This Week in Music History 6-30

Summary

Podcast Summary: "Takin' a Walk" – Episode: This Week in Music History 6-30

Hosted by Buzz Knight, with Contributions from Harry Jacobs and Ryan Seacrest Release Date: June 30, 2025

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Introduction

In this engaging episode of the "Takin' a Walk" Music History on Foot podcast, host Buzz Knight takes listeners on a nostalgic journey through significant moments in music history that occurred around the week of June 30th. Joined by music historian Harry Jacobs and special guest Ryan Seacrest, the episode delves deep into iconic releases, band milestones, and influential events that have shaped the musical landscape over the decades.

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June 30th: A Week of Milestones

1. 1969: Fleetwood Mac & Peter Green Release "Oh Well"

At the outset of the week, Buzz Knight highlights the release of Fleetwood Mac's "Oh Well," a track co-written by Peter Green that has become a staple for guitar enthusiasts.

• Ryan Seacrest praises the song's enduring legacy:
  "It's one of those necessities for guitar players if you're a blues band."
  [03:00]

• Harry Jacobs emphasizes Peter Green's underrated contributions:
  "Oh, well, he was greatly underappreciated."
  [03:24]

The discussion includes a fun trivia segment where listeners are quizzed on bands that have covered "Oh Well," sparking a playful exchange between Seacrest and Jacobs.

2. 1975: The Eagles Release "One of These Nights"

The Eagles' departure from their country-rock roots is a focal point, marking a significant shift in their musical style with the release of "One of These Nights."

• Ryan Seacrest reflects on the genre transition:
  "That’s not a country rock sounding song at all to me."
  [04:15]

• Harry Jacobs adds depth by discussing the song as an anthem born out of the band's experiences:
  "All great music comes out of misery, but it’s a great one."
  [04:40]

The hosts explore how this release influenced the band's trajectory and its reception among fans.

3. July 1, 1967: The Beatles’ "Sgt. Pepper's Lonely Hearts Club Band" Reaches Number One

Celebrating The Beatles' groundbreaking album, the hosts discuss its impact on music history and its role in pushing creative boundaries.

• Harry Jacobs credits producer George Martin’s role:
  "I think he was integral."
  [09:45]

• Ryan Seacrest elaborates on the evolution of The Beatles' sound:
  "It was not a long time before they changed their sound."
  [09:56]

The conversation underscores the album's innovative production and lasting legacy.

4. 1979: Debut of the Sony Walkman

The introduction of the Sony Walkman revolutionized personal music consumption, a topic the hosts explore with personal anecdotes and reflections on technological advancements.

• Ryan Seacrest reminisces:
  "We were making mix tapes and dropping them into the Walkman. So crazy."
  [10:16]

• Harry Jacobs agrees on its transformative impact:
  "It was breakthrough time for sure."
  [10:58]

They discuss how the Walkman changed the way listeners engaged with music on the go.

5. 1983: Jon Bon Jovi Signs with Mercury Records

Marking the rise of one of rock’s enduring figures, Jon Bon Jovi's signing with Mercury Records is highlighted as a pivotal moment.

• Ryan Seacrest comments on the significance:
  "He signed with Mercury Records, setting the stage for that debut album in '84."
  [11:03]

• Harry Jacobs shares a memorable story about Bon Jovi’s charisma:
  "He’s just friendly and affable... Joining the wedding band for 'Living on a Prayer' was fun."
  [12:04]

The segment underscores Bon Jovi's early career moves and their impact on his future success.

6. July 2, 1969: Disbanding of The Jimi Hendrix Experience

The tragic end of The Jimi Hendrix Experience is discussed, focusing on Noel Redding's departure and the band's subsequent dissolution.

• Harry Jacobs speculates on the tensions leading to the split:
  "Gotta think the tempers flared and... they regretted it all."
  [13:22]

• Ryan Seacrest adds context about substance issues:
  "There was substance involved across all fronts."
  [15:00]

This reflection offers insight into the personal and professional challenges faced by the band members.

7. 1971: Queen’s First Concert with Iconic Lineup

Queen's debut performance featuring Freddie Mercury, Brian May, Roger Taylor, and John Deacon is celebrated as the genesis of their legendary status.

• Harry Jacobs notes the rarity of such early performances:
  "This was the first event for them in public ever."
  [13:38]

• Ryan Seacrest shares personal regrets about not witnessing certain performances:
  "I regret that I saw him with Adam Lambert..."
  [14:02]

The discussion touches upon Queen's evolution and the enduring legacy of its members.

8. 1980: Bob Marley and the Wailers Begin Final Tour

The commencement of Bob Marley’s last tour is a poignant moment, highlighting his unawareness of his terminal illness.

• Ryan Seacrest reflects on Marley's legacy:
  "Kind of mind blowing when you think about it, really."
  [14:49]

• Harry Jacobs concurs on the emotional weight:
  "Absolutely."
  [14:36]

This segment honors Marley’s contributions and the bittersweet nature of his final tour.

9. 1977: Vladimir Novikov’s Death Inspires "Don't Stand So Close to Me" by The Police

The hosts explore the inspiration behind The Police's hit song, linking it to the tragic death of Vladimir Novikov.

• Ryan Seacrest explains the connection:
  "It's a song about a creeper on a little girl."
  [15:12]

• Harry Jacobs acknowledges the lyrical depth:
  "Yeah, it's a creeper song."
  [15:13]

This analysis delves into the storytelling prowess of The Police in addressing sensitive themes.

10. 1969 & 1971: Deaths of Brian Jones and Jim Morrison

Reflecting on the notorious 27 Club, the episode discusses the untimely deaths of Brian Jones of The Rolling Stones and Jim Morrison of The Doors.

• Ryan Seacrest connects the timing of Jones’ death to internal band tensions:
  "He was fired right before he drowned in his pool."
  [15:47]

• Harry Jacobs speculates on Morrison’s alleged survival:
  "I believe he's living near Sturbridge Village..."
  [16:15]

The conversation underscores the enduring mysteries and tragedies surrounding these iconic artists.

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Additional Highlights

1986: U2 Begins Recording "The Joshua Tree"

The recording of U2’s seminal album "The Joshua Tree" is celebrated for its profound impact on the band’s career and the music industry.

• Ryan Seacrest reminisces about the album's success:
  "The Joshua Tree... every song, a great song on it."
  [16:46]

• Harry Jacobs shares insights into Bono’s stage presence:
  "I love the music, but those glasses that Bono wears... It's too much."
  [17:16]

The hosts discuss the album's influence and the iconic imagery associated with U2.

1970: The Who at the Atlanta Pop Festival

The Who’s performance at the Atlanta Pop Festival is highlighted as a significant event, featuring tracks from their early albums.

• Harry Jacobs fondly recalls:
  "It's terrific. I remember backselling it and screwing it up royally almost every time."
  [17:46]

• Ryan Seacrest adds humor regarding song titles:
  "It sounds like you're saying something filthy, but you're not."
  [17:54]

This segment celebrates The Who’s energetic performances and their contribution to rock history.

1982: Ozzy Osbourne Marries Sharon Arden

The marriage of Ozzy Osbourne to Sharon Arden is discussed, emphasizing Sharon's pivotal role in managing Ozzy’s career post-marriage.

• Ryan Seacrest outlines Sharon’s influence:
  "She continues to manage him and has done very well by him."
  [18:18]

• Harry Jacobs humorously notes Sharon's dedication:
  "She said, 'All aboard. I'm getting on the Ozzy crazy train.'"
  [18:21]

The partnership's impact on Ozzy’s sustained success is examined.

1975: Pink Floyd Performs at the Nebworth Festival

Pink Floyd’s performance at the Nebworth Festival, featuring Roy Harper, is highlighted as a unique moment in their early career.

• Ryan Seacrest discusses the rarity of guest appearances:
  "Pink Floyd did not have a lot of folks ever really join them."
  [19:15]

• Harry Jacobs anticipates listener reactions:
  "We know someone will let us know, 'Hey, you idiots. He did this or that with Pink Floyd.'"
  [19:31]

This segment underscores Pink Floyd’s distinct approach to performances and collaborations.

1991: Guns N' Roses Releases "You Could Be Mine"

The release of "You Could Be Mine" as part of the "Terminator 2" soundtrack is celebrated for its cultural resonance and enduring popularity.

• Ryan Seacrest connects the song to its cinematic context:
  "You Could Be Mine was featured in 'Terminator 2.'"
  [19:59]

• Harry Jacobs reminisces about early experiences with the song:
  "After seeing that movie, thinking what a song that is."
  [20:40]

The discussion highlights the synergy between rock music and blockbuster films.

1943 & Beyond: Robbie Robertson’s Contributions

The episode pays tribute to Robbie Robertson, emphasizing his influence as The Band’s guitarist and songwriter.

• Harry Jacobs shares personal anecdotes about interviews with Robertson:
  "He was always very amenable to doing things and transparent about stories."
  [21:40]

• Ryan Seacrest compliments Robertson’s vocal qualities:
  "Mellifluous voice. Deep and raspy."
  [24:18]

This segment celebrates Robertson’s artistic legacy and personal contributions to music.

1964 & 1973: The Beatles and Queen’s Early Releases

The release of The Beatles’ film "A Hard Day’s Night" and Queen’s debut album are discussed, highlighting their impact on their respective bands' trajectories.

• Harry Jacobs appreciates "Keep Yourself Alive" by Queen:
  "That's a great one."
  [24:59]

• Ryan Seacrest shares a humorous take on recording techniques:
  "Brian May uses a quarter to get his unique sound."
  [25:03]

The hosts explore the innovative approaches these bands took in their early works.

1985: Phil Collins Releases "No Jacket Required"

Phil Collins’ successful solo album is examined, alongside his work with Genesis and Brand X.

• Ryan Seacrest admits mixed feelings about Collins’ pop hits:
  "I was never a fan of the schmaltzy Phil Collins."
  [26:21]

• Harry Jacobs defends Collins’ diverse body of work:
  "Great respect for Phil and his body of work."
  [26:43]

The conversation highlights Collins’ versatility as an artist and his contributions to various musical projects.

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Conclusion

The episode concludes with reflections on the rich tapestry of music history covered throughout the week. From legendary song releases and groundbreaking albums to the personal stories of iconic artists, Buzz Knight, Harry Jacobs, and Ryan Seacrest offer listeners a comprehensive and entertaining look back at pivotal moments that continue to influence the music world today.

Notable Quotes Highlighted:

• "It's one of those necessities for guitar players if you're a blues band." – Ryan Seacrest [03:00]
• "Oh, well, he was greatly underappreciated." – Harry Jacobs [03:24]
• "That's a great rock song, kind of an anthem in its own regard." – Harry Jacobs [04:40]
• "It was breakthrough time for sure." – Ryan Seacrest [10:58]
• "She said, 'All aboard. I'm getting on the Ozzy crazy train.'" – Harry Jacobs [18:21]

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This detailed summary encapsulates the vibrant discussions and insightful analyses presented in the episode, offering a thorough overview for both avid listeners and newcomers to the "Takin' a Walk" podcast.

Transcript

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[Buzz Knight]

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[Harry Jacobs]

Hi, this is Buzz Knight, the host of the Taking a Walk podcast and welcome to another look at this week in music history for the week of June 30th. And we saunter over to the music history desk to Harry Jacobs. Hello, Harry.

[Ryan Seacrest]

Reporting in live from Las Vegas, where It's only about 186 degrees today.

[Harry Jacobs]

So the dry heat thing.

[Ryan Seacrest]

It's a dry heat.

[Harry Jacobs]

Yeah.

[Ryan Seacrest]

Let's. Let's get rolling, buzz. June 30th through the 17th is the week we're doing. And let's start with a bang. 1969 is when Fleetwood Mac and Peter Green released oh well, a song that, you know, it starts off with a bang with that great lick, but it's one of those necessities for guitar players if you're. Or if you're a blues band. That's a song you. You played.

[Harry Jacobs]

Oh, well, he was greatly underappreciated. And I'll just as I often do, I'll throw a. A trivia question at you. What's the band? I believe this would have been their only album rock charting song that did a great remake of oh well.

[Ryan Seacrest]

Who did oh, remake of oh well. I should know this. I definitely should know this.

[Harry Jacobs]

It just came to me. It was buried in my recesses and somehow earth did just as we were talking.

[Ryan Seacrest]

Why do I want to say the Rockets? I don't know that that's right. Am I correct with that?

[Harry Jacobs]

Spin the prize wheel.

[Ryan Seacrest]

Wow. How about that? I pulled that right out of my fanny, as they would say.

[Harry Jacobs]

And here it is. It's starting to. You win. The next time I'm in Vegas, dinner.

[Ryan Seacrest]

At Ferraros, where everybody knows your name. Not everyone's name, just Buzz Knight's name. In 1975, on June 30, the Eagles released One of these Nights. This, in my opinion, was a break away from the country kind of sound they heard that they played with with the title with One of these Nights. That was. That's not a country rock sounding song at all to me.

[Harry Jacobs]

No, it's a. It's a great rock song, kind of an anthem in its own regard. I'm sure it's about some moment misery that. That they had because all great music comes out of misery, but it's a great one. But Lion Eyes goes back to certainly the. The country theme and.

[Ryan Seacrest]

And a song about misery. Right. About a woman who's heading to the cheating side of town.

[Harry Jacobs]

You know, so many people, when I talk to them about country music, I go, oh, I don't really like country. It's not my favorite thing. I don't really like country. And I don't like countries. Too twangy. And then, you know how I stop them in their tracks? I say, do you like the Eagles? Oh, yeah, I love the Eagles. What do you think it's a derivative of? It's not pure country, but it's definitely a derivative of country.

[Ryan Seacrest]

Lynyrd Skynyrd, Allman Brothers, Charlie Day. I mean, you go through the list of classic rock stuff, that's 38 special. All that stuff is a derivative. I like that you get to use the word derivative here, because this is not a math show. But that's all a derivative of country music.

[Harry Jacobs]

It's a derivative. Exactly.

[Ryan Seacrest]

Derivative. 1989, the stones began recording Steel Wheels and Montserrat, their first album with Bill Wyman since 86. And apparently there were some internal tensions there, but Steel Wheels, that was. That was kind of an epic album.

[Harry Jacobs]

For sure, and a great tour as well. Got to see it in Cincinnati and it was one of the great schmooze fests Before. Before that show, we went back and saw the boys, and I would say they were in good spirits. Keith was. Ronnie was. Charlie Watts.

[Ryan Seacrest]

Sometimes there are these celebrity meetings where you go, boy, that was something I'll never forget. Was. Was this one of those. With the Stones, you get to actually talk to Keith or Mick at all? Oh, yeah, yeah.

[Harry Jacobs]

It was just really. That part was really cool because they were good natured. Mick was pretty much, don't touch me, don't look at me, don't come anywhere near my space. Charlie was just Charlie. Not really into the scene per se, but looking really dapper and dignified. But it was rare because it was one of these moments. We got to be there before the show and we got to spend literally an hour, you know, great catering, pool tables, really a sensational event. And I think somewhere I've got a. A group picture of it. I'll have to take a look.

[Ryan Seacrest]

That'd be a good picture for. For your wall, for taking a walk behind you. It'd be nice to, you know, little. Little Rolling Stones and Buzz Night.

[Harry Jacobs]

It was a fun night.

[Ryan Seacrest]

1944 on June 30th is Glenn Sharrock's birthday. Glenn Sharock is who, you might ask. He's the lead singer of the Little River Band and they had a bunch of hits. You know, I'm a fan of pop music, but Reminiscing. Cool Chains, Lonesome Loser, Help is on the way. There were a number of. A number of good numbers by the Little River Band, but, you know, a little Schlocky. A little adult contemporary.

[Harry Jacobs]

Yeah, it wasn't my favorite, but they did have an album track. I think it was a. It was one of those long album tracks, kind of semi progressive. I think it was called It's a long way Home or something like that. Does that ring a bell?

[Ryan Seacrest]

Doesn't ring a bell with me.

[Harry Jacobs]

Not the super Tramp. It's a. Take the long way.

[Ryan Seacrest]

Long way home.

[Harry Jacobs]

But I'll. I'll double check that and we can go in and, you know, change this or eliminate this whole conversation if we choose.

[Ryan Seacrest]

No, I like it. And you know, little river bands out right now. We jokingly talked about this the other day that, you know, I had said, well, they're probably just, you know, got one band member like Chicago as, you know, a horn player. And I jokingly said, well, it's probably the bass player. It's probably just a bass player. That's it. And everyone else is new. And sure enough, when I went back in and checked it, that's all little river bands out. But just with the original bass player.

[Harry Jacobs]

Is all the bass players take all the heat, don't they?

[Ryan Seacrest]

They do take a lot of grief and they've got a tough gig. It's not as simple as. As people would make it seem.

[Harry Jacobs]

Harry, I do have the song I did cheat. It's called It's a long way there. So check that one out. It's. It's kind of a cool little Riverband song. Especially if you're like me and you're not necessarily in favor of the. The pop side of the band.

[Ryan Seacrest]

Right. On July 1st, 1967, Sergeant Peppers hit number one on the Billboard 200. It was there for 15 weeks or so. We. We talk about it over and over. But. But what an amazing album, concept album. The sound. Think about the evolution of the sound of that band from. From she loves you or I want to hold your hand and you know, in 63, 64, to. To really seven, you know, six or seven years later when, when they really started to change the pace, even four years for sergeant Peppers. Right. It was not a long time before they changed their. Their sound.

[Harry Jacobs]

And the great George Martin was pushing him hard.

[Ryan Seacrest]

Yeah. You think his influence was there in terms of. Of changing that sound and experimenting. How important was that was his role in that?

[Harry Jacobs]

I think he was. He was integral. Now, look, it took a receptive gathering of the boys to be able to be willing to do the things, but I think he was the. The guy that was noodling around different things, different Ways, experimentation. I believe that now.

[Ryan Seacrest]

1979, the Sony Walkman debuted in Japan. And this changed the world for how we listened to music. You know, we were listening to cassette players. This portable device changed the world. Think back to how great to us it sounded at that point in time, we were thinking, it's not going to get any better than this. This is amazing sound.

[Harry Jacobs]

It was breakthrough time for sure.

[Ryan Seacrest]

And we were taping it from our record players right in our stereos. We were making mix tapes and dropping them into the Walkman. So crazy. I had one of the original ones. My father had one. I ended up getting it handed down, but I had one of the waterproof ones. Remember the yellow waterproof?

[Harry Jacobs]

Yeah, I do actually walk. Yeah.

[Ryan Seacrest]

1983, Jon Bon Jovi signed with Mercury Records. The band actually signed with Mercury Records, setting the stage for that debut album in 84. And. And they end up being, you know, pop or metal, you know, hair band kind of icons.

[Harry Jacobs]

And that. That first one was so well received, you know, it was not put into the. Oh, is it a little too, you know, reminiscent of other Jersey artists we don't have to name, you know, is it taking a page out of that? But it was, you know, it was a monster album.

[Ryan Seacrest]

It definitely stood on its own. And I just, you know, he's a good guy. You hear everything. You know, you hear stuff online or see stuff online. He's just friendly and affable. And to that end, I saw a video that's, I don't know, maybe it's 10 years old at this point or older, but he's sitting at a wedding, and the wedding band, they had the nerve to sing Living on a Prayer. And the lead singer walks up to Bon Jovi as she's singing it, and he looks, and he looks around the room, and then he grabs the microphone out of her hand and walks up on stage and joins the wedding band for Living on a Prayer, which was fun.

[Harry Jacobs]

And I'm sure at that whole event there was zero alcohol involved.

[Ryan Seacrest]

Well, certainly listen for him, probably. I don't think he was a. I don't think he was much of a drinker. Did he have a history?

[Harry Jacobs]

No, I don't believe so. Maybe. Maybe others, possibly.

[Ryan Seacrest]

But you referred to Richie. Maybe.

[Harry Jacobs]

Maybe a little. Little.

[Ryan Seacrest]

Like to enjoy, like to imbibe a little bit.

[Harry Jacobs]

A little bit.

[Ryan Seacrest]

1945, July 1st. Debbie Harry of Blondie, new resident of Woodbury, Connecticut. Not Waterbury, but Woodbury, Connecticut. She was born in. In Miami, Florida. And, you know, just a bunch of great songs. Out of that band and, and out of her and, and she's, you know, she's still going at it.

[Harry Jacobs]

She is. She still is. Is loving being out there. At least it appears that way.

[Ryan Seacrest]

Yeah. July 2, 1969. The Jimi Hendrix Experience. They disbanded when Noel Redding left the band after the Denver Pop Festival. This was not a planned breakup or end of the band. I think it was just at the end of that festival, he said, I've had enough. And that was the end of that iconic lineup for the Jimi Hendrix Experience. They were done after that.

[Harry Jacobs]

Gotta think the tempers flared and, you know, it probably took a while, but eventually they regretted it all.

[Ryan Seacrest]

There was. There was obviously substance involved there across all fronts. And that didn't make it easy, I dare say. Yeah. In 1971, Queen performed their first concert with Freddie and Brian and Roger and John Deacon at Surrey College in the United Kingdom.

[Harry Jacobs]

This.

[Ryan Seacrest]

This really set them off. We're going to talk about them again, you know, in a minute here, but this was, this was the first event.

[Harry Jacobs]

For them in public ever get to see Queen in that early, early shape.

[Ryan Seacrest]

I. I regret that I saw him with Adam Lambert at the Park Theater at the mgm, but I would love to have seen him with Freddie. How about you?

[Harry Jacobs]

Never saw him. Wasn't really into him in a big way back when they first came out, but over time, you know, kind of appreciated it more. And I really think the Adam Lambert piece is. Is kind of cool how he's kind of carried it on. I mean, we could all debate. Were there others who could have done a better job? But I've known folks that have gone and really dug the show with Adam, you know, and the remaining band members.

[Ryan Seacrest]

It was fun. It was, you know, a little over the top in, in certain ways, but I certainly enjoyed it.

[Harry Jacobs]

So.

[Ryan Seacrest]

1980, July 2nd. Bob Marley and the Whalers began their final tour. When they went out. Bob was unaware of his terminal cancer at that point. And not long after that tour, we ended up losing Bob Marley.

[Harry Jacobs]

Kind of mind blowing when you think about it, really.

[Ryan Seacrest]

Yes. 1977. A guy by the name of Vladimir Novikov, he died on this date in 1977. That name ring a bell with you at all?

[Harry Jacobs]

Not at all. Nope.

[Ryan Seacrest]

His novel Lolita inspired a whole bunch of music, not the least of which is Don't Stand so Close to Me by the Police, which is really a song about a creeper.

[Harry Jacobs]

Yeah, it's creeper song. Wow.

[Ryan Seacrest]

On. On a little girl. So. So that was it. That was inspired by Vladimir Novikov, who Who died on this day in 1977. Another death. Another member of the 27 Club passed away on July 3rd. There's actually two deaths from guys that were 27 years old. On this date in 1969, Brian Jones, who was a founding member of the Stones, drowned in a swimming pool. This was shortly after the Stones kicked him out of the band. He was fired. Do you realize the timing on that?

[Harry Jacobs]

I didn't realize the timing to that, you know, I'm sure was some kind of trigger to it all. Yeah, sure.

[Ryan Seacrest]

And ended up in his pool, and that's where he was found. And in 1971, the. The. The bigger name, if you will, is Jim Morrison, who died in Paris at 27. Allegedly died in Paris from heart failure, although no autopsy was performed. And you believe he's. He's living near Sturbridge Village in Sturbridge, Massachusetts, or something like that. Where do you.

[Harry Jacobs]

Where do you think he's outside of Syracuse. Yeah. As soon as I find this out, I'm. I'm going in person. I'm gonna. I'll go in person for that interview. And because any chance to go to Syracuse.

[Ryan Seacrest]

Right. Dinosaur barbecue, you can roll down the road. Listen to Brother Weeds in Rochester. There's a whole bunch of reasons to head to Western New York.

[Harry Jacobs]

Oh, nothing better.

[Ryan Seacrest]

1986, U2 began recording the Joshua Tree. This is the album that would change the world for U2. This was their born in the USA.

[Harry Jacobs]

And every song, a great song on it.

[Ryan Seacrest]

The. The concert on the rooftop where they were playing, you know, with or without you. And where the streets have no Name. The.

[Harry Jacobs]

The.

[Ryan Seacrest]

I think it was the video for where the Streets have no Name that was on MTV and everywhere. It was obviously reminiscent of the Beatles, but the crowd that that brought to the streets of Los Angeles was pretty crazy.

[Harry Jacobs]

I love the music. I love the band. There's just one thing that bugs me.

[Ryan Seacrest]

What's that?

[Harry Jacobs]

Those glasses that Bono wears. Oh, man. Come on.

[Ryan Seacrest]

He's like Phyllis Diller. The Phyllis Diller of rock and roll with it. With the big glasses. It's odd. It's too much after.

[Harry Jacobs]

At first it was cool. Then it's like, okay, come on.

[Ryan Seacrest]

Yeah, enough. Enough is enough. July 4, 1970, the WHO performed at the Atlanta Pop Festival. This was something that included tracks from Tommy and of course, their first, certainly their first album, which was Buzz Meaty.

[Harry Jacobs]

Beatty, big and bouncy.

[Ryan Seacrest]

Just fun to say, right?

[Harry Jacobs]

It's a. It's terrific. I remember backselling it and screwing it up royally almost every Time.

[Ryan Seacrest]

It sounds like you're saying something filthy, but you're not.

[Harry Jacobs]

You're just right.

[Ryan Seacrest]

Giving the title of the who album and of course, Can't Explain and other great songs on that as well. On this day in 1982, Ozzy married Sharon. Sharon, the former Sharon Arden. Who was. Who was the relationship. The relationship between Ozzy. Who was he to Sharon at that. Or who was Sharon to Ozzy at that?

[Harry Jacobs]

Manager.

[Ryan Seacrest]

That's right.

[Harry Jacobs]

Yeah. Big force of nature manager.

[Ryan Seacrest]

She. She married him and really, I think continue to this day, continues to manage him. And she's done very well by him. Think about the trajectory that he was on after that. After that marriage, the television show, the reality show, her own career. She's. She's done a great job.

[Harry Jacobs]

She said, all aboard. I'm getting on the Ozzy crazy train.

[Ryan Seacrest]

And then she was the conductor. The conductor. July 5, 1975, Pink Floyd performed Wish you were here, some tracks of that at the Nebworth Festival in the United Kingdom. In London, Roy Harper joined for have a Cigar. Is that a name that rings a bell to you, Roy Harper?

[Harry Jacobs]

Yeah, I remember he had, you know, certainly an album or so out. So it was, you know, early progressive. I couldn't remember anything about him. But, yes, I do remember that name.

[Ryan Seacrest]

Interesting story there. And Pink Floyd did not have a lot of folks ever really join them. They kind of stood on their own. It wasn't like the Stones who would bring guests out or others who will bring guests out. But this is something that happened early on and in their, you know, in their career.

[Harry Jacobs]

And people are so crazy in a good way over progressive rock and Floyd and all that, you know, I'm sure someone will let us know, hey, you idiots. He did this or he did this with Pink Floyd. So we'll probably follow up on this.

[Ryan Seacrest]

Absolutely, we will. In 1991, Guns N Roses, you Could Be Mine was released as a single from what movie buzz would it be?

[Harry Jacobs]

Terminator.

[Ryan Seacrest]

It would be. It would be Terminator 2. That's a number 29 appearing on a movie soundtrack. This would not be their first time doing that in 1991. In 88, welcome to the Jungle was featured in the Clint Eastwood movie the Deadpool. And Jim Carrey played the singer of this band that was making a music video and ended up meeting his demise during the course of that. That process. In that movie, Jim Carrey, serious actor, played an addict. And the song he was, you know, singing during the music video was welcome to the Jungle. That was our first exposure to. To welcome to the Jungle.

[Harry Jacobs]

Great songs.

[Ryan Seacrest]

I remember I was spending a lot of time with our friend Chuck Nolan in those days in 1988. And I remember us hearing that after seeing that movie, thinking what a song that is. That's one immediately, the first time you hear it, you go, what is that?

[Harry Jacobs]

And we know very well Chuck Nolan, quite a headbanger in his day.

[Ryan Seacrest]

He was. He had the mullet going. He had that big head, a head of curly hair.

[Harry Jacobs]

Yeah.

[Ryan Seacrest]

This was not morning show Chuck Nolan. This is not, you know, the older Chuck Nolan. Chuck Nolan, the later years. Right.

[Harry Jacobs]

So he would hate us for this.

[Ryan Seacrest]

He. And let me tell you something. I'm gonna make it. I'm gonna cut a little MP3 of it and I'm gonna post it on our Facebook. In 1943, on July 5, Robbie Robertson, the guitarist and songwriter for the band, was born in Toronto. The Last Waltz. The. Wait, you have a. You have a connection to Robbie Robertson. You have a love for that band. Take me through a couple of your favorite stories and memories for Robbie.

[Harry Jacobs]

Oh, I had a few of them over time, just direct occurrences. I remember one of the times, actually, I don't think I've told you this. I did a series of New York City shows that I didn't do. I produced for my morning show at that time. That was Tommy and the bull from FM 99 WNOR, the late bull and Norfolk. Yes. And we were camped at the. I believe it was the Carnegie or the stage deli. And that's what we were bringing guests in. And, you know, lo and behold, we got Robbie to come on over and spend the half hour and do an interview over there. So he was always very amenable to doing things. Certainly seemed shy, but also was very transparent about stories. And it was really always wonderful to be able to have time with him. Here's another bit of trivia. His first name is not Robbie. Do you know what it is?

[Ryan Seacrest]

No, I have no. I had no idea that his name was not Robbie.

[Harry Jacobs]

Jamie.

[Ryan Seacrest]

Really? Jamie, is it? Is Robbie the middle name?

[Harry Jacobs]

I believe so. But Jamie. Robbie Robertson, I believe. Yeah.

[Ryan Seacrest]

Isn't that interesting? He. There are two. Two other things here. You have spoken with me in the past about his reputation amongst band members in that band.

[Harry Jacobs]

Yeah. People think that ultimately he kind of pulled the land grab, if you will. And when the Last Waltz finally occurred, things were crumbling down with the infrastructure of the band. But I think some people thought right up until Robbie's end that he kind of did the other band members wrong and kind of you know, as far as songwriting credits and those sort of things, we'll never know.

[Ryan Seacrest]

You know, he also had a great voice. He did some voiceover work, actually. He. He was the voice of a Budweiser commercial. And you had a little. You had a little light go off, a little brainstorm yourself after you heard that great voice of his on the Budweiser commercial.

[Harry Jacobs]

Yeah, I sort of knew he was hanging around some studio. And in the era of fax machines, I said, let me just put together a page of promos for WZLX and send him over. And sure enough, Robbie got him. And I think the next day or two days, a FedEx shows up and there is a tape with Robbie's session.

[Ryan Seacrest]

And it was pretty freaking cool, really pleasant. Here's a word for you. Mellifluous voice.

[Harry Jacobs]

Oh, yeah.

[Ryan Seacrest]

Deep and raspy and just sounded like a regular guy. So hearing him read our liners for ZLLX was quite a little hit.

[Harry Jacobs]

It was fun.

[Ryan Seacrest]

Yeah. July 6, 1964, the Beatles released the film the Hard Day, A Hard Day's Night, and that, you know, featured Can't Buy Me Love, among other songs. Can't Buy Me Love ended up making it to number one. We obviously don't get through a week without Beatles, so.

[Harry Jacobs]

That's right. It's another Beatles week.

[Ryan Seacrest]

Great song, great movie. And we just talked about Queen a few minutes ago. But in 1973, on July 6, their first album actually came out. And Keep Yourself Alive was on that. That was the big. The big rock song from that album. And what a great song it is.

[Harry Jacobs]

I like that one.

[Ryan Seacrest]

Unique sounding.

[Harry Jacobs]

Yeah, I like that one. That's a good one.

[Ryan Seacrest]

When Covid happened, Brian May started to. And like a lot of us that were, you know, have gone to video from just doing audio. Brian May was trying to figure out how to do video. So there's a video of Brian May teaching you how to play if you're a guitar player. Keep Yourself Alive. And he's trying to figure out how to hold his guitar and get his guitar into the scene. And then it's the second he starts playing it, it's like, oh, it sounds just like the record. He. He gets that sound. By the way, part of that sound of his guitar is that he plays with our equivalent of a quarter. And. And it's got those. You know, a pick normally is just a flat piece of plastic. A flat triangular piece of plastic. He plays with basically a quarter and he uses those serrated edges to get his sound.

[Harry Jacobs]

That's pretty cool.

[Ryan Seacrest]

Really unique. So if you're a guitar player, you want to check that out on YouTube, just go to, you know, go to Brian May tutorial and you'll find a bunch with him. 1985, Phil Collins released no Jacket Required hit number one. I. I was a fan of studio. The other song on that album was One More Night. Those AC songs that Phil Collins did, I grew very tired of because I was playing them on the radio. I was never a fan of the schmaltzy Phil Collins.

[Harry Jacobs]

Same here. But boy, his body of work, whether it be his solo body of work, whether it be his Genesis work, or whether it be with the other amazing band that he. He fronted that kind of flew under the radar. I don't know if you knew about that band, Harry. They were called Brand X. Did you know about that?

[Ryan Seacrest]

No.

[Harry Jacobs]

Brandex, a fusion jazz band basically that knew how to rock real hard and was just really tremendous to. To see in person. So great respect for, for Phil and his body of work. And take a guess what's going on right now, Harry. Take a guess.

[Ryan Seacrest]

Tell me what's. Is your dog barking in the back? One of your. One of your many dogs? Tell me what's going on.

[Harry Jacobs]

FedEx is here. I should bring the microphone out and have the FedEx person come on. Since.

[Ryan Seacrest]

FedEx guy may have a Phil Collins story. He may be rocking some Phil Collins in his. In his truck right now. We don't know.

[Harry Jacobs]

He could be.

[Ryan Seacrest]

You know, I want to talk about Genesis for one minute because in 1983 they released an album. This is a band that just got better and better over the years. That album in, in 1983, you know, I think it was just called Genesis. Mama, Home by the Sea, Illegal Alien, Just a Job to Do. That's all. All taking it all too hard. But there are two songs that I don't know. Silver Rainbow is one of them. I think that, that, that does not ring a bell with me. And maybe second Home by the Sea, part of, part of that, or it's getting better. But that was a. An album that really rocked. Mama was a really creepy sounding song.

[Harry Jacobs]

Yeah, it was. But. But you just went through. And there you go. 75 of the songs on there, you know, really sound great. I. My favorite on that was Home by the Sea by the Way. Not Home by the too, but.

[Ryan Seacrest]

But.

[Harry Jacobs]

But we sometimes on the little sessions that we have here at the. The household listening to music, we go deep into the Genesis catalog many times.

[Ryan Seacrest]

Think about three Sides Live, right? There were some, some great songs that live version. Not that ABACAB wasn't an epic on the ABACAB album, but that, you know, eight or nine minute version on the live album, on three Sides live was really fantastic.

[Harry Jacobs]

A great story. You know, musically, Phil Collins, sad ending for sure. You know.

[Ryan Seacrest]

Yeah, he can barely stand now and doesn't play so but his son Nick.

[Harry Jacobs]

Collins has taken over when at least he did for a time.

[Ryan Seacrest]

You know, a great, great player in his, in his own right. So with, with that that brings to a close this week in music. July 6 would be the last day that we cover for this one.

[Harry Jacobs]

Well, it was a terrific week and as always, a terrific one to go over with you Harry for this week in Music history. For the week of June 30th.

[Ryan Seacrest]

Hey.

[Buzz Knight]

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[Unknown]

Are you still quoting 30 year old movies? Have you said cool beans in the past 90 days? Do you think Discover isn't widely accepted? If this sounds like you, you're stuck in the past. Discover is accepted at 99% of places that take credit cards nationwide. And every time you make a purchase with your card, you automatically earn cash back. Welcome to the now it pays to Discover. Learn [e-mail] credit card Based on the February 2024 Nielsen report, homes.com is the only place where you can find specialized neighborhood guides with the in depth insider info home shoppers want. Very in depth info. Want to know if there's homes for sale in the area? We've got it. How long has a home been on the market?

[Ryan Seacrest]

We'll know it.

[Unknown]

Average lot size?

[Harry Jacobs]

Uh huh.

[Unknown]

Proximity to local parks. Of course. Insight into your neighbor's divorce? We're working on it. Homes.com We've done your homework.

[Jenny Garth]

This is an iHeart podcast.