he

B (35:24)

always, especially for the men's fashion side of thing, that can be a little bit harder to come up with something.

A (35:30)

And I get that. Yeah.

B (35:31)

And he Always does. And it's just, in a way, it's subtle, but it's really cool. And it's something you've never seen before. I made my favorite looks really easy. You can notice that's the same person three times because I love Beyonce, but on the left, 2015 was my favorite look. And I remember that this was. I think it was Givenchy. How do you say Givenchy?

A (35:54)

Yep.

B (35:55)

She had, like, five minutes to do her hair, and they did her hair in that ponytail in the car right over. So pretty iconic, that. And she showed up. I remember, like, last person to show up, and you're like, is she coming? Is she not? And as you can see over the years, she just always is a beautiful gown. Always. But it's just. Look at how different she looks every time. Right. And again, responding to the theme each time, too. So I love that, too.

A (36:22)

I don't like when people show up in the same look over and over and over.

B (36:26)

Yeah, you have to try something different.

A (36:29)

Variety.

B (36:29)

Yeah, a lot of variety. So she can. The message is she can really do it all. But, yeah, I think predictions right for this year and moving forward is, I think, for me, I think we're going to even continue to see this Met Gala be this bigger and bigger marketing moment with TikTok with so many people into fashion and fashion being so accessible now. If you want to try a trend, you can go online and you can buy it and try it pretty immediately again. Pros and cons to that. But I think we're going to see manufacturers having even quicker response times. It's so quick now, but I think that's going to get even quicker.

A (37:08)

I think you're absolutely right. I think. Not that they're being forced to, but I think that's what the consumer expects.

B (37:13)

Yeah, it's expectation. Yeah.

A (37:15)

I remember the super bowl when Kendrick Lamar performed. I was googling what jeans he was wearing.

B (37:22)

Oh, my God, his jeans. Yeah.

A (37:24)

Like the next day they were sold out, you know, whatever. Remember? But they were totally sold out. Not exactly the same since obviously people can't Google a Chanel Haute Couture Gallery gown and get it tomorrow. But they'll be looking at the brands. They'll be. If there's new, you know, designers coming up, they want to know about them right away. They want to know where they can find their next line or whatever. The one thing that I think, Mary Kate, that you had mentioned, too, or maybe we didn't mention this already, how AI is getting incorporated into fashion as well. And I think it's controversial in fashion. Just like it's everywhere.

B (37:58)

Yeah.

A (37:59)

But I think especially, you know, in fashion, since it is very people driven, very artistically driven. Is AI taking the artist out of

B (38:09)

the art or is it supporting the artist? Yeah, yeah.

A (38:12)

Or is it supporting. Is it helping artists do more? Kind of like AI created music and AI generated TV shows and movies and stuff. Will artists and like fashion designers, will they be replaced by AI or will they be able to use it as a tool? Will they be able to take an illustration, put it into AI and AI creates the pattern pieces, you know, makes that. That more simple.

B (38:35)

Right.

A (38:35)

You know, there's no telling, but I don't know what's already in use, but I'm sure that stuff is already.

B (38:40)

As you're talking. I'm like, will there be a day where lay people like us could design? Well, you've designed and made your own clothes. You've already done that. But someone like me that doesn't know how to do that, is there a future where I see something and I say, I want a dress that has intricate beading and blah, blah, blah, and a design is created, you know.

A (38:58)

Well, just a couple weeks ago, you introduced me to a new website where you can create your own apps, you know, just through prompts, using AI generated, and they create an app, just like I am no app builder and creator. I created an app, you know, just a couple of weeks ago, ago with AI prompts.

B (39:17)

You know, you did that and you did it so quickly. Fashion related too.

A (39:21)

Fashion related too. That's. I need to share it with you. Yeah, but will designers be able to do that? You know, I want a black gown. I want this type of a sleeve.

B (39:28)

I want it inspired by this.

A (39:30)

Yeah, absolutely. Will they be able to put it into some sort of prompts and then it creates a pattern for you that you can then sew yourself or have somebody for you. You start thinking about it and, you know, just like any industry, you know, it might replace some people's jobs, but in a way it might really support some others. Yeah. Make others jobs a lot easier. So there's no telling.

B (39:52)

I think that's a great prediction for AI, and I'm curious to see how it will be used or not used in the next few years. Just like any other industry that is both excited and wary of it at the same time. Right. It's.

A (40:04)

Yeah, exactly.

B (40:05)

Tool we're all excited about. But like I said on the show, I think last week, sometimes I challenge myself to not use. Use AI because for a While there, I was trying to figure out every way to use it, and then it's like, sometimes you don't need it, believe it or not. So that is interesting. And I, you know, on top of that, related, I think we'll continue to see these kind of technology integrations, like the Zendaya dress, of different uses of technology. I know there's been talks about, like, a virtual Met Gala. What does that look like? Obviously, the Metaverse glasses and things like that that I think we'll see weaved into probably this year, if we see probably more of that and next year and beyond, we'll see different technologies being weaved into fashion. I don't know how that will ever come into our lives as normal people, but, yeah, it might. Right. A lot of people wear smart watches. Some people wear the glasses already. So, yeah, I think we'll see those faster manufacturing, AI usage and these kind of like, extensions of technology being used in the future.

A (41:11)

Yeah.

B (41:11)

And I think probably more money even being than already is being thrown into it because of the ripple effect and the accessibility of fashion. I think brands will continue to throw more money. And I already see kind of like more commonplace brands posting their favorite Met Gala looks that kind of are like, what their brand is, you know, like. Yeah, might post like a very clean, chic look and say, oh, we're gonna look at our linen set. That look, you know, something like that. Yeah, you already see that happening. So I feel like that will continue to happen more and more.

A (41:48)

Yeah, I totally agree. I don't see this doing anything but getting bigger and bigger. And the impact on social platforms and through influencer marketing and all of the other tools and channels that brands use in complimentary brands. Like, you're talking about how they can use and how they can impact even if they're not at the Met Gala, how they can take a page out of their playbook and use it to relate to other customers or to relate to their customers that are watching the

B (42:14)

Met Gala and following along.

A (42:16)

It's a real study in logistics, supply chain marketing, all rolled into one.

B (42:21)

Truly. It really is. And I'm excited for tonight. If. If you listen to this show and you made it here, maybe we've inspired you to check it out tonight. It's fun to watch. You could even put it on in the background. And thanks for joining our show. Thank you so much, Amanda. I hope you had as much fun as I did today.

A (42:39)

I did.

B (42:40)

Really fun topic.

A (42:41)

Talk about clothes.

B (42:43)

I know clothes and supply chain. It's like the perfect mix right. I love it. And it's nice to kind of think about a story like this as it relates to Supply Chain. And you know, we're always looking to tell the stories of Supply Chain. So if you have a great story about your supply chain, please reach out to us. We're always looking to highlight that's what we do at Supply Chain now is really highlight the stories of the supply chain, how people are innovating, what people have learned to use or not use. Right. That's what we want to do here. So if you haven't already, follow us on socials, subscribe to our YouTube channel and newsletter and listen in every Monday on the buzz to hear the latest in the news and trends in Supply Chain Now. And with that, we will say goodbye and thank you so much. Have a great Monday, everybody. Join the Supply Chain now community. For more supply chain perspectives, news and innovation, check out supplychainnow.com, subscribe to Supply Chain now on YouTube and follow and listen to Supply Chain now wherever you get your podcasts.