Music Saved Me with Darryl "DMC" McDaniels-Part Two

Summary

Detailed Summary of "Music Saved Me with Darryl 'DMC' McDaniels - Part Two"

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Introduction

In the January 15, 2025 episode of "Music Saved Me," hosted by Lynn Hoffman of iHeartPodcasts, listeners are immersed in an inspiring and heartfelt conversation with Darryl "DMC" McDaniels from the iconic hip-hop group Run DMC. This second part of the episode delves deep into personal stories of adversity, the transformative power of music, and the responsibilities of artists in shaping culture and society.

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Connecting Generations: Lynn Hoffman Introduces Dylan Cartledge

Lynn Hoffman begins the episode by introducing Dylan Cartledge, a rising star in the music industry. She highlights Dylan's challenging upbringing in the foster care system and his remarkable journey to success through music. Dylan's perseverance and optimism despite his tough beginnings set the stage for an engaging dialogue between him and DMC.

Notable Moment: The Power of First Impressions

Lynn Hoffman ([05:14]): "I remember going to one of my older brothers' weddings... and the first time I heard 'It's Tricky' by Run DMC was transformative."

DMC’s Personal Journey and Overcoming Adversity

DMC shares his own experiences growing up in foster care, emphasizing how music and comic books provided him with a sense of belonging and purpose. He draws parallels between his life and the narratives of superheroes, illustrating how these stories inspired him to find his voice in hip-hop.

Notable Quote:

DMC ([12:32]): "Before music, I felt like I didn't belong. Comic books gave me a place for myself."

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Musical Influences and Eureka Moments

The conversation shifts to the pivotal moments that shaped both Dylan and DMC as artists. Dylan recounts how discovering Run DMC's music at a young age ignited his passion for hip-hop, while DMC reflects on his "eureka moment" inspired by superhero stories that empowered him to use music as a force for good.

Notable Exchange:

Lynn Hoffman ([06:07]): "This is Dylan."

Dylan Cartledge ([06:09]): "It's a new day, a new day when the sun hits the water..."

DMC's Inspiration from Superheroes

DMC ([17:37]): "Most superheroes have adopted or foster care situations in their lives... Superman saw his whole world change when he came to Earth."

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Hip-Hop as a Healing Force

DMC and Dylan both emphasize the therapeutic role of music in their lives. They discuss how hip-hop served as a medium to express their struggles, build confidence, and create a sense of community. DMC highlights how hip-hop has evolved to address social issues and provide a voice for the marginalized.

Notable Insight:

DMC ([17:37]): "If I didn't have hip hop and rock and roll to express myself, I probably would have never started singing rhymes up on stage."

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Responsibility of Modern Artists

A significant portion of the episode focuses on the evolving responsibilities of artists in the hip-hop industry. DMC critiques the current trends in hip-hop, particularly "mumble rap," and emphasizes the need for artists to address meaningful social issues rather than perpetuating negative stereotypes.

Key Discussion Points:

• DMC on Mumble Rap:

  "The only thing that's wrong with this generation of hip hop is that they're not being responsible." ([30:04])

• Addressing Real Issues:

  "Artists have the power to shape culture and inspire change. It's up to us to use that power responsibly." ([30:04])

Dylan's Resonance:

Dylan Cartledge ([18:18]): "Your music goes bigger beyond that... I feel truly inspired by your words."

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Mentorship and Mutual Respect

The episode highlights the mutual respect and mentorship between DMC and Dylan. DMC encourages Dylan to continue striving for socially conscious music, while Dylan admires DMC's legacy and commitment to positive change. This exchange underscores the importance of intergenerational support within the music community.

Notable Interaction:

Dylan Cartledge ([39:36]): "I really vibe with how you talk about faith and storytelling."

DMC ([39:45]): "It's up to us to fight the good fight."

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Building a Legacy: Purpose and Destiny

DMC reflects on his dual role as both a biological and adoptive child, viewing both as integral to his identity and success. He emphasizes that one's circumstances do not define their potential, advocating for the belief that every individual has a purpose and destiny to fulfill.

Inspirational Quote:

DMC ([25:20]): "You have to have somebody's explained to you that your situation doesn't define who you are."

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Conclusion: A Call to Action for Responsible Artistry

The episode concludes with a powerful call to action for artists to embrace their role in advocating for social change and personal responsibility. DMC and Dylan leave listeners with a message of hope, resilience, and the enduring power of music to heal and unite.

Final Thoughts:

DMC ([41:25]): "You have to have guts to be an artist. Without us, the music business has nothing."

Dylan Cartledge ([44:29]): "It's been an honor to speak with you, DMC. Your legacy inspires me to make meaningful music."

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Notable Quotes with Timestamps

1. DMC on Finding Purpose Through Comic Books:

   "Before music, I felt like I didn't belong. Comic books gave me a place for myself." ([12:32])

2. DMC on the Influence of Superheroes:

   "Most superheroes have adopted or foster care situations in their lives... Superman saw his whole world change when he came to Earth." ([17:37])

3. DMC on Modern Hip-Hop Responsibilities:

   "The only thing that's wrong with this generation of hip hop is that they're not being responsible." ([30:04])

4. DMC Encouraging Dylan:

   "You have to have guts to be an artist... Without us, the music business has nothing." ([41:25])

5. Dylan Expressing Admiration for DMC:

   "Your legacy inspires me to make meaningful music." ([44:29])

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Final Thoughts

This episode of "Music Saved Me" serves as a poignant exploration of how music can transcend personal struggles and societal challenges. Through the lens of DMC and Dylan Cartledge's experiences, listeners gain a deeper understanding of the enduring impact of hip-hop and the vital role artists play in fostering positive change. The heartfelt dialogue emphasizes that despite the obstacles, music remains a powerful tool for healing, empowerment, and uniting communities.

Transcript

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[Daryl DMC McDaniels]

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[Daryl DMC McDaniels]

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[Dylan Cartledge]

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[Daryl DMC McDaniels]

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[Daryl DMC McDaniels]

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[Daryl DMC McDaniels]

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An eye on what your kids are spending with real time notifications. Kids learn to earn, save and spend wisely, and parents can rest easy knowing their kids are learning about money with guardrails in place. Try Greenlight Risk free [e-mail] iheart Music saved me welcome to the Music Saved Me podcast. I'm your host Lynn Hoffman and this is part two of Music Saved Me, featuring the legendary iconic Daryl DMC McDaniels from Run DMC. We're going to pick up where we I was just about to introduce Daryl to a rising star in the music world who I think is probably going to be a massive star. Let's see if Darryl agrees. A couple of weeks ago I had a young man who's a huge rising star in my book. His name is Dylan Cartledge. And a couple of years. Well, let me just say he's musical. The instrumentalist from the UK a couple of years ago signed a deal with Universal. He was raised on all kinds of music, but he came up through the foster care system. Really, really tough life growing up and, and this, this young man. I don't say kid, but I feel like I'm old. So anyone younger than me is a kid.

[Daryl DMC McDaniels]

Right.

[Lynn Hoffman]

But he basically took lemons and made them lemonade and, and, and sort of beat the odds. And he's so positive and optimistic and just amazing. So I was doing my research on him and he had this single he just released in November. It's called New Day. And so I, I read all about his story and I, I'm already impressed because he's, he somehow at his young age he figured out how to, how to be optimistic and to turn it around. I mean there's a way, it's amazing.

[Daryl DMC McDaniels]

To do it when you're hungry. Yeah.

[Lynn Hoffman]

When you're young and hungry. Yeah. Maybe you're exposed to stuff that you don't necessarily know how to understand or unpack and then later it could get you.

[Daryl DMC McDaniels]

But yep. No, it's true.

[Lynn Hoffman]

He already sort of went through that. Just coming through what he went through as, as a child that he, he was taken out of the home, away from other places.

[Daryl DMC McDaniels]

Yeah. Notice hor that's why we started the Felix Organization.

[Lynn Hoffman]

Yeah. And so he, and so I listened to his song and every time I tell my husband this story, I start to get teary eyed because I listened to his song and I could hear the smile on his face and the optimism and the hope and the light and all of this stuff and I just burst into tears and I'm thinking postmenopausal. No, it has to be. You know, this young man just has it all and that and so, but.

[Daryl DMC McDaniels]

They do have it at an early age.

[Lynn Hoffman]

So I said I finally get him on the show.

[Daryl DMC McDaniels]

That's bold that he's able to just express it now too.

[Lynn Hoffman]

Oh yeah. And they had this like documentary follow him around. He was a waiter at night. He would DJ and rap and do hip hop and all this stuff.

[Daryl DMC McDaniels]

So much fun.

[Lynn Hoffman]

So I say to him, I think he's in his early 30s now. And I said to him, so Tell me about your earliest influences and your earliest experiences with music. And he started to tell me about some of the artists that he listened to. And let me just. I'm gonna play it for you. I have it all queued up here. You ready?

[Unknown]

I remember going to my. One of my older brothers from my, you know, adoptive family. I went to one of his wedding, and I never forget the first time that I heard It's Tricky by Rundy mc. I must have been about six years old, right. And I was. I was allowed to come to the party. My brother, you know, I was at his wedding. And so one of my older brothers. Okay, we're gonna look after you, and you can stay till late. So I was like, get in. No bedtime today. And then that song I just requested over and over again and was dancing and dancing and dancing.

[Lynn Hoffman]

DMC was a huge band for me, too. So I totally. I can hear that song right now.

[Unknown]

It's Dordarak. It's.

[Lynn Hoffman]

And then just that little.

[Unknown]

Yes, that's.

[Lynn Hoffman]

That's dmc. I bet it would just make him so thrilled to know that he influenced you.

[Daryl DMC McDaniels]

Wow. That's crazy.

[Lynn Hoffman]

So can I just see?

[Daryl DMC McDaniels]

It's all connected.

[Lynn Hoffman]

It's so connected.

[Daryl DMC McDaniels]

It's all connected.

[Lynn Hoffman]

Let me. Can I play this chorus from the song for you?

[Daryl DMC McDaniels]

Yeah.

[Lynn Hoffman]

Okay. This is. This is Dylan.

[Unknown]

It's a new day, a new day when the sun hits the water It's a smile on my face It's a new day, a new day and it's.

[Daryl DMC McDaniels]

Everything you wanted but it won't be.

[Unknown]

The same Be the same.

[Daryl DMC McDaniels]

And that's okay Wow.

[Lynn Hoffman]

I mean, just to me. So as soon as I found out you were coming on this show, but it won't be the same and that's okay.

[Daryl DMC McDaniels]

That's okay.

[Lynn Hoffman]

Who figures that out? That's crazy. That's amazing. So I'm just curious if. If I were to beam one Dylan Cartlidge, with his new record deal and all of his amazing music in here to ask you a couple of questions, would that be okay?

[Daryl DMC McDaniels]

Yes. Whoa. That's amazing.

[Lynn Hoffman]

He's standing by in the UK right now. It's like seven hours ahead, and I offered. So.

[Daryl DMC McDaniels]

Look, we have adopted families in common.

[Lynn Hoffman]

Yeah.

[Daryl DMC McDaniels]

We have a lot of people have more in common than.

[Lynn Hoffman]

Yeah. Do you want to bring that over here?

[Daryl DMC McDaniels]

That's crazy. Yeah, but what I was going to say, I do a lot with elementary school kids, and Dylan's a prime example of. They have all the. They have all the capabilities and abilities to deal with Emotional problems early in our lives. But a lot of times we do this. Don't think like that or don't talk like that. You're too young to talk like that. Now. You just scarred this kid for life because you just taught him that that emotion that I was suppressing was the wrong thing to have.

[Lynn Hoffman]

Yes.

[Daryl DMC McDaniels]

So when they get in their teens and adolescence, when that same thing comes up for them to handle because their mom and dad ain't around, they're going to cut. They're going to drink because they're subconsciously pushing. If they come at you three and four years old, you're supposed to sit them down and say, why are you talking like that? Where'd you get that? And they will explain to them. But we go, you're too young to talk about that. Don't do that anymore. So they hold it. And when it comes to them later, all they remember, no, that's the wrong thing. So for him to be. Go through hell.

[Lynn Hoffman]

Yeah. And to have that.

[Daryl DMC McDaniels]

I was a foster kid for five years. My brother. Once all of this came out, my brother tells me, d, don't you know, if you never asked them that, they would have never told you. What happened was my birth mother didn't come back to get me. And when my brother told me that, I remember this kid named Oscar who I thought was my cousin. And I remember one day, Alfred's telling me, oscar's mother here to get him. I think it's my aunt. I remember the day Oscar left, he never came back. He was a foster kid. That got played. Because the whole idea is to get you back with the family.

[Lynn Hoffman]

Right.

[Daryl DMC McDaniels]

But a lot of times the kids can't go back to the families. So there was this other girl, she came. I think she probably was like. I probably was four. She probably was two or three. Lynn. She cried all night. I'm talking about. And I remember I was trying to stay up, thinking I was going to stay off, fall asleep. I woke up the next morning, she was gone. But my brother said, dee, there was a lot of people you thought was who. The reason why you don't see them no more is those are foster kids like you. So my brother tells me he heard my mother and father speak. This gonna be in my movie too. I mean, I'm doing a series. Cause I got so much stuff. I can't do biopic.

[Lynn Hoffman]

No.

[Daryl DMC McDaniels]

So I gotta do a series about this kid. But long story short, my father goes to my. My mother goes to my father. This true story, my brother tells me I'M in the room playing with my toys and my mama goes, what are we gonna do with this one?

[Lynn Hoffman]

And no, I don't hear it.

[Daryl DMC McDaniels]

My brother hears it. And my father goes, you know what? I think we're going to adopt this just like this. What are we going to do with this one? I think we're going to adopt this one. Because you never know, he might grow up to change the world.

[Lynn Hoffman]

Oh, goosebumps. So these kids, no matter how, here's this wonderful, amazing. I'm trying to make him bigger screen here. Dylan, meet Darryl.

[Daryl DMC McDaniels]

Hello, Dylan.

[Lynn Hoffman]

Dmc. And I can't believe I'm not crying.

[Unknown]

Hello, dmc. What's up?

[Daryl DMC McDaniels]

How are you doing?

[Unknown]

How are we doing?

[Daryl DMC McDaniels]

I'm doing good, Dylan. It's an honor to meet you, man.

[Unknown]

No, the honor is all mine, Link. Couldn't have explained it better. So I, Yeah, I grew up in the foster care system. I had so many different families that I went to stay with. I got adopted at one point. Didn't work out. My foster mom is an amazing woman. She's fostered over 46 kids. She's had three kids. And I'm one of those kids. And as I was saying at my foster brother's wedding, I was only six years old and I somehow managed to beg and plead that I could go. And then, yeah, one of my foster brothers friends had to look after me. And it was a lovely day. It was obviously all about my foster brother getting married, but it was the day that I got struck by lightning and discovered hip hop when I heard it. Stricky. And so the whole wedding then became about me requesting the DJ to play over again. I was dancing. It was crazy. But yeah, that's the story.

[Daryl DMC McDaniels]

Wow.

[Lynn Hoffman]

He's only six at the time. Just like you when you started. You were telling me earlier about six.

[Daryl DMC McDaniels]

Years old when I heard. Yeah, wow. That we got a lot in common. I was six years old when I heard the Doobie Brothers and stuff like that. Wow.

[Unknown]

It's crazy how it goes full circle like that, right? And it really set me off on a journey into discovering that music. And although I was only six years old, I feel like. And it was really hilarious because I saw an interview that you did where you said that that song was something that you wanted to impress Paul McCartney with and kind of like all the white people. It's hilarious because my foster family are old white people. So. Young black kid adopted by old white people.

[Daryl DMC McDaniels]

Thank. Good gracious.

[Lynn Hoffman]

Listen. And even the laugh's infectious.

[Daryl DMC McDaniels]

I know, man.

[Lynn Hoffman]

I told Dylan, how special you were. And I just, I could feel him right through the screen. And I just. I needed to connect you to Dylan. Did you have any questions that you wanted to ask?

[Unknown]

Yeah, yeah, I've got a couple of questions, if that's okay.

[Daryl DMC McDaniels]

Okay.

[Unknown]

One of the questions is you've touched on it a little bit. So for me, one of the questions I wanted to ask you is a lot of artists struggle with identity and belonging. It's like kind of like, you know, the running joke, the kind of weird kid at the back of the class of the MPC making beats and. Yeah, when did you. Did you have a moment where you were like, this is who I want to be as an artist. And this is like what I want to say. Like, what was that eureka moment for you and you, like, in your life, in your career?

[Daryl DMC McDaniels]

Well, prior to the music, I felt. Prior to the music, I felt like I didn't belong in this universe or whatever. But the thing that gave me a place for myself was comic books. Because when I was growing up, I went to Catholic school, I was a straight A student, I read comic books. So I was this geeky, nerdy kid that got teased, bullied and picked on. And growing up in Hollis Queens, you know, if you ain't in the gang, if you ain't selling drugs, if you don't steal the bikes, if you don't steal the candy bars and stuff like that, if you're not doing what everybody else is doing, and I didn't want to do that, you feel out of place. So the only time I saw geeky, nerdy, awkward, confused people who were trying to figure out but were bad, as was the comic books. Peter Parker, Dr. Bruce Banner and all of these guys were educated. But even Clark Kent had to play clumsy and stuff like that, even though he was Superman. So my eureka moment was when hip hop came along. Like, I was telling you, Lynn, I can't. Yo, I'm gang banging and I'm Daryl Mack, you know, I don't do that. So with the same confidence that people was expressing a false sense of power in a negative way, I said, I'm going to take my family in school. And wearing glasses and eating chicken and collard greens and with the same attitude, enthusiasm that they brag about all of this rough, so called rough, negative stuff. I'm going to talk about going to St. John's University and my mother and father in the same way. So what I'm trying to say, Dylan, my secret is this. And I tell kids when I go to speak at school. My whole life on stage Persona was me just pretending to be the most powerful entity in the hip hop universe. I was pretending to be a superhero on the microphone. Because I'm not a gang banger, I'm not a villain, I'm not a thug, I'm not a pimping. But with the same attitude, enthusiasm that they do that negative stuff. I'm going to put that to all my positive stuff. But the only reason I had confidence to do that it was I looked at the superheroes. This is going to blow your mind, Dylan. Most superheroes have adopted or foster care situation in their lives. Superman saw his whole. He didn't just lose his parents, he lost his whole world. Came here to earth. His parents said Clark when he was of age. Sit down. There's something we need to tell you. Like my mother did me. What do you mean? Clark, we love you, but you're not really from here. This and that gave him a sense of purpose. Peter Parker lost his. His parents had to be raised by aunt May. Batman. Bruce Wayne saw his parents getting murdered in front of him. So he had to be raised. So all of these superheroes have foster care and adoption situation. And even goes deeper than that. Two of the most infamous people in the history of our existence of this planet have the same situations me and you have. Who you talking about, Dee? Moses. Moses story. His mother put him in a river because they were killing people in his town. He floated down a river, got picked up by Pharaoh's daughter, took into the palace. And then when Moses gets up age, this happens to him, Dylan. And this gives me the confidence to do what you was doing to me with the record. I just heard Moses gets a call from up above. Yo, yo, yo, Moses. Who's that? Not down here. Up here. Huh? It's God. Moses, I need you to go tell Pharaoh. Let my people go. Now if you think about Moses, people forget Moses murdered a man. He was a murderer. He killed a man in self defense. And Moses needed Aaron to dictate for him. Because Moses had a speech impediment. See, people don't remember that. So God read the Bible. Moses had issues. He was a murderer number one. He wasn't from Egypt. He's an outcast like most of us feel. And he couldn't talk. He had a speech stuttering problem. So God told him to go there. And here's the other one. Jesus. Mary comes home and says, Excuse me, Joe, there's something I need to tell you. What? So Joe could have said get out of here. This and that. But he said, all right, this kid must have a purpose. And he raised him. So I, for my eureka moment was comic books. But. And it gave me the confidence to want to get on the mic and tell people. If I didn't have hip hop and rock and roll to express myself without the confidence that comic books gave me, I probably would have never started singing rhymes up on stage in front of people. Because for me it was just in my basement. It was. For me, I didn't know what I was doing. Would touch a lot of other people.

[Unknown]

No. And I think it's amazing. I think I really, I really, I really vibe with that because it resonates with me how you talk about faith and also as storytelling, but also how storytelling in comic books can give you those stories about reaching your potential and like, you know, not holding on, you know, not being seen to kind of have to aspire to this perfect life or this perfect person. Everybody has problems and everybody can reach the potential.

Yeah.

You know, and it's more about like what you do with what you've got as opposed to like how it started, you know.

[Daryl DMC McDaniels]

Yeah. We are perfect just the way we are. No matter even if we had traumatic situations in our lives, our situations don't define who we are. We do, you know what I'm saying?

[Unknown]

100%. And I'm a massive, massive, massively resonates with me too. I've been there. I was listening to, you know, while we were in the waiting room, I was having to listen to, you know, obviously what you were saying about being in that room and getting pancreatitis. I've been in that similar situation where I've been there, had those, you know, addictions going on those things. And then where somebody's sitting down and saying, listen, if you don't stop drinking, like, you know, this is, this is, this is knock on the head now, you know, and.

[Daryl DMC McDaniels]

Yep. For real.

[Unknown]

You know, and self medicating and going through that stuff. So I really, yeah, really, really. It's really inspiring to hear you talk about that, darling. I just you to know that. Yeah. Your music. Even though I was 6 years old and I couldn't yet form, you know, crazy sentences or understand concepts like it. It hit me and I felt it and yeah, it goes bigger beyond that. My name is Dylan Michael Cartlidge. DMC initials, you know.

[Daryl DMC McDaniels]

Oh, right. On both. That's even deeper. Whoa.

[Unknown]

The levels though. And I also definitely think there should be a comic book now. Like definitely a comic book where the superhero is a black samurai and it's like coming down from Moses and it's got, you know, goes on his thing. I want to see an an of this now. Like a dmc.

[Daryl DMC McDaniels]

That would be brilliant. Right? Wow. I didn't know your initials are DMC too.

[Unknown]

Yep, yep.

[Daryl DMC McDaniels]

See Lin. Wow. I know.

[Lynn Hoffman]

We'll be right back with more of the Music Saved Me podcast. And by the way, if you like this podcast, you are gonna love our companion podcast called Taking a Walk. It's hosted by my dear friend Buzz Knight and you can find it wherever you get your podcasts.

[Daryl DMC McDaniels]

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[Lynn Hoffman]

Line is halfway through an incredibly detailed 17 minute story about his gout.

[Daryl DMC McDaniels]

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[Dylan Cartledge]

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[Lynn Hoffman]

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[Daryl DMC McDaniels]

Yes. Yes. Yeah, I won.

[Lynn Hoffman]

Woohoo.

[Unknown]

So that's a yes on the apple pie.

[Daryl DMC McDaniels]

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[Dylan Cartledge]

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[Lynn Hoffman]

So yes or no on the apple pie?

[Daryl DMC McDaniels]

Whoa. I won again. I'll take that as a yes.

[Unknown]

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[Dylan Cartledge]

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[Daryl DMC McDaniels]

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[Dylan Cartledge]

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[Daryl DMC McDaniels]

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[Unknown]

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[Lynn Hoffman]

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[Dylan Cartledge]

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[Lynn Hoffman]

Welcome back to the Music Saved Me podcast. The podcast where we discuss the healing powers of music with some of the biggest names in music as well as up and comers.

[Unknown]

I have one more question for you if that's okay. Lynn and Daryl. Yes, okay, because I think this is a really important question because like you say, I really love what you're doing with the foundation and everything and obviously you know your music and even like the what it's done for hip hop and where it's taken hip hop to. And I think I'm a recipient of that. I think I've been able to enjoy the blend of so many different styles and so many different cultures because it's been popularized by amazing people like yourself and the forefathers of the game. You know, essentially ye. You know the question that I have is that like you know, there's a lot of people that come through, whether it be the projects that come through, adversity that come through, you know, again that come that want to find culture, that want to find belonging and I think that's particularly prominent to you Know, children who have been fostered or have been adopted. And, you know, you found out you were adopted when you were 35, you know, after already, you know, reinventing yourself artistically, you know, personally over times in your life. And when what happened for you spiritually, like in yourself, when you found out that the people that had showed you what the world has to offer, kindness, love, compassion, all the things that you'd, you know, that show you right from wrong, all these different things that you found out that those weren't the people that necessarily brought you into this world, you know, genetically or whatever. Like, what did that do?

[Daryl DMC McDaniels]

Well, the first thing is I look at my birth mother and my adoptive mother as one entity of motherhood. But I didn't know that until I had to go through this to see that it was my birth mother's job just to get me here. But it was my adoptive mother, my mother, who raised me to get me where I was supposed to go. Just like with you with your foster care mother. That's your mom.

[Unknown]

I love that.

[Daryl DMC McDaniels]

Yeah, that's your mom. They the ones that knew you had a purpose and a destiny. And every time I tell people that, they're blown away by that. It was my birth mother's job just to get me here, but my adoptive parents to get me where I was supposed to go. So without both of those situations, I would have never made it where I was supposed to go. So it's a huge, huge, huge example of purpose and destiny. It's a huge example of your situation doesn't define who you are. But also it's also an example of none of your victories come by just you, you. Now we have everything necessary for us to succeed. But a lot of times, because of drugs, because of a lack of self esteem, because of not having an understanding of how this universe works, sometimes we don't achieve those goals and we end up in the grave or the crazy house or the jet. And when you look at the places that we all come from, I don't care whether it's America or if it's the UK or in Asia, all of the circumstances are the same. It's just different, different stories. But most of these kids have everything necessary to succeed. And what I mean by that is it's important that you said the forefathers. Now, when you listen to the message, it's like a jungle sometimes. It makes me wonder how I keep from going under. Oh, the message is a mental health record. People overlook. Don't push the anger that we have and the violence and reaching out and attacking everybody. But look what hip hop was able to do because of all of the different styles and cultures of music that we sampled. From jazz to R and B to disco to funk and all of that. When the Message came out, mostly every record was a message record. Here's what it is. Broken glass and this, that. But if you remember correctly, Dylan, when the Soul Sonic Force in Africa, Bambaata came out with Planet Rock, the message was here's what it is. But the Planet Rock, we know a place where everybody's eating and there's no fighting. Soul Sonic Force. Mr. Biggs, Powwow and MC Glow we emphasize to show we got ego make this you're not rocket by as the people say, live it up, Shucks no work or play Our world is free Be what you want, just be that record. The Message was the record the message. But Planet Rock was the vision which gave those kids. The Zulu Nation was the biggest street gang in New York City, the Black Spades. But they changed their name from the Black Spades to the Zulu Nation and started doing things for their culture, themselves and their society. So out of the negativity that they were inflicting upon their own neighborhoods and themselves, they turned that and took that power and started sharing it with everybody else. So me, Run dmc, LL Cool J, Public Enemy, De La Soul, we are offsprings of that. But it was Run DMC who had the boldness to put that on the forefront, which touched you. But what I'm trying to say is, is I always tell these kids this hip hop culture, or even the music business and stuff like that. It wasn't created by the executives and CEOs that run it. They have nothing without us. And mostly all from the. Even from the blues. The blues is the roots. Everything else is the fruits. It was created by individuals just like you, Dylan, from the same situations and circumstances. It's just that the news. Turn the mic on, turn up the music. The music, the art form of it gives us the courage to not be ashamed of who we are, where we come from. But more importantly, by doing that, it shows us where we are able to go if we want to go there.

[Unknown]

100%. And I. Yeah, I cannot thank you enough, Darrell. I really appreciate it. And I literally got to talk to you until the cows come home. The last thing I will say, because I'm a bit of a jibber jabber. I will talk till the cows come home. But I love. And one of the things that I have to ask you is anything on A musical tip, as an artist, is there anything that you feel like the new school has lost or that you feel like is the responsibility to get taken fruit to the next generation?

[Daryl DMC McDaniels]

You just said the word. It's all good. Us OGs, we are not mad at what the new school or we are not mad at what the younger generation is doing. I'm not mad at what they're doing. I'm mad at what they're not doing. And what I mean by that is, is the typical rapper or emcee, the typical hip hop person, Dylan, the typical. Before we started getting these record deals, and even when we got these record deals, before it became part of the music business, the typical rapper was 12 to 25 years old. We were young, but we were talking about history, economics, society, social issues. You said the word. The only thing that's wrong with this generation of hip hop is that they're not being responsible. And even as an artist overall, you know what I'm saying? And what I mean by that is generationally the perfect examples of who to look up to, of how to do this was always there. Let's take Neil Young, for example. There was a shooting at Kent State University where the soldiers killed four college students. Neil Young woke up the next morning, not because of his manager, not because of his publicist. He ran to the studio and he wrote Ohio 10 soldiers and Nixon's Coming. That song is a hip hop song. Go listen to Neil Young's Ohio. He knew I got a responsibility. Another person, John Fogarty, they wrote records like Fortunate Son. Because when I was a kid, I'm hearing presidents and governments, they wasn't disrespecting nobody. Their most important, the most important entity in the business is the people in the audience. And nine times out of 10 people look at me now like I tell kids, I wasn't. I'm 60 now. I wasn't 60 when I changed the world. I wasn't 50 when I changed the world. I Wasn't 40 when I changed the world. I WASN't 30. When I changed the world, I wasn't 20. Me running J was fresh out of high school. And we were not just making videos and selling records. Unemployment at a record high. People come and people go and people born to die. We learned that from people like Marvin Gaye, who was only known for love and sex. But he had to make what's Going on? And he did it against Barry. People notice. Berry Gordy said, don't do that, Marvin. It's going to ruin you. But when he went out there and sung that for that first audience. They gave him a standing ovation. So the only thing, it's a mumble rap. I was speaking in a school in the Bronx, and the kids asked me because I'm 50 now. I was 50 at the time. DMC, what do you think about mumble rap? They want me to hate it. Oh, you kids ain't singing nothing and this and that, you young whippersnappers. But I hit them with. I could relate to it. And you should have seen the whole attitude of the class change. I said, what do you mean by that? How could you supposed to hate it? I said, no, I could relate to mumble rap. And they said, why are you saying that, dmc? I said, you got to understand something. The only difference between my generation and your generation, they said the same thing about us. Hip hop to hibbit. To hibbit. Hip. They ain't say nothing. I said, when we got criticized, we stopped the music and the fun and we wrote. It's like that. We wrote Hard Times. We wrote the message. I said, tupac isn't celebrated in hip hop because he had thug life tattooed on him and he went to jail. And the kids were like, what do you mean by that? I said, tupac is love for two reasons. And this blew my mind when I said it. Because the kids know, but they're afraid to do it because they're worried about how somebody's going to think about them about being cool. I said, tupac is worshiped in hip hop for two reasons. Damn. Mama and Brenda had a baby and they said, yo. And the kids said this, yo, those records sound ill. They went to that emotional state and they realized that, oh, wow, we forgot. Tupac did something that was important and responsible in the midst of all the fame, fortune and the money. So the only thing thing is that's missing right now is get your money, have your fun. But what's going on, Dylan, is they're making records about sipping the syrup or shooting or taking the drugs and driving a fancy car and having a sex. When the next single. We talked about this. You can make a record about the strip club, but why your next record isn't about fully clothed women like your aunts and your grandmothers or your foster care mother who raised four 46 foster kids and put them all through college. They're ashamed to rhyme about those reality things that exist because they're worried about their street cred. And you know this, Dylan. In the streets, when I was coming up, the pimps, the Pushers and the gangbangers. If you could play a violin, if you could do ballet, if you could play some basketball, or if you were smart as hell, the pimps, pushers, and the drug dealers were responsible, too, because when they saw that in those young people, they say, yo, young buck, get your ass off this corner. You don't need to be out here. So now, in the music business, anything that's diluted, polluted, anything holy or sacred with power in our communities or cultures will get diluted, polluted, and destroyed. Once you're in the entertainment business, what I mean by this, there's Tupacs out there. There's treacherous and naughty by natures out there. Naughty by Nature made a whole song about sex and didn't use one profane word. Opp. Yeah. You know, it's a record about sex in it, but it's done in a creative, artistic manner where people look at Tretch and say, you made this record. And Trent say, you're goddamn right. There's a lack of responsibility with the artist. Why arts succeeds where politics and religion fails. So the first thing they're going to do when you want to take over the world, kill Dylan, kill dmc, kill the songwriters, kill the playwrights, Clear the journal. This clear to clip anybody that's creating dialogue and content and stuff like that about the real issues, like this talk show here. This brings people together. They don't want that, so they want to get rid of us so they can control us. We knew hip hop like punk rock. Fuck the establishment. We're going to dress the way that we dress. We're going to make the music w. It's the same thing. So you got to have somebody explained to me, you got to have guts to be an artist.

[Unknown]

Yeah. No, I love that. Thank you. Thank you so much, Dal. And it's really interesting that you. Because I feel like there was a real bromance between hip hop and rock music in the 80s and 90s, because it was that energy, like you said, that's the kindred spirits, you know? And I almost feel like hip hop has maybe recently been a little bit spoiled because there are people that put them on from that struggle that, like you say, it's kind of, like, been popular for so long in the mainstream. It's been like the biggest music drama in the world for, like, the last 40 years.

[Daryl DMC McDaniels]

Yeah.

[Unknown]

Almost as. It's almost had a little bit too good. You know, there's other genres like country or whatever, that coming back in a new way.

[Daryl DMC McDaniels]

Yeah.

[Unknown]

And really hope that that friction, you know, spouts up that pressure to, you know, get that more socially conscious, responsible.

[Daryl DMC McDaniels]

Oh, for sure. I, I, I think that, yeah, the way that you do it, you just, you can't do it as an agenda. You just have to do it. You know what I'm saying? Because there was a time, you know, once when Cube, when Ice Cube left NW Remember when he went solo now, everybody was like, NWA Was necessary, but we didn't need a hundred NWA Groups. But when Ice Cube left NWA and did America's Most Wanted, he was brilliant. Because now he explained the emotional feeling of what he was saying on the NWA Record. He said, if you go listen to America's Most Wanted, he was, he was explaining what this individual, individual who wasn't born that way, was going through and why. Perfect example is the Ghetto Boys. My mind playing See, everything is mental. My mind playing tricks on me. Scarface wasn't like, these rappers of the day praise me because I'm moving weight and selling coke and cracking guns. Most of the hip hop records we like, yes, that's a ho. Do we celebrate that like it's cool, Right? Thank. Think about it. And a lot of these young kids think they got to do that to be liked and be successful. But if you listen to the Ghetto Boys My mind playing tricks away Scarface was saying at night I can't sleep Lord, show me another way I don't want to do this. Willie D's rhyme is saying, I'm paranoid I'm about to shoot the old women in their car Just ordering Popeyes like me. Bushwick Bill thought he was fighting somebody on Halloween, and it was the drugs overtaking him. So they were telling stories that resonated with people's spirit and souls, which freed up a lot of us. But now it's being promoted that shooting, killing, and selling drugs is cool. So these kids don't know no better. Why? Because the people like your songs ain't being heard, and my songs ain't being heard. They exist. So it's up to us to fight the good fight. To all we got to do, Dylan, is just keep on showing up. That's how we.

[Unknown]

Well, thank you, Darrell. It's been an honor and a pleasure. And I have to send you through the new album, too. It's like, in fact, please. It's called show up, and it's all about responsibility and accountability.

[Daryl DMC McDaniels]

Wow. See, look, See? You know all of this. Yes. Right? You, you know all of this. Cause you are that. That's so crazy. Every time I say something he says he's already doing it.

[Lynn Hoffman]

All right. So the weirdest thing is, is. And. And I. I'm getting the rap signal because I. I have. I have to say, I knew this was gonna happen. I saw he started telling me his story and I thought back to the story that you had. I. You know, we've known each other 20 plus years, so I know. I just. I had this feeling that you would connect like that and that he needed to hear what you had to say and you needed to hear him, you know.

[Daryl DMC McDaniels]

That song is sick too, man. I want to can. I want that song. Yeah.

[Lynn Hoffman]

I have a link I want to.

[Daryl DMC McDaniels]

Thank and Pete is incredible and everything in your flow. Oh my God.

[Lynn Hoffman]

Glass Note Records is pretty special. And they're the ones that helped us make this happen today. And they were very excited about it. It as well. So I wanted to thank them for helping it and Dylan. Sorry, I'm taking the camera just for a second. Hi.

[Unknown]

Hello, Lynn. How are we doing, girl? We good. It's good to see you.

[Lynn Hoffman]

Doesn't he have a great studio?

[Daryl DMC McDaniels]

Yes.

[Unknown]

Daryl is an absolute gent and it's been amazing. So it's been such a cool experience for me. I hope I haven't fangirled too much.

[Daryl DMC McDaniels]

No, it's all good, man. We are fans of each other.

[Lynn Hoffman]

Yeah.

[Daryl DMC McDaniels]

His lyrics was just that little bit.

[Lynn Hoffman]

Wait till you hear you. You've only delved in a little bit. Daryl, thank you so much for coming on the show.

[Daryl DMC McDaniels]

I'm inspired by today.

[Lynn Hoffman]

I was inspired by him and then.

[Daryl DMC McDaniels]

I was really no if the lyrics in his song, you know what I'm saying? Because everybody got somewhere. That little bit just made me realize it ain't that bad.

[Lynn Hoffman]

There are people.

[Daryl DMC McDaniels]

Matter of fact, it's good. It's nothing wrong.

[Lynn Hoffman]

No, that's right.

[Daryl DMC McDaniels]

You know what I'm saying? The bill's latest late. But everything's beautiful, right? That's.

[Lynn Hoffman]

You're beautiful, Daryl. You're such a beautiful person.

[Daryl DMC McDaniels]

Thank you.

[Lynn Hoffman]

Your spirit and everything. And now I know why I enjoyed myself so much. Thank you so much. Much. And just keep doing what you're doing. I didn't get a chance to talk to you about your children's book. You were on your way to Boston two years ago and you were going. Listen to this. You were going to my nephew's school. My brother, who also plays in a band, the Maturette Band, he said to me, you're gonna have who come to your house, to your. To your studio. And I said, daryl. And he said, they spoke at our school. He came to speak. And my nephew was in sixth grade and he heard you speak. Speak. And he was so inspired by you. And I thought that's so weird because I called you and you, you texted and you said, I'm on my way to Boston because of the book. This was just two years ago.

[Daryl DMC McDaniels]

Yeah.

[Lynn Hoffman]

So you were going to his school.

[Daryl DMC McDaniels]

That's crazy.

[Lynn Hoffman]

Of all the schools in the city of Boston you could have gone to, you went to my nephews.

[Daryl DMC McDaniels]

That's crazy. Oh, my good rip. Yeah.

[Lynn Hoffman]

That was so nuts.

[Daryl DMC McDaniels]

So, yeah, I go to a lot of schools and speak to the kids.

[Lynn Hoffman]

Yeah, you do. And you're amazing for it. And that's why I wanted to connect you because I felt like he needed to hear what you had to put down. That was happening. Well, thank you for being on music Save me. And I might have to have you come back again.

[Daryl DMC McDaniels]

I will.

[Lynn Hoffman]

You might have to.

[Daryl DMC McDaniels]

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[Daryl DMC McDaniels]

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[Daryl DMC McDaniels]

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[Daryl DMC McDaniels]

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[Dylan Cartledge]

Morton Buildings Annual Sales Event Building Value Days is on now until the end of February. That means you get the best for less. Morton Buildings are built stronger, last longer and look better. If you need a garage stall, barn or storage for vehicles, rv, boat or collectibles, or even a shop for your farm hobbies or car restoration projects or anything in between, visit MortonBuildings.com to take advantage of their discounted sales event pricing. They use quality materials and expert craftsmanship with an industry leading warranty to ensure your addition is enjoyed by generations to come. Morton buildings is 100% employee owned and they have thousands of satisfied customers. That means they're the industry leader you can trust. Don't wait. Take advantage of the Building Value Day sales event. Visit MortonBuildings.com today. Certain restrictions apply. This offer may not be available in all states. To qualify for discount, order must be placed between now and February 28, 2025. Contact your local Morton office for more details or visit mortonbuildings.com.