Tagging.tech presents an audio interview with Clemency Wright about keywording services

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Keywording Now: Practical Advice on using Image Recognition and Keywording Services

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Transcript:

Henrik de Gyor: This is Tagging.tech. I’m Henrik de Gyor. Today I’m speaking with Clemency Wright. Clemency, how are you?

Clemency Wright: Hi. I’m good, thanks Henrik. How are you?

Henrik: Good. Clemency, who are you and what do you do?

Clemency: I’m Clemency Wright. I’m the Owner and Director of Clemency Wright Consulting, which is a UK‑based business and we specialize in providing bespoke keywording services and metadata consultancy, primarily for the creative media industries.

We work with stock photo libraries. We also work with specialist image collections. We work with book publishers and a small number of online retailers. We do some collaborative work with software developers and technical consultants on various projects.

The purpose of our work, mainly, is to help our clients organize their digital assets. These could be visual or text‑based. The idea here is to make the assets found more quickly and more easily by their end users.

Initially, my role in this field was working within the stock photo library, in search data and search vocabulary for a major global stock photo library based in London.

From here, I’ve worked with specialist collections, where the nature of keywording is very different, and also in the museum and heritage sector; again, working with data in a very different format on a digitization process. The experience across those different fields is quite different when you look at it from a keywording perspective.

Just to clarify now, I’m a consultant for various businesses. This is really key, as the proliferation of visual media continues to grow. We’re very closely looking at the way we handle digital content, how we make sense of that digital content, how we make the information relevant, and more available to more people.

It has huge potential for our customers and for their end users, in terms of improving the search experience and the access to these assets. I think that pretty much summarizes where we are at the minute, in terms of who we work with, and what we provide for those people.

Henrik: What are the biggest challenges and successes you’ve seen with keywording services?

Clemency: One of the biggest challenges really is the perception that keywording is pretty much the same as tagging. Obviously with the rise of SEO, we’ve got some confusion here about what keywording is. We started keywording many years ago.

Obviously within librarianship and archival work, people were keywording as a way to retrieve information, which is still what we do, but I think the challenge here is breaking down these perceptions that it’s always a very basic way of tagging content.

We’re trying to differentiate between keywording which is, on its basic level, adding words that define an image or the content of an image, and high performance keywording which is very much a user‑focused exercise.

It’s a very 360‑degree look at the life cycle of the image and how that image will be ultimately consumed and licensed for use in the broader digital environment.

One of the challenges is highlighting the value of a high quality, high performance keywording project to the customers, and also their end users and the various stakeholders therein.

I think working with specialist collections can be quite challenging. We have to create bespoke keywording hierarchies and controlled vocabularies for these clients, which obviously makes the access to the content much more. The performance of that is much greater, but it can be challenging. It can be quite time‑consuming.

There’s a level of education that we need to have with our clients, to illustrate to them and demonstrate to them the return on investment that can be had from a good keywording methodology. By the methodology, I just wanted to define that, which links to the challenges that we have to do with technology and the extent to which we use controlled vocabulary systems and software, and the hierarchies that we build for our clients.

They help to define the depth to which we can classify content, and also, the breadth of that content. The content may be video footage, or it may be photography. It may be illustration.

Obviously, a challenge there is creating a vocabulary or a taxonomy that will cater for an ever‑increasing collection, one that is growing and evolving as businesses themselves incorporate new content into their collections.

Technology is a challenge, but it’s also a great facilitator in the work that we do. It allows us to embed a level of accuracy and consistency to the work that we do for our clients.

When you’ve got measures in place, and you’re creating controlled vocabularies and hierarchies, you’ve got systems there that make sure the right vocabulary is being applied, and it’s being applied consistently and accurately. There’s a level of support that the technology can offer, as well as it having its own challenges.

Perhaps on a more general level, keywording has been tarnished somewhat by some multi‑service agencies which are offering keywording as a bit of a sideline.

Perhaps their core business may be software or systems development or post‑production, but then, by offering keywording as an offshoot, some clients are going down that road and then discovering later on that actually, the keywording side of that was a bit of an afterthought. I think the methodologies and strategies in place have failed some of the clients that we work with, at any rate.

There’s a challenge there for us to make sure that we can differentiate between specialist keywording provider and an agency that offers keywording as ...