Transcript
A (0:00)
Taking a walk.
B (0:01)
I'm Buzz Knight, the host of the Taking a Walk podcast. And one of the things I love doing is discovering new podcasts, especially music podcasts. And there's a great one that started as a YouTube channel, still is a YouTube channel, and now it's a podcast. It's called the professor of Rock. And we're here to talk to Adam Reader, the professor himself. Hey, Adam.
A (0:23)
Hey. How's it going?
B (0:25)
It's going great. I wanted to ask you this question.
A (0:28)
Yeah.
B (0:28)
With all the many interviews you have done, I think you've done into 800 of them. I think as the professor of Rock, is there one takeaway that you find from musicians that kind of gives insight into what their creative process is all about?
A (0:51)
Yeah. You know, one thing that I have found that has been common with most of the artists that I've interviewed, especially the older. The. The old school, or the ogs, I guess if you would call them the. You know, I. Man, I. I had three hours with Lamont Dozier from Holland, Dozier, Holland, that wrote all the great Motown songs for the Four Tops and the Supremes and Martha and the Van Dales and. And then I love interviewing, like, songwriters like Barry Mann and Cynthia Weil, who wrote you've Lost that Love and Feeling and On Broadway. And then, you know, Brian Wilson, one of my heroes, the Beach Boys. Genius. A lot of these artists, they didn't have a plan B, you know, they didn't have a plan B. They wanted to do music, and that was it. And that. I mean, it was music or bust. And I really respect that because, I mean, I grew up in a small town where education was really important, and. And it was like, you gotta go get your degree. You gotta go do this. You gotta get your mortgage and your 2.5 kids and live that life, that your traditional life. And it was kind of pushed onto us that you've gotta go do this. This is the path. You have to go get a degree. And these artists, they didn't follow that path. They didn't care. You know, they had a guitar in their hand from the age of six, like Neil, Sean from Journey, or Steve Lukather from Toto. And, you know, that was their craft, and they were going to make it in music or they were going to starve. And I really think that's an incredible mentality because they were just driven by their art. They were driven by writing and crafting and creating music. And I really respect that drive. And so that's one thing that I've found in common. And I mean if you were. If I go speak schools and colleges and you know, if I were to tell a high school, I've mentioned this before, people are a little shocked. You can't say that. You can't say just go after it with everything you have. But really they didn't have a plan B. It was like they were going to make it music and that was that.
