Transcript
Lynne Hoffman (0:00)
Music Saved me.
Struggle Jennings (0:01)
But telling that story through my music and watching, you know, the tens of thousands, hundred thousands of people gravitate towards that, find inspiration and hope in my music and use my music to help them get through whatever they're going through and then to get to meet them at meet and greets at shows and hug their neck and, you know, crowd them cry on our shoulder. And that's what's kept me going. That's what's kept me straight.
Lynne Hoffman (0:26)
I'm Lynne Hoffman and welcome to the Music Saved Me podcast. The podcast where we get the incredible opportunity to chat with musicians who share their stories about overcoming adversity, or what I like to call obstacles, through the healing power of music. If you enjoy our show, please share it with your friends and check out our companion podcast with a really cool guy that I think you're gonna like a lot. His name is Buzz Knight and he hosts a really great podcast, also music related, called Taking a Walk. And you can find that wherever you get your podcasts. All right, today we are really excited to welcome STR Jennings as the grandson of Waylon Jennings and Jesse Coulter. He hails from a legacy of outlaws and rock stars, which I think should be the name of your next album. Struggle has new music out called Live from Rikers island and he's also had chart topping success with one of our very first guests on the Music Save Me podcast, Jelly Roll. Struggle is also the face of the Sound Sobriety Rehab Clinics, which is a revolutionary music themed rehab program that we'll also get to discuss. Welcome Struggle Jennings to Music Save Me. It's so great to have you here.
Struggle Jennings (1:38)
So, so good to be here. I'm so grateful. Thank you for having me.
Lynne Hoffman (1:41)
I, I, I could have you talk to me forever. That voice is just, I'm sort of a voice geek even just talking. Yeah, just say something.
Struggle Jennings (1:50)
Thank you so much.
Lynne Hoffman (1:53)
All right, let's start at the beginning. Struggle, can you tell us a little bit about your musical upbringing and some of your early influences when you were growing up in Nashville?
Struggle Jennings (2:02)
Yeah, so I'm an 80s baby music singer and I grew up, of course, in a musical family. My mom had a piano in the house and my grandfather was Waylon and grandmother Jesse. And So the first 10 years of my life, or from the time I was 4 to 6, my mom was touring with Waylon as a backup singer. And so summertimes, stuff like that, I'd get to go out on tour with them and standing backstage and, you know, watching Waylon do his thing and watching my mom sing. And hearing the instruments, I was automatically just so drawn to the emotion and music. And of course, we'll get into it a little bit later. But like my mother, you know, she liked bad boys. She didn't want to take handouts from Waylon. So we ended up living in lower class areas throughout Nashville. And so as I was growing hip hop, really, as it was blowing up, it's what I really latched onto, you know, the storytelling and the stories of hard times and heartbreak and the same as country. Just it was that generation, you know, and that was the. That's what spoke to me due to my environment more than anything. So at a young age, I started writing poetry and falling in love with music. And, you know, my mom would play the piano every night when she'd get off work or every morning when she woke me up for school. She would start the day singing hymnals and playing and, you know, trying to infuse that energetic, happy, blessed to be awake environment. Even through our hardest times with. She was 16 when she had me, so, you know, we struggled a lot with her growing up and us kind of raising each other. So. But she always tried to infuse music into the household as uplifting and as the way. So I latched onto that immediately. And a lot of my influences, of course, was Waylon musically. A lot it came from, like, Tupac, you know, with my lyricism and telling my story in a way that others could gravitate towards it. Right. Like, I always. Even when I was just doing poems, when I was young, writing poems in school, it was always something maybe that. Not that I went through, but that I was watching somebody else go through and just really heartfelt things.
